2 July 2007 | esgue001
Art Camacho's directorial style is unmatchable
We picked up Little Bigfoot at a Winn-Dixie supermarket. I can't believe that the store would have the utter gall and contempt for its customers to place Little Bigfoot in the bargain DVD bin. From the initial shot of the sneering, eye-patch-wearing logger to the subtle POV shot of sawdust from a logger's chainsaw falling on the camera lens, the director unflinchingly inserts every known movie cliché, only to skewer it in the next utterly unique shot. Our group of reviewers discussed the merits of the film well into the night; I have not had such an enjoyable movie experience since MST3K was canceled.
It is incomprehensible that a work of this magnitude should be followed by a sequel, but indeed Little Bigfoot II was released mere months later. Apparently the power of this one-two combination was too much for the producers, as we have not been treated to a third blockbuster installment.