Cha-Cha-Cha Boom! (1956)

Approved   |    |  Comedy, Music, Romance


Cha-Cha-Cha Boom! (1956) Poster

In this fictional film in which performers using their own name do fictional things with fictional people there is no one playing 'Self', but there is a record-company talent scout, Bill ... See full summary »


5/10
37

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17 April 2008 | alonzoiii-1
3
| Cha-Cha-Cha -Thud
This distressingly dull attempt to cash in on the cha-cha-cha craze has a smidgen of good music, a large number of so-so mambos, and only one true cha cha cha. The musical performances -- unlike with the rock n roll movies -- do not have much visual panache, so that one is left staring at a band just sitting there and playing. Oddly enough, the standout number is the non-Latin Mary Kaye trio doing a swinging version of Lonesome Road. (Too bad their other two numbers are dreadful.) The numbers by Manny Lopez -- full of flutes and a string section -- have a very authentic Cuban sound, but perhaps a bit twee sounding when compared with the mambos and cha-cha-chas that became popular in the US.

There is a plot -- something about an A&R man going out on his own to start a record company based on finding a new sound somewhere in Cuba. (Somehow the dolt missed Benny More, but did dig up his old boss Perez Prado.) It, if possible, is even a little more disposable than the usual Sam Katzman hack job. There is the usual hot blooded Latina stereotyping, a typically offensive jungle rhythm kind of number, and average for the day 50s sexual stereotyping.

If you like Cuban music, go find yourself an old LP instead, or put on a Buena Vista Social Club CD. This one is just not worth the time.

Did You Know?


Soundtracks

Crazy Crazy
Music by
Dámaso Pérez Prado
Courtesy of RCA Victor Record Division of Radio Corporation of America

Storyline

Plot Summary


Genres

Comedy | Music | Romance

Details

Release Date:

2 October 1956

Language

English


Country of Origin

USA

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