On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: When the Going Gets Tough, Santa’s Reindeer Get the Hell Out of Florida
Despite the fact that Santa, ice cream, and bunnies are three topics famously enjoyed by young children, letting your kids anywhere near “Santa and the Ice Cream Bunny” feels like a surefire way to make them swear off Christmas altogether and embark on a path towards atheism.
I’ve seen enough excruciatingly bad Christmas specials in my day to accept that our collective standards for holiday content are significantly lower than they are for anything that...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: When the Going Gets Tough, Santa’s Reindeer Get the Hell Out of Florida
Despite the fact that Santa, ice cream, and bunnies are three topics famously enjoyed by young children, letting your kids anywhere near “Santa and the Ice Cream Bunny” feels like a surefire way to make them swear off Christmas altogether and embark on a path towards atheism.
I’ve seen enough excruciatingly bad Christmas specials in my day to accept that our collective standards for holiday content are significantly lower than they are for anything that...
- 12/16/2023
- by Christian Zilko and Alison Foreman
- Indiewire
It may be “the most wonderful time of the year,” as the song goes, but let’s face it, not all things Christmas are created equal. There are the tree ornaments you cherish, and others that can fill space in the back. There are movies that become classics, like “Miracle on 34th Street” or “Elf,” and those which seem to have been created as holiday time-fillers — harmless if charmless mediocrities parents can use to distract the kids for a couple of hours while they get some Christmas shopping done in peace.
Such is the generic ilk of “Elliot: The Littlest Reindeer,” a Canadian toon whose animation isn’t the only thing that seems to have been handled by computer. A would-be new “Rudolph the Red-Nosed Reindeer,” it’s energetic and polished enough to avoid feeling like a rip-off — “Santa and the Ice Cream Bunny,” this is not — but there the compliments pretty much end.
Such is the generic ilk of “Elliot: The Littlest Reindeer,” a Canadian toon whose animation isn’t the only thing that seems to have been handled by computer. A would-be new “Rudolph the Red-Nosed Reindeer,” it’s energetic and polished enough to avoid feeling like a rip-off — “Santa and the Ice Cream Bunny,” this is not — but there the compliments pretty much end.
- 11/29/2018
- by Dennis Harvey
- Variety Film + TV
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