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  • Speedway Junky finds young and innocent Jesse Bradford who was raised in a military family running away from California to Charlotte, North Carolina so he can become part of the NASCAR circuit. Jesse makes a detour in Las Vegas and begins an odyssey with an ending that would have astonished him before he entered Sin City.

    Getting ripped off his first night in Vegas, Bradford falls in with a gang of street hustlers led by Jonathan Taylor Thomas of whom one of the members is gay kid Jordan Brower. Bradford does what he has to do to survive, but not being gay or street wise his heart just ain't in the work.

    But Brower's heart is with Bradford, he's crushing out big time on Jesse and sad to say that aspect of the friendship isn't and can't be returned. Or can it?

    Bradford and Brower are an appealing pair of young kids just trying to survive. Jonathan Taylor Thomas shows some acting chops that you would not suspect he had as Tim Allen's son. Tiffani Amber-Thiessen another television refugee from Saved By The Bell and 90210 is also on hand as well.

    Some make it, some don't survive this film. Speedway Junky is touching story that will break a few hearts, gay or straight.
  • I suspect you'll only really like this if you saw it back in the day.

    It's just a mess. Partly because the story is 99% from Johnny's point of view, then one of the few significant context switches features Eric telling Veronica he's frustrated because he loves Johnny, as if that's not the most obvious part of the film.

    Annoying, but minor.

    The Johnny/Eric story is the heart of the film and it's a good one.

    But there's so many problems here. The movie can't decide if it wants to be edgy and a somewhat realistic view of the lives of young hustlers in Vegas or if it wants to be kindergarten.

    Then there's the completely surreal ending starting with JT handing the two a baggie of money and drugs then shows up a week later demanding they return it like they run a safe deposit box-- they live in a motel.

    But it gets far more surreal when bullets fly because JT shoots a can of tomato soup off Johnny's head and Eric shows up two seconds later and thinks Johnny has been shot.

    It's hard to fathom how off the rails this goes.
  • Warning: Spoilers
    At the beginning of the movie I was very enthusiastic about it, because the main characters Johnny and Eric were so cute. I was hoping all the time that there would happen something between them. In fact Eric was a perfect person with a perfect character. He wasn't only pretty, but also lovable, responsible and incredibly sensitive (like only a gay can be). The way he cared of Johnny was wonderful. In my opinion Eric would have deserved a different job. Being a prostitute doesn't fit to him at all. Such a wonderful person could do any other job without selling himself. Eric would have deserved something better in every case. Falling in love with Johnny was a mistake: Johnny surely looks okay, but to me he was absolutely antipathetic and he really used Eric. He was saying all the time that he was looking for a job. But he was never really searching in all the movie. He just hoped that someone would hand him a job on a plate. But it was obvious that prostituting himself would be his only chance. He could have had this idea much earlier, because he already was in touch with people from that business. I think, Johnny doesn't deserve Eric's love in any way. It's nice that they are good friends, but how can Eric feel more for him? Eric would have deserved another person, who's more like him and loves him, too, without using him and without playing the cool all the time. But Eric's love was so big, that he wanted to make Johnny's wish come true. Johnny, still virgin, wanted to have sex with a woman. And Eric told his mother's friend to seduce Johnny, just to make him happy. It must have been so hard for him. How much can someone love another?! How important can it be for someone to make his sweetheart happy?! He loved him so much and Johnny's happiness was so important for Eric that he even made him have sex with another one. I adore this behavior. And I almost broke down in tears, too, when Eric did it. In the end I was incredibly upset. I wanted (and still want) to write a letter to the director and complain. The ending was so terrible and unbelievable, that I won't accept it. Eric had to die. I know, there were shootings and the rival died or something like that. But Johnny and Eric escaped and I was so happy they were alive, running away and talking to one another. And suddenly Eric started to shiver and said he felt cold. I was so shocked. And then he was all pale and there came blood out of his mouth. I still can't believe that exactly Eric had to die. The perfect character, the best character who would have deserved all the best, but not death. For me it would have been okay if Johnny had died, but Eric's death still brings me down today. Well, okay, it was only a movie character, but in my opinion it is a crime to make a movie end like that. Every character could have died, but not Eric! He will go to heaven, I'm sure. And the director will get a furious mail from me.

    But all in all the movie was good. You can only forget the ending.
  • I was expecting something good out of this movie -- it being produced by Gus Van Sant and all, the genius behind two incredible gay films, My Own Private Idaho and Even Cowgirls Get the Blues. I wouldn't have seen it otherwise because of the inane plot (kid runs off to become a race car driver in West Virginia, and then decides to become a hussler). Luckily, Gus Van Sant's influence is evident in a few scenes, which makes me think there's a good movie in there somewhere.

    At times, Speedway Junky feels like a Gen-Y remake of My Own Private Idaho, and it obviously doesn't do its predeccesor justice. However, the two male leads are far less complex and their relationship is as well. Interestingly, the chemistry between them saves this movie from complete obscurity. Too bad they're surrounded by mind-numbingly cliched supporting characters and crumby, juvenile dialogue ("Steven is bisexual. If you buy him something, he'll have sex with you.")

    But, like I said, there's a bit of Van Sant in this film, most notably in the scenes between the two protagonists. If the director (incidently, I don't know who directed it) had focused on this relationship more than the hoky prostitution subplot, we would've had some fine gay cinema on our hands. Too bad.

    Also, the influence Midnight Cowboy had on this film is mammoth. In both films, a naive guy with a Southern accent comes to the big city with high hopes, but ends up as a john alongside an unlikely friend, who may or may not be an object of desire. The ending is similar too, but I don't want to ruin it in case anyone actually wants to watch either movie.

    All in all, bad movie, but if you look closely, you'll see it could've been great. It sadly doesn't come close to its influences: My Own Private Idaho and Midnight Cowboy.
  • I waited with great anticipation for this film to find a distributor and make its way onto DVD so I could finally get my hands on it. The fact that "Speedway Junky" has floated in shelved-project limbo for at least a year did cross my mind but I figured I'd give it a go anyway. If nothing else the cast is oozing with attractive male stars, including Johnathan Taylor Thomas as a bisexual street hustler. As a gay 21 year old I had to indulge the crush I've had on the young "Home Improvement" star since I was young. Unfortunately it looks as if JTT chose this role more for shock value than for actual content, which is a shame since almost every actor in this short dizzy little film gave it their all but couldn't save it from its own mediocre plot. Jesse Bradford (Clockstoppers) plays Johnny, a military brat on his way to North Carolina to be a racecar driver. He hits a road bump in Las Vegas and ends up stranded in the big city all alone. A trusting soul, Johnny soon finds that seemingly everyone is trying to take take something from him. Thats when angel-faced Jorden Brower (Texas Rangers) steps in as Eric, a gay male prostitute who just wants somebody to love him. He takes Johnny under his wing and falls in love with him which is the main plot of the story.

    Both Brewer and Bradford play they're roles well. Johnny, as his name suggests, is just an average kid who is almost too nice to be believable. He trusts everyone he meets and talks to strangers like they're old friends. Eric is sad and brooding and the viewer wants him to find his happy romance as badly as they want Johnny to fulfill his childish dream of being a racecar driver. The problem is after these basic points are laid out the two lead characters are bogged down in a plot that goes nowhere until the end when it spits out a totally ludicrous ending. Confusing the story are Veronica, Daryl Hannah (Splash) in a subdued role as an ex-prostitute/showgirl, and Taylor Thomas as the jaded hustler Steven. To me these two characters should have been bit-players but both took up quite a bit of screen time that could have been used to flesh out the story and make it more believable. That, in the end, was the biggest problem with this film.

    For all the characters fretting and brooding and crying I had to wonder what all the fuss was about since the actual act of selling they're bodies for money was never really discussed and never shown. On top of that, key points like what happened to Eric's mother were left unanswered and in the end when the credits rolled I was left wanting more or at least to know what the moral was. Was it the hard process of growing up for Johnny? Was it Eric coming to terms with what he really wanted in life? It was sort of all these things and none of these things and I felt cheated that it didn't have the answer. In the end it was just kind of.. there. I gave this film a 7 because of the hot guys and the fact it at least tried to take on a real gay issue. This film brought to mind another film dealing with hustlers, David Arquette's "Johns". While that film was overly depressing and bleak this one was too nice and flashy. Hopefully someday someone will get it right but until then I'd suggest "Speedway Junky" to gay men only. Like I said there are allot of cute guys in it. Sadly thats about the only thing this underdeveloped mess has to offer...
  • Warning: Spoilers
    Novice director Nikolas Perry who made a fine debut with the short film "Must Be the Music" attempts to create another trendy Hollywood skid row druggie film but with a twist as a "buddy" film. And this one is set in Las Vegas. Jordan Brower is appealing as Eric and has particularly good chemistry with Jesse Bradford. These two would be worth casting together in another "buddy" feature. Beyond that one gets the sense that we've seen this all before including the obligatory death of the gay character. Perry explains, in his directory's commentary, that the death is an act of love--a sacrifice. Perhaps, but this film never sets the right tone for such a deeply symbolic conclusion. Like so many rookie writer- directors, Perry suffers from making the film too "busy" with endless characters, no sense of momentum, and endless clichés. Or perhaps the money people took over and made the film by committee? It has that look. Happily we are spared from the peek-a-boo nudity that is typical of these films: where the director goes to great lengths to get the actors naked then hide their nudity through awkward posing, clever placement of props, and so on.
  • Covering the topic of young hustlers in Las Vegas, "Speedway Junkie" focuses on the emotional toll this type of lifestyle has on its young victims versus that actual work they are doing. Mixed in is the usual cast of supporting characters that live this life and the newcomer struggling to fit in. Additionally, you have the older veteran who has given up the life and shares past wisdom as they struggle to move on. With a dynamic young cast, Speedway Junkie shines as one of Director, Gus Van Sant's films. Jonathan Taylor Thomas delivers a strong performance that makes it nearly impossible to remember the "Home Improvement" days. His role is so different from that of the middle child, that it is almost hard to believe it's the same person. Daryl Hannah also delivers a strong performance as a strung out dancer (Veronica) who is serving in a maternal role for her friends widowed child. She is believable and displays a wide range of emotion in her role. As for the film's other problems, they are numerous and start with the weak screenplay, which ends by trashing the most sympathetic character in the film and then tacks on a happy ending that is unbelievable, to say the least. But don't take my word for it, just listen to writer/director Perry's own commentary, which leads me back to where I began.

    The main problem with "Speedway Junky" is that it so predictable that the audience will know exactly how it is going end almost from the moment it starts. It is also extremely derivative of countless earlier, and better, films, including its obvious main source of inspiration John Schlesinger's 1969 Oscar winner "Midnight Cowboy." As for the performances, they are uneven, to say the least. Jesse Bradford is an excellent young actor, but he overacts constantly and gives a totally annoying performance as Johnny, which isn't good when you are the film's hero. And poor Jonathan Taylor Thomas is simply horrible as the devious hustler Steven; in fact, after the shock value of hearing the clean-cut former child star use four letter words and graphically describe anal sex is over, his entire act becomes tiresome until late in the film when he is required to become vicious and then he is laughable. On the other hand, Hannah is wonderful as a faded beauty who has hit rock-bottom, and Tiffani-Amber Thiessen and Patsy Kensit have nice cameos as two of Johnny's potential female "tricks." And then there's Jordan Brower, who is simply wonderful as Eric, giving the kind of eye-opening, and wholly unexpected, performance that in a better, and more widely-seen, film would have brought him a great deal of attention. He is simply working at a level the rest of the cast, with the exception of Hannah, don't come close to reaching. In fact, his scenes with Hannah provide all of the film's best, and most realistic moments. In all, "Speedway Junky" is a failure, and an extremely unlucky one at that.

    Overall rating: 6 out of 10.
  • Warning: Spoilers
    This was a ridiculous version of male hustlers and other assorted homeless teens because it is done in such a clean-cut manner. I assume that the people that drifter teen Johnny encounter during his stay in Las Vegas would be much more hostile, crazy, and the like. If you're not looking for a vigorous story of similar circumstances like say, 'Where the Day Takes You,' then Speedway Junky is a good weening toy.

    The story is that of a recent high school dropout, Johnny, who's Southern accent miraculously comes and go. Upset with his military father's strict manner of upbringing, and perhaps lack of affection (I don't see how, really, or at least they never make much of Johnny's perceived 'abuses' and 'neglect' evident), he decides to hitchhike his way to North Carolina to be none other than a member of Richard Petty's stock car racing team. If you know incredulous Hollywood movies, then you should already expect Johnny to go through a lot of crap, but some how wind up with a happy ending in the end.

    Johnny gets robbed of his twenty-bucks worth of quarters from a Casino. The rest of his things are taken by a horny middle-aged pimp with a penchant for boys in leather collars. So Johnny is stuck. Luckily, he befriends a group of street kids. Namely, Eric (played nicely by Jordan Brower), the kid who helps Johnny out the most when it seem many others won't. He also introduces him to the life of hustling, stolen cars, and the like. And Johnny, though successful at times, still seems like a major amateur. A ridiculously comical one at that.

    Enter Steve, played by Jonathan Taylor Thomas, who interestingly enough replaced Balthazar Ghetty in the role (Ghetty plays a similar character in 'Where the Day Takes You' only less dehumanized). Steve is like the professional teen hustler, who'll do anything his clients ask as long as he gets paid. Johnny and Eric get into serious trouble when Steven steals another kid's stash of drugs and money, and he isn't the kind of kid you just say sorry to and then treat to ice cream.

    Eric is the more interesting character. A gay young man, he likes Johnny, but is consistently obsessed with the idea that maybe Johnny isn't going to carry on the deep friendship Eric imagines simply because Johnny is straight. Johnny is kind of an obnoxious character, despite being the main presence in the movie. He is the nice guy, the charming guy, but in the end, still a hopeless doofus.

    The rest of the characters, too, are simply comical caricatures with what seems like no reality in there that would entice the viewer to form emotional connections with or somehow empathize or whatever. We learn no lessons from this movie either, which I suppose is inherent in movies like these, that you should walk away with something. Why would they spend so much time on the story and dramatic elements and character development (or lack thereof) as a result? There's a reason for all of that. Only here, it doesn't work. Johnny is a moron and for that, I really found it hard to appreciate whatever stupid dilemma he got himself into. One after the other. Steve, too, though a disgusting character, is hardly real. Nothing happens to him. He just floats in and out of the scenes to remind you of a villainous presence. And the ending was just corny as hell.

    I'd stick with 'Where the Day Takes You' if this is the kind of movie you desire. Or, at least see it for Brower's performance.
  • Despite some rough edges and a questionable Hollywood-like ending, this film offers an endearing relationship between two young men, one gay, the other not. Unrequited love raises its ugly head in the underworld of Las Vegas, with hustlers and drug dealers. Our hero wants to become a racer and make enough money to travel to Charlotte, NC. The other young man only wants someone to take care of and be there when times are rough. Their lives mix with a motley bunch of characters, most of whom only want a sexual favor or a drug turn-on. The acting of the two male leads is superb, with Eric as a truly tragic figure. But why did the screenwriter need to contrive the brutal ending? I suppose a film with a rough edge needs a rough edge ending, but once in a while can't the characters win? This film needs to be seen a couple times before final judgment is rendered. I gave it an 8/10, which is much higher than other reviewers, because it delivers a very important human theme that all of us can identify with.
  • i mean, i heard about this flick from the boards, but i never got a chance to see this film. I recorded Speedway Junky one night on cable and it was awesome. Jesse Bradford(romeo and juliet) is a run away trying to make it to the big times in car racing. Along the way, he meets some odd people from hustlers to punks. Jonathan Taylor Thomas comes on this film as the hustler. pretty good film.
  • I saw this on cable and thank god i did. I was a male prostitute when i was young and this movie is so way off that i can't believe someone even thought of making it. First off women NEVER hire male prostitutes. It just does not happen except in rare occasions and only from ads in magazines never ever ever off the streets. Whoever thought that girls pick up guys off the street was dreaming. Guys turn tricks for other guys PERIOD!!! Ok having said that it would not be quite so horrible if the acting by the lead was good, but its not its awful and unrealistic. Maybe they should have played this like a fantasy cuz then maybe it would have at least been somewhat entertaining but the only characters who is even worth watching is the gay guy and Daryl Hanna and thats it. If you have to watch a movie about male hustlers then watch "my own private Idaho" or maybe "johns" which is not great but a much much better movie than this piece of crap. I gave this movie 2 stars for the gay dude and Daryl Hanna but other than that save your time and money and don't watch this.
  • Well, I disagree. I think Speedway Junky was very well acted.

    Jordan Brower's heart-felt unrequited love really getting to me. I ended up wishing there was a boy out there like that for me. Daryl Hannah had a good supporting role, as did Jesse.

    I thought it was very well done. It won't be everyone's cup of tea, but it's definitely worth watching. I loved it.
  • Allendorf1 June 2006
    This movie has a lot of potential in terms of the story line. It's very convincing, realistic indeed and does portray some aspects that we sometimes want to see in the modern struggle of a young boy that tries to make his way to be a race car driver. Las Vegas off course, couldn't be any better place to place one's life as a stake. His encounter with Eric and how everything unfolds are great tale to follow.

    However, as a disappointment, this movie doesn't seem to be as promising as I was hoping before. There's a slight problem in the directing and that there are many redundant scenes that get our attention beyond focus. The love story is not realistically depicted. As it seems, the Johnny straight boy suddenly turned up to be gay and fall in love with Eric for no apparent reason. Even more, the movies too much provide audience evidences that Johnny is straight and all off sudden we are shocked that he could be gay after all (Which is deliberately unrealistic since he met Eric just in the night alone and they had done nothing). The reason that Eric cared for him and be his best friend also are not strong enough to turn him into gay.

    Its hardly believable although at times entertaining with some sense of humor. Great story line though.
  • this movie, is a great movie, personally i like high definition films but the story is excellent! jesse bradford plays a stranded hustler that moves to vegas to make money where he meets jordan brower and jonathon taylor thomas, jordan plays a gay hustler that falls in love with jesse this movie is a 100 % thumbs up i insist that everyone watches it.
  • I don't know where to begin. Darryl Hannah's performance was the true highlight of this film. Jonathan Taylor Thomas was very mis-cast and the audience laughed every time he came on screen, trying to play the bad boy. He just didn't work in the role. The plot was thin. Poor editing and continuity. I really couldn't recommend this film. If you want a good film to recommend to a gay/bi/questioning youth I would suggest Beautiful Thing or Get Real. Far superior films...
  • wcshelby27 April 2003
    Warning: Spoilers
    ***SPOILERS*** ***SPOILERS*** Same old endless Gay Independent Film Plot. Gay kid fall in love with straight kid, all sorts of tired drama, gay kid dies tragically, The End. For God's Sake someone make a film with real gay characters that is uplifting or enlightening or how about, just interesting. I guess I can be thankful that the tired Gay Independent Film Plot of the 1980s is dead - Gay kid gets AIDS, all sorts of tired drama, Gay kid dies.
  • I enjoyed the movie because it really teaches you about life in general. The drugs and sex world and friendship. The movie ment a lot me and I appreciated the roles of the main character. I recent saw the movie and I was amazed on how the impact to me was. Thank you Jesse and Jordan!
  • =G=9 January 2003
    "Speedway Junky" is all about a disenfranchised young man who blows into Vegas where he encounters silly caricatures of the kind of street people we're used to seeing in movies about disaffected and rebellious youths. There's no speedway racing in this crappy film which flops on all levels as it staggers around sin city bumping into gay men on the make, girls on the prowl, druggies, thieves, etc. A better title for this flick would be "Way Junky". (D)
  • igwan25 August 2001
    I got the DVD, it is for rent here in France. The movie is just fantastic. I tought, hearing about the movie, about a trash or rough movie, "Kids" ' style. It's not. It seems like a regular film, but it's more complex, it has deep levels of understanding, every sentence or look of the characters have at least 2 or 3 meanings in some scenes so that i can't stop watching and watching it. To be watched twice (at least).
  • Midnight Cowboy wannabe about a teen (Jesse Bradford) who runs away to Vegas in order to raise some quick cash in order to live his dream as a race car driver. However, his dreams are shattered upon arrival in Vegas and he quickly becomes friends with a gay hustler (Jordan Brower) and his extended group of friends including a former hooker (Daryl Hannah) and a bisexual hustler (Johnathon Taylor Thomas).

    Jesse Bradford's accent comes and goes. He makes a poor choice for a leading man in this film. Jordan Brower on the other hand is perfectly cast. Johnathon Taylor Thomas is sensational and Daryl Hannah makes the most of a small, but important role. The start and end of this film are very weak, but the midsection is compelling and gripping.

    Rated R; Violence, Profanity, Sexual Content.
  • amyshinomori15 September 2005
    Warning: Spoilers
    This movie is just amazing, sad but beautiful. It deals with a young man's (Johnny) dream and his struggle in a town where no one seems worthy of his trust... no one but a young gay hustler (Eric) who quickly takes Johnny under his wind and help him earn the money he needs. Soon, Eric falls in love with Johnny and realizes the latter will never share his feelings... Good plot-line, good cast, heart-breaking ending And though the main characters are a little cliché, it doesn't spoil anything. Indeed, it just reinforce the pathetic atmosphere, the entire hopelessness of the thing. In brief, a movie worth watching, once at the very least...
  • Speedway Junky caught me by surprise. I only rented it because of Daryl Hannah and Jonathon Taylor Thomas and left the movie loving the performance of Jordan Brower.

    I really don't care if this movie has been done before or any crap like that cos nothing's original in Hollywood anymore! But this movie could have been better yes.

    Overall I couldn't stand JTT or Jesse Bradford and his continual lopsided smile which is in all his movies. Daryl Hannah didn't do much but she added to the story and did it sufficiently. Jordan Brower, who I'd never heard of before seeing this provided a realistic, sensitive character that you felt obligated to fall in love with and pity him, I know I did.

    The story of the friendship should've had more focus. The ending was also typical Hollywood. So I'm not saying you shouldn't watch this movie, It won't hurt to and then you can make up your own mind.
  • Jesse Bradford is a good looking guy (those lips!)& his acting in this film is very good. I'm not a Daryl Hannah fan, but was impressed by her performance here. Jonathan Taylor Thomas is & always will be an annoying little twerp. This story of teen hustling is familiar. It's got everything you'd expect from a movie like this: An old fat pervert, lust, violence, car chase, street life, gay & bi-sexuality, teen angst, unrequited love, booze, death, etc. There's a dance sequence thrown in, but I was embarrassed for all involved, it was awkward, pointless, & goofy.
  • jadethereaper14 March 2005
    I watch a lot of movies and I am very picky. I like this movie.I wanted to watch this movie because I am a big fan of Jesse Bradford, which I am sure is why most of you saw it. I think he did a good job. It could have been better.I watched the commentary; it talks about how they didn't really have a lot of money, that the producers wanted them to add things like a car chase, sex scene and a happy ending. They also had to cut short some of the scenes because they ran out of time. I think the movie was good. I know it wasn't what most people expect but if you don't always look for the flaws or not like it because it wasn't what you expected, I think you would enjoy it more.
  • So i had been waiting for 2 years to see this movie, finally a homevideo release here in the US. I bought it the first day on DVD. Ended up watching it 3 times the first day. I have read alot of the previous comments, saying that the story has been told before, and so on. I will admit it had its similarities in subject matter with films like "Johns" and "My own Private Idoho". Although those two films were more about the grittiness of the life of the hustler. This movie had something that the others lacked,a real story and most of all, HEART. It was not hard to like these characters at all.

    The film that i would compare this one to more would be "Showgirls". The story line is alot closer to that than any others mentioned. Our lead character ends up in Vegas with a dream. Gets involved with persons that they shouldn't. Someone falls in love with them. Something horrible happens, and they get out. But they somehow are forever changed for the better. This movie is truely underestimated. If you didn't like it the first time, give it a second try, you will love it.
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