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  • David Duchovny plays the lead role in this film.Now a lot of people upon finding that fact out wouldn't even bother watching it.Very unfair to say the least.David made his name on the x-files and is a decent actor. Dr Eugene Sands(Duchovny)is a drug addicted doctor struck off for malpractice.By sheer accident he becomes a private doctor for criminal millionaire Raymond Blossom.However the FBI take an interest in using Eugene to snare Blossom. Angelina Jolie is cast in the supporting role of clare-the gangsters moll.She puts in a solid performance. Timothy Hutton playing Blossom is superb and immersed himself deeply into his character. Duchovny himself isn't as bad as many people would think and in the end i would rate his performance his credible.His familiar monotonous tone and straight face is present but dosen't detract too much from the film
  • dave-300114 April 2008
    David Duchovney creates a role that he was to replicate somewhat in Californication - the troubled talent. And it is a role he plays well.

    This thriller starts off at a good speed and carries you through to the end. Timothy Hutton plays a fine villain and Angelina Jolie pouts. The story of a disgraced doctor finding his way into a criminal world is well scripted. Drug addiction and a desire for the sultry Jolie mix a heady cocktail. Unfortunately towards the end the story gets a little weaker and the relationships between villains and the FBI is muddled and rushed as if it was created only to develop the final scene. But, that aside, a movie worth seeing.
  • Underrated action movie that cannot escape that late twentieth century style of combining violent thrills and hard-boiled criminals with a patina of aloof detachment and self consciousness. Sometimes it works well (Tarantino/Rodriguez/Rami) but it is a tricky conceit and you have to be a talent to pull it off. Often the style fails miserably, but not here.

    While not in the same league as films directed by the above mentioned, this one has enough attraction to keep it from failing. It is an entertaining romp with a good story and is not brought down by some soggy script development and a couple of over the top, completely out there, characters (F.B.I. Agent and some assorted cartoon villains).

    Overall this one is overlooked as one of the better of this type of thing, a viewer-friendly cross gender popcorn picture, and is worth a view.
  • Eugene Sands is a drug addict doctor - although he has long since been barred from practicing medicine having been found operating high, leading to a girl's death. When he is at a club buying he witnesses a shooting and steps in to do enough to save a man's life. The owner of the club and criminal to boot, Raymond Blossom, takes an interest in Eugene and begins using him and his doctor. However the FBI are after Raymond and make moves to use Eugene to trap him.

    Coming off as a slightly upmarket video thriller, this film could have been much better but ultimately fails to engage or rise to it's potential. The plot is OK but the script doesn't manage to lift the story up into something that is really strong and engaging. The delivery is a big part of the problem - it isn't that well directed, nothing very wrong but certainly the feel of a video film as opposed to a big screen thriller. The decision to have a voice over narrator is always a gamble; sometimes it works but sometimes it really doesn't.

    Here the narration doesn't work for two reasons. First of all, the narrator has to explain or develop so much because the film fails to do it as part of the story being told. To make matters worse Duchovny delivery is so flat that it really sucks any energy out of the film. His actual performance is not as bad as his voiceover but he doesn't exactly manage to lead the film. This leaves the way open for Hutton's villain, but he struggles with a lack of character and eventually gives into overacting. Jolie is good but again suffers from having no character. Regardless of performances, not having any buy in with the main people meant that I wasn't into the story as I needed to be. Support from Massee, Stormare and Dourdan doesn't so much add quality as add familiarity.

    Overall this was very much a workmanlike thriller. It is passable but really it is difficult to overlook the fact that the film has major weaknesses in most areas. The plot is good but the script can't do anything with it, the narration is rubbish and the acting is only reasonable on the whole. Worth watching once but it's hard not to feel let down by it.
  • anaconda-4065819 December 2015
    Warning: Spoilers
    Playing God (1997): Dir: Andy Wilson / Cast: David Duchovny, Timothy Hutton, Angelina Jolie, Peter Stormare, John Hawkes: Intriguing action film about life rendered to the hands of another. David Duchovny stars as a surgeon who loses his license after practicing on a patient while on dope. After a shootout at a bar, he assists a wounded individual using a bottle. This impresses a criminal, played by Timothy Hutton who wishes to employ his services. Duchovny is hired to patch up associates who suddenly end up dying. Great setup grows repetitious but the climax is powerful. Andy Wilson directs with insight with an excellent performance from Duchovny. He is seen as a total wipe out whose life spirals downward after losing his license. Now his skill finds new ground that leaves him asking questions and eventually facing right and wrong. Hutton steals the film as a gangster who employs Duchovny's services to dire orders until the two have a great showdown that presents a strong conclusion. Angelina Jolie as Hutton's girlfriend will obviously become romantically linked to Duchovny and become nothing more than a prop. Other roles are flat and serve mainly as fillers or faceless thug criminal drug dealing idiots. The message regards the value of human life and the idea that nobody can play God but we often destroy what God creates. Score: 7 / 10
  • This film has a lot of raw potential. The script is sharp, the dialogue is (usually) excellent (though it could stand to lose the cheezy voice-overs), the direction and cinematography is surprisingly quite good, though some of the experimentation just doesn't work. The main problem here is David Duchovny. Once a geek-boy, always a geek-boy; and the sad, simple fact is that he's incapable of playing anything but Fox Mulder. He postures, he tries to be slick, he poses, he tries to be macho. In the end he just tries too hard. He overplays his character, he overspeaks his lines, and he's just outplayed in all ways by Timothy Hutton and Angelina Jolie, who are each in a class above him in terms of acting skill. Timothy Hutton was (as always) really good. There was a spotty moment or two where he over-dramatized his role, but you could tell he was having fun with it. He looked the part, and he became the character both physically and atmospherically. Angelina Jolie was also really good. She didn't have much of a role; in fact, I though she could have used a much stronger one...her character wasn't nearly developed enough, though she did remarkably well with what she had. And the chemistry between her and Hutton was apparent (gee, maybe that's why Uma left him...;) All in all, it was rough around the edges, but a solid effort by a good cast and great supporting roles. If David Duchovny hadn't ripped his role to pieces it would've been *that* much better. 7/10.
  • Cool idea... botched writing, botched directing, botched editing, botched acting. Sorta makes me wish I could play God and strike everyone involved in making this film with several bolts of lightning.
  • Playing God's crime drama is a noir genre movie full of mystery and intrigue. The story follows Eugene Sands, a retired physician who is drawn into a crime doctor's life, but soon finds he's gone too far. David Duchovny, Timothy Hutton, Angelina Jolie, and Peter Stormare put together a solid cast and perform well. Hutton delivers the dark comedy particularly well and creates a charismatic and enjoyable villain. The instructions, however, are poor and damage the movie to some degree. Playing God is a flawed movie, but it still delivers a thriller that is convincing and entertaining.
  • dromasca5 August 2006
    It's hard to believe that in 1997 David Duchovny was at the top of his fame, with X-Files, one of the best sci-fi series ever, being at the top of the glory. Nine years later he is almost forgotten, and his tentatives to make it on the big screen failed miserably. I cannot even explain why, he is a fair actor, but probably his moment of fame cast him in a eternal role that takes big talent to break from.

    At the same time Angelina Jolie was much less known, and she was really lucky that a film like 'Playing God' did not led her career into a dead-end. Fortunately for her, 'The Bone Collector' and 'Girl, Interrupted' were waiting beyond the corner, and when Lara Croft came, her career was launched.

    There is not too much to be told about this film. It's the only big screen film of Andy Wilson, and there must be a reason. All is banal and most of what happens on the screen expected in this story of an ex-doctor who saves the life of a shooting victim in a bar only to find himself working for the mob. The off-screen voice is especially bad, with a moralistic text that kills any shade of cinematographic experience from the film. You probably will not meet the film but in DVD rental stores, or on TV. Try to look for something better.
  • I wasn't that thrilled with PLAYING GOD because it has not that many reviews and a score of 5,5. However after looking the cast, and being some sort of masochist that watches movies that nobody would seek today, I bit the bullet.

    Eugene Sands (David Duchovny) is a disgraced surgeon that had his license revoked after performing under the influence of amphetamines. However in a bar he manages to save someone with an emergency procedure inflating a collapsed lung. Sands is noticed by crime lord Raymond Blossom (Timothy Hutton) and Blossom hires him as his personal physician that has to help his accomplices when they can't go to hospitals after botched robberies and the like. In all this Sands falls for Blossom's gorgeous girlfriend Claire (Angelina Jolie), and after a while Eugene is torn between his loyalty to Raymond, his passion for Claire and the FBI agent who costantly blackmails him. How it ends is just something you have to see.

    This was meant to be David Duchovny's first big movie after his success with X FILES, and he was actually decent. Timothy Hutton plays a nice villanious role, not surprising for him and Angelina Jolie seems to have no other purpose than looking super gorgeous. The problems were that the pace was a bit too slow in points and the character's motivations and subsequent actions didn't have a lot of sense. And the ending, wow that was confusing.

    Not a terrible movie by any means but still a missed opportunity. With two hot actors of the time and a gorgeous rising starlet it looked promising, but instead, with a script that must have had lots of edits it ended up being confusing.
  • Not even Timothy Hutton or David Duchovny could save this dead fish of a film. For starters, the script was definitely written to be made into a B-film, but somehow Duchovny (looking for a star vehicle to elevate himself out of television) and Hutton (looking for the "two" of a "one-two punch" he had hoped would define his career after "Ordinary People") became attached to the picture. Cheesy lines, big bad wipes from scene to scene (Come on--who uses wipes after 12th Grade Telecommunications class?), and plain old bad acting sink this film. Even Duchovny is not immune to the bad acting plague that is this film. Only Timothy Hutton rises above the material at all. I must admit feeling Duchovny's pain as he read the lines that are the voice-over. While I found myself laughing when I'm sure the director wanted me to feel terrified, nothing prepared me for the closing line of Duchonvey's voice-over: "if you ever need a doctor, be sure to call 911." If only the studio had called 911, this dog of a motion picture would never have been made. Avoid at all costs.
  • swestephie7 June 2000
    Okay, truthfully, I saw the previews for this movie and thought to myself, what are the producers thinking? Hutton, Jolie, and DUCHOVNY? How could the monotoned actor possibly compete with Jolie's natural power on the screen? But surprisingly, the two had the kind of chemistry that showed intense caring without a kiss. Even David's humor matched up to Jolie's spark and fire. As for Hutton, he played the psycho very well, contrasting with David's calm delivery of life threatening situations. Overall, I was very impressed with the writing and character development. I gave it 8 stars.
  • Like I said its a hidden surprise. It well written well acted and well cast. I liked everything in this movie. Look its Hollywood all right but the brighter side. Angelina Jolie is great in this and I'm totally watching every movie with her in that I can get my hands on. Well worth a look.
  • I know there aren't any ties between Baywatch and this movie. Except that they are shot in California, and more exactly in LA and its surroundings. Those locations struck me strongly while watching this movie. The audience moves as well in downtown than in the country, alternating beach and forest. The views you can find here complete the dreamy, cool ones of Baywatch, and even I didn't go there, I think this movie offers a good picture of the real LA. And really, I don't like very much this environment for a living and I prefer the San Francisco area.

    Now, the story is original but the gimmick (a doctor for healing thugs) is too much used. After the first one, the script becomes a collection of what-if: what-if the doctor visits junk heads, what if the doctor cures the wife's boss, etc..

    Then, I am perplexed with the cast: Hutton has really no charisma for a nutty and violent boss. On the contrary, Jolie and above all, Duchvony are excellent. I really appreciate Duchovny, because he is a tall man but he is also quiet. He knows what he wants but he doesn't speak a lot. I like his humor, dry, detached that fits well with his personality. I'am sure that without this hot ticket, this movie would be actually left in limbs.

    NB: my trailer proposes a love scene between the two but it has been cut from the movie.
  • Smart, funny script with interesting original premise of the doctor forced to work for criminals. The movie wanders, though, as there's no real central plotline. Great dialogue, but maybe the subsidiary characters are more interesting than the main characters. Script is dramatic/comedic; movie is played down, but the choice to do so seems to have robbed the movie of much-needed juice. The stakes don't seem to be too high for any character. Direction is competent, but doesn't match the script. Hutton is scary, but doesn't have much to do except act scary. Duchovny is fine, but I think he was cast mostly for his X-Files fame at the time. He's not exactly the most charismatic lead actor.
  • Warning: Spoilers
    Overall the movie was fairly lame....I was doing dishes while I watched it... I only watched it because Angelina Jolie was in it. The movie could have been better. The idea for the movie was excellent, which is why I'm sad this movie was such a bore. A doctor gets his license taken from him when he does a surgery under narcotics and then starts working for gangs as their doctor. That last sentence I just wrote was the movie, so if you read that sentence, congratulations...you saw the movie!! Angelina was 7/10 in this movie. She is cute, but not stunning. Her face is a full.. looks healthier than she does now, but in the movie it was a bit too full for my taste. Her lips are still very juicy and kissable in this movie.

    Overall 6/10
  • "Playing God" was supposed to be David Duchovny's breakout movie role, that came out at the height of "The X-Files"'s popularity and acclaim. I was really wondering, what can you get with a good script, good acting, good casting, poor editing, poor original music composition, and so-so direction? The answer: a film like this. The composer is channeling some of the worst b-movie concepts in the history of the last few decades here. There's a scene where Jolie gets shot that is so badly edited, directed, and scored you'll actually think it's intentionally botched... but I highly doubt it. Someone criticized the director of photography, but I didn't see any indication of incompetence in that regard here. The angles and shots you see in the final film are the fault of the director and the editor. They're not poorly lit or underexposed, and the principles look fine. The sets were also not bad, either. I would say it was likely the script that appealed to the actors and, in all honesty, how bad could some Hollywood professionals mess up a concept like this? A lot, it turns out...

    I had great expectations for this movie when it came out, and while I was disappointed, I thought the critics were far harsher than warranted. True, Duchovny's performance, while not bad, seems very similar to what he does on "The X-Files," a sort of flat, somewhat wry, never in real danger attitude. The biggest flaw with the movie has to be the fact that it couldn't make up its mind about what it wanted to be, film noir or dark comedy. At times, it veers toward a "Pulp Fiction"-like fascination with the minutia of being a criminal, while at other times it tries (but fails) to evoke suspense and fear. Personally, I think the dark comedy would have been the better way to go. There's a scene near the end where Duchovny, in an elevator surrounded by Asian tourists, does a deadpan response to an annoying FBI agent that's the highlight of the movie. In summary, this is a decent movie, if you lower your expectations.

    Overall rating: 6 out of 10.
  • Dr. Eugene Sands (David Duchovny) was stripped of his license when he operated while high. He is at a bar scoring drugs. There's a shooting and he helps the victim getting the attention of Claire (Angelina Jolie). Goons bring Sands to counterfeiter Raymond Blossom (Timothy Hutton) who hires him as a personal doctor. Claire is Blossom's girlfriend and Sands is paid $10k for saving his 'friend' at the bar.

    Timothy Hutton is not a good tough guy. When he's surrounded by other actors who always play tough, he looks silly. The movie feels fake on its own but he just makes it worst. He should forget about the blond hair and the slick clothes. They don't fit him. He's better off with a nice suit and act like a CEO. Duchovny is not good enough as a drug addict either. Jolie is oozing sexuality. Most of the movie struggles for pace and tension. This is trying for neo-noir crime drama with the style and the narration. It fails badly. The wipes, the camera effects, the locations and all the rest seem to be trying way too hard to make a bad movie more interesting.
  • Looked forward to viewing this film and seeing these great actors perform. However, I was sadly disappointed in the script and the entire plot of the story. David Duchovny,(Dr. Eugene Sands),"Connie & Carla",'04, was the doctor in the story who uses drugs and losses his license to practice medicine. Dr. Sands was visiting a night club and was able to use his medical experience to help a wounded customer and was assisted by Angelina Jolie,(Claire),"Taking Lives",'04, who immediately becomes attracted to Dr. David Sands. Timothy Hutton,(Raymond Blossom),"Kinsey",'04, plays the Big Shot Gangster and a man with all kinds of money and connections. Timothy Hutton seems to over act in most of the scenes and goes completely out of his mind trying to keep his gang members from being killed. Gary Dourdan,(Yates),"CSI-Vegas TV Series", plays a great supporting role and portrays a real COOL DUDE who is a so-called body guard for Raymond Blossom. Angelina Jolie looks beautiful and sexy with her ruby red lips which draws a great deal of attention from all the men. This film is not the greatest, but it does entertain.
  • Wow. I thought this might be insipid but it was even worse than I imagined! Sometimes I like to watch a good "car-crash" movie: those that are so bad that you can't look away because you want to see how bad they can possibly get. This is really the only reason I could leave the television on - morbid fascination. It wasn't so much the acting, which was only mediocre or slightly worse than one would expect from this cast, but the premise and the plot which never should have seen the light of day. The script, too, is groan-inducing. As for cinematography, did anyone else notice that they used a "curtains drawing" segue device, like in an old 50's TV show...but without irony? At first I thought they must be kidding but the movie takes itself too seriously to have used this in a tongue-in-cheek manner. Don't even ask me about the score...the only high point is the final song, by Morcheeba. I guess they wanted to leave people with something for their $8...glad I saw it on TV!!!!! Just silly! I wonder if this is why Timothy Hutton has had trouble finding much work recently? I guess if you don't expect much, and want to watch a mindless thriller, it would be better than spending an evening clipping your toenails, which is why it merits a 2.
  • I enjoyed this movie. Unlike like some of the pumped up, steroid trash that is passed off as action movies, Playing God is simple and realistic, with characters that are believable, action that is not over the top and enough twists and turns to keep you interested until the end.

    Well directed, well acted and a good story.
  • zardoz-1326 September 2013
    Warning: Spoilers
    Nothing good comes out of "Playing God," a pointless Faustian medical thriller anesthetized with clichés about a busted surgeon whose synthetic heroin habit lands him in with the dregs of the Los Angeles underworld. As "X-Files" actor David Duchovny's first starring role, this mediocre melodrama about redemption and retribution is less than scintillating. Actually, it is downright embarrassing. Ineptly directed and predictably scripted, "Playing God" penalizes both its rising star and moviegoers with implausible plot twists, cornball situations, and klutzy villains. Perhaps if the filmmakers had taken their straight, sober-minded drama and played it as broad comedy the film might have been more entertaining and less moronic. The Mark Haskell Smith screenplay is the stuff of which pulp fiction classics are created. Blazing shoot-outs, careening car chases, smart-aleck dialogue, eccentric criminals, and a blast-from-the-past soundtrack, featuring pop tunes such as the Bee Gee's "Jive Talking," flesh out what essentially constitutes a thin, one-dimensional character study. Under Andy Wilson's lackluster directing, these solid elements make for a soggy saga. A graduate of British TV shows such as "Cracker," Wilson never generates the adrenaline rush or visceral thrills that "Playing God" desperately needs to slam it into hyperkinetic overdrive. The filmmakers plunge their hapless hero into harm's way, but he never appears to be in real jeopardy. Wilson and Smith strive to make the murderous antics in their storyline appear surreal, but these results are hopelessly farcical. Especially annoying is Wilson's obvious video-editing style that employs geometric wipes as transitional bridges between episodes. As a doctor who has fallen from on high, Eugene Sands (David Duchovny) spends his time now getting high. What should qualify as cinematic irony in Smith's script winds up as comical incongruity. One night while he's scoring his junk in a dive of an L.A. bar, Sands witnesses a brutal shooting. When nobody calls 911, Sands intervenes and uses his ingenuity to save the wounded man. As it turns out, the poor slob worked for international smuggler Raymond Blossom (Timothy Hutton). Blossom is a wacky psycho who'd double-cross his own mother on the flip of a coin as well as a fashion designer's nightmare. Sands finds himself suddenly being smothered by Blossom's offer of works and drugs. The young, disadvantaged doctor doesn't know quite what to think. Blossom requires Sands' considerable medical talents to save a Russian hit-man who has information vital to Blossom's criminal interests. Initially, despite some misgivings, Sands agrees to perform the surgery and pocket a cool $10-thousand dollars. Before Sands can cruise into the sunset, a scheming, Dagwood Bumstead-esque FBI agent (Michael Massee) recruits Sands as his material witness to back up the person working undercover in Blossom's motley gang of Metallica rejects. Meanwhile, Blossom's sultry moll Claire (Angelina Jolie) complicates matters. Initially, she admires Sands, but she doesn't trust him. Things go incredibly wrong for everybody when a gang of vengeful Russian hit men invade Blossom's posh premises. They gun down one of Blossom's henchmen and put a bullet through Claire's chest. Before "Playing God" grinds predictably to its harebrained conclusion, the movie has Claire and Sands become lovers. Everything in Smith's script hangs on sudden reversals that are more stultifying than startling. Most ridiculous is Sands' unconvincing metamorphosis from a drugged out, self-depreciating loser to a resourceful, jaw-clenched action hero. Sands' fight with the sharp-shooting show-off Cyril (Andrew Tiernan) in a car is particularly unrealistic. Wilson's efforts to make "Playing God" different are doomed by his derivative approach. He bungles what should have been a minor film noir thriller. The story comes apart early on because the chain of events lacks dramatic cohesion. The final car chase starts out promisingly. Blossom and Claire dive into a truck, and as Sands follows them, two identical trucks breeze into the picture on either side of Blossom's ride. Sadly, Wilson does nothing original here, and the rest of the chase is a yawner. Nothing exciting occurs probably because their low budget couldn't afford any car crashes. The shoot-outs are staged with little panache. Most jarring of all is the surgery vignette enacted on a pool tale in an isolated hillbilly biker bar where Sands doctors the wounded Claire. Meantime, the FBI agents are so incompetent that a couple of brainless bad-guy buffoons can smash into their safe house and blast them into oblivion with little difficulty. The cast struggles with Smith's pseudo-cut dialogue that calls attention to the preposterous nature of the script. In the middle of the climactic car chase, Hutton's villain berates his struggling Claire for trying to disrupt the big auto chase. When movies indulge in self-mockery, you know that you're in trouble as an audience member. Presumably, by letting the characters poke fun at the plot twists, Wilson and Smith both hoped to distract spectators from the contrived quality of the story. Their well-intended attempts backfire miserably, and "Playing God" looks goofy. As the good guy hero who realizes the error of his ways, Duchovny maintains a poker face throughout the laughable proceedings. The filmmakers seem more intent on endorsing a didactic, anti-narcotics message than consistency of character. "Playing God" might have played better had Wilson and Smith kept their outlandish hero more strung out and challenged than straightened out and scrupulous. Duchovny's voice-over narration in the style of the old film noir detective thrillers seems more heavy-handed than handy. Jolie does little more than look pretty and pout her abundant lips. The movie takes a time-out to let the hero and the heroine bond with each other without shedding their clothes. As Sands' scumbag foe, Hutton drums up pathetic nastiness. Credit composer Richard Hartley with contributing a bouncy theme for the film. Die-hard "X-Files" fans beware: Scrub this one.
  • Warning: Spoilers
    I went into the experience of watching this movie expecting very little. I wanted to see the movie ever since I saw the preview for it years ago. I wasn't even aware that Angelina Jolie was in this. I'm not a great fan of David Duchovny. Timothy Hutton I expected to play his usual 'charming criminal role' and not do much more.

    That said, I was truly pleasantly surprised. The film had a nice even pace, lots of blood-spattering gun play and very little sex. In fact, I don't recall Angelina Jolie planting those huge lips of hers on anybody. Hmmm.

    David Duchovny played his part to perfection. Next to Angelina Jolie, his slouching casual self, muted by his dope habit, could have easily been a drooling fool captivated by her 'loose woman' persona. Instead, befitting an ultra-cool guy with years of education and socialization behind him, he turned it way down and was the cool hipster dealing with really evil hipsters who, like himself, always had some drugs in a pocket or the glove compartment.

    And like a cool hipster, he naturally kept encountering more and more cool hipsters. Like the bikers on the road who turn out to be allies when he is on the run.

    He had great lines, as did Timothy Hutton. He showed a mastery of timing, as did Timothy Hutton. Angelina kind of passed from man to man, looking beautiful but NOT having great lines and not having much of a history.

    I am glad I ordered this film from Amazon and finally got to see it. It was satisfying if you like any of the aforementioned actors. I liked Angelina Jolie in this film and I usually don't. She just looked good - good enough to make men want her but not interesting enough for anyone to want to get to know her.
  • Cheesy script, cheesy one-liners. Timothy Hutton's performance a "little" over the top. David Duchovny still seemed to be stuck in his Fox Mulder mode. No chemistry with his large-lipped female co-star.He needs Gillian Anderson to shine. He does not seem to have any talent of his own.
  • Yesterday I watched this movie on television and I'm not very happy about it.Script can pass as OK but other things can't.First,director Andy Wilson didn't do nothing special,so ordinary directing with few flaws.Second,casting is not good.David Duchovny doesn't have anything to be a leading actor in this movie.That scene when he raises his voice to say something is more funny then it is authoritative.He's very poor actor and his highest achievement are X-Files.Angelina Jolie also nothing,zero,bad.Why did she won Oscar?The way she acted is easy and that role could do any other actress.Only Timothy Hutton left some impression on me.He's mean and that suits him right.He can be good guy and bad too.He's the reason this movie can pass.Because of Hutton 5/10.
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