7 May 2000 | Artêmis
God bless the Dogme 95!
I always wanted to watch "Festen" since I knew about the Dogme 95. As any Danish movie, it was released in a unique cultural theater. And, as most of the European movies, in less than 3 weeks, it wasn't...
OK, you'll tell the truth: I don't know why but I didn't watch it on a theater, and I could have done it. I waited for its release in video but all the times I went to the videostore I forgot to rent it. But one year after the release on theaters, it was rolling in Eurochannel (a cable-TV channel. It's all about Europe). I couldn't miss that chance so, on a Friday night, at 22:00, I finally watched it. And what an AMAZING film!!!
At first, the plot seems interesting and simple but after 20 minutes you finally realize how strong and provocative Festen really is. It's about one celebration made by the patriarch of the family Kingenfelt in the hotel where he lives. He's commemorating his 60 years. Christian, the older son, makes a speech where secrets are revealed.
The rules of the Dogme 95 as the use of natural light, camera in the hands, etc, help to create a claustrophobic and confidential clime, like nobody knows that someone is filming them. The scenes look incredibly real. Paprika Steen (Helene) and Ulrich Thomsen (Christian) were more than extraordinary. Paprika is a great actress and I can't stand waiting to watch "Idiotern", the second Dogme, in which she's acting again.
"Festen" is not just a worth watching film. It's a worth watching, re-watching, watching again, renting many times and recording to watch it a hundred times. Being the first Dogme, it's a mark in the cinema's history.
Grade - A+