Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.Haunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.
- Director
- Writers
- Stars
- Awards
- 2 wins & 5 nominations total
- Mr. Burke
- (as Cullen Oliver Johnson)
- Captain Barney
- (as Arthur Nascarella)
- Dispatcher
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Overall, Bringing Out the Dead appears to be heavily influenced by film noir. Frank, the protagonist, is at the end of his rope in a rather solitary and stressful job and he often finds escape from the ghosts of his failures through alcohol. Patricia Arquette plays Mary, the femme fatale character and woman in distress Frank seeks to save. The film is uber-urban, set mainly in the nighttime ghettos and hustling districts of New York City, and the major events center around various city dwellers. Frank's adventures in life saving are highlighted by the colorful characters of City life, including prostitutes, drug addicts, homeless persons, insane persons, goth-punk death rockers and the ubiquitous 'Mr. O.,' the smelliest destitute to plague Our Lady of Perpetual Mercy Hospital. Frank is led by Mary into the narcotic underworld, and meets the proprietor of 'The Oasis,' a charismatic dealer with a passion for tropical fish and silk robes.
Many of the lighting techniques also serve to emphasize the urbanality of the surroundings, often combining music and fast paced editing. The darkness of the City night is contrasted with the searing halogen of the hospital, and the sunlight that creeps through the window at dawn mocks Frank's insomnia. Indeed, the movie ends at dawn, with Frank nodding off to sleep. This is very similar to the traditional horror movie ending at dawn when the nighttime monsters are relegated to their nocturnal lairs. Editing techniques are feverish and accelerate in pace as the movie progresses and Frank's hysteria mounts. Many of these sequences involve a montage of the flashing ambulance lights, 360-degree camera rotation, blurred traffic lights and shots of the crazed driver behind the wheel. My personal favorite scene is when Frank is going to answer a call, and the montage is set to R.E.M.'s What's the Frequency Kenneth.
Overall, most of the main characters are the male ambulance drivers/EMTs. These characters, Frank, Tom, Marcus and Larry, exude a kind of unquestioned masculinity, which they prove through various means such as violence, excessive flirting, and alcohol consumption. Tom is a violent, hair trigger macho who enjoys pummeling transients and minorities. Marcus is a smooth talking black man who chain smokes stogies and praises Jesus. Larry is an overweight everyman, wanting to start his own paramedic business. Frank is a Marlboro smoking altruistic cowboy with a drinking problem and insomnia. At some point, most of the characters engage in drinking (liquor) while on duty or at least in the ambulance. The characters names are also quite masculine, especially in contrast to Noel, a man who is a drug addict of ethnic descent that is never arguably fully a man.
Inherently, Scorsese's New York City is an urban jungle that will break any man who is not strong or tough enough.
The film focuses on a paramedic called Frank played by Nicolas Cage. The film focuses on 48 hours of Frank's life as a paramedic and all the horrific things he has seen. As well as that Frank is also haunted by spirits of people who he couldn't save, befriends a young women called Mary played by Patricia Arquette and a whole range of strange partners.
The actors that Scorsese has chosen are a weird bunch as they're not really in Scorsese's other films and they're not really big name actors. As well as Nicolas Cage there's also supporting roles from people like John Goodman, Ving Rhames and Tom Siezmore. Everyone does a fantastic jobs even the actors who have much smaller roles than others.
This is much more surreal film than most other Scorsese films as we go into Frank's mind.
The reasons why this films succeeds is just that you really care about this characters and while the film dosen't really have much of a story it grips you the whole way through.
It also has a great soundtrack which includes artists like Van Morrison, R.E.M and the Who.
Overall the film is quite different to what you're usually expecting but it grips who the whole way though and it gets a full 5 star rating form me.
This film had a lot of potential, the acting is decent, the plot is extremely interesting and the side characters are appealing. However, the lack of progression and the exhaustingly repetitive sequences, made "Bringing Out the Dead" a tedious experience.
Now, back in 1999 when this film was released, Cage was pretty much at the top of his game and you could guarantee that he'd put in a good performance, especially under an equally great director. Here we have none other than Martin Scorsese at the helm who is more than capable at keeping hold of Cage's reigns and making sure he doesn't do that 'over the topness' he sometimes slips into. The premise is great and there's plenty of scope for the story and characters to evolve. The films sports an equally impressive supporting cast including Patricia Arquette, Ving Rhames and John Goodman. So, baring all that in mind, it's hard to see that anything could go wrong with it.
I certainly don't hate 'Bringing Out the Dead.' I just feel that with that much talent at its disposal it should be a lot better than it is. The actors and direction are amazing, but where it falls down is a general lack of focus as to where the story is going and what genre the film wants to be. It flips from everything from romantic comedy to gritty drama almost every other scene and even flirts with the possibility of a supernatural element (loosely). There's not an awful lot of motivation for the supporting cast and they just seem to do things to provide Cage with something bad/dramatic to react to. The films plays out like a string of sketches/mini episodes that are loosely strung together by the flimsy of narratives.
If you're a fan of Cage and/or Scorsese, this is a 'must watch.' However, some may get a little tired with waiting for something to happen.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Did you know
- TriviaAccording to Tom Sizemore, he and Marc Anthony did not get along and almost had a physical altercation on the set.
- GoofsWhen Marcus and Frank are responding to I.B. Bangin's over-dose, they are first shown responding in a van-type ambulance, then the next shot shows them in a box-type, then back to the van-type on arrival.
- Quotes
Frank Pierce: Saving someone's life is like falling in love. The best drug in the world. For days, sometimes weeks afterwards, you walk the streets, making infinite whatever you see. Once, for a few weeks, I couldn't feel the earth - everything I touched became lighter. Horns played in my shoes. Flowers fell from my pockets. You wonder if you've become immortal, as if you've saved your own life as well. God has passed through you. Why deny it, that for a moment there - why deny that for a moment there, God was you?
- SoundtracksT.B. Sheets
Written and Performed by Van Morrison
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
- How long is Bringing Out the Dead?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Vidas al límite
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $16,797,191
- Opening weekend US & Canada
- $6,193,052
- Oct 24, 1999
- Gross worldwide
- $16,798,496
- Runtime2 hours 1 minute
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
