In early 1970s England, a Pakistani father finds the authority he has previously maintained challenged by his increasingly Anglicized children.In early 1970s England, a Pakistani father finds the authority he has previously maintained challenged by his increasingly Anglicized children.In early 1970s England, a Pakistani father finds the authority he has previously maintained challenged by his increasingly Anglicized children.
- Won 1 BAFTA Award
- 16 wins & 15 nominations total
Featured reviews
Engaging, well-made comedy based on the play by Ayub Khan-Din concerning the misfortunes of an Anglo-Pakistani family verging on the brink of change in early 1970s Salford. Traditional dad Om Puri is shocked when his oldest son (Ian Aspinall) runs away from an arranged wedding, and decides that from now on his family will be more respectful. Among his plans are the weddings of two of his other sons, both of whom are far from delighted with the idea. Khan-Din's fine script never resorts to cliche resulting in a funny, study of the clash between the old and the new.
Linda Bassett as superb as Puri's second wife, an English woman who straddles both camps between her husband's traditionalism and her kids' sense of rebellion while nonetheless attempting to keep her own dignity.
Fine performances from Chris Bisson and Jimmi Harkishin (Coronation Street) and Jimi Mistry (EastEnders) while little Jordan Routledge is great as the parka-loving Sajid.
However, it's Puri who shines as the complex father, desperately trying to hang on to tradition and finding nothing but rebellion from his family.
The ending could easily have been a familiar family seeks revenge on their overbearing father but what results is a refreshing change to the many TV movies that usually opt for an easy solution to a difficult problem.
Linda Bassett as superb as Puri's second wife, an English woman who straddles both camps between her husband's traditionalism and her kids' sense of rebellion while nonetheless attempting to keep her own dignity.
Fine performances from Chris Bisson and Jimmi Harkishin (Coronation Street) and Jimi Mistry (EastEnders) while little Jordan Routledge is great as the parka-loving Sajid.
However, it's Puri who shines as the complex father, desperately trying to hang on to tradition and finding nothing but rebellion from his family.
The ending could easily have been a familiar family seeks revenge on their overbearing father but what results is a refreshing change to the many TV movies that usually opt for an easy solution to a difficult problem.
Three teenagers are sitting in front of a TV, enjoying their large helpings of pork sausage and bacon. Suddenly they hear a door opening and immediately start cleaning up all of the dishes and unsuccessfully try to get rid of the fumes of grilled bacon and sausages that billowed through the whole house. This is, of course, not depicting the normal life of three teenagers, but taken from the film "East Is East" by Damien O'Donnell. It deals with the story of a family in England in the 1970s with a Pakistani father (multi-facetted enacted by Om Puri) who still believes in his Pakistani traditions and his Muslim religion and an English mother (great performance by Linda Bassett) who tries to give her seven children as much freedom as all of their "fully English" friends enjoy. This movie was labeled as a Comedy both in theaters and on DVD or VHS, but anybody looking for light-hearted entertainment fitting for a Saturday night will be hugely disappointed. This movie is out to teach the viewer about how difficult it is to get two very different cultures to not only co-exist peacefully next to each other, but to merge them to create a new one. The script by Ayub Khan-Din, who also wrote the book and the stage version of this movie, does have its funny moments, and the whole cast, including the children, is in for some good laughs. But the more intense moments are those where the viewer has to deal with outbursts of domestic violence or things like arranged marriages that seem so far away and cruel to Westerners. The cast shows its brilliance in those intimate moments. Even though the script might sometimes appear to be too ambitious there are just too many characters all developing in a very distinct manner and all crucial to the movie the movie can be recommended to anyone who is not looking for a standard comedy and is willing to have his views on life challenged.
I wish there were more movies about the different cultures in the UK. Not just the Anglo, but the Asian and West Indian perspectives. Even the Southeast Asian view. The Middle Easterners have shown great strides with movies like "Bend It Like Beckham" and a few others. This movie got away from me until recently. I saw in the library video section and decided to check it out. The box is very misleading. They put a young interracial couple, front and center on the cover when actually their subplot is very peripheral to the story. I guess the movie studio figured they'd get a wider audience interested with younger faces on the cover since the main characters look to be in their 50s.
George Khan (Om Puri) has left his native Pakistan to live in the UK with its soveriegnty ties. Though he has a wife back in his homeland (she is only mentioned, not seen), he marries a white Englishwoman, Ella (Lynda Bassett). They have 7 kids: 6 boys and 1 girl. Flash forward to the late 60s (where the movie actually begins) and we see his kids are truly English in behavior though he stresses that they must go to Mosque to study and worship. His oldest is to be wed in an arranged marriage to a woman he hardly knows. He runs out in the middle of the ceremony in fear, embarrassing his family especially his father who disowns him. This sets the tone of the movie. His kids are English-born and want to live like their friends in their working-class neighborhood but George wants to raise them as traditional Muslims, despite opposition from his wife, Ella, who only wants the kids to be happy. She tries to help them avoid run-ins with their father who despite his cheerfulness is quite an ogre when angered. The kids range in attitude and indifference toward George's attempts to introduce them to the traditional ways.
This is a decent introduction to immigrant life in the UK especially since it's set during a time when there was political strife over immigration of non-whites into Britain. Though it's an effective comedy, it also touches on the frustration immigrants of any culture go through to hold onto or reject their identity. The only thing marring this movie is a domestic violence scene that may bother some. Still a very good movie worth seeing.
George Khan (Om Puri) has left his native Pakistan to live in the UK with its soveriegnty ties. Though he has a wife back in his homeland (she is only mentioned, not seen), he marries a white Englishwoman, Ella (Lynda Bassett). They have 7 kids: 6 boys and 1 girl. Flash forward to the late 60s (where the movie actually begins) and we see his kids are truly English in behavior though he stresses that they must go to Mosque to study and worship. His oldest is to be wed in an arranged marriage to a woman he hardly knows. He runs out in the middle of the ceremony in fear, embarrassing his family especially his father who disowns him. This sets the tone of the movie. His kids are English-born and want to live like their friends in their working-class neighborhood but George wants to raise them as traditional Muslims, despite opposition from his wife, Ella, who only wants the kids to be happy. She tries to help them avoid run-ins with their father who despite his cheerfulness is quite an ogre when angered. The kids range in attitude and indifference toward George's attempts to introduce them to the traditional ways.
This is a decent introduction to immigrant life in the UK especially since it's set during a time when there was political strife over immigration of non-whites into Britain. Though it's an effective comedy, it also touches on the frustration immigrants of any culture go through to hold onto or reject their identity. The only thing marring this movie is a domestic violence scene that may bother some. Still a very good movie worth seeing.
East is East" is a refreshing inventive family story. Directly the first scene where two different religions and also two opposing views of life (namely the children's and the view of their conservative father) clash together. With the funny way of telling which is typical for the whole film, nevertheless the problems are shown in their graveness. The cast represents every member of this Pakistani family as an individual but the good relations between the siblings and their mother is shown as realistic as the problematic relation between them and their incorrigible father. The viewer gets the impression of a different culture but he will recognize a lot of aspects of his own family life, too, what was aimed by the makers who brought in the personal experiences. All in all, this movie is an evening-filling enrichment for the viewer.
10lward-2
This film depicts ultimate realism for people who have grown up in multi racial environments. The graphic nature of the language only goes to reinforce the raw acceptance of the cultural influence of the times and area in which the film is set (70's Manchester, England). The director has captured the emotional elements the script intended perfectly. It was obviously deeply researched. The character portrayal of the dominant father is by no means stereotypical of the part, but is truly based on the difficulties encountered by the respected head of any multicultural family. His six sons and one daughter are experiencing the natural mix of eastern and western influence and putting their own spin on their existence, much to their father's dismay. The character of the mother portrays the natural ethnic blindness that should be much admired and is yet so common throughout the world. The humor is very real. Every family, if they look back on their own historical events would come to recognise the similarity of the situations encountered. The work surely ranks among the very best in regional exposure along side the likes of "Kes" etc. Well worth watching more than once
Did you know
- TriviaThe drawing of a penis with a foreskin that Saleem shows his brothers and sister proved unexpectedly difficult. Chris Bisson can't draw, so an artist was commissioned to sketch the object in question, but upon seeing the finished result, it was quickly decided that it looked too odd. It transpired that the artist was in fact circumcised and had no familiarity with foreskins, so the cast and crew were asked if anyone could draw and would volunteer his penis. Fortunately, one of the set photographers fit both requirements.
- GoofsIn the film they constantly use the term "shillings" when referring to prices and money. Britain adopted the pounds and pence decimal system on 15 February 1971, and over the next year or two ditched the shilling and pence currency. In the film's opening scene the caption reads "Salford, Manchester, 1971," and after the eldest brother runs out on his wedding a second caption, in the second or third scene, then reads "six months later," meaning that Britain had changed over the currency, so when one of the brothers keeps begging his mum for 10 shillings, etc., it might sound factually incorrect, but there was a changeover period and use of both currencies was permitted. Shilling coins remained legal tender and in circulation for many years; the sixpence remained in circulation until 1980 for machines, but was removed from general use after 1973; conversely the 50 New Pence coin (worth 10 shillings) was introduced two years before decimalisation. People didn't stop using the word "shilling" for many years although by 1974, the use of old money had gone.
- Quotes
George Khan: ...when I come this country, I have no luggage. Today what I got?
Meenah Khan: You got a chip shop, Dad.
George Khan: Right. Own bloody business, see.
- Crazy creditsSpecial thanks to ... and all the residents of Openshaw.
- ConnectionsFeatured in Siskel & Ebert: Instinct/The Loss of Sexual Innocence/Limbo (1999)
- SoundtracksThe Banner Man
Written by Roger Greenaway, Herbie Flowers and Roger Cook
Copyright 1971, Cauliflower Music Ltd.
Performed by Blue Mink
Licensed from Trojan Recordings Ltd.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Схід є схід
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,900,000 (estimated)
- Gross US & Canada
- $4,177,818
- Opening weekend US & Canada
- $53,569
- Apr 16, 2000
- Gross worldwide
- $4,177,818
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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