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Hellboy (2004)

PG-13   |    |  Action, Fantasy, Horror

Hellboy (2004) Poster

A demon, raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.

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  • Matt Rose and Guillermo del Toro in Hellboy (2004)
  • Selma Blair in Hellboy (2004)
  • Biddy Hodson and Guillermo del Toro in Hellboy (2004)
  • Ron Perlman in Hellboy (2004)
  • Biddy Hodson in Hellboy (2004)
  • Guillermo del Toro in Hellboy (2004)

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Reviews & Commentary

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User Reviews

28 January 2007 | CuriosityKilledShawn
| Stops short of being a great comic-book movie.
As far as most comic-book movies go, they usually follow the same-old path of showing us the origins of whatever hero for about 45 minutes before getting into a real (but usually superficial) plot. This can lead to a never-ending list of deadbeats such Hulk, Spider-Man and Catwoman and rarely ends up with a good movie (Batman Begins is one rare example). Guillermo Del Toro seems to make a compromise of introducing Baby Hellboy during the end of WWII and then flashing forward 60 years to adult HB (though genetically he's barely out of his 20s) working for the Government.

The Beurau of Paranormal Research uses Hellboy as a weapon against the forces of evil. Being a demon from Hell himself, but preferring to fight for the good side, HB works with Abe Sabien (a very likable sort of fish-man) and his pyro-kinetic would-be girlfriend Liz. Raised by Professor Broom (John Hurt) he regularly has fallings out with his human father and even hides his cigarette smoking from him. I find the stroppy teenager attitude a unique character quirk that works well. What's even cooler is HB fondness for cats. Which not a typical characteristic of a demon born in Hell.

The world's last living super-evil Nazis resurrect the mad-monk Grigori Rasputin and aim to bring about Armageddon by awakening sleeping Lovecraftian Gods, frozen in time at the edge of the universe. A tough job, even for HB, but it's all in a days work for the Beurau of Paranormal Research.

Del Toro works wonders in bringing to life atmospheric sets (check out the flooded subway station) and horrific creatures but stops short of making Hellboy a dark epic. The CGI is impressive and the visions of Hell are interesting but there's just some intangible element that seems to be missing and the film feels incomplete. Even the Director's Cut still feels a bit alienating.

However the action and humor is quite entertaining and the villains (especially 107-year-old, crazed assassin Kroenen) are definitely the kind you want to see die horribly. Enjoy it for what it is, even if you feel it's not entirely wholesome by the end.

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Did You Know?


When Professor Bruttenholm (Sir John Hurt) is showing Agent Myers (Rupert Evans) through the B.P.R.D. when he first arrives, a greyish male humanoid statue with a large ring on its groin is momentarily seen. This is Roger the Homunculus, a supporting character introduced late in the Hellboy comics (in the story arc "Almost Colossus"), who often goes through periods of dormancy. When active, he is a Special B.P.R.D. Agent, much like Abe. Roger did not make it into the movie script as a character, but made it into the film as a piece of set decoration instead. Another comic book prop reference in the same scene is the large set of metal boots sitting in one of the glass display cases. These belonged to a supernatural creature called "The Iron Shoes" from the short story of the same name.


Professor Trevor 'Broom' Bruttenholm: What is it that makes a man a man? Is it his origins, the way things start? Or is it something else, something harder to describe? For me it all began in 1944, a classified mission off the coast of Scotland. The Nazis were desperate. Combining ...


Ilsa has blood on the left side of her face after John kicks her. The blood disappears when she bends to kiss Grigory Rasputin, and then reappears after she withdraws.

Crazy Credits

There is a scene in the closing credits: Dr. Manning tries to contact his team, while a shadow passes by.

Alternate Versions

The Hellboy 3-disc director's cut DVD is ten minutes longer. (132 minute director's cut versus 122 minute regular version). Restores a few deleted/extended scenes back into the movie.


Easy Come, Easy Go
Written by
Edward Heyman and Johnny Green (as John Green)
Performed by Johnny Crawford
Courtesy of Centropolis Records


Plot Summary

Synopsis (WARNING: Spoilers)


Action | Fantasy | Horror | Sci-Fi

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