The multigenerational saga of the rise and fall of the Corleone crime family.The multigenerational saga of the rise and fall of the Corleone crime family.The multigenerational saga of the rise and fall of the Corleone crime family.
Marlon Brando
- Don Vito Corleone
- (archive footage)
Al Pacino
- Michael Corleone
- (archive footage)
Robert Duvall
- Tom Hagen
- (archive footage)
Robert De Niro
- Vito Corleone
- (archive footage)
Diane Keaton
- Kay Adams
- (archive footage)
Talia Shire
- Connie Corleone
- (archive footage)
James Caan
- Sonny Corleone
- (archive footage)
John Cazale
- Fredo Corleone
- (archive footage)
Andy Garcia
- Vincent Mancini
- (archive footage)
Richard S. Castellano
- Clemenza
- (archive footage)
Lee Strasberg
- Hyman Roth
- (archive footage)
Michael V. Gazzo
- Frankie Pentangeli
- (archive footage)
Sofia Coppola
- Mary Corleone
- (archive footage)
Richard Bright
- Al Neri
- (archive footage)
Eli Wallach
- Don Altobello
- (archive footage)
Abe Vigoda
- Tessio
- (archive footage)
Gianni Russo
- Carlo
- (archive footage)
Al Lettieri
- Sollozzo
- (archive footage)
Featured reviews
10kallah
The first two episodes of The Godfather have already been critically acclaimed. There's not much of a point in adding to these praises. There have been so many negative critiques of Part III that a commentary in favor of the final episode is due.
Here it is. The last of the trilogy can be appreciated for its consistency with the first two, particularly with the film's loyalty to the recurring theme of the entire saga: family.
Once lineless and rendered obscure to the plot, Lucy Mancini (original actress and all) has returned to the saga after being left behind in Part I. And she has brought a not-so-little remnant of her affair with Santino Corleone with her. Recall the scene in Part I when Sonny leaves Lucy's apartment with his henchmen to pick up his sister. That was perhaps the very moment after which the last Don Corleone was conceived.
Another one of Santino's remnants has returned to the saga in Part III: his twins (Francesca and the other one). They are now grown and still identical, and still adorable too. Remember their line in Part II, Mommy, Daddy's fighting again!" and their inclusion in the Corleone family portrait taken at Connie's wedding.
Also returning are Al Neri, Calo (the Sicilian bodyguard), Tommassino, Johnny Fontaine (voice still intact), and Sofia Coppola even though she posed as Connie's baby in Part 1. Speaking of Sofia, she arouses a touching appreciation of the scene in Part II that shows little Mary Corleone running in a hotel hallway while her parents argue inside the room. And Anthony becomes a paradox to the boy in Part I who is ostensibly imminent to be the next Godfather.
As usual, the political intrigue makes the film exciting if you're paying attention. And the very title of Part III presents a double meaning: third episode, third Godfather. Andy Garcia is perfect for the part (remember him in The Untouchables). As they say in the mob, Vincent Corleone "wears it" when he is ordained Don Corleone, Neri and others acknowledging his throne in the proper fashion. The scene chills you with nostalgia and images of Bonasera kissing Vito's hand, and Clemenza and Rocco Lampone kissing Michael's.
To be honest, Part III is rude to newcomers to the Corleone family. It's presumptuous that viewers will appreciate what's occurring without realizing that this will be the first time many even see a Godfather flick. This is also why so many critics bashed Part III. They critique it as an individual feature instead of an integral episode to a classic saga. Okay, okay...
The shortcomings of Part III comprise the main reason why the Trilogy version must be viewed to appreciate the Godfather saga. Like Phantom Menace, The Godfather Part III is empty without the rest of the story (even though Menace can stand alone better). Yet, like Star Wars, The Godfather is a classic of classics in literature, performance, and cinema: the best in motion picture history.
Here it is. The last of the trilogy can be appreciated for its consistency with the first two, particularly with the film's loyalty to the recurring theme of the entire saga: family.
Once lineless and rendered obscure to the plot, Lucy Mancini (original actress and all) has returned to the saga after being left behind in Part I. And she has brought a not-so-little remnant of her affair with Santino Corleone with her. Recall the scene in Part I when Sonny leaves Lucy's apartment with his henchmen to pick up his sister. That was perhaps the very moment after which the last Don Corleone was conceived.
Another one of Santino's remnants has returned to the saga in Part III: his twins (Francesca and the other one). They are now grown and still identical, and still adorable too. Remember their line in Part II, Mommy, Daddy's fighting again!" and their inclusion in the Corleone family portrait taken at Connie's wedding.
Also returning are Al Neri, Calo (the Sicilian bodyguard), Tommassino, Johnny Fontaine (voice still intact), and Sofia Coppola even though she posed as Connie's baby in Part 1. Speaking of Sofia, she arouses a touching appreciation of the scene in Part II that shows little Mary Corleone running in a hotel hallway while her parents argue inside the room. And Anthony becomes a paradox to the boy in Part I who is ostensibly imminent to be the next Godfather.
As usual, the political intrigue makes the film exciting if you're paying attention. And the very title of Part III presents a double meaning: third episode, third Godfather. Andy Garcia is perfect for the part (remember him in The Untouchables). As they say in the mob, Vincent Corleone "wears it" when he is ordained Don Corleone, Neri and others acknowledging his throne in the proper fashion. The scene chills you with nostalgia and images of Bonasera kissing Vito's hand, and Clemenza and Rocco Lampone kissing Michael's.
To be honest, Part III is rude to newcomers to the Corleone family. It's presumptuous that viewers will appreciate what's occurring without realizing that this will be the first time many even see a Godfather flick. This is also why so many critics bashed Part III. They critique it as an individual feature instead of an integral episode to a classic saga. Okay, okay...
The shortcomings of Part III comprise the main reason why the Trilogy version must be viewed to appreciate the Godfather saga. Like Phantom Menace, The Godfather Part III is empty without the rest of the story (even though Menace can stand alone better). Yet, like Star Wars, The Godfather is a classic of classics in literature, performance, and cinema: the best in motion picture history.
10make-2
This trilogy is one of the greatest creations in the history of film-making.
The final image in PART 2 said it all! After that, it was just 'more of the same'.
And it's still missing about 20 more minutes (deleted from the theatrical versions) of great footage from the broadcast of "A Novel for Television" (or the retitled "Godfather Saga") that combined 1 & 2. Most notable is James Caan's 'Sonny' that was more prominent following the Don's assassination attempt. Plus...why take out scenes that were in the theatrical release. No matter what version is shown, it's either censored (for TV) with added scenes that further fleshes out the story and characters, or the theatrical release seems edited.
Coppola has said that he doesn't mind taking out scenes (according to his whim) because he can always put them back. What a way to keep the cash cow forever flowing. And...at the expense of depriving movie lovers the definitive version of 'The Godfather Saga'.
Just look at how many versions of 'The Godfather' there is...
1)'Godfather', 'Godfather PART II', 'Godfather Part III' (546 minutes)
2)'The Godfather: A Novel for Television' (1977) (434 min. not including the 171 min. of Part III) [434 + 171 = 605 min.]
3)'The Godfather Epic: 1902-1959' (3 tapes on VHS) (402 min. not including Part III) [402 + 171 = 573 min.]
4)'The Godfather Trilogy' (laser disc) (583 min)
Every version has some scenes that the others don't have. I think I'll wait till all the footage that the viewing public has been exposed to is all included in the film from beginning to end because all that footage is great cinema. For once, it'd be nice to sit back and enjoy the entire story without your concentration being interrupted by missing scenes (you know exists) that causes gaps in the narrative.
And it's still missing about 20 more minutes (deleted from the theatrical versions) of great footage from the broadcast of "A Novel for Television" (or the retitled "Godfather Saga") that combined 1 & 2. Most notable is James Caan's 'Sonny' that was more prominent following the Don's assassination attempt. Plus...why take out scenes that were in the theatrical release. No matter what version is shown, it's either censored (for TV) with added scenes that further fleshes out the story and characters, or the theatrical release seems edited.
Coppola has said that he doesn't mind taking out scenes (according to his whim) because he can always put them back. What a way to keep the cash cow forever flowing. And...at the expense of depriving movie lovers the definitive version of 'The Godfather Saga'.
Just look at how many versions of 'The Godfather' there is...
1)'Godfather', 'Godfather PART II', 'Godfather Part III' (546 minutes)
2)'The Godfather: A Novel for Television' (1977) (434 min. not including the 171 min. of Part III) [434 + 171 = 605 min.]
3)'The Godfather Epic: 1902-1959' (3 tapes on VHS) (402 min. not including Part III) [402 + 171 = 573 min.]
4)'The Godfather Trilogy' (laser disc) (583 min)
Every version has some scenes that the others don't have. I think I'll wait till all the footage that the viewing public has been exposed to is all included in the film from beginning to end because all that footage is great cinema. For once, it'd be nice to sit back and enjoy the entire story without your concentration being interrupted by missing scenes (you know exists) that causes gaps in the narrative.
10SMLA11
This is just practically all of the Godfather movies rolled into one big one just in chronological order. There is nothing really to say about this except that all of the other Godfathers were wonderful and I liked it in chronological order instead of all jumbled up. Still wonderful, same great acting and same wonderful direction.
Overall the movie is just normal Godfathers in one big movie. Still like it a lot though. Rating 10 out of 10.
Overall the movie is just normal Godfathers in one big movie. Still like it a lot though. Rating 10 out of 10.
10Vagus
This is my all time favourite suite of movies. The Godfather trilogy has bedazzled me time after time. The best thing is to see them all in a row with at the most one day between.
In part one Marlon Brando totally owns the screen and takes all the attention. And this isn't an easy task if you look at the casting! Al Pacino himself makes it worth while, as well as James Caan, Diane Keaton and Robert Duvall. Together they blend a perfect mix.
If you see the movies first and then read the original book by Mario Puzo, you will probably find that the characters in the movies perfectly suits the ones in the book. It's such a perfect match. Maybe this if because of the fact that Francis Ford Coppola worked together with Puzo on the movies.
I first saw the movies and then read the book, and even if I knew the movies very well I sat glued to the book from the first page to the last! And after I finished the book I felt a strong urge to see the movies again. This is because you get so much more information on all the characters in the book, so when you watch the movies again you will understand so much more! It's almost like seeing the trilogy for the first time again!
Enjoy!
In part one Marlon Brando totally owns the screen and takes all the attention. And this isn't an easy task if you look at the casting! Al Pacino himself makes it worth while, as well as James Caan, Diane Keaton and Robert Duvall. Together they blend a perfect mix.
If you see the movies first and then read the original book by Mario Puzo, you will probably find that the characters in the movies perfectly suits the ones in the book. It's such a perfect match. Maybe this if because of the fact that Francis Ford Coppola worked together with Puzo on the movies.
I first saw the movies and then read the book, and even if I knew the movies very well I sat glued to the book from the first page to the last! And after I finished the book I felt a strong urge to see the movies again. This is because you get so much more information on all the characters in the book, so when you watch the movies again you will understand so much more! It's almost like seeing the trilogy for the first time again!
Enjoy!
Storyline
Did you know
- Alternate versionsA 1981 video release was titled The Godfather 1902-1959: The Complete Epic (in Japan it was titled The Godfather 1901-1959: The Epic). This version reportedly contains less additional scenes but has all the R rated stuff that was taken out of the broadcast version reinstated. In 1992, The Godfather Trilogy: 1901-1980 (1992) was released. It features "The Godfather 1902-1959: The Complete Epic" and The Godfather Part III (1990) edited in chronological order with more additional scenes then the epic but still not all the deleted scenes from the broadcast version. (The complete Godfather Saga with all deleted scenes from the broadcast version included was never released on home video).
- ConnectionsEdited from The Godfather (1972)
Details
- Release date
- Country of origin
- Languages
- Also known as
- La trilogía de El Padrino: 1901-80
- Production company
- See more company credits at IMDbPro
- Runtime9 hours 43 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
- 1.85 : 1
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