• 100
    Salon
    It is as deeply satisfying as only the yowling, primal trashing of several rental cars and hotel rooms while in the grips of a hopelessly depraved ether jag and several sheets of blotter acid can be... A cinematic masterpiece.
  • 70
    The A.V. Club
    Gilliam captures the chaotic visions of debauchery with his trademark aplomb, bringing to life the already trippy patterns of hotel carpets and populating the dark bars of Vegas with genuinely reptilian lounge lizards.
  • 60
    Stephen Holden The New York Times
    The closest sensory approximation of an acid trip ever achieved by a mainstream movie and the latest example of Mr. Gilliam's visual bravura.
  • 50
    Film Threat
    On this ride we follow the two characters from casino to casino and from hallucination to hallucination with no real destination.
  • 50
    Rick Groen The Globe and Mail (Toronto)
    The one source of relief comes from the score -- a sampling of period ditties by the likes of the Rolling Stones, Bob Dylan, Janis Joplin and Neil Young.
  • 50
    James Berardinelli ReelViews
    There is a reason why books are books and movies are movies, and Fear and Loathing in Las Vegas makes a pretty good case that the two don't always mix.
  • 50
    Edward Guthmann San Francisco Chronicle
    Disappointing, pointless and repetitive.
  • 50
    Maitland McDonagh TV Guide Magazine
    A peculiar and oddly haunting achievement.
  • 20
    Stanley Kauffmann The New Republic
    A lot of talent has gone down the drain, an apt term since bathrooms loom in the picture. [22 Jun 1998, p. 26]
  • 0
    San Francisco Examiner
    One long offensive treatise on just how vile two human beings can be.