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PASSABLE
An only passable psychological thriller. The story material could have lead to an entertaining film, but it hardly differentiates itself: as so often with the mainstream (tv)cinema of the 90's director Martin Enten made a film you seem to have watched a thousand times before.
Enten uses quite some tricks to make it visually different, but most of these are meaningless as they are not a part of a certain style. A good example is the annoyingly waltzing camera during the conversation between Reinhart and Alex; did Enten really believe that this would give the scene more tension? Only one sequence (Anna and Reinhart at the lodge) is really successful; here the feelings and tenderness between the two are well hit.
Enten uses quite some tricks to make it visually different, but most of these are meaningless as they are not a part of a certain style. A good example is the annoyingly waltzing camera during the conversation between Reinhart and Alex; did Enten really believe that this would give the scene more tension? Only one sequence (Anna and Reinhart at the lodge) is really successful; here the feelings and tenderness between the two are well hit.
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- J. Steed
- Sep 30, 1999
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