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  • Extraordinary chemistry between Tim Roth and Tupac Shakur is the best feature about this movie.

    The situations are really interesting with a bit of black humor and some action going on. Tupac Shakur, against all criticism, delivers a solid, believable, likable performance. Tim Roth is amazing and delivers a badass performance as the "cool" junkie with a bad attitude.

    I really dig how they care for each other and how they help each other whenever there's trouble. The drug sub-plot is also interesting and very good carried on.

    Years ago I mentioned on another review that this was the best on-screen duo of 1997. I still think the same.
  • jotix1004 January 2008
    Warning: Spoilers
    Imagine the lives of the two musicians, Stretch and Spoon, part of a jazz combo that receive a warning sign when the other member of the group, the sultry Cookie, the singer, is found almost comatose after a drug overdose. Stretch and Spoon decide they have been lucky, so far; they must change their lives and their dependency on drugs.

    Alas, the system is against them. The two embark in a vain attempt to be enrolled in Medicaid so they can be detoxed. Everything turns against them. To vent their frustrations, they visit the drug dealing Mud, but they are surprised what they find in the apartment. Then, to make matters worse, they are chased by a dangerous duo who want something they took from Mud's place that belong to them.

    The pair get into all kinds of hot water. They are even shown on the television news as the probable culprits for offing their friend. In every government agency the two visit, they are dealt a blow, as nothing comes as simple as what they thought would be a cinch. In order to accomplish being admitted to a hospital and be treated, Spoon asks his buddy to stab him, after Stretch has been shot in the arm. In a hilarious sequence, Stretch tries in vein to do what his friends want him to do.

    "Gridlock'd" directed by Vondie Curtis Hall, an actor making his debut behind the camera, is a personal triumph. Mr. Hall got an excellent crew to work with and amazing performances from Tim Roth and Tupac Shakur, a rap star who died too young. Mr. Shakur impresses as he holds his own against a more experienced film actor of the stature of Mr. Roth. Both are great fun to watch. Thandie Newton, a gorgeous actress, plays Cookie, a sort of singer with an unique style. John Sayles, who had directed Mr. Hall in "Passion Fish" has a brief role as a cop.

    This film will delight viewers with its fast pace in the mean streets of Detroit. The language might put some people off, but it works fine in the context of the action and what the characters are supposed to be.
  • Warning: Spoilers
    This is a good film. But, pay attention to the certificate rating, it is definitely not suitable for kids. Don't watch if you hate films about drugs, violence etc, because you could be appalled by this film. The two main leads, Shakur and Roth both do an excellent job, and make their parts believable, as do many of the less frequent characters. However, the plot is a little shaky. The film, although enjoyable, doesn't actually have much of a plot. It's just the two main characters trying to quit the habit, and then coming across their dead drug dealer...and then, they almost get killed, and then they are wanted by the police, and then their friend comes out of a coma, and they live happily ever after. The film just seems to stop dead at an ending, and i was taken off guard, expecting the film to last longer. Instead, you are left with an empty hole where a good ending should be. Because there really isn't any ending. Having said all that, it is worth a look, if you don't get offended easily!
  • From the very first to the very last scenes of this film, I sat immobile, bug-eyed, and completely agog at the sight of my own painfully hopeless experience as a strung-out junk zombie. And I wonder: why did they never screen this film for us in rehab? Not only is "Gridlock'd" an exciting, intelligent, and visually riveting film, it is also dead on the money in its depiction of the excruciating emotional, spiritual, and material bankruptcy of a junkie's living death. Stretch and Spoon are well fleshed-out characters with which I can identify in almost every aspect, and are beautifully portrayed by Shakur and Roth. The true genius of this story is that, despite its grim and uncomfortably blunt treatment of its subject matter, it manages to convey a message of hope that no matter how deeply entrenched in addiction one may be, one CAN break the shackles of substance abuse and realize that one's life is worth saving.
  • The mixing in of the past into the present makes me think of Pulp Fiction. Of course Tim Roth, excellent again, might have pushed my thoughts that way unconsciously.

    There is a scene involving a pocketknife - to avoid spoiling your fun I won't say more - at the very end of the film which had me rolling around laughing with tears in my eyes.
  • Seeing how great 2Pac was here makes his shockingly young death even sadder.... he'd be one of the top actors on the globe if he was still with us today.
  • I just saw this film an hour ago and i have to say this is a better drug-related film than requiem for a dream. The film features Tim Roth and Tupac Shakur as two addicts who try to kick the habit after their friend (Thandie Newton) falls into a drug induced coma. After being given the run-around by various clinics and offices, they decide to fall back on some drugs before they get into rehab but are chased through the city by a drug dealer and police officers. Tupac and Roth are a great on-screen duo and the film does a good job of showing the grittier side of drugs and the difficulty of quitting. I highly recommend this film as one of Tupac's best and Roth's most obscure roles. Altogether a great movie.
  • Great movie! One of the best movies i've ever seen! This film shows how hard and difficult is to quit drugs and find a place for treatment when you're a poor person! Great acting, great plot and very well direct. This is NOT another movie about drugs and drug addicted only, its about burocracy of the healthcare system, how bad it is unless you have money and how it affects this people.

    Watch this movie if you can, its really good.
  • It's a film that anyone who has had to deal with jobsworth bureaucrats will find funny but true to life. It does have a serious subplot as to why so many do so little, other than pass the process back and forth. Some of the best moments are actually less to do with the headline stars, but the bored / tired / fed up minions obeying orders.
  • Rhythm is the key of this superb movie, the elapse is basically an endless chase that keeps you awake all through the movie. Besides the whole atmosphere is very cool the decadence of the junkie world has a glamour of its own, mostly when it's magnificent represented by Tim Roth (the acid James Cagney) and Tupac Shakur who really shows us his acting skills here. You gonna love him. The movie is basically perfect in the sense there's nothing to criticize: On every single aspect the movie is magnificent.

    Vondie Curtis-Hall simply couldn't make a better debut as a director.
  • Gridlock'd falls between good and okay, but veering more towards good. It's a fun time movie, and one I like a lot, with scenes that all too depressingly real about two no hopers trying to kick theur habit, with kicking in the new year, after their roomy Cookie (Thandie Newton) o'ds where there's a possibility that she may not come back. This impels Shakur to wisen up, where he and mate Spoon (Roth, again just what we expect from this impressive actor) are given the runaround while trying to get clean, waiting in line, going to office to office, dealing with rude assistants, while getting pretty hacked off themselves. Roth letting his lips flap with many an F word, was funny. Shakur who was one of those rapper/actor revelations, especially after seeing him in Bullet, and Roth made an interesting buddy team, where there was really great chemistry between the actors. Some other performances are noteworthy in bit parts. Their day gets worth when two thugs, who are ripped off by Shakur and company return, guns blazing, not happy with their non purchase of a stereo radio, veiled in a cardboard box (should of checked) where inside are bricks. There are a few side splitting and classically memorable moments, that were implanted my head, none more that stabbing scene. There's a real smartness to the film that has a real laid back feel, not really reliant on plot, just driven by the frightening and worrying catalyst at the start, where what follows is an all true realism of situations and hapless circumstances with our two character mains trying to achieve their goal, and continuing to come up against a brick wall. The movie has those admiring qualities going for it, only I just feel that wasn't enough to maintain good quality status. Stay for the song Traffic Jam, that comes after a sudden ending. I was enjoying the movie that much, as well as watching Newton slip back into her knickers and clothes.
  • This movie was just a lot of fun, no matter how you try and break it down. I saw it because of Tim Roth, and I'm glad I did; Tupac Shakur was just as enjoyable to watch, along with smaller roles from the now much-more-famous Thandie Newton and Lucy Liu.

    In retrospect, the character development isn't anything incredibly deep, but it still has incredibly funny and dramatic moments despite this. It plays like a stageplay on a skateboard, bouncing from place to place, the journey more important than the destination.

    Maybe that sounds a little silly, but it's still a lot of fun to watch and a lot of fun to go on a ride with these characters. Definitely a great kick, as we patiently wait for another film from mostly-actor Vondie-Curtis Hall.
  • Gridlock'd (1997) is a movie that I recently watched for the first time in a long time on Tubi. The storyline follows a pair of junkie friends without a job, money or drugs...they want to go right but the system denies them at every corner. If the system won't help them, who will?

    This movie is written and directed by Vondie Curtis-Hall (Waist Deep) and stars Tim Roth (Four Rooms), Tupac Shakur (Poetic Justice), Thandiwe Newton (Westworld), Charles Fleischer (Zodiac), Howard Hesseman (WKRP in Cincinnati) and Lucy Liu (Kill Bill).

    This movie had a tremendous storyline and an impressive cast that delivers remarkable performances. Tim Roth is outstanding and Tupac delivers a solid supporting role. Even the side characters are solid as I enjoyed Newton, Liu and Fleischer. Some aspects of the plot felt unrealistic, but the genuine circumstances and challenges were authentic. The ending song during the credit was far and away the best part of the movie. If we got to see those characters during that time in their lives, this may have been a masterpiece.

    Overall, this isn't the best drug related movie but it is entertaining and worth a viewing. I would score this a 6/10 and strongly recommend it.
  • andreas-1931 October 1998
    Tim Roth is great, but due to a lack of story this movie is boring. 4 of 10 points.
  • Warning: Spoilers
    On New Years Eve, jazz musicians Stretch, Spoon and Cookie are using when Cookie overdoses. This is all the motivation Spoon needs to kick and both he and Stretch resolve to give it up. They spend the next day trying to get into a rehab clinic while also getting accidentally mixed up in a murder enquiry.

    This is a very dark satire on the bureaucracy of the US healthcare system - a wonderful system if you can afford it, unfortunately not for the millions of disenfranchised who are outside the system. Like Stretch and Spoon. The film shows the frustration they experience with a system that is not focused on the needs of their customers but is layer upon layer of paperwork and bureaucracy. The film shows them getting the round around when all they want to do is kick. However this is not all one sided - the film is intelligent enough to know that both clients and system need to give some. As one of the health care workers says "we have rules. You expect the world to stop just because today you've decided to kick. Like we've all been waiting for this day for 10 years!"

    This is very clever because the film doesn't want to be too sympathetic to junkies after all. However it also rightly sees the major problems that exist in the system. The subplot involving the drug-related murder is a good addition to the plot as it compliments the range of problems they are experiencing, and somehow it doesn't seem to fit in too badly with the story even though it relies on several coincidences to get it moving.

    The direction is good, the flashbacks are well handled visually and in terms of placing them within the film. The feel of the film is gritty and unrealistic, the drug use is viewed neutrally - the good side of it sits beside the bad side and neither is pushed more than the other. Vondie Curtis Hall is a great actor (with a cameo role here and plenty of great performances in Passion Fish, Drop Squad, Crooklyn), here he shows that he is a good director as well (I can forgive him for Glitter!). But the story is what makes this film - it's dark right up till the end, but the ending feels like a cop out - is it a flashback or is it a happy ending? I don't know.

    The performances are roundly good. The chemistry between Tupac and Roth is natural, with Tupac playing it calm and Roth being more angry and aggressive. Both are convincing - Tupac is a good example of a musician crossing over into film and giving a good performance - Master P et al please take note and stop being so arrogant! This is a fitting testimony to Tupac's talent. Roth is good as always with his American accent. Thandie Newton is very good looking and is a good actress but here she's not totally convincing - epically during the jazz scenes where she doesn't really have the voice to be convincing. Outside of these three the rest of the cast throws up some well known faces - Vondie Curtis Hall is good and Lucy Liu makes a brief pre-fame appearance.

    Overall a solid drama that is a good satire that is greatly helped by the chemistry between Tupac and Tim Roth.
  • This movie was just OK but for Tupac fans its a must watch. I'm one of the biggest Pac fans and I still walked out of this movie 20 minutes before it let out. I think I was like 13 when it came out. I just remember It have so much cursing in it, but overall it showed that Tupac had a promise career with in film..
  • Warning: Spoilers
    I've always liked this movie. It really is sad to see Tupac. He was a promising actor, and this is a prime example. There is no doubt that he would have gone on to nothing but bigger and better things. This movie has a very real feel to it. The portrayal of civil servants (dept. of social services, and the police) is a times spot on, and at others way off. One thing that really stood out about the movie this most recent time viewing, is the lack of concern over "Strech"'s positive HIV status while "Spoon" is requesting to be stabbed to get into the emergency room. I just think "Spoon" would have been concerned about contracting HIV, as "Strech" was bleeding himself. More so, wouldn't this have come to "Strech"'s mind as well. I think the addition of some dialog regarding this would have been more responsible. Bottom line, this is a great movie that should be seen, 18 and up, and will remain in my library.
  • There's a sarcastic phrase people use here in the UK that goes, "How very different from the home life of our own dear Queen!" It definitely applies to this movie! Tupac Shakur and Tim Roth play two small-time drug-addled crooks who have a bad experience, so they decide to get clean. They're completely sincere and determined to do it, but the film is about how difficult it is, in practical terms, to get off drugs in today's USA. Despite all the political hype and the government programmes and the well-meaning organisations, when a guy actually walks in off the street and says 'Get Me Off Drugs', he faces a bewildering maze of stifling bureaucracy and indifferent public officials which seems designed to set him straight back on the cycle of despair.

    So the film is sometimes frustrating to watch. It's grim in parts too. But it's also very funny. Tim Roth is as good as ever, but Shakur is a revelation. His earlier films were not so good, but here (his final movie before being murdered) he seemed to hit a groove. The chemistry between the two leads is great. The film is really about friendship as much as anything else.

    Gridlocked is different to any film you've ever seen. At 91 minutes it doesn't out-stay its welcome, and the pacy direction keeps it moving along nicely. It's not a classic but it is well worth seeing.
  • There are only a few films that I would give ten stars and this is one of them. I might be slightly bias due to the fact that I am a fan of 2pac but I truly believe that this is one of the best films that I have seen. It follows the story of two friends Spoon (2pac) and Stretch (Tim Roth) as they attempt to get into a rehab centre so that they can kick their drug addiction. The film which also features Thandie Newton really makes you feel like you are going on the journey with these characters as both 2pac and Tim Roth give very convincing performances in this brilliant film that in my opinion is underrated. I would recommend this film to most people but I think 2pac's fans will appreciate it most of all.
  • Tim Roth and Tupac are a couple of crackheads who party so hard on New Year's Eve they end up having to drag their roommate Thandie Newton to ER in a desperate bid to save her life.

    At which point they decide to get into rehab and get clean.

    Easier said than done.

    Their dealer gets murdered. That guy's dealer is chasing them. Every agency they try to access has an impossible mountain of rules to follow.

    It's pretty entertaining, actually. It helps that Tim Roth is one of the great actors of his generation, while Tupac almost certainly would have been, had he not been murdered on the Vegas strip. Their chemistry is superb and you just gotta cheer for them to prevail.
  • Warning: Spoilers
    After their brash jazz singer pal Cookie (the adorable Thandie Newton) winds up hospitalized from overdosing on bad smack, mellow, sensible, long-suffering bass player heroin addict Spoon (a wonderfully laid-back and affable Tupac Shakur) and his wild, irrational, unpredictable keyboardist fellow dope fiend best friend Stretch (a marvelously manic Tim Roth) decide to go into rehab in order to kick their habits. This seemingly simple task proves to be easier said than done when the hapless pair run afoul of both angry drug dealers and a lumbering bureaucracy that's rife with red tape, apathy and incompetence.

    Writer/director Vondie Curtis Hall expertly mines a savagely funny line in raw, caustic and profane pitch-black humor while delivering a scathing indictment of the indifference and ineptitude of the social welfare system. Moreover, this film has a great rough, gritty edge to it that positively surges with a furiously hopped-up crackling vitality. Best of all, the amazingly springy'n'zingy electric and natural chemistry between the utterly engaging well-matched leads is a constant joy to watch, reaching a hilariously brutal zenith towards the end when Shukar persuades Roth to repeatedly stab him in the stomach so they can both finally get some much-needed medical treatment. Roth and Shakur shine in their roles, plus there's terrific supporting turns by Newton, Hall as a lethal drug dealer, Tom Towles as Hall's equally deadly partner, Howard Hesseman as a weary blind Vietnam veteran with a seeing eye dog named Nixon, Charles Fleischer as a helpful social worker, Elizabeth Pena as a snippy hospital admissions person, Bokeem Woodbine as a volatile junkie, Lucy Liu as a cokehead, and John Sayles as a jerky cop. The movie's refreshingly candid and honest depiction of interracial relationships qualifies as another significant asset; the scene where Shakur chastises Roth for his overly liberal use of a certain harsh racial epithet in particular is a small gem. Bill Pope's slick, accomplished cinematography and Stewart Copeland's funky, syncopated score are likewise on the money excellent. A real treat.
  • Gridlock'd is a 1997 dark comedy that follows two friends trying to kick their drug habit after a friends overdose. But when they try to enroll in rehab they find out that getting clean is harder than they thought.

    This is a great movie that I feel like is not high on the radar when talking about good films from the 1990's. It takes an interesting look at the difficulties of trying to get off drugs while keeping the tone of the movie a little lighthearted and fun. The two main characters portrayed by Tupac Shakur and Tim Roth are instantly likable and capture your intrigue and interest from the very first scene. Their performance in the film is sincere and believable, making it feel like they have been best friends forever. The story is well written and entertaining, the acting is fantastic, and it's the kind of movie that never gets old no matter how many times you've watched it.

    If you have never seen Gridlock'd before, I would definitely recommend checking it out.
  • A great dark comedy. The reality of dealing with social services when your on the brink and even me being from Dublin, Ireland, this film really portrayed similarities and draws you in as if it were two Dublin junkies and not two Americans. A fast paced classic with twists turns and never ending bad luck, all while we are treated to great anecdotes. Tim Roth's acting is brilliant as usual and Tupac Shakur surprisingly puts out a top notch performance. If one has to be picky we are put through the odd annoying flashback and sometimes they seem a bit too fluid for two junkies. As a dark comedy should be, the funny moments are hilarious and this is tied in perfectly with the dark reality. You will watch this never ending adventure to get clean again and again.
  • JoeytheBrit18 June 2009
    7/10
    Good.
    I wasn't expecting too much from this offbeat comedy, especially as it takes a little while to get going, but was surprised at how good it was. This is thanks largely to the on-screen chemistry between Tim Roth and Tupac Shakur as a couple of drug addicts who decide to kick their habit when flatmate Thandie Newton nearly dies from an accidental overdose.

    From such thin premises are great films sometimes crafted, the thinness of the plot meaning that the writers inevitably need to rely on characterisation to flesh things out. If they get it right they can create a classic, if they fail we can all end up watching an interminable mess. Here, Vondie Curtis-Hall does succeed in creating a couple of improbably likable anti-heroes in the form of Stretch (Roth) and Spoon (Shakur), while falling down a little in the realism of some of their decisions. It's nice, though, to see a film about characters like these which isn't downbeat and depressing. Despite their situation they each have an innate optimism and drive that is endearing even if it doesn't quite ring true.
  • cpu-413 November 2017
    The trailer looked like fun, but it's been a while since I have seen such a boring flick! The current IMDb rating of 7 must be because of all the Tupac fanboys.

    I really couldn't stand all the pretentious pseudo intellectual crap talking. And all the cigarette smoking, every single scene - looks so cool and rebellious... if you are 14 perhaps.

    Special marks to the black girl with the British accent for playing such an annoying, vapid, super pretentious bimbo. I'm sure in real life she is nothing like that, and she was really cast for her unique acting abilities.

    Tupac comes across as a pretentious wannabe poet rather than a street smart rapper. Watching him pretending to play double bass in a jazz band with his cracker buddy on keys, and the bimbo uttering faux deep bullshit in the mic... embarrassing!

    If I was a Tupac fanboy, I really wouldn't like to see this movie!
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