Mulholland Drive (2001)

R   |    |  Drama, Mystery, Thriller


Mulholland Drive (2001) Poster

After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

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  • Laura Harring at an event for Mulholland Drive (2001)
  • Peter Gallagher and Anthony LaPaglia at an event for Mulholland Drive (2001)
  • Laura Harring at an event for Mulholland Drive (2001)
  • Debbie Harry at an event for Mulholland Drive (2001)
  • Michael J. Anderson in Mulholland Drive (2001)
  • Laura Harring in Mulholland Drive (2001)

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User Reviews


21 June 2005 | KnightLander
9
| Possibly Lynch's best; brilliant, enigmatic, and masterfully filmed
Originally filmed in 1999 as a TV pilot, "Mulholland Dr." was rejected. The next year, David Lynch received money to film new scenes to make the movie suitable to be shown in theaters. He did so - and created one of the greatest, most bizarre and nightmarish films ever made.

The film really doesn't have main characters, but if there were main characters, they would be Betty (Naomi Watts) and Rita (Laura Elena Harring). Betty is a perky blonde who's staying in her aunt's apartment while she auditions for parts in movies. She finds Rita in her aunt's apartment and decides to help her. You see, Rita's lost her memory. She has no clue who she is. She takes her name, Rita, from a "Gilda" poster in the bathroom. So the two set out to discover who Rita really is.

David Lynch has been known for making some weird movies, but this film is the definition of weird. It's bizarre, nightmarish, and absolute indescribable. It's like a dream captured on film. By the 100-minute point, the film has become extremely confusing - but if you've been watching closely, it will make perfect sense. Having watched the movie and then read an article on the Internet pointing out things in the film, I now understand the movie completely.

The acting is very good. Watts is terrific. Justin Theroux is very good as a Hollywood director facing problems with the local mob. The music is excellent. Angelo Badalamenti delivers one of his finest scores. And the directing - hah! David Lynch is as masterful a filmmaker as ever there was.

Is this your type of film? Well, that depends. You should probably view more of Lynch's work before watching this movie. You'll need to be patient with the film, and probably watch it a second time to pick up the many clues Lynch has left throughout the movie. For Lynch fans, this is a dream come true.

"Mulholland Dr." is a masterpiece. It's brilliant, enigmatic, and masterfully filmed. I love it.

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Did You Know?

Trivia

The note pinned to the robe Aunt Ruth left on the bed for Betty reads, "Enjoy yourself, Bitsie. Love, Aunt Ruth."


Quotes

Rita: What are you doing? We don't stop here.


Goofs

Director Adam Kesher's frenzied attack on the Castigliane brother's limousine immediately scatters pigeons in the far distance, but only when he finally knocks out a headlight (a relatively minor impact) do the pigeons directly behind the car fly up.


Crazy Credits

Credits have the movie director's name as 'Bob Booker' (not 'Brooker' as we hear). Furthermore, many of the characters' names are simply not mentioned at all during the course of the film (Billy Deznutz, Joe Messing, Bondar, etc.) but their character's names are all listed in the closing credits.


Alternate Versions

Some scenes were deleted to shorten the running time of the movie. Some of the missing scenes are:

  • An additional scene of the detectives McKnight and Domgaard in the police station talking about the car crash the previous night on Mulholland Drive.
  • A full scene of dialog with the hit man Joe and the pimp Billy in Pinky's Hot Dog stand with Joe asking about information on the missing woman and about the hot dogs served while the drugged out streetwalker Laney looks on.
  • An scene of the Castigliane limo arriving outside Adam Kesher's house where the goon, Kenny, gets out and talks briefly with Taka, the Japanese gardener in the driveway asking if he has seen Adam recently.
  • A scene of Betty arriving on the studio lot and meeting Martha Johnson outside the producer's office and Wally coming out the front door to meet her and take her inside.
  • An extended scene showing the introduction of Mr. Roque of Vincent Darby entering a large office building and taking an elevator to one of the top floors and asking the receptionist if he could enter Mr. Roque's office.
  • During the scene where Mr. Roque relays the message 'the girl is still missing' to various unseen associates, when the unseen man with the hairy arm on the yellow telephone rings his contact, the original scene was not of a telephone under a lamp with a red shade, but a white speaker phone on a bright blue table and a woman's hand (Camila Rhodes?) answering it, but cutting away before she says anything.
  • The scene of Adam meeting with the executives is longer with him first arriving holding a iron golf club demanding why he has been called away from the golf course to this meeting and Ray giving him a vague explanation to the movie he's filming. The scene ends with the Castigliane brothers leaving first and Adam yelling at the executives over them rigging the casting of the lead actress and about the film being kept locked up in the studio safe.
  • A bit scene where after the bruiser Kenny knocks unconscious Adam's wife and the pool man, he walks around Adam's house and sees Adam's wife's jewelry in the kitchen sink which is overflowing with water. Kenny then is shown breaking all of Adam's golf clubs as payback for trashing the limo and then leaves telling the gangsters in the back of the limo that Adam's not home.
  • There is another scene introducing Wilkins (Scott Coffee) who lives in a studio loft above Betty Elms's apartment where Adam phones him just before his meeting with the Cowboy and telling Wilkins about finding his wife in bed with the pool man, and asks Wilkins if he could come over to stay for a while since he has no money. Wilkins agrees, and after hanging up, he yells at his dog crouched in a corner about relieving himself all over the place.


Soundtracks

I've Told Every Little Star
Written by
Oscar Hammerstein II and Jerome Kern
Performed by Linda Scott
Courtesy of Epic Records
By Arrangement with Celebrity Licensing Inc.

Storyline

Plot Summary


Synopsis (WARNING: Spoilers)


Genres

Drama | Mystery | Thriller

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