Bethel Buckalew symbolized Hick Porn in the '70s with his series of cornpone softcore sex comedies I saw many, many times at drive-ins back in Ohio -movies that played until the prints were thoroughly beyond any more splicing or repairing.
Max Hardcore, a man I blame for the decline of Adult Cinema (actually video) to gonzo nothingness, tries for an imitation of these movies, and strikes out.
All Max is interested in has to do with grunge sex, delivering here ugly scenes of anal sex, a touch of fisting (personally administered by Max to busty Sally Layd) and a general level of incompetence. The content is not as rough as his mesmerized fans usually demand, with the result a failure as both gonzo and as a backyard amateur effort at storytelling.
In fact, for 1994 it is a bit weird to have a new movie that so resembles one-day wonders circa 1970.
I try to be eagle-eyed watching such junk and was rewarded when I spotted star Nicole London's husband Anthony Crane as an extra who silently interacts with her character Becky Sue when she arrives on the streets of Hollywood in the cornball plot gimmick of hayseed girl going to La La Land in search of success after receiving a postcard from her friend Francine (Sally Layd) who's out there whoring and supposedly cast in TV commercials.
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