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  • The story is about a man(Erol) who cannot help himself thinking his late mother..Erol (Haluk Bilginer)always calls her mother, but one day she returns, and the story begins..

    It sometimes becomes funny, sometimes gets in touch with emotions..But i recommend you to watch..
  • An Istanbul(Delta Film) + Paris(La Vie Est Belle) + Atina(Dourios Ippos) joint co-venture European film production supervised by director Atif Yilmaz's Turkish crew. This means a lot for the understanding of the cinema language and artsy style of Nihavend Mucize.

    Atif Yilmaz portrays ever-interchanging face of modern City Life in Istanbul in '90s (which was no different than it was of Paris's) from a perspective of a deceased Singer and a homemaking mother.

    Story revolves around a lonesome TV producer whose late mother comes to visit him after a psychological trauma he has in his daily life. In this aspect, this idea was about to create a trend larger than French Surrealism of '90s.

    One year later Gani Mujde and Ihsan Aydin who did not actually play a writing part in this film created "Ruhsar" with the very same promise: A late housewife comes back to life in order to support her husband emotionally getting back standing straight on his feet.

    With one major typecasting difference: Mihrace Yekenkulug, who played a sidekick office secretary in Nihavend Mucize; was to play Ruhsar's husband's cutebug sister. The only actress who both played in Nihavend Mucize and Ruhsar.

    For most viewers from Fan Bases in the norms of 2020s' people remember Nihavend Mucize as Beyaz's most remarkable high screen credit accompanied by the legendary cinema queen Turkan Soray(who is still fresh, eye candy and as charming as ever).

    Eye Candy is another reason why and how audiences will always remember Lale Mansur + Turkan Soray + Mihrace Yekenkulug.... Who were both charming, sexy, inspiring and genuine in their female appeals.

    But the youngest one (born 1977) Mihrace Yekenkulug deserved as high screen credit as the other 2 of the trio.

    Do not miss these top 3 genuine Turkish feminine icons although they may be old by now; Atif Yilmaz and his cinematographers knew how to shine them. Incomparable with no Italian, French or Greek top stars: No Sophia Loren, no Juliette Binoche, no Sophie Marceau nor Monica Bellucci. Turkish feminine icons are Incomparable; sometimes in some scenes Turkish feminine really deserve more. Seriously. No exaggeration.