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  • A showcase for Chasey Lain, she stars as a young woman learning the ropes of servitude for her master Jon Dough. Only there's no ropes and the training mainly seems to be standing around looking gorgeous like a piece of furniture since in 1994 you legally couldn't really show BDSM in a hardcore picture. It makes for a very workman-like production with Lain never generating any level of heat to match her supermodel looks. Even a threesome featuring Tiffany Mynx as a dominant top fails to bring Lain out of her shell. It all makes for a missed opportunity and everyone involved is featured in better productions.
  • Fred Lincoln and his then-wife Patti Rhodes collaborated on this highly effective vehicle for Wicked Pictures contract star Chasey Lain, emphasizing her physical beauty as well as delving convincingly into the psychology of female submissives. I enjoyed it a great deal more than the dozens of recent Adult features riding the coattails of the "50 Shades" literary craze.

    Feature is told with narration from the point-of-view of Chasey, fully committed to being the sex slave of her master played by Jon Dough. Not only is her subservience believable but Rhodes & Lincoln do not make the error of most current pornographers ranging from Ernest Greene to Jacky St. James of trying to proselytize for or justify the offbeat lifestyle.

    Chasey gets punished when taskmaster Jon feels she has done something wrong, but there is not the contradictory inversion whereby 21st Century screen submissives seem caught in a Catch-22 situation of wanting to be punished and hence misbehaving.

    There's plenty of sensual sex scenes featuring other stars, including Kylie Ireland, makeup lady Shelby Stevens and Tiffany Mynx, often in lesbian format, until the odd happy ending of Dough saying "I love you".

    Kathy Mack photographs Chasey lovingly and the musical score steals from such hits as "Black Magic Woman" and "Sympathy for the Devil", with only slightly disguised versions.