A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.
- Won 2 Oscars
- 38 wins & 54 nominations total
- Verdell
- (as Jill)
- Supporting Dog
- (as Timer)
- Supporting Dog
- (as Billy)
Featured reviews
Nicholson won a well-deserved Oscar for this movie. Then again, I feel like he deserves an Oscar for virtually everything he's been in. Hell, you can even give him an Oscar nod for "Anger Management." THAT'S how great he is! He's one of those actors who can communicate even more emotion when he's not saying anything than when he is. And of course, he has one of the coolest movie star voices ever, so it makes it a joy whenever he does speak. I still feel like "You can't handle the truth!" wouldn't be as priceless a line if Jack didn't yell it. He can say almost any line of dialogue and turn it into gold. In this movie it was "You make me wanna be a better man." Again, an otherwise forgettable line of dialogue made gold by Jack.
"As Good As It Gets" is a flawed film, with scenes that drag and an overlong running time, but it's highly enjoyable and altogether pretty well-written. Aside from its many hilarious moments, it's also quite touching. But I have to admit that it's the comedy that sticks out most in my memory. There's some priceless gags like when a Jewish couple is sitting at Jack's usual table. He first intrudes into their conversation saying, "People who speak in metaphors oughtta shampoo my crotch." He complains to Helen Hunt, his usual waitress, saying "I have Jews at my table!" He then intrudes in the couple's conversation again, noticing the food on their table, saying "Obviously your appetites aren't as big as your noses." Now, I probably wouldn't want to personally know a man like Melvin in my real life, but I still found those cracks to be hysterically funny. The same when he attacks Greg Kinnear's gay character with constant homosexual slurs.
The performances are great all-around. Though Jack pretty much steals the show, Greg Kinnear gives a wonderfully endearing performance. He doesn't play out the gay stereotypes, yet he's sensitive and feminine enough to have me convinced that he is gay (unlike Eric McCormack on "Will and Grace" who acts like he's gay for the sake of the show's gimmick). It's nice to see Kinnear rise from the host of "Talk Soup" and the thankless late night talk show "Later" to a fine actor. Previously, I wouldn't have any notion that he could become what he is now. Helen Hunt also gives a compelling, emotionally packed performance. And Shirley Knight, as her mother, provides a little bit of comic relief. Cuba Gooding Jr. has a small but interesting role, and he makes the best of it.
The film does have its dull moments, but Jack's one-of-a-kind performance makes it all worthwhile. There is nobody, and I mean NOBODY, who could've played Melvin better than him. I read in the trivia that John Travolta was originally offered the role. Now, I like Travolta, but in this type of role he wouldn't hold a candle to Jack.
My score: 7 (out of 10)
Characters write the screenplay in this movie, and everything that happens - happens because of what they are. They are nothing special they are ordinary people we meet in the street every day and that have the same problems a lot of other people have. This movie presents the example of how much you can pull out of that. And if that is written as well as it is in this case, not even a happy ending can bother you. Because, in real life, shown here, what is the end?
Everything is good and warm in this movie, everything is fresh and vivacious, understandable and well performed. Jack Nicholson brings one of the best performances of his career, that terrific Helen Hunt finally got a chance to show how skilfully an actor can connect naturalism with the laws of the camera performance, and Greg Kinnear shows the most convincing emotions coming from a gay character I've ever seen.
The relationships between the characters are created in the way that you can't predict anything that's going to happen, eventhough you know in advance what could come out of their mouth and what kind of attitude they'll have in a certain situation.
You can simply feel the progressive collaboration that occurred between Brooks and the actors and the mutual understanding they developed, and it's not often that you see that kind of artistic superstructure shining on the screen so much as it does here.
I find `As good as it gets' complexed, vital, intelligent, emotionally deep and studied, fresh, original, amusing, cheerful, funny, and one of the best films of 1997.
I finally got around to watching this touching and funny film directed by James L. Brooks that stands out thanks to some wonderful performances and memorable characters. As Good As it Gets is proof that actions are louder than words because despite how cruel and mean Nicholson's character is, he does incredible and kind things for others. In a way this film reminded me of David O. Russell's Silver Linings Playbook as I found both films to be difficult to follow at first due to the lack of a likable character, but once we get to know who these people are we forgive their flaws and end up routing for them. Both Nicholson and Helen Hunt give excellent performances, and their Oscar wins were well deserved in my opinion. As Good As it Gets is the very definition of charm, and the screenplay written by Mark Andrus (Life As a House) shines thanks to some incredible performances. I really enjoyed this film and found myself laughing through most of the scenes. This is one more film I can eliminate from my shame list, and I'm glad I finally got to experience this romantic comedy which also has a lot to say about overcoming illness.
We are introduced to Melvin Udall (Jack Nicholson), a cranky but successful author who suffers from OCD. He lives on his own in a beautiful apartment where he spends most of his time writing. He always goes out on his daily breakfast ritual which consists of walking to a nearby cafe without touching anyone or stepping on any cracks. He always sits in the same place at the cafe and always demands to be served by the same waitress, whose name is Carol (Helen Hunt). Carol is actually the only one in the cafe who stands his constant outbursts and cruel comments. Melvin's daily routine changes through two events that end up affecting his life. First, his homosexual artist neighbor named Simon (Greg Kinnear) suffers an accident and Melvin unwillingly accepts to take care of his dog in his absence. Second, Carol's son, Spencer (Jesse James) gets ill and she quits her job. Not accepting the fact that Carol isn't there to serve him, Melvin tries to find her in order to restore order back to his life. These series of events force Melvin to change his routine and at the same time he forms an unlikely friendship with Carol and Simon proving that he isn't as bad as he seems to be.
The performances by each one of the talented actors are the heart and motor of this film. Jack Nicholson and Helen Hunt share an incredible chemistry together. It's funny how despite never being able to share his feelings towards her and always saying the wrong things, it becomes clear that she does inspire him to become a better person. The supporting cast is also incredible here, especially Greg Kinnear and Cuba Gooding Jr. who deliver several funny scenes. I was partial to Brooks's work considering I had only seen How Do You Know which didn't work for me and Spanglish which I did enjoy, but As Good As it Gets is without a doubt his best work thanks to an unbelievable cast. This is a smart and funny film, which also could be cruel at times, but it was well balanced. Despite the schmaltzy story it still worked thanks to the characters that carried this film. It's hard not to leave this film with a smile on your face.
The film, to me, was perhaps a bit different experience than it would have been for the average viewer. As a former psychotherapist, I kept trying to analyze Jack Nicholson's character in order to understand the story better. He appeared to either have a variety of personality disorders--including an avoidant personality (where he pretends to HATE everyone and pushes them away to avoid being hurt), an obsessive-compulsive personality (or perhaps an Obsessive-Compulsive Disorder) and probably a nice dose of either Asperger's or was just socially retarded. Regardless, this sort of person would NORMALLY live a very solitary and sad existence. However, the film manages to make it seem believable that a man like this could change...some...as well as find love. It's all very improbable but also very charming and sweet. And, later in the film rather oddly romantic. Additionally, the film is, at times, rather funny. Overall, a quirky and well-written film with some terrific acting.
A lot of other stuff has been written about this multi-Oscar-winning film....so I'll just end by saying my wife is 100% wrong...but I still think she's terrific.
Melvin Udall (Nicholson) is a misanthropic and obsessive compulsive novelist that lives alone in his apartment. He is obsessed with having everything clean and in order, gets irritated easily even when his neighbours ring the bell or sees his gay artist neighbour's dog and when he goes to have breakfast in his favourite restaurant he avoids walking close to people in the sidewalks and instead of using the restaurant's cutlery, he bring his own silverware from home because he is afraid of germs. One day his neighbour Simon Bishop (Greg Kinnear) is robbed and nearly killed and while Simon is in hospital, Udall has to take care of his dog and while in the first times he couldn't stand it, he then becomes affectionated to him to the point that when Simon is released Udall has problems in giving back the dog. Melvin's life furtherly challenged when Carol (Helen Hunt), the waitress of his favourite restaurant, decides to work in Brooklyn closer to her home because of her son's health problems and Udall arranges to pay for the medical expenses necessary for Carol's son's condition, but she is a bit skeptical.
Since Simon is facing bankruptcy, Udall offers to accompany him to Baltimore and Carol joins them for lessening the awkwardness. Once in Baltimore, Carol insists to Frank that they have to go to dinner in a restaurant. During the dinner Udall's comments flatter and soon upset Carol, and she leaves. In the hotel room Simon starts to sketch her and this rekindles once again his desire to paint. After returning to New York Carol apologizes to Melvin about the rough things she said to him and in the end, they finally start a relationship (the movie ends with the couple walking together at 6 AM).
Jack Nicholson probably gives his best performance ever (closer to greatness only with the ones from SHINING and ONE FLEW OVER THE CUCKOO'S NEST) and he nailed the role of the misanthropic and obsessive compulsive writer to the point that only he could have played such a part well. Greg Kinnear, Helen Hunt and Cuba Gooding are all very good and give great support, and the dog was very adorable. And overall, the movie gives this great message: if you have to change for the love of someone, you can do it even with one step at a time, and I experienced it in real life too.
Don't miss it if you have a chance because of the acting and the messages it gives in a subtle manner. Very intelligent and witty.
Storyline
Did you know
- TriviaIn one scene the dog starts mimicking Jack Nicholson by stepping over the cracks in the sidewalk. The filmmakers accomplished this by placing little obstacles on the cracks so that the dog had to step over them. They then removed the obstacles digitally in post-production.
- GoofsWhen Simon is in the hotel in Baltimore, he rips his cast between the thumb and index finger. Upon the return to New York, when Carol is exiting the car, the cast is clearly and repeatedly seen to be intact.
- Quotes
Melvin Udall: Now, I got a real great compliment for you, and it's true.
Carol Connelly: I'm so afraid you're about to say something awful.
Melvin Udall: Don't be pessimistic, it's not your style. Okay. Here I go. Clearly a mistake.
[shifts in his seat uncomfortably]
Melvin Udall: I've got this, what, ailment? My doctor, a shrink that I used to go to all the time, he says that in fifty or sixty percent of the cases, a pill really helps. I hate pills. Very dangerous thing, pills. Hate. I'm using the word "hate" here, about pills. Hate. My compliment is, that night when you came over and told me that you would never... all right, well, you were there, you know what you said. Well, my compliment to you is, the next morning, I started taking the pills.
Carol Connelly: I don't quite get how that's a compliment for me.
Melvin Udall: You make me want to be a better man.
[pause]
Carol Connelly: [stunned] That's maybe the best compliment of my life.
Melvin Udall: Well, maybe I overshot a little, because I was aiming at just enough to keep you from walking out.
- Crazy creditsJust after the disclaimer of the American Humane Association (The animals used in this film were in no way mistreated...) there is a second disclaimer stating "The actors used in this film were in no way mistreated."
- ConnectionsEdited into Doggiewoggiez! Poochiewoochiez! (2012)
- SoundtracksTemple (Sanctuary Mix)
Written and Performed by Jane Siberry
Courtesy of Reprise Records
By Arrangement with Warner Special Products
Details
- Release date
- Country of origin
- Language
- Also known as
- Mejor... imposible
- Filming locations
- Khoury's Restaurant - 110 N. Marina Drive, Long Beach, California, USA(Chesapeake Bay, Baltimore Restaurant)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $148,478,011
- Opening weekend US & Canada
- $12,606,928
- Dec 28, 1997
- Gross worldwide
- $314,178,011
- Runtime2 hours 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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