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  • For a few weeks, the daily life of Rebecca and Enid, two teenagers who spend their time complaining and pesting, with a decided opinion on almost everything, without any diplomatic filter. One could almost think they were educated in France, at least partially. Thus, following their 4381st perfidy of the week, they meet Seymour, a lonely middle-aged music aficionado. Surprisingly, in contact with Seymour, Enid discovers the concept of benevolence. Despite the 25-year gap, they seem connected with real affinities. In fact, the film takes place at a time when Rebecca and Enid have just graduated from high school, and what seemed to be gratuitous malice is probably more an uncontrolled anger based on the fear of leaving their adolescence to join a world they hardly appreciate: the adult society. They fear to grow up and move on. In a way, Seymour was a transition or a key milestone for Enid: the perfect guy, at the perfect time. Thanks to Seymour, Enid has matured and learned to live differently, with a significantly more open mind. The world does not revolves anymore around herself: she is now part of it. Time to take a bus to discover it! Like Jules Winnfield said during the coffee shop conversation, within Pulp Fiction (1994), she's now gonna walk the earth from town to town, meet people, get in adventures.

    The movie is complex, smart and well constructed. And the cast is globally awesome, with a special mention to Steve Buscemi, Thora Birch and Illeana Douglas.
  • Two female high school grads plan to get jobs and hang together, but bonds become frayed and paths separate after one of the girls ends up on an unintended journey of self-discovery. From the comic-book which takes a perverse delight in celebrating the geeky side of all of us, "Ghost World" is profane and cynical, but also surprisingly blithe and bright. I rather enjoyed it but realize it's not for every taste. Thora Birch and Scarlett Johansson are incredibly rich and vivid in their roles (low-keyed, deadpan, but not blanks); their love-hate friendship is convincing and blessedly free of melodramatics--even they seem to cherish the personality conflicts that come up, it may give them more ammunition. As for the ending, I'm not sure whether it is ingenious or a cop-out, but it did leave me touched (in a bemused, nostalgic way). A movie with much to offer. *** from ****
  • Warning: Spoilers
    I liked this movie very much, not so much while watching (we were expecting more of a comedy), but upon reflecting that night. To me, "Ghost World," the title, refers to a world that's no longer alive to the main characters, especially Enid, though also to a lesser degree Rebecca and Seymour. Enid's life is no in longer in the world in which she has grown up, certainly not with her father, and not being carried along with the mainstream thoughtlessness and a lock-step life (e.g., just going to college cause everyone else does). But neither is the plan she long shared with Rebecca -- working in a whatever-type job and living independently -- working out. The idea of moving in with Seymour and becoming his girlfriend was borne of a sentiment of desperation that she almost immediately recognized as such.

    The movie is about growing up and moving on from ghosts and into life, and how hard, but necessary that is. I wasn't thrilled with the Norman/Bus story line, but I understand it as a metaphor. It seems as though there is no bus-line out of town, but in fact there is. Enid "doesn't know what (she's) talking about" when she repeats what everyone knows and what is written on the bench about this line not being in service. The one person she imagines will always be there, crazy Norman waiting for the bus, in fact, leaves on that bus. She sees both that no one is always there as you might want them to be, and also that it is possible to leave. Having attempted but not surrendered to the unsatisfactory options in her world (she won't toe the company line at her movie-theater job, won't accept life with a totally out-of-touch father and fiancée, and won't become Seymour's girlfriend/wife), she realizes after a great deal of probably necessary pain that if she is to join the world of the living, she, too, must leave what has become her Ghost World.
  • I guess different people can extract different meanings from GHOST WORLD and all nail exactly why it was made. For me, it was the chronicle of that small group of people who don't, and probably never will, quite fit into this world. They're here on the fringes though, just existing in their own parallel universe, or their own "ghost world." Though it sounds depressing, this film is hardly a downer, it's full of humor, satire and acute observations on life. The overall production is excellent (the brightness and colors in the photography, costumes and sets is stunning)... plus it pulls off the impossible by successfully steering toward dead-on seriousness near the conclusion to drive it's point across.

    It begins at graduation with Enid (Thora Birch) and Rebecca (Scarlett Johansson), two very perceptive high school outcasts who see right through the facade of their juvenile peers and want nothing to do with it. For Rebecca this self-ostracizing is just a passing phasing, but for Enid you get the strong impression this is going to always be her way of life. It's not that she doesn't get it, it's that she's doesn't understand IT or people or the games of life. There's a brief emotional turning point for Enid when a cruel practical joke backfires and she becomes involved with the target, the nerdy and very sardonic Seymour (Steve Buscemi), who may just be the kindred spirit Enid was looking for. The shared scenes between Enid and Seymour, though doomed to take a bad turn, are handled with tenderness by the director and actors and are quite memorable and touching.

    Highlights are an excellent scene in a blues club that just about nails the American outlook on life and our lack of reverence and the ones in Enid's remedial art class, with the most misguided and pretentious teacher (Illeana Douglas) you could imagine. The girls are wonderful, and Steve Buscemi was unfairly overlooked at awards time (big shocker). Anyway, he's never been this good before. The fact this premise, these ideas and these original and interesting characters came from a comic book makes me realize I've completely overlooked the artistic possibilities within that medium.
  • A significant number of reviews I have read regarding Ghost World complain about "nothing" happening. This is simply untrue. Having read the book by Daniel Clowes and being sceptical and admiring of it in roughly equal measure, I was very pleased to see the film far surpassed the book in excellence. Another book that can be likened to Ghost World is The Catcher in the Rye by J. D. Salinger, and even The Graduate shares themes with Ghost World. The narrative revolves in all three around characters who have reached a juncture in their life where the road splits many different ways, causing confusion.

    The wonderful thing about Ghost World, however, is that Enid's reluctance to grow old is accentuated by the other characters ensuring their lives advance. Even Seymour "grows up" when he finally meets his attractive blonde. Constant reminders of Enid's immaturity make this film. When the two visit Josh's apartment and he is not in, Enid scrawls an immature and explicit note to him and hangs it on the door knob. But we hear Becky ask "Are you really gonna leave that?" This is one of the first signs of a difference between Becky and Enid. More follow, particularly the job hunting fiasco, in which Becky quickly finds and keeps her bum counter job in a coffee house, where as Enid jumps from job to job, her immature cynicism ensuring job loss.

    Plenty happens in this film. Not least the ending, which, contrary to something I have read, is not an ending that the director rashly consturcting to rescue a failing storyline. Thankfully, the ending from the book was retained for the film, and it proves to be similarly poignant on screen. This is not a bus to nowhere, it is a bus out of nowhere. Enid finally finds a direction in her life - even if the direction is wide and undefined.

    My only criticisms of Ghost World is that 1) the directing was tepid, showing little flare whatsoever, which detracts from the film and 2) Enid's university application in the book was not kept in the film. This was a particularly pivotal point in the book I felt, and it was unfortunate it was not kept in the film.

    However, the acting is enjoyable - Buscemi is wonderful as the lugubrious Seymour and Birch is commendable as Enid. The comedy is a plus point in the film, however, I object to it being defined as a comedy, as the book was not and people may have seen this film expecting incisive comedy when the real story is far far more subtle than the frank comedy.

    Definitely see this film. The desperate nature of the two protagonists is quite heartbreaking, the comedy characters are suitably cliched to ensure lightweight laughs (such as the hilarious store manager), and the ending is very good.

    I give this film eight out of ten.
  • Movies that criticise the world can fall into many traps, leaving the viewer to feel jaded by the film's experience. Ghost World's witty appraisal of 'America' successfully avoids being childishly caustic or self-important and thus emerges as one of the best films of 2001. We sympathise with Enid (the luscious Thora Birch) without being expected to completely believe that her cynical world-view is necessarily the right one. Enid's (and her best-friend Rebecca's)negativity is turned on all around them, and their obsessive need to be cool but on their own terms sees them take post-modernism to its absurd conclusion.

    Enid's bizarre costume choices mean that she stands out from the rest of her baggy-panted generation, and in one scene is infuriated that no-one, even Rebecca, understands her 'original 1977 punk look' she's testing out.

    The fact that we should not fully empathise with Enid is shown by the contrasting character arc of Rebecca. There is a definite sense that she grows up over the course of the movie, but not in a "what have we learned about life" Disney way. Perhaps she has sold out to the conservative ideals that seemed so repulsive to them at the beginning of the movie, but just as Enid ultimately fulfils her desires, so does Becky live out her 'seventh grade fantasy'. The important thing is not the choices people make, but whether they make choices with which they are happy.

    The movie's main targets are people who betray themselves in an effort to fit in, and their resulting stupidity by doing so. But the people who have remained true to their values (like Steve Buscemi's Seymour, in a performance that should have been at least nominated for an Academy Award), are portrayed as leading equally vacuous lives. Seymour's infrequent attempts to achieve 'normality' are galling for us to observe, and near soul-destroying for him to experience.

    This is an excellent movie. Thora Birch gives her most confident performance to date, and Scarlett Johansson is superbly laconic as Enid's icy side-kick. The supporting cast all shine. Strongly recommended!
  • If on day you ever wondered where it all started for Scarlett Johansson in film, before her regular Oscar nods and the well-established Marcel hero Black Widow, the archives would take you to North, a 1994 comedy-drama starring Elijah Wood, but one of her first leading roles was in Ghost World alongside Thora Birch - two late teens at the time, they rocked in Terry Zwigoff's production, proving a significant indication of what's to come for both actors in.

    The story of neo-cool Enid (Thora Birch) and Rebecca (Scarlett Johansson) who, faced with graduation from high school, take a hard look at the world they wryly observe and decide what they really want. When Enid takes an interest in the offbeat Seymour (Steve Buscemi) and Rebecca focuses her attention on their mutual romantic fixation Josh (Brad Renfro), the girls' friendship is forever changed.

    An eerie tone echoed through the narrative as we seemingly await the big punchline breakthrough which explodes to heighten the tension and develop the storyline, however, the film cleverly probes and anticipates its audience into a spiral of uncertainty and doubt. Adapted from the novel of the same name, Zwigoff ensures that the storybook feel is still present and acts as an enticing mechanism to achieving the act of conveying the movie's key message.

    The idea of casting Steve Buscemi is genius, providing contrasts to the two protagonists, his character is ageing and lonesome, in light of the two youthful best friends the three bond in an unlikely fashion, though musical references in a time of prevalent anthems of the early 2000s / late 90s is a relatable, appropriate feature of the pictures excellence.

    Ghost World is an ambiguous watch, which will leave you questioning the realms of fantasy and reality, an immersive, thrilling watch perfect for indulging away from the sameness of everyday life.
  • Warning: Spoilers
    Best friends Enid and Rebecca graduate from high school and find themselves forced to enter the real world. Enid (more than Rebecca) is a counter-culture rebel who hates this world of frauds and losers, and she subsequently has trouble getting and keeping a job. One day the girls decide to play a prank on a lonely middle-aged loser named Seymour. Their plan backfires, though, and Enid becomes a little obsessed with the man. First she feels sorry for Seymour, then he becomes something of a hero to her, and she resolves to help him at least find a girlfriend. "Maybe I just can't stand the thought of a world where a guy like you can't get a date," she tells him. Meanwhile, Enid seems to be avoiding the challenge of getting her own life started.

    Terry Zwigoff ("Crumb") directs this film based on a script by Dan Clowes, who also created the original comic book. "Ghost World" attempts to be a kitsch-free, counter-culture coming-of-age film, and for the most part it succeeds. The characters are very believable, honest, and engaging. The downbeat Seymour is played wonderfully by Steve Buscemi, and Thora Birch in her striking performance as Enid follows up her "American Beauty" role with another discontent but sympathetic misfit teen character. Perhaps the greatest disappointment in "Ghost World," however, is that Scarlett Johansson as Rebecca is marginalized midway through the film. Regarding the story: It is debatable whether the film is entirely free of kitsch. As with "American Beauty," the sudden romantic opportunities which fall into Seymour's lap smell suspiciously of middle-aged wish fulfillment. Also, one might ask for a slightly tighter ending, as the film finishes without much resolution--except for one rather simple but touching scene between Enid and Seymour. On the whole, however, the film is a delight, producing some very memorable characters to whom, in the end, the audience will be sorry to say goodbye.
  • "Ghost World" is not a film for everyone. Its characters are certainly unusual but not necessarily crowd-pleasers. It also features a vague ending...something which most film viewers would not appreciate.

    Enid (Thora Birch) and Rebecca (Scarlett Johansson) just graduated from high school. However, they are far from the typical 17-18 year-olds. In many ways, they are like hipster versions of Daria (from the wonderful cartoon series)...but with a darker, nastier edge to them. They don't fit in with those around them and seem to enjoy giggling among themselves about how stupid and ridiculous everyone else is. However, through the course of the film, these two sullen young ladies who try very hard not to care find themselves caring. Rebecca finds a job and Enid invests her energy in a social outcast, Seymour (Steve Buscemi). All the while, their own relationship with each other becomes strained...mostly because their lives now are taking different directions.

    This film features some truly terrific acting. While Scarlett Johansson went on to great fame, the real stand out in this one is Thora Birch...who since has had a respectable but much more low profile career in pictures. The script also is very nice, with some interesting characters. I particularly thought the art teacher (Illeana Douglass) was fascinating...mostly because she was so very, very monumentally flawed as a human being. But it also suffers a bit because it's so very hard to care about these young ladies...at least until much later in the film. It would be easy to dislike them and just turn off the picture...which would be a mistake. A challenging and odd film...but worth seeing if you are patient and are looking for something different.
  • Warning: Spoilers
    this movie caught my attention when i was 14. i was going through an amazingly difficult time in my life, and this movie changed my view on everything. i had not read the graphic novel or even really heard about this film, which my mother rented and to be honest i looked at it and judged it as another stupid chick flick i didn't care to see. but my mum wanted to watch it, so i decided to sit down with her. from the first scene overlooking middle class America it struck me, as a well made movie. the character Enid, was almost a mirror image of how i was feeling at the time, and now when i watch it i almost see her as selfish, but i still feel a lot of emotions for her. now i see myself as Seymour (played by the amazing Steve Buscemi) me, myself being a somewhat excessive compulsive collector (of film not 78 records) and also not being able to get on with 95% of humanity. Terry Zwigoff is a master director who i believe deserves a lot more credit than he gets. this movie captures not just female teenage life, but teenage life wonderfully. i actually have a tattoo of this movie it means so much to me, i love it and always will have a special spot in my heart. i watch it twice a year and i don't get sick of it, in fact i pick up more every viewing. "i don't know what to say, i think it's a remarkable achievement."
  • BA_Harrison23 September 2008
    Thora Birch (surely the perfect poster girl for all nerds, male and female) stars as Enid, an intelligent, artistic and sensitive girl who becomes friends with obsessive record collector Seymour (Steve Buscemi) after playing a mean joke on him. As her relationship with Seymour develops, her bond with school-friend Rebecca (Scarlett Johansson) begins to crumble.

    Akin in many ways to introspective indie fare such as Lost in Translation, Napolean Dynamite, American Beauty, Secretary, and Sideways, Ghost World is a quirky, meandering, satirical study of social outcasts in a world that demands conformity, and, as such, isn't going to find much of a following with your average Blockbuster crowd.

    Those hoping to see a laugh-out-loud comedy should definitely seek entertainment elsewhere: although there are some painfully accurate insights into the lives of its likable losers that will bring a wry smile to the faces of those who don't quite qualify as normal, the droll humour will leave Mr and Mrs. Average Joe straight faced and reaching for the off switch.

    And anyone looking for a film with a feel-good factor should also hit the stop button: if you're not in the mood for a film that takes a leisurely, measured approach to a tale about doomed relationships and uncertainty about the future, you'll find the film rather annoying.

    There are those, however, for whom the film will definitely resonate and no doubt become a firm favourite: disaffected youths, geeks, losers, and weirdos who are able to identify with the main characters' lack of direction in life and sense of confusion at the world around them. They (or should that be 'we'?) will be the ones to fully appreciate this subtle and poignant cinematic journey of self-discovery, which delivers excellent performances from its talented cast (Buscemi, in particular, is superb), confident direction from Terry Zwigoff, and a memorably daft character who sports a mean mullet and a pair of nunchuks!
  • GHOST WORLD / (2001) **** (out of four)

    For those of us who tire of standard teen movies, here's the film to brighten our day. It's a monkey wrench in the cranks of the tedious genre that features actors in their mid-twenties portraying stereotypical high-school characters shamelessly indulging predictable plots of frivolous romance. Where most movies set in high schools find resolve in romantics, "Ghost World" dares to be different.

    Yet it contains all the usual ingredients-aimless main characters, one-dimensional side characters, high school graduation, moronic parents, sexual revelations, a romance-but it tastes different. This movie doesn't believe high school is the root of youth complications; it knows that school isn't where the confusion lies-it's after graduation when the complexities begin.

    The movie opens as a high school senior dances along with a music video. Sounds like a typical teenager? Well, not really. The music this girl listens to isn't exactly mainstream. Nothing about Enid (Thora Birch from "American Beauty") is ordinary.

    The same goes for her best friend, Rebecca (Scarlett Johansson). She is slightly more focused than the aimless Enid, but, as they graduate from high school in the opening scenes, neither of them know what they want out of life.

    Rebecca and Enid find interesting people to follow, exploit, and embarrass, just for their own leisure, but even this loses its edge. Making the most (or least) of their situation, the girls stumble upon an outstandingly pathetic personal ad. As a joke, they respond. However, when they meet this man, Enid becomes infatuated with him.

    In their post high school days, Enid and Rebecca find themselves slowly drifting apart. Rebecca is eager to get an apartment and get on with her life, while Enid lives by the day, following one infatuation after another. As their attitudes gradually change from cynical to sober, Enid and Rebecca's emerging differences become blatantly obvious, but painfully realized.

    "Ghost World" refers to the world in which these characters live, a town slowly being overcome by shopping malls and coffee shops; a town that slowly loses its distinctions and becomes a ghost of what it once was.

    My small town of Mason, MI speaks for itself. Once a minuscule farming suburb of the state's capital, it's now a breeding ground for new subdivisions, factories, stores, gas stations, trailer parks, and businesses. Before you know it, it will be a densely populated city like the capital itself.

    "Ghost World" makes harsh points, but it never loses its sense of humor. Enid is so full of bitter cynicism that we have to laugh. She indulges the dialogue. It's often tactlessly frank, savoring every opportunity to bash, thrash, ridicule, or insult anyone or anything for any reason.

    Society tends to repress our caustic desire to insult a fellow man, but "Ghost World" doesn't hesitate. It takes a lot of risks, but never steps in the wrong direction. It connects us with these characters. They are so casually antisocial that we can't help but to love them. At times, the movie doesn't require dialogue. It simply examines the character's surroundings. We get to know these people so well, we know exactly what they're thinking before they say it. They are a part of our instincts to react on impulse.

    But a character is only as good as the actor behind it. "Ghost World" features enormously engaging performances. Brad Renfro gives his nobody store clerk a raw blandness. Illeana Douglas injects a kind of controlled eccentricity into her role as an art teacher. Steve Buscemi creates a hopeless record player collector out of repressed emotion, and lack thereof.

    Scarlett Johansson gives Rebecca a dry, depressed mood. Thora Birch steals the whole show with a straightforward, fearless performance. Although the movie never defines the relationship between Enid and Rebecca, the actors themselves make it clear. They create an enticing charisma that gradually turns to an awkward tension.

    "Ghost World" captures part of our journey from childhood to adulthood with poetic grace and cynical wit. Though it's not really a coming-of-age film, where a young character finally takes a place in the world. Enid never finds her place, decides her future, or chooses a path. By the end of the story, she simply becomes aware of her possible options. This movie is just the beginning of her story.
  • Warning: Spoilers
    When I first saw this movie as a kid I had no idea what this movie was about. Just thought the title "Ghost World" made it seem like a fun movie. I thought maybe it would be something similar to movies like "Pleasantville". With the two girls dealing with supernatural activities in a very awkward manner. However this movie is about two awkward hipster girls in a strange suburban area. These are the most cynical female duo that see the negative in just about everytthing while constantly judging others. Especially the girl named Enid. They basically go around putting people down that is almost as depressed as they are. While trying to diminish others from having a bit of hope. Because they are sad about their own existence. Kind of like some of the groups out there that puts out some of the most illogical causes. While trying to put others down for trying to achieve just about anything and thus go around acting like they are superior to everyone else. Watching this movie was like watching acts that can make you very hated by others. From the girl duo, I especially disliked the girl Enid. She is even mean to her only hipster friend Rebecca and tries to drag her down as well. You know those people that claim to be your friend but is the biggest anchor on your side. Well that is Enid in this film. Watching this movie was like watching the journey of one of the most annoying female leads ever and yet it's engaging. Mainly because of the bizarre style of it all and it's direction. How it doesn't compliments and endorse the actions of the lead but you kind of feel bad for her in the end to a degree. Although she is a anchor, her only friends are insecure people like herself. She is a character that bashes on things she find childish, but isn't ready for adulthood either and wants to grasp on to her childhood despite it all. It even shows the biased actions of a radical feminist teacher to kind of show the similaries between the two. Although this film does get a bit annoying after-awhile with it's constant showing of mockery and hypocrisy. This is a watchable movie about a girl that is running from herself and wants to be anyone but herself. I did like the subtle messages around the imagery and characters with their motives and why they do the things they do.

    7.5/10
  • Warning: Spoilers
    I have seen many movies similar to this. The typical ones of teenagers discovering adulthood and, in particular, girls falling in love with older men.

    I feel like it's the kind of movie I would watch again because of how comforting the settings, music, and dialogue are. However, it becomes a little slow and boring to tell the summer of two teenagers...

    Enid and Seymour connect because Enid would be just like Seymour as an adult. They both have restricted interests and don't find happiness easily. I like to interpret the ending as Enid going to live in the "ghost world" because that bus wasn't supposed to be there and you can't tell where she was going.

    It leaves me very intrigued not to understand if she would maintain contact with her friend, her father and Seymour or if it would be a matter of disappearing as she mentions in the film which is one of her dreams...
  • Warning: Spoilers
    Ghost World is a brilliant film in my opinion. Why? Just look at the message board and the comments on this website. It's amazing how much people have taken from this movie, especially a relatively lesser known one.

    When I first watched this movie, it was a revelation. It was just that good of a movie. The characters, the story, the location all of it was just perfect.

    Many people have related to this movie because of its "coming-of-age" or "just out of high school" aspect, and they are true in describing this movie in those terms. But what I really thought was great was how this movie, to me, was about the search for something meaningful and more importantly for Enid, something "real", especially more so in our often contrived and plastic modern world.

    That's where "Ghost World" comes in. It is described as so because if you look at the setting of the movie, you can not really tell where in the United States it takes place in. It could be virtually any one of the suburban areas that has sprung up in the past couple of decades. It's true that there is a great deal of comfort and leisure, but at the same time there is a lack of soul. Its not the big city, where they try to emulate its culture and activities, nor the small town, where they try to emulate its sense of tranquility and community, but rather a facade of both, ending up being none. No one is truly happy, yet everyone puts a smile on, and that is what really bothers Enid, I believe. Its a world where sterile hip-hop music is used to celebrate a high school graduation, authentic 50s diners are anything but, and a white "blues" band sing about picking cotton all day long for the man. All contrived, all far removed from its source, all as real as a slushie from the Sidewinder food store.

    After all why is she attracted to Seymour? I don't think because he's the dorky record collector with a sour outlook on life, but because he is honest about it. He's not a stuffy collector who claims to know everything, but a guy with a passion for something, even if it isn't something "cool". Even with the Coon Chicken incident you can see that its sincerity that Enid is searching for. Enid is not a racist but she picks the Coon Chicken ad for her art project because it reflects how little society has have not changed, even if it whitewashed itself. Like Seymour said people still hate each other but they hide it better.

    Rebecca on the other hand seems to have accepted that society and life at large kinda sucks, so she "sells out" by working at the coffee shop, which is an obvious Starbuck's knock off. But in my opinion, she just realized that she can't change the world and how it is, so she goes on a different road from Enid's. A scene which highlights this is when she shows a liking for brightly colored glasses for her new apartment, while Enid gawks at her for being overtly excited for cups. But who's to say that Rebecca is wrong for liking those cups? How is it different from Seymour's fascination of 75s? Rebecca may have changed some throughout the movie, but at her core she remains to be the cynical and independent person that she is.

    Finally, Enid goes away from it all, fulfilling her desire to one day to disappear from it all, because it seems that she can not rely on anyone, not even Norman the bus bench guy. Rebecca is working most of the time, her father is marrying the person she dreads (showing a disinterest or plain aloofness in Enid's life), her art teacher is a talentless hack who doesn't really care for her (or any of her students really, even though she pretends to) since she didn't fight for her after the art show debacle and Seymour disappointed her twice. First by dating a person whom he knows is not his type, yet he conforms to her (literally, just look at those tight jeans she bought him!) and secondly becoming overtly renewed in his relationship with Enid only after a night where Enid and Seymour took their relationship to bed(with a help of a bottle of champagne.

    Did Enid commit suicide in the end? Personally I don't think so, it would be such a surrealistic end to a story that is steeped in realism, but that is another reason why Ghost World is such a great movie. There is such an open space for interpretation and such depth that one can talk about it for hours, discussing about it and getting more out it with every viewing of the movie. There's a whole lot more than what I just wrote about, but I don't want to bore you with my interpretation, and there are other things in the movie that other people see in it that I might have missed or disagree with.

    But thats a mark of a good movie. Just look at the message board for yourself.
  • I love this movie. It is so simple. Just an episode from the lives of two girls who have just finished high school. Nothing fancy, nothing spectacular, or unusual. Just a situation that we've all been through, but shown through a different set of eyes.

    The performances by Thora Birch, Scarlett Johansson (hottie), and Steve Buscemi are very good and the story is heart warming and often very funny.

    Movies like this are seldom and Hollywood tends to make it's films unnecessarily spectacular these days. It sometimes works, but is often quite ridiculous. Think - Michael Bay.

    This is film is highly recommended to anyone who cares about life. 10/10

    Rated R: profanity
  • Ghost World is endearingly odd, a dryly funny satire of the awkward phase after high school and before adulthood. I greatly enjoyed it; my partner strongly disliked it, finding it awkwardand unfunny. It's certainly not a movie for everyone, and I suspect you'll know in the first half hour whether it's for you.

    The movie is about Enid and Becky, two high school friends who seem to own the anti-cool clique and have no real plans for life after graduation other than to get an apartment together - though Enid has not officially graduated and needs to take a remedial art class in the summer in order to finish out her credits. (There's more than a passing resemblance to the Daria and Jane relationship, for those who remember that show.) Becky seems to be handling the transition better: she gets a job and picks out an apartment. Enid instead seems insistent on taking an apathetic, hipster approach towards everything and everyone, deeming it all so lame as to be unworthy of effort, other than her affection for Seymour, a dorky record collector many, many years her senior who has few friends and even fewer romantic prospects.

    Without ever being in your face politically, Ghost World has great social commentary on art, relationships, and consumer culture. It's a weird movie, and you'll either love it or roll your eyes at it, but I hope it's the former.
  • Warning: Spoilers
    Adapting a comic book to the screen can be a dicey proposition - one that fails far more often succeeds.

    For every Men in Black or Iron Man, there are a hundred Mystery Men, Captain Americas, Hulks, Leagues of Extraordinary Gentlemen, From Hells, MirrorMasks, etc etc -- Ghost World succeeds in part because it captures what the comic book was expressing, but using the language of motion pictures to do so.

    The subtle character nuances and interaction, details in the clothing and settings that would have been all but impossible to render in ink, and most of all the performances, which evoke just about every emotion that anyone who ever imagined themselves an outsider, out of step with the rest of humanity, has ever felt.

    And hasn't pretty much everybody, at some time in their lives, imagined themselves to be just such an outsider??
  • Enid (Thora Birch) and Rebecca (Scarlett Johansson) are best friends having difficulties in social attitude with other people. After graduating in high-school, they decide to get a job and rent a house of their own. However, Enid need to attend the Arts summer school to graduate and the unsociable behavior of Enid makes her lose her job. Meanwhile, they play a prank with Seymour (Steve Buscemi), a middle-age collector of long-plays record that feels also difficulties of relationship, and Seymour and Enid become friends. Along the days, Enid reaches maturity and a different view of life.

    "Ghost World" is an excellent low-budget cult-movie nominated for Oscar in the category of Best Writing, Screenplay Based on Material Previously Produced or Published and awarded in another twenty-five (25) prizes plus twenty-four (24) nominations in different festivals. The caustic and mature adolescent-coming-to-age story is centered in the weird and rebel Enid facing and overcoming the need to join the real world after the high-school period, and is brilliantly directed by Terry Zwigoff, who also writes the wonderful screenplay with Daniel Clowes. The performance of Thora Birch, probably in her best role, also deserved a nomination to the Oscar. Scarlett Johansson, Steve Buscemi and the supporting cast are also awesome. I really loved "Ghost World" a lot, and I would like to thank my great movie-lover friend Ricardo that recommended this gem. My vote is nine.

    Title (Brazil): "Ghost World – Aprendendo a Viver" / a.k.a. "Mundo Cão" ("Ghost World – Leaning to Live" / "Dog's World")
  • Warning: Spoilers
    In a small patch of America where the people are closed into their mental and material sluggishness and where some troubled adolescents are unwilling to accept their imaginary imprisonment a shadow of uneasiness finds its way among patches of thick darkness where all kinds of interpersonal relationships are inhibited. Two young girls put aside every improper form of rebellion and trigger a mechanism based on the creative power of the gaze intended as usual means of observation, taking advantage of the slightest occasions to climb the fences of intolerance and anonymity to confirm their unacknowledged existence.

    But the dull Ghost World which has become a symbol of the decadence of American culture and more generally of the entire Western civilization hasn't got the capacity to change the strength of the human consciences. So, it goes on prospering in his stagnant anonymity amid the general indifference while the visionary minds of some nostalgic people are completely marginalized by a world that confuses Fellini's "Eight and a half " with Lyne's "Nine and a half weeks". and the voices of old 78 speed records seem to echo the ghosts of an era and The movie is about the difficulty of dealing with a world that has really fallen out of tune; the dialogues have the flavor of dialogue balloons expressed in a direct and explicit language even if not foul-mouthed, the language of the adolescence who is looking for its individual values, in close contact with an excerpt of humanity anesthetized by strong doses of daily pettiness and unable to seize the slightest positive change but following stubbornly a customary provincial ritual properly stored into the code of a sort of stale mental microchip.

    "Ghost world" is a bitter comedy that makes us think, completely stripped from frills and various paraphernalia, bluntly addressed to the heart of a problem far from insoluble because in the end even a long wait for a deleted bus route deleted can lead to positive consequences. Adapted from a underground comic book by Daniel Clowes, the film keeps the blaze of colors comics accentuated by the brilliance of the photography, a legacy which carries as consequence a series of short sequences throughout the whole narrative. Be as it may Ghost World proves once again that comics shouldn't be considered in any way a replacement for artistic discipline subordinate to other higher forms of expression of human creativity because they have a particular autonomous capacity of production of reality thank to their original and exclusive language. And this time the movie gives us the opportunity to take two birds with one stone: precisely the American Beauty Thora Birch and the glamorous Scarlett Johansson, one of my favorite actresses. And the nearly two hours in length of the film aren't certainly to be considered "lost in translation!"
  • Warning: Spoilers
    Ghost World is a good example of a recent movie that manages to have a complex storyline reminiscent of things I am familiar with, such as noir. This doesn't mean it counts as that, but I was a little surprised after seeing it because the plot has numerous twists and turns to it. At first glance, the movie didn't seem like something I would enjoy taking a look at, for the sole reason of it being about a pair of high school graduates. The movie describes high school as "training wheels for the bicycle of real life", which is a downright laughable statement, for me anyway. Almost nothing I learned the whole time I was there is applicable in adulthood. Regardless, the high school aspect of this movie is only really visible in the first few minutes, and no mention of it is made afterward. It's largely irrelevant to the story, but at least it does let you know the main characters are finished with mandatory education. Ghost World, as stated earlier, focuses on two girls who have recently graduated, Enid and Rebecca (Thora Birch and Scarlett Johansson respectively) and the various problems that they come across in the modern world. Technically, this is a comedy movie, but the humor is so deadpan and laced with expletives that most people will not find it all that funny. Still, there are some exceptions. The movie starts with Enid and Rebecca graduating high school and are left wondering how to best spend their upcoming summer. They both come to the conclusion that they need a source of income and search around for various way to make money. This is difficult for them because they're both basically loners and find it difficult to form relationships with average people. Enid also resents the fact that her friend is more attractive than her in the eyes of local boys. To make things worse, Enid learns she has to attend school even in the summer for failing an art class. Later, the girls learn about a guy named Seymour (Steve Buscemi) who enjoys collecting old records and decide to visit him. Enid buys a record from him and they start to talk to each other more and more. Unbeknownst to him though, Enid's friend Josh has been making fun of him behind his back. Because she's antisocial, Enid finds a unique interest in Seymour because he essentially has her same mindset. He fills his life with material possessions because he can't relate to anyone. While this is going on, Enid shows up at her remedial art class, which is very awkward to watch. The students make various pieces of "art" and bring them in for examination. One depicts someone smashing another person's head with a large hammer, and the teacher remarks she thought it was supposed to represent the kid's father. After visiting Seymour's house again, Enid comes across an antique painting he owns, which is a racist caricature made into a logo for a chicken restaurant chain. Realizing she's taking a big risk by doing this, Enid decides to borrow it and bring it to her art class. The other students are understandably shocked, but Roberta (the teacher) likes it because she thinks it's a commentary on racism. This is where Enid's fortune really takes a turn for the worse. Seymour (on Enid's advice) starts seeing a girl named Dana, who says she doesn't like Laurel and Hardy movies because the "fat one is always mean to the skinny one." Enid is now envious because she's not the woman in Seymour's relationship. Rebecca's efforts to find a job finally pay off, which means she and Enid can no longer spend as much time together. In a way, this turns them against each other. Then comes a final blow. Enid's teacher takes it upon herself to display the caricature Enid took from Seymour's house at a local art show, and people are so offended by it that Roberta is forced to give Enid an F for the class. Not only that, but her promised scholarship goes out the window. All this bad luck and misfortune forces Enid to return to Seymour's house, even though she told him not to call her ever again. Seymour opts to let Enid stay with him, which requires him excluding Dana from his life. He also discovers from Rebecca that Enid drew crude, mocking images of him in a book she owns. Enraged, he drives to the store where Enid's friend works and tries to assault him, but is attacked and hospitalized. Enid goes there to tell him she is sorry, and informs him the later pages of the book depict him in a much more positive way. He just happened to skip over them. At the end, Enid sees a man we have been introduced to earlier in the movie. His name is Norman, and he waits on a bench for a bus that is out of service. Somehow, a bus suddenly shows up and he steps on. Enid goes to where he was previously waiting, gets on a second bus, and it drives away. Quite a complicated movie which a strange and mysterious ending. Many have theorized as to what the ending means, but in my opinion, it's an allegory for killing oneself. Towards the end, Enid has all these bad things happen to her, and can't seem to get a break. She even inadvertently ruins Seymour's relationship with Dana. She feels like nobody wants her around or likes her, so I think the ending implies she is dead. This would make sense considering the title of the movie. Ghost World was directed by Terry Zwigoff, who also did the dark and humorous documentary on the life of Robert Crumb in 1994. Ghost World shares many similarities with that film, since they both feature a strong presence of dry humor and laughing at other people's expense. Crumb is also involved in this movie because the drawings of Seymour in Enid's book resemble his style greatly. To summarize, Ghost World is a strange and somewhat depressing movie to watch. There are lots of moments in it that just make me cringe to the point of not wanting to continue watching, simply because they're a little too relatable. A good instance of this is when Seymour is talking to Enid at a diner, and Dana appears suddenly, causing him to spill his drink on himself. I've been in too many situations like that and it hurts to watch. There's also a post credit scene that shows Seymour actually winning the fight he has in the store against Enid's friend and the manager. The acting and dialogue in this movie is also quite good, even if it is meant to make the audience feel extremely self-conscious. Thora Birch as Enid resembles me in many respects because she can't seem to get along with many people and prefers to be alone. Scarlett Johansson is a lot more sociable than her counterpart, which ends up making Enid jealous and annoyed. Steve Buscemi here reminds me a lot of various people I know who are into the business of collecting things nobody seems to want, such as old books or cameras. He's also probably the funniest character because it doesn't take much to set him off. To summarize, Ghost World is not what I would consider a groundbreaking movie, but it is entertaining at least. My main gripe with it is that it was so difficult to watch because the fights, confrontations, and arguments the characters get into are too relatable.
  • Warning: Spoilers
    At first you are tempted to believe that Ghost World is simply a quirky comedy about 2 high-school girls. But as the movie progresses past its half way point, it begins to deepen, and you realize that its main character (Enid) is going through a painful stretching of mind and heart, which opens up some profound insights into the tension between idealism and reality. All the leads are good, though its hard sometimes for me to accrpt Buscemis typical shtick. Still, he's pretty good in this. At first I thought the ending was a little wrong, and should have quit with the old man boarding the bus. But afterwards it occurred to me that their is actually something strange and almost mystical about it.
  • buddypatrick13 September 2007
    Warning: Spoilers
    Ghost World (2001), by cult director Terry Zwigoff (Bad Santa (2003)) is aimed at the intelligent, open minded and cultured teenagers who are aware of what is ahead of them, yet choose to enjoy the life of a child and not wanting to grow up. Keeping in mind it is a film, it could be enjoyed by anyone.

    Amazing to see a teenaged-based film that doesn't revolve around titties, toilet humor, beer and drugs but more so revolves around culture and intelligence and pushes the fact that not all teenagers are useless. In fact there are many teenagers out there who are rather intelligent, mature and wise beyond their years yet still like their basic humour associated with other peoples demise, which in this film, is done amazingly well and it is quite relatable when we see Enid and Rebecca laughing at the "satanists" in the diner. My friends and I usually laugh at that typical fat, dirty old man in the city who hits on young girls or those freaky-looking folks who have no sense of fashion, which, as mean as it is, is just a little fun, which is exactly what these girls do and this relates to modern teenagers.

    What Ghost World also holds is mountains and mountains of culture all dating way back to the 1960's Bollywood films and the 1970's underground music which is so satisfying to see now as so many people my age don't comprehend or care for, they prefer trash that MTV spits in our faces and know we'll love it and buy but the thing is, because the majority is rather culturally inept and likes anything dating from 2001 to modern times, leaves the other types left out, where do they go? They must dig and dig under all this modern pop culture to find the real hip stuff, the real cool stuff that our mothers and fathers listened to and watched when they were kids, and Ghost World is satisfying because its so up to date with the minority and yet references so many musicians, artists and films and its striking out to those MTV kids and others, the MTV kids who don't know who Pink Floyd is, or the ones who've never heard of the film Midnight Express or 8½ which is even mentioned in this film. It's a relief and leaves a smile on such non-conformist types, the ones who aren't "emo" or "gangsta" or this or that. It could be for everyone of course, but this film is clearly aimed at particular audiences.

    Now, on with the actual film itself. I would say apart from the great style and culture of the movie, its still great; acting, characters, story, ending, everything. The whole movie is brilliance in a bottle. Enid and Rebecca, best friends, alternative hip kids, have just graduated school rolling their eyes over their fellow pop loving peers but Enid doesn't want to grow up, she doesn't want to change herself for a bunch of customers at a job, she doesn't want to move out of home. She wants to be in a kid forever, which so many kids our age can relate to. Many of us don't want to grow up. Where Rebecca is mature and all, she's waiting for Enid to move into an apartment with her and get a job but Enid is far too busy with her nerdy record collecting friend Seymour who she previously stood up for as a joke. As time goes on Enid spends more and more of her spare time with Seymour, and ends up losing her school certificate because she didn't turn up to the art show and everything for her falls apart. "Ever wanted to just disappear and no one would ever ask what happened to you" Enid said to Rebecca. "No." She replies.

    As we saw previously in the film, an old senile man waits at the bus stop for a bus that doesn't come by anymore. Enid says to him at some stage "ever since my life fell apart you're the only one I can rely on because I know you'll always be here" or something along those lines, where as, this somewhat explains that Enid's entire world is changing, except this one lonesome man at the bus stop but once he says he is leaving this means her entire life is changing. He catches the bus symbolizing everything has changed for Enid. Even in the end, Enid has caught that same bus which represents after all the things Enid has put herself through she is finally accepting to grow up and start her life. A great, relatable and cultured film, with for me ranks grade A marks in my book. This film is beyond recommendation; this film should be seen by everyone, whether you like it or not, you can't just be ignorant, you have to look into this film and analysis it.
  • This movie: ''Ghost world'' was a very good and nice movie. It reminded you the years when you were on school and the casual and lazy behavior as a teenager who is ready to become adult. Rebecca wants to become independent. She wants to leave away from her parents just like the most teenagers. Also I found out many differences between America and Greece. In Greece , my country , teenagers aren't so eager to go work . The ideology that exists here is that children must study at university first and then they will work with ''dignity''. Also I saw that Enid's father was very tolerant and he gave her the chance to decide for her future instead of my country . Here, parents decide for their children future and they impose their decisions . If the children react to this properly studying then the situation will be OK but if they don't then they are pressured from their parents to find a work to live. I can say that in America there isn't the same misery which there is in Greece. The pattern that all children follow is work marry children work and death. And this is supposed to describe LIFE. Enid is a different character . She is unconventional , she doesn't want to follow the same path , she feels the injustice that there is in society . When she reacts to that she becomes a ''foreign'' person that needs to be excluded from society . She tries to find a purpose in her life , a person that might have the same interests with her and this person is Seymour . I can say that Enid is an arrogant person because at the same time not only can compromise with the society but she doesn't want to study at university to get a major role in her society trying ,with that way , encounter the way that things are. Enid once mentions that wants to kill her self and I believe that this confession marks her whole character. She is a frustrated person .her mother has died , her father wants to marry the hateful stepmother . She is confused , she doesn't know what she wants ( scholarship for art class) and I believe that typifies all the teenagers of her age that are at the same situation or a similar one. I believe that Enid has psychological problems because when you are thinking suicide , when you are talking to old men its not a normal behavior but a divergent one . On the last scene Enid left with the bus . Is this means that she wants to do a new beginning or she has bored her life next to her father and she cant deal with the ''bad'' and suspicious society ? This up to you.
  • Like an overlong episode of Seinfeld, but with less plot and zero punchlines, I kept waiting anxiously for the movie to begin. Maybe there's some particular tone to the "Ghost World" comic that I completely missed out on, but this is the most rambling and incoherent script that's been made in quite a while. (Snippets of plot, like the Batman hat or the controversial chicken-art, simply disappear rather than being wrapped together.)

    You can easily manage to forget all this, however, by admiring the scenery: Steve Buscemi, as well as most of the supporting characters, are quite entertaining. But it felt like watching the setting for a really good movie...and the good movie never showed up. Thora Birch's acting? It seemed like she mastered the don't-make-a-facial-expression schtick in "American Beauty" and pushed it into overdrive here - I was unconvinced by her.

    And finally, the reason why my love for this movie was limited from the beginning is that I DIDN'T LIKE the main characters. Were we supposed to be charmed by Enid's consistent, unwavering self-centeredness? Don't get me wrong, I think it can be funny to show a couple of high-school grads driving around and being bitchy to everyone. With "Ghost World," however, I just wanted them to shut up. Maybe if, at some point during the movie, they had actually DONE something I would have felt differently.

    Looks like IMDb's rating is sitting at 8.7 currently. I'm feeling very lonely down here at the bottom of the 10-scale, I need some friends! Come on now, say it with me: This movie is not, that, good.
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