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As Good as It Gets

  • 1997
  • PG-13
  • 2h 19m
IMDb RATING
7.7/10
329K
YOUR RATING
POPULARITY
1,755
298
Jack Nicholson in As Good as It Gets (1997)
A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.
Play trailer2:20
2 Videos
99+ Photos
Romantic ComedyComedyDramaRomance

A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

  • Director
    • James L. Brooks
  • Writers
    • Mark Andrus
    • James L. Brooks
  • Stars
    • Jack Nicholson
    • Helen Hunt
    • Greg Kinnear
  • See production info at IMDbPro
  • IMDb RATING
    7.7/10
    329K
    YOUR RATING
    POPULARITY
    1,755
    298
    • Director
      • James L. Brooks
    • Writers
      • Mark Andrus
      • James L. Brooks
    • Stars
      • Jack Nicholson
      • Helen Hunt
      • Greg Kinnear
    • 654User reviews
    • 141Critic reviews
    • 67Metascore
  • See production info at IMDbPro
    • Won 2 Oscars
      • 38 wins & 54 nominations total

    Videos2

    Official Trailer
    Trailer 2:20
    Official Trailer
    As Good As It Gets
    Trailer 0:32
    As Good As It Gets
    As Good As It Gets
    Trailer 0:32
    As Good As It Gets

    Photos136

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    Top cast81

    Edit
    Jack Nicholson
    Jack Nicholson
    • Melvin Udall
    Helen Hunt
    Helen Hunt
    • Carol Connelly
    Greg Kinnear
    Greg Kinnear
    • Simon Bishop
    Cuba Gooding Jr.
    Cuba Gooding Jr.
    • Frank Sachs
    Skeet Ulrich
    Skeet Ulrich
    • Vincent
    Shirley Knight
    Shirley Knight
    • Beverly
    Yeardley Smith
    Yeardley Smith
    • Jackie
    Lupe Ontiveros
    Lupe Ontiveros
    • Nora
    Jill the Dog
    Jill the Dog
    • Verdell
    • (as Jill)
    Timer the Dog
    • Supporting Dog
    • (as Timer)
    Billy the Dog
    • Supporting Dog
    • (as Billy)
    Bibi Osterwald
    Bibi Osterwald
    • Neighbor Woman
    Ross Bleckner
    • Carl
    Bernadette Balagtas
    Bernadette Balagtas
    • Caterer
    Jaffe Cohen
    Jaffe Cohen
    • Partygoer
    Laurie Kilpatrick
    Laurie Kilpatrick
    • Partygoer
    Alice Vaughn
    Alice Vaughn
    • Partygoer
    Brian Doyle-Murray
    Brian Doyle-Murray
    • Handyman
    • Director
      • James L. Brooks
    • Writers
      • Mark Andrus
      • James L. Brooks
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews654

    7.7328.6K
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    Featured reviews

    9fraser-simons

    More Pertinent To Life Than When It Was Filmed

    It's ironic that the ways in which this seems to have aged poorly-Melvin being homophobic, casually racist, and more-has actually made this movie more relevant. It forces you to think about every main character and the main theme is transparent and codified in dialogue: "You look at someone long enough, you discover their humanity."

    A lot of reviews condemn Melvin, but the film actually never asks the question as to whether or not Melvin, in particular, deserves pity, sympathy, and empathy. Because everyone deserves that, even people like him. There is not any real altruism instilled in him, or arguably anybody, but simply by proxy, empathy and love is a transformative experience for everyone involved. That's what the move is about.

    Not only that, but adjacent to OCD, which Melvin has, is Tourette's syndrome. I wish it had gone into whether or not any of his verbal compulsions stem from that, but it seems to imply that. Regardless, though, I think that his working toward reparations and his actions speak louder than his words. Surely a remote viewer of an audience can work to extend that kind of empathy to someone who is very challenging to extend it toward? In the time of political polarization and cancel culture and the like, regardless of how you feel about the message of the film, it is more pertinent and interesting and dynamic than most comedies. And no comedy is quite like this, that I've seen.
    9longcooljolie

    What every romantic comedy aspires to be...

    and this movie can be watched again, and again, and again (at least by me).

    By now, most people who watch movies are aware that this one practically swept the Oscars for the year it was produced. It won Jack Nicholson and Helen Hunt best Actor/Actress awards, came away with Best Picture and also Greg Kinnear won Best Actor in a Supporting Role for his portrayal of Simon Bishop, a sensitive gay artist.

    Seventeen years later the movie stands up well because of its timeless quality. "As Good as it Gets" is a very tight story and performance by all the actors and there is not one moment, scene or actor wasted. The story centers around people's expressions more than most movies. One example is an elderly woman actress who has opened her apartment door to run an errand and her features contort in disgust when she happens upon Melvin Udall, the Jack Nicholson character who is about to do some mischief with his gay neighbor's dog.

    Another example is Skeet Ulrich, who plays a street tough who somehow winds up doing a modeling job for Simon (Greg Kinnear) the gay artist. When Simon explains to Vincent (Ulrich) what he is looking for in a pose, Vincent's eyes widen and he murmurs "Wow." Moments later he nonchalantly delivers the type of pose Simon is looking for. Unfortunately, Simon and Vincent's association ends badly and creates a turning point for the movie.

    There are also several layers of irony at play in the story. It is ironic that Melvin, a hardcore misanthropist mired in full-blown OCD can somehow deliver romance novels that women love and buy by the barrelful. Also ironic is that Melvin's character transformation begins when he must take care of Simon's dog, an adorable little Brussels Griffon.

    It's also ironic that Carol, Helen Hunt's waitress character, works in a restaurant populated by actress-hopefuls who serve diners while striving for their big acting break. Some have stated that Hunt, a fetching but not-too-glamorous actress was too pretty for the role. However she was dressed down just enough for the role to make it work and her understated beauty comes into play in a big way later on in the story.

    Finally there's Jack Nicholson. His portrayal of Melvin Udall stands out as one of his great performances because of all the subtle nuances. The shot of him holding Verdell the dog and cooing to him is one of the signature shots not only from the movie but from his whole career. Near 60 when the movie was produced, he comes across more fit and polished than usual, definitely more so that his portrayal of the raucous astronaut in Terms of Endearment, another one of his great performances, which had occurred 13 years earlier.

    If you've never seen it what on earth are you waiting for? And if, like me you've seen it over and over, hopefully this review gives some new insight as to why "As Good as it Gets" is so gloriously watchable, over and over again.
    9planktonrules

    Well, I certainly can say I've never seen a film like this before!

    Several years ago, my wife watched "As Good As It Gets" and she told me she didn't like the film. So, I avoided it for years....and now I wish I hadn't listened to her. I loved the film---just don't tell her I said so!

    The film, to me, was perhaps a bit different experience than it would have been for the average viewer. As a former psychotherapist, I kept trying to analyze Jack Nicholson's character in order to understand the story better. He appeared to either have a variety of personality disorders--including an avoidant personality (where he pretends to HATE everyone and pushes them away to avoid being hurt), an obsessive-compulsive personality (or perhaps an Obsessive-Compulsive Disorder) and probably a nice dose of either Asperger's or was just socially retarded. Regardless, this sort of person would NORMALLY live a very solitary and sad existence. However, the film manages to make it seem believable that a man like this could change...some...as well as find love. It's all very improbable but also very charming and sweet. And, later in the film rather oddly romantic. Additionally, the film is, at times, rather funny. Overall, a quirky and well-written film with some terrific acting.

    A lot of other stuff has been written about this multi-Oscar-winning film....so I'll just end by saying my wife is 100% wrong...but I still think she's terrific.
    9bellino-angelo2014

    Truly a classic from the 1990s that gets better with multiple viewings

    I saw AS GOOD AS IT GETS in February 2016 and I liked it. I saw it for a second time in August 2019 and I liked it more. I re-watched it for a third and final time last March and I loved it even more. And since I like a lot Jack Nicholson (and some of my friends think that I look a bit like him in his younger years) I couldn't wait to finally review it here.

    Melvin Udall (Nicholson) is a misanthropic and obsessive compulsive novelist that lives alone in his apartment. He is obsessed with having everything clean and in order, gets irritated easily even when his neighbours ring the bell or sees his gay artist neighbour's dog and when he goes to have breakfast in his favourite restaurant he avoids walking close to people in the sidewalks and instead of using the restaurant's cutlery, he bring his own silverware from home because he is afraid of germs. One day his neighbour Simon Bishop (Greg Kinnear) is robbed and nearly killed and while Simon is in hospital, Udall has to take care of his dog and while in the first times he couldn't stand it, he then becomes affectionated to him to the point that when Simon is released Udall has problems in giving back the dog. Melvin's life furtherly challenged when Carol (Helen Hunt), the waitress of his favourite restaurant, decides to work in Brooklyn closer to her home because of her son's health problems and Udall arranges to pay for the medical expenses necessary for Carol's son's condition, but she is a bit skeptical.

    Since Simon is facing bankruptcy, Udall offers to accompany him to Baltimore and Carol joins them for lessening the awkwardness. Once in Baltimore, Carol insists to Frank that they have to go to dinner in a restaurant. During the dinner Udall's comments flatter and soon upset Carol, and she leaves. In the hotel room Simon starts to sketch her and this rekindles once again his desire to paint. After returning to New York Carol apologizes to Melvin about the rough things she said to him and in the end, they finally start a relationship (the movie ends with the couple walking together at 6 AM).

    Jack Nicholson probably gives his best performance ever (closer to greatness only with the ones from SHINING and ONE FLEW OVER THE CUCKOO'S NEST) and he nailed the role of the misanthropic and obsessive compulsive writer to the point that only he could have played such a part well. Greg Kinnear, Helen Hunt and Cuba Gooding are all very good and give great support, and the dog was very adorable. And overall, the movie gives this great message: if you have to change for the love of someone, you can do it even with one step at a time, and I experienced it in real life too.

    Don't miss it if you have a chance because of the acting and the messages it gives in a subtle manner. Very intelligent and witty.
    8AlsExGal

    One of my favorites but seemingly forgotten...

    ... which is rather strange since it is one of only seven films to win both Best Actor and Best Actress Oscars for its leads. But it is rather quirky and offbeat with unusual subject matter for a romantic comedy.

    Melvin Udall (Jack Nicholson) is a misanthropic and obsessive-compulsive novelist living in New York City. He is abrasive and self absorbed past the point that being OCD could just explain it, or even being misanthropic. He goes out of his way to insult his neighbor, Simon Bishop (Greg Kinnear), a gay artist. And he also throws Simon's dog down the building's garbage chute. I'm a misanthrope, but I don't go around hurling slurs at people or hurting animals.

    Among Melvin's compulsions is eating breakfast at a specific diner with a specific waitress, Carol Connely (Helen Hunt). Carol knows how to serve breakfast the specific way that will keep Melvin from having a conniption fit. But Carol's only son has a complicated allergy/asthma situation that her HMO doctors either aren't competent to diagnose or don't have the time to dedicate to solving it, so she's been missing work when her son is ill.

    At the same time Simon is looking for subjects to pose for him when he sculpts, and he hires a model who turns out to have violent criminal tendencies and badly injures him.

    These events all work to draw these three people together in a most interesting way, and they each wind up helping each other with their problems in unexpected ways.

    The film's portrayal of New York City is as vibrant as its characters. The cinematography captures the energy and charm of the city, immersing viewers in its unique atmosphere and acts as a snapshot of New York City as it existed in the late 90s when it was going through a bit of a renaissance.

    Special kudos to Cuba Gooding Jr. As Simon's agent who knows how to deal with Melvin by going into scary threatening mode. And also to Simon's dog, who winds up being a catalyst for change in Melvin. The dog should at least have gotten a supporting actor nomination.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In one scene the dog starts mimicking Jack Nicholson by stepping over the cracks in the sidewalk. The filmmakers accomplished this by placing little obstacles on the cracks so that the dog had to step over them. They then removed the obstacles digitally in post-production.
    • Goofs
      When Simon is in the hotel in Baltimore, he rips his cast between the thumb and index finger. Upon the return to New York, when Carol is exiting the car, the cast is clearly and repeatedly seen to be intact.
    • Quotes

      Melvin Udall: Now, I got a real great compliment for you, and it's true.

      Carol Connelly: I'm so afraid you're about to say something awful.

      Melvin Udall: Don't be pessimistic, it's not your style. Okay. Here I go. Clearly a mistake.

      [shifts in his seat uncomfortably]

      Melvin Udall: I've got this, what, ailment? My doctor, a shrink that I used to go to all the time, he says that in fifty or sixty percent of the cases, a pill really helps. I hate pills. Very dangerous thing, pills. Hate. I'm using the word "hate" here, about pills. Hate. My compliment is, that night when you came over and told me that you would never... all right, well, you were there, you know what you said. Well, my compliment to you is, the next morning, I started taking the pills.

      Carol Connelly: I don't quite get how that's a compliment for me.

      Melvin Udall: You make me want to be a better man.

      [pause]

      Carol Connelly: [stunned] That's maybe the best compliment of my life.

      Melvin Udall: Well, maybe I overshot a little, because I was aiming at just enough to keep you from walking out.

    • Crazy credits
      Just after the disclaimer of the American Humane Association (The animals used in this film were in no way mistreated...) there is a second disclaimer stating "The actors used in this film were in no way mistreated."
    • Connections
      Edited into Doggiewoggiez! Poochiewoochiez! (2012)
    • Soundtracks
      Temple (Sanctuary Mix)
      Written and Performed by Jane Siberry

      Courtesy of Reprise Records

      By Arrangement with Warner Special Products

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    FAQ24

    • How long is As Good as It Gets?Powered by Alexa
    • What is that song Vincent plays in Simon's studio?
    • What is the song Melvin plays in his car marked 'To Use As Icebreaker'?
    • What Breed of Dog is Verdell?

    Details

    Edit
    • Release date
      • December 25, 1997 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Mejor... imposible
    • Filming locations
      • Khoury's Restaurant - 110 N. Marina Drive, Long Beach, California, USA(Chesapeake Bay, Baltimore Restaurant)
    • Production companies
      • TriStar Pictures
      • Gracie Films
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $50,000,000 (estimated)
    • Gross US & Canada
      • $148,478,011
    • Opening weekend US & Canada
      • $12,606,928
      • Dec 28, 1997
    • Gross worldwide
      • $314,178,011
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 19 minutes
    • Color
      • Color
    • Sound mix
      • SDDS
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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