Another 9½ Weeks

This film truly bored me. Roarke looks terrible, Angie Everhart's character went nowhere. The storyline is incomprehensible.

Ice-cold movie that fails to engage the viewer, despite having loads of glamor, which is what RavenGlamDVDCollector is all about, so if I'm not happy about it, something is seriously wrong. To the reviewer who said that Angie Everhart would have been great had it been a silent movie, hell, you summed it up most eloquently! She looks like a thoroughbred racehorse, but fails to emote any real feeling. True, she is a classy- looking leading lady, but comes across as not even lukewarm. Makes me wary of pursuing her other titles.

At the beginning of the movie there is this scene with a fantastically beautiful girl, only credited as 'beautiful blonde' (Philippa Mathews). However, John Gray isn't satisfied by her, and his attention wanders, he is distracted by a neighing cart-horse that seems to have suffered a stroke outside in the street. The police arrive and they administer a lethal injection to put the poor animal out of its misery. This is a metaphor for this entire movie.

Mickey Rourke isn't as bad as one of the reviewers made him out to be. Twelve years later, of course he'd be far less good-looking. Couldn't care much for the character of John Gray though. Movie cried out for Kim Basinger, who was riding the crest of the wave of L.A. CONFIDENTIAL at the time and couldn't be bothered, lucky for her. Or perhaps Adrian Lynne might have been there had Kim been there? Anyway, a decent spark of real interest might have kickstarted this flimsy plot.

Jeesh, those hateful paintings! So Liz is supposed to have painted that dreck? With Vittorio as the model? Yuck! They're worth a few hundred dollars, and that's for the frames. Jeremiah the Bullfrog on a bad day is a much more pleasing sight. Listen, they obviously obtained the rights to plow with other people's horses, but they sure lead them astray. So Kim wasn't available, so Liz is dead?

Stylish people are, I suppose, quite often merely coldly efficient. There is only a reptile heart there, I suppose. Which is what is wrong here. The fashion show fails to be really exciting, it's all so damned cold, it looks good, but really lacks warmth. Glamor with very little sex appeal, or perhaps, sex appeal with no real sexiness? Nothing playful. These observations have been very educational to me. I have pinpointed a coldness in too-fluently-executed perfection. RavenGLAM has learned of a flaw in beauty. Perhaps over- confidence caused this coldness? Perhaps super-cold people hide behind visual excellence? Hell, HELP! This movie is ruining RavenGLAM!

Best thing of the movie: End credit (!!! No I didn't mean it that way!!!) featuring Julienne Taylor. Why Did You Do It? Hauntingly beautiful. Words doesn't really fit in with the theme of the movie, so it is simply played at the end. But wondrously good, a joy to hear.

Very poor sequel. Unsatisfactory. My rating of three is simply influenced by positively rewarding several glamorous scenes, the beauty, the composition, the photography. I cannot allow myself to give it just a one, which it truly doesn't even deserve. For what has been lost here, is big.

In its defense, it hardly belongs on the Top 100 Worst Movies. There are thousands of titles out there that fit that bill. But if you bestow this accolade as a warning to future fools who dare to tread where angels backed off, then I quite understand, and just nod sagely.

First off I LOVED the original 9 1/2 weeks, let me remind you that this film was previously close to 3 hours long and very faithful to the book (at least that is what I have read) apparently test audiences felt it was too disturbing so the director, Adrien Lyne was forced to cut A lot of parts. this is why the film looks disjointed - if you haven't noticed, the editing was pretty bad. I even read the Mickey Rourke had wanted Lyne to stick to his guns and let the film stay faithful to the book.

if you haven't read the book yet.. PICK IT up - its by far the best erotic novel I've ever read, its short and to the point.. apparently it is based on a true story - so it intrigues me even more.

back to my review on this sequel, lets face it folks most sequels are always bad.. its hard to make a great sequel period. when I first heard that there is a sequel to this film I was in shock - I felt that they should leave the story alone. but many of us who have watched the original have often wondered what became of the two protagonist... this sequel takes us there.

the biggest turn off was Angie Everhart's acting... yes she is gorgeous (not as gorgeous as Kim Basinger in my opinion) but looks only go so far - she was merely eye candy, watching her scenes was painful.

Mickey was great as the tortured John. I agree with another reviewer that the filmmakers made a wise choice to start the sequel where the original left off. I'm sure others would have liked john to move on - but that sometimes isn't reality. In theory the story was good, it just wasn't executed that well.

I really felt deeply sad for him and the fact that he could not be with the one woman he loved - even when confronted with gorgeous women - its just not the same chemistry as he had with liz. I like the fact that elizabeth liked the games John played without having to tell him directly - she was almost like a child - which John liked. whereas lea wanted john to play with her sooo bad - it seemed pathetic.

anywho.. the acting on everhearts part made the film bad for me... overall the film wasn't that bad. I think most audiences are use to the typical films which Hollywood feeds us with, this one was different. It was extremely sad and painful - a love story so intense and so amazing, one in which its main protagonist has to move on with his life knowing that he will never be with the love of his life ever again.

There aren't enough words to describe what a disappointment this movie was. As a staunch fan of 9 1/2 Weeks, I was dubious about a sequel, but even my low expectations couldn't match the reality of "Love in Paris".

Nothing about the movie was reminiscent of the orignal. The role of John Gray seemed more pathetic than anything else. In addition to his "impotent" personality, was the fact that Mickey Rourke had gotten so out of shape that he was never allowed to take his shirt off. (Thank God)

Angie Everhart was true to form with her poor acting skills, and the plot was so weak that several scenes were obvious and badly revamped copies from the first movie.

The sad part is that they couldn't even get the scarf right. How hard is it to find/make a scarf to look like the original? This goes to show that Love in Paris is NOT a sequel. It is a movie that must stand on its own, lest it tarnish the memory of that first and great movie that it is loosely based upon. Trust me, if you experienced any type of titillation/attraction for the first movie/original characters...you do not want to see Love in Paris. Not only will you be disappointed in it, but the images of a paunchy and washed-up Mickey Rourke will erase any pleasant memories of you have of charismatic John Gray.

Another 9 1/2 Weeks (1997)

1/2 (out of 4)

What on Earth were they thinking? John Gray (Mickey Rourke) travels to Paris to try and track down Elizabeth but after learning that she's now married he starts up a relationship with a young fashion designer (Angie Everhart). I think 9 1/2 weeks in hell would be much more pleasant that trying to sit through this film. It has one of the worst reputations in the history of sequels and it's easy to see why. It would be like trying to make a Friday THE 13TH film but instead of violence, gore and Jason you threw in singing, good vibes and Barney the dinosaur. I'm really not sure what the producers were thinking but this here is perhaps the most unerotic erotic movie ever made. They clearly were just wanted to cash in on the notoriety of the first movie and I understand that. I'm fine that they were simply wanting to make money but for the life of me why would they deliver something like this? There's very little sex, little nudity and there's nothing erotic that happens. The majority of the overbearing 105-minute running time features the two stars just going into various clubs and getting in trouble. They flirt, they talk, they talk some more and then they go home to do nothing. Director Anne Goursaud might have been given an impossible task but she didn't help matters any. The pacing of the film is downright horrid, the lack of style just made for an ugly mess and I'm really not sure why she decided to make everything so dark. The entire film just seems like a bad nightmare that you can't wake up from and this includes the two leads. Rourke and Everhart have zero chemistry together and Rourke appears bored out of his mind and wishing he was anywhere but in front of the camera. ANOTHER 9 1/2 WEEKS is a really bad movie on all levels and it's even poor when compared to much of the direct-to-Cinemax trash that was making the rounds during this period.