L.A. Confidential

What happens when a squad of corrupt cops in the 1950s explore a murder case from multiple angles and find their corruption coming back on them like chickens coming home to roost? Who will solve the crime? Who will survive and what will be left of them?

This movie is phenomenal. The only reason I didn't give it 10 out of 10 is because I didn't care for the ending (which I won't reveal). It's a world were Hollywood and law enforcement cross over and even the hookers want to be movie stars.

I have not read the Ellroy novels, but I have been told they are even more intricate than this film with a lot more backstory. I would watch a five or six hour version of this film. But even so, that is the strong point of this film: multiple stories that begin to overlap. Sure, others (Tarantino) have tried this, but I think this is the most expertly done conception I've seen yet.

Kevin Spacey's part as a Hollywood obsessed cop is beautiful and he fits the part to a tee. His role is supposed to be similar to Dean Martin and I can see that; Spacey again harnessed this kind of character when he made "Beyond the Sea". Spacey's role is the connection between the world of law and the world of fame.

Russell Crowe plays the "bad cop" who crosses the line with sheer thuggery and an attraction to a prostitute (Kim Basinger, who does a fine job being both alluring yet tasteful). His part was supposed to be for Michael Madsen (one of the greatest actors of all time for a cop/crook movie), but I think Crowe may have been the better choice. Who else can be a natural thug?

Guy Pearce... I was not sure how to take him. I have not enjoyed him ("Time Machine") and yet also loved him ("Memento"). In the beginning, I thought it would be another geeky Pearce role and I was a bit concerned. But as the film progresses, so does Pearce's character become more lovable and impressive. You'll agree.

Danny DeVito was okay and James Cromwell was insidiously delightful.

Brian Helgeland adapted this screenplay. You may know him best as the writer of "A Knight's Tale" and "The Order". The Order was crappy. But A Knight's Tale is fantastic. This, by far, will go down as his crowning achievement. He may as well call up Michael Bay and go retire in the South Seas where they'll never be found.

Simply put, this is the best film I've seen in at least a month (and I watch at least a movie a day). Maybe the best film I've seen all year. Don't set this movie aside, you need to put this on the top of your honeydew list.

One of the greatest films ever made, L.A. Confidential benefits from a great script (Brian Helgeland), great performances (Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger, James Cromwell, Danny DeVito, David Straithairn), and great direction (Curtis Hanson). It's not easy to do a film noir in modern times that is set it in the past. All too often, the performances are too stylized or nonorganic, the direction is stilted -- the whole thing comes off as an attempt, and not a very good one. In this case, though, the result is brilliant.

Basically, L.A. Confidential is the story of three very different kinds of police officers who become involved in the same case, the Night Owl Murders. There's Russell Crowe as Bud White, the loose cannon, a strong but vulnerable cop; Guy Pearce as Exley, the political, honest, by the book cop who incurs everyone's wrath; and Kevin Spacey as Jack Vincennes, the celebrity detective who is a consultant on a Dragnet-type TV show, Badge of Honor. He works hand in hand with a writer for Hush magazine (Danny DeVito). But they're not the only ones embroiled in the Night Owl diner slaughter. There's Dudley Smith (James Cromwell), the Chief of Police, Ellis Loew (Ron Rifkin), the bisexual D.A., the wealthy, powerful Pierce Patchett (David Straithairn); and Lynn, the Veronica Lake-lookalike call girl (Kim Basinger). And Rollo Tomassi, of course - an important name in the investigation.

It's hard to single out any one performance. The film is perfectly cast. The three officers - Spacey, Crowe, and Pearce - are as brilliant as the characters they play are different. And everyone else in the cast is fantastic as well.

Historically, there are some things that are not correct as far as Hollywood - The Bad and the Beautiful and Roman Holiday did not run at the same time; and the duo of Johnny Stompanato and Lana Turner came later. However, two elements of the film are based on reality or at least rumors - there was supposedly a call girl ring where the women looked like famous film stars; and "Hush" magazine, the cover anyway, looks like "Whisper" magazine from that era.

L.A. Confidential is a story of twists, turns, and camaraderie that take place on the mean streets of '50s L.A., a story that winds up changing the lives of everyone involved. Filled with atmosphere and suspense, it's a not to be missed, violent, vivid portrait of a time when things at LAPD were (and still might be today) off the record, on the q.t. -- and very hush-hush.

In the gritty LA of the 1950's, stardom is the boom industry and all is about appearance and visual image. However under the surface drug use is rife, prostitution is rampant and the police officers are violent thugs. In the middle of this are three officers with different aims. Ed Exley is an ambitious young officer who will do anything to climb the ranks, Bud White is a muscle man and gets the job done while Jack Vincennes is only concerned with celebrity busts and getting his face in the paper. When the three come together on a coffee shop killing that brings in elements of cases they are following they solve it together. However each has suspicions that something is not right.

I'm sorry to say that I didn't pick up on this at the cinema and it wasn't until the Oscars brought it to my attention that I first saw it. Since then I have seen it several times and have enjoyed it every time. The plot is slightly complex (although maybe not by the genre's standards) and it isn't simplified for the audiences sake – it respects the audience enough to trust us to keep up with it's pace. The film is split into three strands dictated by the characters, they are not quite distinct but are mostly intertwined the whole way through – coming together in the final hour to great effect.

The pace of the telling is great; it has moments of drama, of tension and great action. Hanson has done a great job with the direction, he has a great sense of place and time to his 50's Hollywood – whether it be the stars' lives or the black suburbs – but he directs each scene with a sense of tension and urgency that the material deserves. The final twist is OK if not great but it is more the telling of the story that is enjoyable, not just the denouncement.

The casting did a great job of getting growth names and established qualities but no one huge star who could dominate the film. It is the Australian stars that stand out here. Pearce is excellent with a subtly changing character but it is Crowe that sticks in the memory with a very strong character and a performance to match. Spacey is as quality as he ever is (or at least, was for a few years either side of this film) and the support cast is as good with De Vito, Basinger, Cromwell, Rifkin, Strathairn and Guilfoyle.

There is nothing I really dislike about this film. The longer than average running time is not a problem as it easily fills it without dragging at any point. The film oozes class and has a great tough plot from Ellroy where nothing is as simple as right/wrong and everything comes together at the end. A real classy film with brains and brawn which continues to be one of my favourites of recent years.

Give a collection of great actors a great story to work with and you are likely to end up with something rather special. Such is the case with L.A. Confidential. The boldface names jump off the page...Kevin Spacey, Russell Crowe, Kim Basinger, Danny DeVito, James Cromwell and, in his first big-time role, Guy Pearce. And none of these big names are just mailing it in, here to collect a paycheck. They're all on top of their games, undoubtedly helped to no small extent by the wonderfully nuanced and utterly intriguing story.

This story takes place in 1950s Los Angeles but this is a side of L.A. most people don't get to see. Behind all the Hollywood glamour L.A. has a seamy side which will be the focus of this tale. At the heart of the movie are three cops who ostensibly are supposed to be working together but who go about the business of dispensing justice in very different ways. Crowe plays aggressive hothead Bud White. Spacey is Jack Vincennes, who takes more pride in his work as an adviser on a popular television cop drama than he does in his actual police work. And Pearce plays Edmund Exley, a young up-and-comer in the department who plays things by the book. As we will soon see Exley is rather unique in an LAPD which believes in doing whatever is necessary to bring the guilty to justice. Even if it means becoming a little guilty themselves.

The movie really begins to move forward with a massacre at a coffee shop. It seems a pretty cut and dried case but initial appearances can be deceiving. Soon White, Vincennes and Exley will find themselves caught up in a maze of lies, deception and mystery. It will be a great test for these very different men as it appears they may well need each other's unique talents to solve this puzzle. And quite the elaborate puzzle it is. One important piece is Lynn Bracken, a high class call girl played by Basinger. Tying together many of this complex story's strands is gossip writer Sid Hudgens who is played with appropriate sleaziness by DeVito. And in the background the whole time is the somewhat mysterious Captain Dudley Smith, played by Cromwell. Here is a man who believes in bringing the guilty to justice by any means necessary. That's all well and good if you know who the guilty are but in L.A. Confidential you're never quite sure who to believe. The viewer is guessing right along with the investigators on the screen. And in the end it all comes together and pays off brilliantly.

L.A. Confidential is first and foremost a great story, with many fascinating twists and turns along the way. The film also serves as a showcase for some of this generation's finest acting talents. Each of the main characters is wonderfully unique and each of the actors involved does a terrific job in bringing those characters to life. These are complex characters in a complex tale. It's so involved that the acting had to be stellar if this film was going to work and none of the stars disappoint. Terrific storytelling brought to life by a collection of inspired performances makes L.A. Confidential an absolute winner.

L.A. Confidential most likely falls into the category of one of the best movies of the past twenty years. The complex story line seemed to burst at the seams with intelligence. I found the complexity of several different sub-plots working together challenged the intellectual part of my brain while the intense action through out the entire movie satisfied the craving of the not-so-intellectual part of my brain that enjoys seeing a good brawl followed by a good shoot-out. Brian Helgeland and Curtis Hanson did and excellent job of combining many elements of several different kinds of films into one. They seem to have made this movie with several different audiences in mind. I for one, as I have mentioned, enjoyed the intellectual aspect as well as the action, while my wife enjoyed the combination of a love story with drama. It really has something for everyone. Bringing together all of these elements into one film sets it apart from many others. Of course the best aspect of L.A. Confidential is the way that not everything is as it seems, and then, in an instant, all of the plots are sprung like a trap and come together for a grand finale. Overall L.A. Confidential is an exceptional film that contains something for everyone.