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Bringing Out the Dead

  • 1999
  • R
  • 2h 1m
IMDb RATING
6.9/10
79K
YOUR RATING
Nicolas Cage in Bringing Out the Dead (1999)
Theatrical Trailer from Paramount
Play trailer2:24
1 Video
99+ Photos
Medical DramaPsychological ThrillerDramaThriller

Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.

  • Director
    • Martin Scorsese
  • Writers
    • Joe Connelly
    • Paul Schrader
  • Stars
    • Nicolas Cage
    • Patricia Arquette
    • John Goodman
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    79K
    YOUR RATING
    • Director
      • Martin Scorsese
    • Writers
      • Joe Connelly
      • Paul Schrader
    • Stars
      • Nicolas Cage
      • Patricia Arquette
      • John Goodman
    • 444User reviews
    • 80Critic reviews
    • 72Metascore
  • See production info at IMDbPro
    • Awards
      • 2 wins & 5 nominations total

    Videos1

    Bringing Out the Dead
    Trailer 2:24
    Bringing Out the Dead

    Photos123

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    Top cast87

    Edit
    Nicolas Cage
    Nicolas Cage
    • Frank Pierce
    Patricia Arquette
    Patricia Arquette
    • Mary Burke
    John Goodman
    John Goodman
    • Larry
    Ving Rhames
    Ving Rhames
    • Marcus
    Tom Sizemore
    Tom Sizemore
    • Tom Wolls
    Marc Anthony
    Marc Anthony
    • Noel
    Mary Beth Hurt
    Mary Beth Hurt
    • Nurse Constance
    Cliff Curtis
    Cliff Curtis
    • Cy Coates
    Nestor Serrano
    Nestor Serrano
    • Dr. Hazmat
    Aida Turturro
    Aida Turturro
    • Nurse Crupp
    Sonja Sohn
    Sonja Sohn
    • Kanita
    Cynthia Roman
    • Rose
    Afemo Omilami
    Afemo Omilami
    • Griss
    Cullen O. Johnson
    • Mr. Burke
    • (as Cullen Oliver Johnson)
    Arthur J. Nascarella
    Arthur J. Nascarella
    • Captain Barney
    • (as Arthur Nascarella)
    Martin Scorsese
    Martin Scorsese
    • Dispatcher
    • (voice)
    Julyana Soelistyo
    Julyana Soelistyo
    • Sister Fetus
    Graciela Lecube
    • Neighbor Woman
    • Director
      • Martin Scorsese
    • Writers
      • Joe Connelly
      • Paul Schrader
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews444

    6.979K
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    Featured reviews

    Abogenrief

    Urban Jungle

    In Bringing Out the Dead, Nicolas Cage plays Frank, a graveyard shift EMT technician in New York City in the early 1990s. In classic Scorsese style, the themes of masculinity, subcultural underground interaction, and fast paced film editing combine to form the frenetic basis of Frank's neo-noir lifestyle. The film is dark, urban, and also blackly comic, relying on strong masculine characters to provide energy and humor.

    Overall, Bringing Out the Dead appears to be heavily influenced by film noir. Frank, the protagonist, is at the end of his rope in a rather solitary and stressful job and he often finds escape from the ghosts of his failures through alcohol. Patricia Arquette plays Mary, the femme fatale character and woman in distress Frank seeks to save. The film is uber-urban, set mainly in the nighttime ghettos and hustling districts of New York City, and the major events center around various city dwellers. Frank's adventures in life saving are highlighted by the colorful characters of City life, including prostitutes, drug addicts, homeless persons, insane persons, goth-punk death rockers and the ubiquitous 'Mr. O.,' the smelliest destitute to plague Our Lady of Perpetual Mercy Hospital. Frank is led by Mary into the narcotic underworld, and meets the proprietor of 'The Oasis,' a charismatic dealer with a passion for tropical fish and silk robes.

    Many of the lighting techniques also serve to emphasize the urbanality of the surroundings, often combining music and fast paced editing. The darkness of the City night is contrasted with the searing halogen of the hospital, and the sunlight that creeps through the window at dawn mocks Frank's insomnia. Indeed, the movie ends at dawn, with Frank nodding off to sleep. This is very similar to the traditional horror movie ending at dawn when the nighttime monsters are relegated to their nocturnal lairs. Editing techniques are feverish and accelerate in pace as the movie progresses and Frank's hysteria mounts. Many of these sequences involve a montage of the flashing ambulance lights, 360-degree camera rotation, blurred traffic lights and shots of the crazed driver behind the wheel. My personal favorite scene is when Frank is going to answer a call, and the montage is set to R.E.M.'s What's the Frequency Kenneth.

    Overall, most of the main characters are the male ambulance drivers/EMTs. These characters, Frank, Tom, Marcus and Larry, exude a kind of unquestioned masculinity, which they prove through various means such as violence, excessive flirting, and alcohol consumption. Tom is a violent, hair trigger macho who enjoys pummeling transients and minorities. Marcus is a smooth talking black man who chain smokes stogies and praises Jesus. Larry is an overweight everyman, wanting to start his own paramedic business. Frank is a Marlboro smoking altruistic cowboy with a drinking problem and insomnia. At some point, most of the characters engage in drinking (liquor) while on duty or at least in the ambulance. The characters names are also quite masculine, especially in contrast to Noel, a man who is a drug addict of ethnic descent that is never arguably fully a man.

    Inherently, Scorsese's New York City is an urban jungle that will break any man who is not strong or tough enough.
    10ollie1939-97-957994

    A very under looked film

    Bringing out the Dead is the most underrated film ever done by Martin Scorsese. It is one of the most well made films I've ever seen and is one of my favorite dramas of all time.

    The film focuses on a paramedic called Frank played by Nicolas Cage. The film focuses on 48 hours of Frank's life as a paramedic and all the horrific things he has seen. As well as that Frank is also haunted by spirits of people who he couldn't save, befriends a young women called Mary played by Patricia Arquette and a whole range of strange partners.

    The actors that Scorsese has chosen are a weird bunch as they're not really in Scorsese's other films and they're not really big name actors. As well as Nicolas Cage there's also supporting roles from people like John Goodman, Ving Rhames and Tom Siezmore. Everyone does a fantastic jobs even the actors who have much smaller roles than others.

    This is much more surreal film than most other Scorsese films as we go into Frank's mind.

    The reasons why this films succeeds is just that you really care about this characters and while the film dosen't really have much of a story it grips you the whole way through.

    It also has a great soundtrack which includes artists like Van Morrison, R.E.M and the Who.

    Overall the film is quite different to what you're usually expecting but it grips who the whole way though and it gets a full 5 star rating form me.
    5fciocca

    An EMT first responder at the verge of a mental breakdown.

    I was genuinely curious about "Bringing Out the Dead". I am a fan of Scorsese, but I never heard about this motion picture until a few months ago. The movie follows a medical technician responding to tough emergency calls. There are tons of raw scenes that portray perfectly how crazy and chaotic New York might be during the night. Frank Pierce is a man hunted by the people that was not able to save, he lives with deep regrets and traumas. In order to cope with all this, he becomes addicted to alcohol and other substances, disconnecting completely from reality. On paper this movie is great: first responders see a lot of really difficult situations on a daily basis and this can have some serious consequences on a person's psyche, to the point where personal life and relationships are heavily impacted. I think that the director portrayed this aspect very well. Unfortunately, I had a hard time going through it, because it is really repetitive and I feel that the main character never really develops in any way, he just keeps living in the same way, without doing anything about it. Towards the end we finally see some progressions, but then the credits roll and we do not get to see if Frank will finally find redemption. Maybe someone might find this choice appealing because it leaves the audience in the mystery, but personally I did not enjoy it.

    This film had a lot of potential, the acting is decent, the plot is extremely interesting and the side characters are appealing. However, the lack of progression and the exhaustingly repetitive sequences, made "Bringing Out the Dead" a tedious experience.
    7bowmanblue

    Stylish, but lacking a certain something

    Sometimes you can watch a film and see that all the pieces are there and yet there's still something not quite right about it. 'Bringing Out the Dead' stars Nicholas Cage (while he was still highly-bankable at the Box Office) as a New York ambulance driver who's on the brink of burning out completely. He's seemingly lost the ability to sleep (properly) and turned to various substances to get himself through his - increasingly dangerous - nightshifts.

    Now, back in 1999 when this film was released, Cage was pretty much at the top of his game and you could guarantee that he'd put in a good performance, especially under an equally great director. Here we have none other than Martin Scorsese at the helm who is more than capable at keeping hold of Cage's reigns and making sure he doesn't do that 'over the topness' he sometimes slips into. The premise is great and there's plenty of scope for the story and characters to evolve. The films sports an equally impressive supporting cast including Patricia Arquette, Ving Rhames and John Goodman. So, baring all that in mind, it's hard to see that anything could go wrong with it.

    I certainly don't hate 'Bringing Out the Dead.' I just feel that with that much talent at its disposal it should be a lot better than it is. The actors and direction are amazing, but where it falls down is a general lack of focus as to where the story is going and what genre the film wants to be. It flips from everything from romantic comedy to gritty drama almost every other scene and even flirts with the possibility of a supernatural element (loosely). There's not an awful lot of motivation for the supporting cast and they just seem to do things to provide Cage with something bad/dramatic to react to. The films plays out like a string of sketches/mini episodes that are loosely strung together by the flimsy of narratives.

    If you're a fan of Cage and/or Scorsese, this is a 'must watch.' However, some may get a little tired with waiting for something to happen.
    7eva3si0n

    Bringing Out the Dead does not remember when they talk about the career of Cage or Scorsese

    Bringing Out the Dead does not remember when they talk about the career of Cage or Scorsese. This is not the most famous film as an actor or director and this is an omission. Firstly, this is the most realistic film I have seen about paramedics, and secondly, the chamber of action stung at 48 o'clock makes the film more of a thriller than a drama. A great picture about one of the most psychologically difficult professions, excellent acting Cage and at least somewhere shown the reality of American medicine.

    What Scorsese Film Ranks Highest on IMDb?

    What Scorsese Film Ranks Highest on IMDb?

    Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      According to Tom Sizemore, he and Marc Anthony did not get along and almost had a physical altercation on the set.
    • Goofs
      When Marcus and Frank are responding to I.B. Bangin's over-dose, they are first shown responding in a van-type ambulance, then the next shot shows them in a box-type, then back to the van-type on arrival.
    • Quotes

      Frank Pierce: Saving someone's life is like falling in love. The best drug in the world. For days, sometimes weeks afterwards, you walk the streets, making infinite whatever you see. Once, for a few weeks, I couldn't feel the earth - everything I touched became lighter. Horns played in my shoes. Flowers fell from my pockets. You wonder if you've become immortal, as if you've saved your own life as well. God has passed through you. Why deny it, that for a moment there - why deny that for a moment there, God was you?

    • Connections
      Featured in Siskel & Ebert: Fight Club/The Straight Story/Julien Donkey-Boy/The Story of Us (1999)
    • Soundtracks
      T.B. Sheets
      Written and Performed by Van Morrison

      Courtesy of Columbia Records

      By Arrangement with Sony Music Licensing

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    FAQ20

    • How long is Bringing Out the Dead?Powered by Alexa

    Details

    Edit
    • Release date
      • October 22, 1999 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Vidas al límite
    • Filming locations
      • 11th Avenue & 54th Street, Manhattan, New York City, New York, USA
    • Production companies
      • De Fina-Cappa
      • Paramount Pictures
      • Touchstone Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $55,000,000 (estimated)
    • Gross US & Canada
      • $16,797,191
    • Opening weekend US & Canada
      • $6,193,052
      • Oct 24, 1999
    • Gross worldwide
      • $16,798,496
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 1 minute
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
      • SDDS
    • Aspect ratio
      • 2.39 : 1

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