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  • Simply incredible. Never before have I seen a 3 hour movie that didn't seem like 3 hours. I read the Lord of the Rings very recently and I was surprised at how similar Peter Jackson's vision was to my own.

    Now about the omissions and alterations. I'm not a crazed fanatic who gets worked up over every little detail. I didn't mind Arwen's inflation and I'm actually glad Tom Bombadil was scrubbed (I felt Tom Bombadil was an unnecessary addition to the book). Despite these minor changes, the screenplay stays extremely close to the book and flows very very well (and the prologue was a nice touch).

    The acting was flawless. As I've read many many times in other reviews, McKellen doesn't play Gandalf, he IS Gandalf. Wood, Mortensen, Holm, Astin, everyone was fantastic. My hat's off to Sean Bean who delivers an excellent performance as Boromir, a character who's intentions are good but wrestles with the corrupting power of the Ring. Bean portrays it VERY well. Oh, and Andy Serkis does a PERFECT Gollum voice. It's EXACTLY as I imagined it myself.

    The special effects were incredible, the cave troll, the balrog, Gollum, and Sauron's Eye all looked amazing. I was also very impressed by the seamless shrinking of the vertically challenged characters.

    What's wrong with this movie? I have no idea... I thought everything was perfect. MY biggest gripe is having to wait an entire year to see The Two Towers!
  • The first part of the Lord of the Rings trilogy, the Fellowship of the Rings opened the door to a whole new world for me. I'd never read any of Tolkien's books when I saw the film for the first time at the theatre and, now that I've read them, in retrospect I think being a neophyte to the mythology made my LOTR movie experience all the more miraculous.

    I loved The Two Towers and Return of the King almost as much as FOTR, but not quite, because seeing Fellowship for the first time was like taking a journey to a fabulous new place and meeting incredible new friends that you don't want to leave. I've never felt anything quite like what this epic evoked in me. It was akin to being a child again, with that tireless sense of wonder and enjoyment of each and every moment, maybe because as a child you are discovering your surroundings, and whatever age you are, when you watch the Fellowship of the Ring you are rendered in awe upon being introduced to the purity and beauty of Middle Earth and darkly enthralled by the majesty of Eisengard, Saruman, Sauron and all of their mighty malice. One of the things that makes this movie so special (and there are so many!) is that you fall in love not only with the "good" characters, but also with the "evil" ones. For example, Christopher Lee was amazing as Saruman, and I can't imagine the movie without him.

    Some films that might be comparable to the Lord of the Rings trilogy are: The Fifth Element, the Star Wars Trilogy parts IV, V and VI (forget the newer prequels), the Matrix trilogy (especially the first part), Interview with a Vampire, the Legend of Sleepy Hollow (with Johnny Depp), Logan's Run and The Island. They are all excellent movies and works of art that weave that movie magic that keeps you spellbound and entranced for the duration of their runtime.

    But after seeing The Fellowship of the Ring, I knew I had found the movie by which I would judge all other movies. Based on J.R.R. Tolkien's beloved books, Peter Jackson has set a new standard in the industry of cinema, one that I honestly think has not and won't be surpassed, at least not in my lifetime, not even by PJ himself.

    It is truly an instant classic that will stand the test of time and be loved by generations to come. God Bless Tolkien and Jackson and everyone involved in the conception and making of this film, for creating a world that is at my fingertips, only takes the touch of a button to go to whenever I want, and makes me forget everything else.

    The LOTR Trilogy is undoubtedly MY precious, the non plus ultra of all movies!
  • (95%) If the late 70's early 80's had the Star wars trilogy, then the 2000's had this epic fantasy masterclass. Regardless of whether you're a fantasy fan or not this is too good a movie to simply pass up, and it will be one of those movies that given time will prove it to be a classic. The deeper you look into this the more one notices that every single aspect really is a truly impressive accomplishment. The fact that every single sword used by the main characters was made by hand, with extra ones made only for carrying, fighting, etc, then there's the costumes/armor/props all made by teams of many people. They even made artificial trees for gods sake. But really all those things are just extras, what really makes this a unique watch is that it really does feel huge and sweeping, the sense of scale is fantastic and I can't think of anything that even comes close to matching it. What every epic flick needs this has, the cast is great, it's exciting, it has bags of character, it's funny, sad, superbly well made, with a great score and plenty of action. It's also one of very few 2 hour 30 minute + movies ever that leaves the audience wanting more. Since watching it around Christmas 2001 at a packed out cinema, and the many times I've seen it on DVD since, it never fails to impress and charm. All in all near perfect cinematic treat that keeps on giving.
  • minionlost11 December 2001
    Breathtaking. Unique. Captivating. Enchanting.

    Within minutes of the start of this first chapter of an undeniably epic trilogy, the audience was left gasping at the intensity of the images on the screen. And we had nearly three hours to go.

    The scope of Tolkien's masterpiece may have eluded film-makers for decades, but director Peter Jackson makes good on his promise: he has not only brought us the tale of Frodo and his bold companions, he has brought us Middle Earth. And believe me, it is BIG. Sweeping vistas and hang-onto-your-seat camera shots send us zooming through the towering cities and citadels of Tolkien's imagination.

    But even more impressive than the stunning visuals and sound-effects-like-you've-never-heard-before are the actors who breathe life into the characters. Ian McKellen's portrayal of Gandalf is nothing short of awe-inspiring, and Elijah Wood's Frodo is one of the most unexpectedly captivating performances I've seen in a long time. The despair, terror, and determination of the Fellowship is all there, in spades. I left the theater aching...from tensing every muscle during the fight and flight sequences--the breathless and compelling kind we haven't seen since Spielberg gave us a desperate charge onto the D-Day beaches of Normandy.

    Those unfamiliar with Tolkien's world may quickly find themselves lost in it, but happily so. The depth of his creation cannot be grasped in a few hours, and it doesn't need to be; the struggle of good against evil explodes on the screen, and leaves little room for complaint.

    The movie ended with a stunned audience sitting on the edges of their seats, feeling somewhat bereft. We were exhausted, but no one wanted to wait a year for more.

    Jackson's ambitious first chapter is truly unlike anything you've seen this year. George Lucas and Chris Columbus take note: this is how you deliver on a cinematic promise.

    For everyone else: don't you dare miss it.
  • mfellipecampos8 August 2020
    Warning: Spoilers
    It took me a while to watch this film (2020), but it was the best I've ever seen, it is just fantastic, it needs no praise, I dare say that the Lord of the Rings trilogy is the best cinematographic work ever produced by mankind. Perfect.

    Film seen on August 8, 2020.
  • Here is one film that lived up to its hype, and by the time I saw it after it had arrived at the video stores, I had heard and read a ton of things about it, and seen all the awards it had received, and expected a lot. To my surprise, it did not disappoint.

    Now, several years later after having watched all three of these "Rings" films twice each, I still think this first movie of the trilogy is the best. It is a truly spectacular adventure story all the way through, probably the best ever put to film...and the first three hours of it is extra special. The following two films were very good, to be sure, but this first had a better mixture of the story. The second and third movies were almost entirely Frodo and his allies' long journey, but the first half of this movie also gives a good bit of interesting introductory material including a number of scenes at the Shire, before the long adventure starts. If you watch all three of these films consecutively the action wears you down by midway through the final episode and it almost becomes just too much That never gets a chance to happen with the "Fellowship" film.

    Anyway, "Fellowship," stunned me for the visuals alone. I can't recall any film that has so many jaw-dropping scenes, one after the other, for three straight hours. Some are beyond description, and I don't care if they are computer- generated. So what? The fact is they are awesome to view, both in beauty and in staggering action scenes that feature incredible-looking monsters and other mythical characters.

    The story covers all kinds of terrain, too, from the lush Shire of the Hobbits, to the harsh neighboring landscapes. Each couple of minutes, as in the two movies that followed, scenes radically change from calmness to action, adventure to romance, sweet lovable characters to hideous monsters, on and on and on. It's an incredible movie experience.
  • An incredible feat Enthrals anew every time Cannot believe its two decades ago Love it so much
  • ...but oh was I thankful for it!!! All through the movie I kept on having this big large smile sculpted into my face. For the record, I'm 25 years old, and I've read "The Lord of the Rings" in three times for the first time when I was six or seven years old. Ever since then, I read it at least once or twice a year - therefore you can count me as a fan, for I follow the same cult fan procedure with "The Hobbit" and "The Silmarillion" as well. Now onto the movie... Gosh, I saw it more than one time, and I keep wanting more of it. It just never gets boring! I really enjoyed the little stuff that is found throughout the movie for fans of the books (the map on Bilbo's table in his house comes to mind, it is exactly as the one in "The Hobbit" book that I own), and I also incredibly enjoyed the intro sequence with the re-telling of the battle against Sauron from the Silmarillion, never has an ultimate evil being been so well depicted on the screen. It truly is Sauron.

    Those who argue the movie cuts too many parts or that it changes the story too much are totally wrong. This movie could not have shown the whole first time in its entirety - keep in mind that the audiobook version of 'Fellowship of the Ring' lasts well over ten hours, making a movie this long would, well, make it way too long and besides, how would you financially sustain such a project? I've read a reviewer saying he'd make all three books with the time allowed for the first movie alone. I think it would be a very fast-forwarding experience of a movie with 'Alvin and the Chimpmunks' kind of voices, incredibly stupid to say the least.

    Ok, so there are changes in the movie - well, this is Jackson's vision of it. All of us have our own visions of the books, which may or may not be compatible with that of Jackson's, but I can safely assume that nobody can say they have a hundred percent the same vision of the story as Tolkien; that's the thing with books: each reader has a different vision of it. As for me, I was blown away. Never before have I felt so much at home in a movie, it is as if I had taken a walk in the town where I grew up, the Shire, Rivendell, Moria, Lorien, everything felt so much like home, I was moved. I cannot tell of another movie that had me shed tears just by seeing a landscape on screen.

    As for the changes, well, I found good reasons behind all of them, and let me tell you right away, I was happy that Arwen saved Frodo, yes, maybe coming from a fan it will look like absolute heresy, but I enjoyed the scene a lot. I did not enjoy it because it was supposedly politically-correct to do so, or that I find Liv Tyler to be absolutely attractive; it was just because I felt like even though it was a big change from the book, it was a very good one indeed, it makes you discover the power, determination, and courage of elves and the fact that even elven women, although great in their beauty and seemingly fragile in appearance do not have anything to envy to their male counterparts. And beside, as Arwen is to become a Queen later on, it was pretty good to see her have a great first appearance.

    The actors were great, they were a lot into their characters, and for the first time, I saw elves as they were, quick, agile, terrifyingly effective in battle - just look at how Legolas dealed with the hordes of enemies without a single hint of fear in his eyes - these are elves as they should be. Gimli was great too, I know people seem to think many characters were not developed enough, but by the actions you can learn a lot. With Gimli a lot can be learned about the dwarves, their pride, deep sense of honor and family, their mistrust of elves, their love for strong beer and a good fight against anything bigger, and their sheer hatred for orcs and the likes. Aragorn was totally the ranger character, the ending scene as he walked toward the horde of Uruk-Hai warriors was great, his attitude, his clothes, everything about him just cried "ranger". Boromir was very well depicted, desperate to save the people of Gondor, by any mean necessary, robbed of all hope, yet in the end he redeems himself by showing his true valour, deep down, he's willing to die to defeat evil, and when he recognizes his king in Aragorn, on his last breath, I felt like watching a hero die, it was moving. The hobbits were all great, Frodo is deeply sad and fatalist, and Sam is just the 'best friend' everyone would like to have, just as it should be. Finally, we have Gandalf, quite frankly, he looks mighty, Ian IS Gandalf. The faceoff against the Balrog in the Moria is a memorable sequence, and just shows how strong he really is, to be able to vanquish such a foe. I can't wait for his return.

    Quite frankly, I can't wait for the two other movies... In the meantime, I'll watch this one over and over again. This movie has everything that a good movie needs to have, and more. Plus, it just might bring more people to actually read books that have more pages than the average little 25¢ novel that has no value in it, which is great. Parents, maybe some scenes will frighten your kids, but this movie has almost NO blood (even though it has a good share of battle) and the foes are undeniably evil, plus it has good values in it - friendship, courage, responsiblity, sacrifice for a good cause, and the belief that anyone can help to change things. This is worthy of Tolkien, this is a movie that will go down in history as being one of the best ever, for sure.
  • Warning: Spoilers
    ***SPOILERS*** ***SPOILERS*** Today is my birthday. Honestly, it is. It has been a beautiful week. Actually, it has been more than beautiful. The first snow has slowly covered our trees, the cool winterair has boldly taken over the days and nights in Norway. Beautiful. Well, actually, it has been more than beautiful. But what is `more than beautiful'? Today it was the point where a touch of evil was added to the beautiful. And with the evil and the beautiful comes. well, you know where I am getting at. A thrilling adventure, ancientic tale-greatness, monstrous experiences and totally - with no doubts whatsoever - the one film to rule them all. And in MY MIND, bind me. to this film, this book, forever. From heart of someone who has not read the book, nor have any interest in Tolkien, but loves cinema more than anything in the world. this is one of my, if not THE, all-time cinematic moments.

    Norway is a small country. And for the small country - only one press screening of FOTR. A small bit about me. I love film, and work as a filmjournalist here in Oslo. Therefore I attended this press-screening. My relation to LOTR is quite simple. Have not read the book, but have been covering the developments of the films. And by that, I have grown a huge interest for the project. Enough now. I HAD AN URGE TO REVIEW THIS MOVIE. Because it is beyond anything I could expect, want, crave, imagine, desire, feel, anticipate. This is unimaginable. And when you see it. I found myself crying of nothing but admiration 2 minutes into the prologue (shiveringly spoken by Blanchett). It shows this dark lord, Sauron, and tells a the fascinating story of The One Ring. Now, excuse me for not being OBSESSIVELY AWARE of everything about this movie (or these books) before seeing or writing this. The prologue is nothing but a amazing sequence. Instead of going into each and every picture (frame) of this film (because I could, and there would be a lot to gaze at and analyse in every single one of them), I will say this: THERE IS SO MUCH. I was completely paralysed. I love every detail I could observe, from the complex battlescenes to the single face of mister Frodo Baggins bedazzling every single audience member. It was a fantastic experience. This review, as I can see, will turn into a not-cronologic piece, but forgive me - my thoughts are a bit hard to recollect. My mind is occupied with images that have burned hard to my iris, performances that I already love and quote. I walked out of the theater 7 hours ago.

    I have not read the books, as you can see. Now I have seen the first film, and a big bouldering voice tells me that I might have had this very experience many years earlier, by way of the book. But people, and I feel this is important to say, I've just read the book. I think. A 3 hour movie - it felt like reading a book. Because the film felt so massive, it has layers upon layers - in character, in dialogue, in scenery (oh, my lord, the set pieces. I have fallen in love with Lothlorien, the Shire. Can I go to these places for vacation? Will I ever have enough money to go to New Zealand? This is so bloody fantastic in this film. It is so fantastic! I run out of words (especially in my English :-). We must go on!

    There has been a few hours as I said to dwell on this movie now, buit it's coming to me. It's coming to me as a grandiose wave of river-water lifted by the spellbinding of Arwen (Liv Tyler looks so stylish, such a timeless beauty. Eventhough (some stupid, boneheaded) people are going to scream ARMAGEDDON when they see her the first time, they will be silent when this elf is riding away from the black riders - bravely coming the halfling to rescue.) to eliminate ringwraiths(?). IT IS SO VERY, VERY GOOD. (Oh, I love this film. I have to see it again. I need my mother to see this film, I need to pick up a total stranger on the street, offer her a ticket just to see her face when she's leaving the theatre. I may have given her a lifetime of. well, an experience for a lifetime. Do you hear that Peter Jackson? You may very well, with this masterpiece (I have been dying to call it that), been responsible for thousands of people suffering through this year.) I NEED TO SEE TWO TOWERS NOW!!!! WHAT AM I GOING TO DO!!?? READ THE BOOK? I have to know whats happens. That thing happening to Gandalf. I can't believe it. He must return. Tell me he returns. Ian McKellen is superior. He is great. He acts like if. well, I couldn't see him act. There is Gandalf in him. For sure. Well, anyway, I am off track.

    FOTR is very big. A big tale. But very small. I mean, big it is, but small is he - Frodo. Oh my gracious lord of modern cinema, the very man who gave Mr. And Mrs. The liberty to create the god given actor named Elijah. Nothing crazy about these sentences, but it is a holy great performance. He is feeling. He is a feeling. My back was cold throughout the entire movie. Feeling Frodo, being Frodo, hurting Frodo, bearing with Frodo. A class-act, truly enchanting, spectacular, it-is-no-good-words-to-compliment-enough Frodo. I am, as you just read, trying to verbalize my experience of Frodo Baggins. But this turns away from reviewing. You want to read about the content of the film. What I saw. Because most of you probably know the whole story, and all the characters. Well, let's go to what there is to see.

    I saw the Shrine. It is a very richly realistic built, sunny, green place. I loved it. But no surprises. The home of Bilbo, cornfields. and then the city of Bir? Bie? Forgot the name. All the way, amazing scenery. The fact that there is a big difference in height among the characters, but not among the actors, well that is, how do I put it, flawless. Don't know how they could pull it off, but I am impressed. As I said before, this is so throughoutly worked on and polished - every picture and frame has something more than what you see, and every character blows my mind. What can I say? I'm never this singlemindledly positive about a film, but this may very well be THAT ONE where everything seems to strike my mind and in, again, the cinematic darkness bind me. Every generation has a movie. Every saga has a. hehe, enough filmrelated quotings. Don't have to say much about this, but so that you know it: Howard Shore's score is in my cd-player, and this music is. next to my heart.

    Bilbo. Just what did I actually know about this Bilbo. Oh, yes he was that hobbit-guy that picked up the Ring from the creature Gollum. I have read the forewords of LOTR. But oh my god. Complexity lies hidden, it seems, in each and every character. Bilbo freaked my out. Scared me more than Gollum (`my precious' shivers still in my bones). What exactly did that ring do to him? One scene has given me the most disturbance (and if someone does not want to know, please do not read further). When Frodo reaches Lothlorien, and re-meets with Bilbo, there is screen magic. As they talk (and he looks so much older already), he gives Frodo the sword. He tells about it's magic, how it glows blue when orcs are near. Ian Holm is absolutely heartbreaking as Bilbo. Then comes a moment. It hit my spine. He wants to give Frodo the armor (what was it called again?), and Frodo begins to remove his shirt. Then Bilbo sees the ring. Oh s**t, he sees the ring. Ian Holm is magic. "Oh, can I hold it... just for one last time..." "No, Bilbo, stay away". "IT's MINE! MY RING! MY PRECIOUS!" It is at that point. Bilbo freaks out. Make-up is brilliant, and the scare of that moment, that scene... still won't leave my body. Not even my damn mind. And the same thing happens with Galadriel. Don't want to spoil anything but the scene with Galadriel and Frodo by the mirror (she pours water in it, and he sees "what is to come"). THIS IS MAGIC!!!! Aaahhh. Again, and I can't say this enough, I HAVE TO SEE THIS MOVIE AGAIN. Believe me, it is THAT GOOD. The film hadn't played for long, but I began to realise. what's next for Frodo. He is now the ringebearer. Look at Bilbo. Again it strikes me.. I HAVE TO SEE THE NEXT TO FILMS NOW!!! Because there is no end to this film. Actually I couldn't believe it ended when it did. I needed more. It felt like one hour tops, but I had been nailed to my seat for 3 hours already. Amazing experience. The film have no ending, and there's evil there, that does not sleep . Now you get the picture; I love this film! I love LORD OF THE RINGS. This is just remarkable. My imagination. oh, I have no imagination. I did not, could not, imagine this. Imagine there's no people. Imagine if this film had not been made. I may have lived my life without knowing this story. All of you who read the book and hate them for turning this into a movie. Think of all of us who now have been rescued from living our lives without it. Thank you, everyone behind this film, for making it.

    Koola from Norway

    A small PS: The fellowship. It was beautifully casted. Flawless. Gimli - unforgettable John Rhys-Davies. The hobbits - just charming to their hairy feet, and they touched me deep. Aragorn and Boromir - more than anything, believable. They are men, they have no effects or make-up to characterize them. But they are massive. They suffer, and it hurts. Viggo Mortensen is my hero. (And did you all know he is related to Denmark, my neighbourcountry?). Legolas though.. He was my favourite. Feels weird to write the least about the character I loved the most, but it's just. not much to say. Could not stand seeing Legolas leave the screen, he had an remarkable impact on me with his. elvish magic. Oh, and one last thing. This is a chaos. My mind is a chaos. FOTR is so much, much more. I haven't said a thing about Galladriel, and a lot more. But there has to be a limit. If I were you now, I would look forward to every second of this film, so then. it does not matter.

    I will bring this experience with me for the rest of my life. It is that good.
  • "For the time will soon come when Hobbits will shape the fortunes of all."
    • Galadriel


    Galadriel tells Hobbits may look like unimportant people but they will change the course of the future. Story begins with this line.

    This line is not really the first line but the line stars the movie for real. This movie is breathtaking. Whatever I say is not enough for this trilogy. Brilliant novel, brilliant adapted screenplay.

    Not just the novel or screenplay is excellent but the technics also revolutionary. The trilogy nearly opened a new era to Cinema. Some believed even more revolutionary than Star Wars and 2001: A Space Odyssey. Amazing makeup, breathtaking visual effects, stunning cinematography. The trilogy nearly succeed at all technical subjects.
  • Warning: Spoilers
    Director Peter Jackson and wife Fran Walsh have successfully created an epic movie in both look and feel to equal J. R. R. Tolkien's novel (itself awarded the title of "book of the century"), bringing to the big screen a film nearly flawless in its execution. My biggest disappointment is that two chapters are missing from the novel - Tom Bombadil and the following encounter with the barrow-wrights - but everything else is present and correct.

    Visually the film is stunning, and Jackson's decision to shoot it entirely in New Zealand is one that pays off. From the incredibly lush green opening scenes of the Shire, to the enchanting elvish woods, to the imposing mountains and plains, it really is a great film to look at and enjoy the backdrop. Even the computer-generated images, like that of Mount Doom, are pretty realistic. Jackson's fluid camera leads to some great sweeping shots through orc-infested mines, huge towers, cameras in places you've never dreamed of. The soundtrack is also perfect, with Howard Shore's suspenseful, exciting, and emotional score a real plus, especially with the cool chanting that fills the Mines of Moria sequence. On top of this, great stuff is done with sound effects - in particular one scene involving a horn suddenly blowing had me jumping in my seat with its realism.

    I don't really need to examine the story, because it sticks closely to the book with so few minor changes that it's impeccable. The script is intelligent and well-written, the characters charismatic and believable in the situations they encounter. Despite a three hour running time, the film never drags, even in some of the slower sequences - I just didn't want it to be over while I was watching it. The costumes, sets and appearances - down to the hobbits' hairy feet - are all exactly as you would picture them in the book. Jackson's bizarre, arty depiction of life in the "netherworld" when Frodo puts on the ring and becomes invisible is as good as it could ever have been - spooky, supernatural and utterly weird. Lighting, pacing, suspense, tension, and the rest - it's all here and done 100% correctly for an overall brilliant effect.

    Elijah Wood seemed an odd choice to me for the lead role, but I immediately fell in love with his character. Through his acting he creates an emotional, weak in body but strong in spirit hero, a real centre piece for the film to evolve around, and the film makes great use of the actor's slightly odd eyes (especially in the sequence in which he nearly becomes a wraith). Ian McKellen is also excellent as Gandalf and seems to have been perfectly cast in the role, making it his own. Then there's the fellowship itself - Viggo Mortensen excels as the proud and just Strider (later Aragorn), especially in the action stakes where he fights with such fierce determination that he's a presence to behold. Orlando Bloom is fine as the elf warrior Legolas, and moves as fast with his bow as he does in the book. Screen stalwart John Rhys-Davies IS Gimli the dwarf, and couldn't be better. Then there's Sean Astin - lovable as the dopey but loyal Sam Gamgee, and Billy Boyd and Dominic Monaghan in slight comic relief roles as hobbit buddies Pip and Merry. Finally, kudos to Sean Bean, for creating in Boromir a flawed but deeply likable and understandable character, with a sympathetic performance that eclipses all of the actor's previous work - bravo.

    The action sequences are magnificent and really get the heart going - they put you into the middle of the action with all the blood, sweat and clanging steel, and are edge-of-the-seat stuff. Highlights include Strider fighting the ring-wraiths with his burning brand on Weathertop and the final assault by orcs on the fellowship, which leads to one of the most noble deaths ever in a film. And what of the special effects? In a film dominated by CGI work, I'm happy to say that most are unnoticeable. The digital manipulation to create four-foot hobbits is sometimes dodgy but most of the time you don't notice. The backdrops and effects are great, expensive looking but solid and real at the same time - whoever said they look "cartoony" just got it wrong.

    My favourite scene in the movie is the Mines of Moria sequence - a fantasy fan's dream come true, and the best on screen depiction of a Dungeons & Dragons game so far. The lurker in the lake is a Lovecraftian monster par excellence and the spooky and atmospheric trip through the corpse-strewn deserted mines exceptionally eerie stuff. Then follows a fantastic battle with a cave troll, thankfully on screen for a fair amount of time so we get to admire the fluid and superb effects, and then a truly gob-smacking encounter with the fiery Balrog, just as you imagine it from the book. This half an hour is probably the best film sequence I've ever seen, flawless and perfect in its depiction - amazing. A highlight of what is an impressive and epic film throughout, and a must see for any film fan worth their salt - I can't recommend this film highly enough, and plan to watch it again before the cinema run expires. In my opinion this is better than any STAR WARS movie or HARRY POTTER - and easily one of the best fantasy movies ever made, although it has to be said the competition isn't exactly stiff. Bring on the sequel!
  • I think it is important to remember that Peter Jackson took up this film not in order just to make a film of `The Lord of the Rings' but because he wanted to make a 'fantasy just like the `The Lord of the Rings'" as he himself put it. After repeating that phrase on a number of occasions the question popped into his mind: "Well, why not the `The Lord of the Rings' itself?". In doing this he, of course, set himself an enormous challenge: he had to make a really good `fantasy' film, one which would stand on its own and be true to what he had originally wanted to do but he would also, and here the task he had set himself was enormous, be true to the original book and to make a film which the legions of people who have loved this book would feel happy with. In the latter task he was certainly not helped by the author or the book: Tolkein, it would seem, hated cinema. The book itself is `HUGE': this was not going to be the kind of task that the James Ivory team set themselves, or Scorsese nor the kind of task facing Branagh with Hamlet; nor was it going to be like the puny task that faced Columbus with `Harry Potter' who had the bigger budget ($130 million for one film as compared with Peter Jackson with $300m for three).

    I have just seen the first `volume' and can say without hesitation that he has succeeded in both his goals. It is not the book but a reading of the book which is inventive and fascinating. It is the kind of experience that makes you want to go back and reread the whole thing in the light of the emphases that Jackson has brought to the story. He focuses on the corrupting influence of the ring and, through this focus, the character of the chief protagonists of the story are revealed. Clearly those most tempted by it are mortal men (Boromir and even, in one moment, Aragorn), those who already have power (Elrond - `The ring cannot stay here'; Galadriel; Gandalf and Saruman), and, of course, those who would not normally desire it but who by accident become ring bearers - Gollum, Bilbo, Frodo. I can see why, in this reading, Jackson decided to leave out the Bombadil episode. Bombadil, like the Balrog, is beyond the ring but the latter is important to the unfolding of the story of the fates of all the characters, Bombadil isn't.

    It is a miracle of this reading of the first volume of the book that one can see where Jackson is going and one can get a feel of how the reading is going to unfold. In a sense, Jackson's real trial - as far as those who know the books are concerned - will come with the second film in the series. He has lived up to our expectation by creating even bigger ones: how can he handle the story of the chase andrescue of Merry and Pippin, the storming of Isengard etc - stories which don't really add much to the core theme that is emerging. Or is he now going to add the theme of the great contest of good versus evil to the unfolding reading?

    All of this points to the fact that the film, even though it is a feast of special effects, focuses on character. And this also explains why Jackson chose the actors he did for their roles: they are not `big' names - no `Sean Connery', no `Alan Rickman', no `Brad Pitt', no `Sam Neill'etc. He didn't want them getting in the way of the story of character. Ian McKellan's talents, in particular, are used to tell a large proportion of the story: an enormous amount is conveyed simply through his facial expressions and even by the language of his body. The other miracle in all of this is Elijah Wood. Like many others, when I first heard of Jackson's choice, I groaned: but Wood has been extraordinary. He brings, as one friend said, a strange kind of androgyny to the role and this is just perfect. McKellan has already been knighted: give Wood the Oscar.

    And then there is Middle Earth: this is, as someone put it, another character in the story and the New Zealand landscape, digitally enhanced on occasion, lives up to its role too.

    Enough. See this film! Greatest film ever made? How can one make a claim like that! Silly really; as silly as claiming that `The Lord of the Rings' is the greatest book ever written. Can't one simply love a story, enjoy reading it a number of times amd lose oneself in it. One CAN claim that it is the greatest work in its genre as is the film.

    10/10
  • Warning: Spoilers
    Alright, I liked the movie, but I have mixed feelings.

    First of all, you gotta give Jackson credit for his work, but it seems to me, that though he did a good job over all he did not really catch the magic of the books - and I don't mean in the movies, but he himself. The special-effects, the cast and and the production are great - but for every acceptable or good change to the original story you find at least the same amount of really bad choices Jackson made. Let me just give the example of who is responsible for going through Moria in the book and on the other hand in the movie. Why change it to Frodo and give him the burden of Gandalf's death? Why do not let Aragorn take the broken sword out of Rivendell? These are just needless and bad changes to the original story, and there are more examples for that kind of things.

    But nevertheless the movies made a break for the fantasy-genre and will spawn a lot of movies from the same kind (or so I hope). Jackson deserves credit for that. The Lord of the Rings is something you have to see - but not something you have to like.
  • I was taken to a midnight showing of the first Lord of the Rings movie. Like having sex for 3 hours with no orgasm I was completely disappointed. The movie was eye candy to behold. The scenery and the amazing special affects were stunning. I have not read the books, and frankly, I don't want to now. I was so bored. I almost began to cry. I felt trapped in a movie which went from one foe to the next...to the next....to the next....to the next.....to the next....to the next.....to the next....and on and on and on, so long that when the main character noted "I wish the ring had never found me," I agreed. As the movie progressed different foes and challenges popped up as though they just magically appeared--Oh look we are stuck in these frigid mountains, no where to go.......it is OH so cold....what do we do? Oh, I know, lets take these mines here that just conveniently randomly appeared! If you've read the books, you might enjoy the closeness, as I hear it has. However, if you haven't...don't bother. It is TOOOOOOOOOOOOOOOOOOOOOOOOO long...TOOOOOOOOOOOOOOOOOOOOOOOOOOOOO boring....and TOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO plotless....and all this, for 3 hours and 10 minutes...and then, then THEN!!! NOTHING!!!!! Wait until you can set aside 9 hours and watch them all at once, then at least it might be slightly rewarding.
  • It is with no surprise that Peter Jackson's The Fellowship of the Ring film has received such mixed critics. Many viewers refer to it as being childish, boring and uninteresting. Seems to me that it is bound to the same fate of Tolkien's books, destined to be a target for the same type of misunderstandings that keep attacking this literary masterpiece many decades after it's first publication.

    Having read the books several years ago, I went to see this `impossible' film when it came out with many doubts on my mind. I really liked it, but left the theater with as many doubts as I had before. Was it perfect? Well, maybe not, but what an achievement. After watching it a few times on DVD, and thinking about it for some time now, I find myself loving this film more and more. Let me tell you why...

    The Lord of the Rings is a fairy-tale of myth and fantasy. Peter Jackson directed a film that was considered, for a very long time, impossible to make, and not only for technical reasons. The narrative roots are incredibly long and detailed, and the storyline is deeply connected with the creation of a fantastic continent from a time unknown called `Middle Earth'. It's author, Tolkien, dedicated a considerable part of his life developing this continent's background, it's mythology and origins, it's different kinds of people, cultures and languages, and therefore it's geographic references are determinant to the unfolding of the story of the One Ring.

    Peter Jackson went out to achieve the impossible and came out with a recreation of the original that is pure and true to the story in every detail. The first time the four hobbits meet a black rider on the road, for example, is absolutely faithful to the feeling of the book. The assault of the riders at Weathertop is another great example, and it captures that feeling of danger, density and atmosphere that are the main characteristics of the tale. Jackson also took some liberties with the story, and made some right choices along the way. If the so called `purists' may not approve the removal of Tom Bombadil altogether, it should be comprehensible that the travel from Hobbiton to Rivendel is a very long and detailed one and could easily make a movie on it's own. I felt more uneasy with how short the Council of Elrond was. In the book, the council is where the whole story of the rings is first explained, and many passages from the past ages of Middle Earth are unveiled. It is a fascinating moment of the story, that had to be shortened for obvious reasons. Still, after some consideration, I now agree with the options made by Peter Jackson, and think that the movie prologue narrated by Galadriel was the wisest choice. The magic is all there when Gandalf shuts his eyes the moment Frodo stands in the council and says `I will take the ring'. It is there at Moria's Gate, and at the fall of Boromir. It is a powerful film that doesn't fit the rhythm of the standard Hollywood action movie. It is a film that breeds, that takes time to unfold, it's tale branching in every direction.

    I could go on and on, talking about all the different elements that bring this film close to perfection, but I'll end saying that deep down, this is not about action, beards and big monsters. The greatest thing about this film, to me, is that it brought me back to a time when I was in love with a different world where everything was possible. Reading The Lord of the Rings night after night, I came to understand what this thing of `mankind' really was all about. The corruption of absolute power, the importance and value of friendship, the inevitability of growing up, the strength of hope... That this film could capture that magic, and be a new bearer to it's message of humanism, is a statement to it's greatness. Gandalf's words, that even the smallest person may change the course of the world, and have a part to play in the destiny of all, are immortal.

    In the end, this is a wonderful film, but that doesn't mean you are going to like it. I cannot tell you what it is like to see this film if you don't know or love the book. But I hope it may plant a seed on your heart to discover a great world of fantasy, beauty and humanity. I believe Tolkien would have liked that.
  • Warning: Spoilers
    Barely ever hearing of The Lord of the Rings, I went in to see this film in theaters the consecutive Friday it was released, to not only be flabbergasted at its greatness, but wanting more! Since then, I devoted myself to seeing the following two films on the first day of release -- a promise I kept.

    Peter Jackson's take on Tolkien's fantasy masterpiece not only carries a great deal of the text to full film fruition, but shows the power of film, and proving that nothing is impossible. Jackson's vision is continuous, and never seems to loose grasp of the story that is being told. Using the artistry of John Howe and Alan Lee, The Fellowship of the Ring gleams with a beautiful and dark atmosphere, a length of detail that makes it seem like everyone and everything has its own history, and full of wondrous images one could never imagine.

    The acting is superb. With a complex script, each actor has transformed these characters into 3-D people with deep back-story, and people that we feel compassion for. This is one extraordinary ensemble cast. Each actor IS that character, making it seem impossible to imagine anyone else fill that person's shoe in their stead. Viggo Mortensen IS Aragorn. Sir Ian McKellen IS Gandalf the Grey. Elijah Wood IS Frodo Baggins. One could weep with our heroes should one fall, or feel inspired when they achieve victory. A fantasy with this much emotion just seems surreal, but it's completely believable.

    Never losing pace, the writing and direction is flawless, making for one enthralling introduction into Middle-earth. The voice over prologue fills even the most uneducated audience member with all the necessary knowledge they need to know in order to understand our heroes' and villains' motives. Some things of course have been omitted for pacing reasons. While not present in the theatrical cut, we do see the passing of the Grey Elves, and get a brief tale of Beren and Luthien. The barrow-wights and their story is no where to be seen (as interesting as it is in the book, there really is no place for it in this film) and Tom Bombadil is absent as well, but thankfully to the ingeniousness of the writers, in the Extended Edition of The Two Towers a little homage is paid to the character. Omissions and changes are always part of adapting a book to film, and the ones made by Peter Jackson, Phillipa Boyens and Fran Walsh are justifiable in every way.

    The action scenes are spaced out thoroughly enough for breathing room, plot advancement, and ever-continuing character development. Each action scene is its own, be it the flight to the Fjords of Bruinen, the Mines of Moria, or the showdown at Amon Hen near the end of the film. All are greatly choreographed, each stunt member and actor is full of energy and ambition as they wield deadly weapons at each others' heads and limbs. It really is a sight to behold.

    The special effects are mesmerizing. The use of CGI, miniatures/bigatures, and even clever camera angles blend to make one ideal image after the other. The soaring images of Barad-dur or Orthanc seem real when in fact, they only stand so many feet high. The Argonath, two figures of enormous height standing before the Anduin River seem like 300 foot creations, when in fact they are about only several feet off the ground. Simply jaw-dropping imagery.

    Howard Shore's score for The Fellowship of the Ring is a beautiful, epic, and complex piece of work that makes one feel like they have been entranced. Even when some of the text seems omitted from the screen, it can be heard through the powerful instrumentation conducted and created by this composer. The use of leitmotifs to symbolize a country, race, or character is stunning.

    Overall, The Lord of the Rings - The Fellowship of the Ring is a visionary masterpiece, allowing the world to see what seems like actual history with fantastic elements, equaling the greatness of Hollywood's earlier classics. As the first of three, one who has not seen these films can await the next several hours of their lives to be changed for ever.
  • Absolutely epic! The scale is truly mind blowing. Every filmmaking aspect is beyond incredible. Especially the score, set design & dialogue. The emotional weight & amazing battles seal it.
  • Warning: Spoilers
    When I first read "The Hobbit" and "The Lord of the Rings" Trilogy back in the early 1970's, I recall saying to myself that the story would make a wonderful movie. "Star Wars" still hadn't come out yet, and realizing that the available technology could not do justice to the fantastic world presented by J.R.R. Tolkien, it was simply best left to the imagination.

    Well, imagination has found life in "The Fellowship of the Ring", a truly profound epic that sets the standard for film fantasy, just as the books did for the written word. Upon first seeing it during it's initial release, I couldn't have been happier with the amount of detail it offered while remaining true to the original adventure. Everyone imagines what a story and characters look like in their own mind; it was as if Peter Jackson tapped a great cosmic consciousness to deliver a tale that captured the tone and pacing of the novel dead on.

    I feel that readers of the trilogy have a leg up on the characters and locations of Middle Earth, as they are revealed in the film quickly and with nominal explanation. For example, when the Black Riders appear for the first time, it's difficult to grasp what they're all about, other than the fact that they're after the ring. Strider's explanation of the Nazgul is perfect - ring wraiths who were once men, neither alive nor dead, who always feel the power of the ring. Coming to the movie with that understanding ahead of time helps the viewer have a greater appreciation of the action taking place.

    The real magic of the movie for me is the seamless manner in which the various races coexist and interact with each other. Though levels of unfamiliarity and distrust appear, can anyone coming out of the movie doubt that elves, dwarfs, hobbits and wizards actually exist. Even orcs and evil Uruk hai have a place in this world, for without the danger they pose there is no triumph.

    If the movie captures your imagination and you haven't read the trilogy or it's prequel "The Hobbit", you'll be doing yourself a favor to do so. There in even more exquisite detail are nuances such as Elvish poetry and additional characters that provide more depth and color to the world of Middle Earth. It's a world easy to get lost in, and makes one appreciate a writer of legendary proportion who invented a land, people, and language all of his own that can now be shared with everyone.
  • The Lord Of The Rings Trilogy

    Perhaps the best adaptation of a gargantuan novel ever made thus far.

    Words defy analysis but in short all the forces are martialled by Peter Jackson in service of the story that is enabled with a breadth and scope never before achieved before this.
  • A mild mannered hobbit named Frodo, back by eight companions has to face all manner of danger, battling many foes in order to save Middle Earth.

    I'm not sure I can say much that hasn't been said multiple times, it truly is one of the greatest movies ever made, foolishly I have only watched it once since its original release, and tonight I was as captivated, entertained and genuinely spellbound as I was when I first saw it.

    Action packed, dramatic, emotional and entertaining, this film has it all, there are no lulls, it entertains you from start to finish, an impressive feat for a film that runs over three hours long.

    The visuals are sensational, from the glorious landscapes, incredibly costumes and makeup, to the dazzling special effects, you truly are transported to a world of pure fantasy.

    The music is spot on too, who doesn't love to hear Enya.

    The acting is phenomenal, credit to all involved, Wood, Lee, McKellen, Blanchett, Mortensen and all concerned are terrific, being a huge Sean Bean fan I have to comment on his amazing performance.

    It's a fabulous movie.

    10/10.
  • Star Wars has been dethroned. Although George Lucas' movies are good in their own right (except for the juvenile elements he puts in to sell toys to finance the franchise), his scripts (which borrow heavily from J.R.R.Tolkien, mythology & religion) can't compare with the brilliance of the literary trilogy `The Lord of the Rings'. Granted, Lucas took on a herculean task in writing & directing his story himself, but Tolkien's words, along with Peter Jackson's faithful adaptation & inspired vision, have created something no one man could equal.

    Of course, it helps that Jackson insisted on at least a 2 picture deal, & New Line Cinema was brave enough to foot the bill up front for 3 movies. They spent $180 million to film all 3 simultaneously. With the New Zealand exchange rate, that equals $360 million ($90 million ea.), but since they used many of the same sets, and FX development costs were spread throughout, we're seeing $120-$150 million on the screen. This will ensure consistency in plot, casting, tone, etc.

    In 3 hours, Jackson has crammed everything essential from the first novel & then some into the film, rewriting some scenes & dialogue with lesser characters for the leads, leaving out only what there wasn't enough time for. Basically, you have two 90 min. movies running back to back. There are no slow spots, just one climax after another. From the opening 10 min. backstory where the Dark Lord Sauron is shown on the battlefield wiping out men & elves 10 at a time with each swing of his mace, I was blown away. The romance between Aragorn, king in exile, and Arwen, daughter of the elf-lord, is played up for the "Titanic" quotient, but it's well done.

    The story, sets, costumes & FX are so rich, you'll have to see the film several times to absorb everything. The unspoiled New Zealand locales are spectacular, providing a variety of environments to represent the different settings on the characters' journey. The location sets are imaginative, detailed & weathered, adding to their believability, while the studio sets match them in meticulousness. The costumes are at once familiar & strange, drawing on both the medievil & the fantastic, but more important, they're also functional & practical. The music by Howard Shore is appropriately sweeping, Celtic & folky in keeping with the novel, although it lacks the memorable themes of John Williams or Jerry Goldsmith, but neither would commit a year or more to a 3 picture project. The FX are as they should be, unobtrusive & unnoticed most of the time, there only to support the story not draw attention away from it as in most Hollywood movies which try to coverup illogical plots & bad acting.

    I'm particularly gratified by the casting of Viggo Mortenson as Aragorn which was a last minute stroke of luck when the actor first chosen for the part backed out due to differences with the director. I've always thought Mortenson had an intensity & striking but not pretty-boy looks that could portray a flawed, dangerous hero instead of the villains Hollywood always picked him for.

    A stellar cast giving some of their best performances, visuals that deliver beyond what I imagined, a perfect mix of humor, passion & tragedy, and a feeling of grandeur, scope & impending doom. Perhaps as an ensemble piece with so many characters & the inability to concentrate on any one, it can't be measured against some of the classic character study films, but even the casual moviegoer can grasp the ideas & not get lost As far as I'm concerned, it's one of the greatest films of all time.
  • Puroo21 June 2021
    I had begun watching The Lord of the Rings because of all the memes and references in other movies and shows. And that was probably an excellent decision. It has been a year since I have watched these and since the story is distributed among all the three movies, I have decided that I will talk about something unique each of them. In total these movies clock over 10 hours, and I can imagine how much the fans of the book must have loved it when they learnt they are getting so much content from a book they love reading so much.

    The Fellowship of the Ring is the very first one of the movies which basically kickstarts the adventure. It is amazing to see how much content this movie has in spite of the fact that the entire backstory was narrated in the first two minutes of the beginning. There are a lot of things to talk about in this. The movie created a font style, a score and a colour palette that fits along with the scenes of the battle that made it look so suspenseful. As the scene was going on I was very attentive to hear everything that happens throughout. And this was just the first two minutes of the 3 hour movie.

    Afterwards the scene transitioned to the otherwise peaceful Hobbiton. It was a very interesting transition, that showed how on one hand the races are fighting each other for getting control over the Middle Earth, while on the other hand there are a bunch of peace loving Hobbits who are just into their day to day lives. They always have very wholesome reactions when they see Gandalf, which is the reason why it creates a stark contrast from what is about to happen after they leave Hobbiton. Although Bilbo was a good friend of Gandalf and Gandalf had come all the way to celebrate his birthday, he didn't feel that Bilbo was a trustworthy person because he was also attached to the ring. As a result he decided to send his nephew Frodo, his friend Sam and two other Hobbits to help dispose of the ring.

    The ring is also something I'd like to talk about here, since it is in this movie that the ring and its effects have been talked about the most. The ring is something that appeals to anyone who has desires, but once it is worn it ends up tormenting the wearer. The subtle message that this sends us is the consequence of a moment's greed. Not everyone has the ability to hold their temptation, which is the reason why the Hobbits are specifically sent to dispose of it. Frodo himself has the urge to wear it twice, the reason being that he wanted to save himself. At one moment he wears it accidentally during a bar fight, which makes him see the Eye of Modor and makes him vulnerable. If one is able to get over their desires and focus on what makes their life easy, there will be no need of such temptations. This is what the ring tells us.

    And afterwards they go to Rivendell, which is, simply said, the most beautiful place I have ever seen in my whole life in any movie! Over there they create The Fellowship of the Ring, which goes to destroy the ring in the lava at the Mountain of Doom. Now I won't get too much into the story since I want to keep this review spoiler-free, so I'm just gonna talk about how beautiful all the scenes from this movie are. Seeing them reminded me of my childhood, reading nursery rhymes and fairy tales. I always looked at the pictures and imagined this is what those places must have looked like. Every location from this movie looks like it could be one of those 19th century paintings. It's amazing to see such places are still left in this world that have not been destroyed as of yet.

    The movie, or should I say the trilogy, has really gone hard with the details. They chose to make the maps, the fonts, the detailed lore, all the cities from the Middle Earth and even the easter eggs which added a lot of lore to the movie. Every scene from the movie looks like a painting, which is not something which can be said about most adventure fantasy movies. It has the feeling of an RPG game to it, or at least that's how I feel it. It's something of a Skyrim of all movies. For the fans this must have felt like a dream coming true. Things like these should be made for all fantasy movies, which have begun looking underworked simply because of the existence of this movie.

    The Lord of the Rings: The Fellowship of the Ring is not a movie that I may want to watch again because of how long it was and the fact that it is nothing in itself unless the other two parts are also combined, but this is also for a good thing because of the fond memories that this movie has left for me. Personally this was the most memorable movie for me among the trilogy. It was because of how rich and detailed this movie was that gave me the confidence of watching the other two movies as well, something I rarely do otherwise. There are many iconic movies like The Godfather, Jurassic Park and Cloudy with a Chance of Meatballs which I did like, but they didn't give me the courage to continue. This is going to be one of those classical movies that I'd remember for life.
  • It took me 14 years and a subscription to HBO Max to get around to watching this movie, and I can certainly say it was worth every bit of hype it gets. The Fellowship of the Ring was an epic start and one of the best fantasy adventure films I've ever seen. These action sequences are immaculate, and it is a gorgeously directed movie, the cinematography was so good I couldn't get enough.

    It's also very, very funny, who knew Sean Astin, who I love, would grow up to be a hobbit, every actor in this gives a really great performance, and these special effects are top-tier, they're unbelievable.

    The Fellowship of the Ring also has one of the greatest climaxes I've ever seen, not only that, it has incredible creatures that actually scared me.

    Yes, it is very, very long with a runtime of nearly 3 hours, but it never drags despite that.

    Peter Jackson had a vision here, and it was an amazing vision, along with a story that was epic.

    And I'm gonna give Lord of the Rings: The Fellowship of the Ring an A+
  • There's a ring that's been residing in a pocket, provides longevity to Bilbo who's a Hobbit, but it's waiting to be found, by Sauron to which it's bound, you need the fires of Mount Doom, if you're to stop it. Frodo (who has been given the ring by Bilbo) and his chums go on a journey, become pursued by an increasingly large army, comprising orcs and nasty wraiths, hunting them down from place to place, it's quite bizarre, and very often, a bit barmy. They're supported on this quest by Dwarves and Elves, plus there are people very similar to ourselves, and a wizard with a beard, has a hat that's quite dog-eared, some have magic, on occasion they cast spells.
  • Trying to be as objective as possible from the stand-point of one of the "purist", my humble question is: Did Mr. Jackson ever read the books? Or more importantly, did Ms. Walsh ever read the books? After all, is it not the responsibility of the true screen writer to condense and translate (while remaining true to the original works) the written word to a format suitable for filming? While no one can deny that the cinematography, graphics, special effects and even the casting (in most cases) deserves the highest praise. It is the loss of the true spirit of the literary work, that irks me most.

    While I can forgive the omission of many key characters (the films would have been ten times longer), I can not forgive the changes made to what motivated the remaining characters; the blatant changes in events and the placement of characters; the addition of scenes and events that never happened in the book; and of who did what, when and especially why! For the "purists" I would not recommend these films, your will be utterly disappointed and dismayed. For those who don't care, or have never read the books -go -you'll have fun -enjoy!
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