An Eastern European US immigrant with a love for musicals has to cope with the gradual loss of her vision.An Eastern European US immigrant with a love for musicals has to cope with the gradual loss of her vision.An Eastern European US immigrant with a love for musicals has to cope with the gradual loss of her vision.
- Nominated for 1 Oscar
- 34 wins & 48 nominations total
Siobhan Fallon Hogan
- Brenda
- (as Siobhan Fallon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is quite possibly the most moving film I've seen, it ensnares you within the first minute, or Bjork does with her interpretation of the sound of music, which is both hilarious and introduces one of the main themes: the magic of musicals. Not one of my favourite genres (but everyone loves The Sound Of Music, right?) but Lars Von Trier makes you re-evaluate your perception with a gentle loving pastiche of the way for no reason people and things in musicals spontaneously erupt into song, made more credible in this film by implicating a reason for it: Bjork's character is going blind so she hears music in the slightest thing and she, in her mind, sees how moves should be choreographed with the music she hears, reminiscent of her own It's Oh So Quiet' music video. And the best thing about this film is the way Bjork charms you with her portrayal of the nicest person in the world, she will do anything for you if she could. She is essentially an innocent and though this is her weakness you can't help but love her all the more: a sparkling performance from a unique singer in real life.
However from this don't assume that this is a light happy film as there is a dark tragic side also, and this side is full of injustice, agony- and I mean agony-, sorrow- like you'd not believe-, and an intense emotional pull as I've ever felt in a cinema before, and it's this half that propels it from being just a great film to becoming one of the greatest. Its greatness is in telling a simple story of a woman trying to stop her own genetic sight disorder afflicting her son, by working every hour to afford the operation, working heavy machinery despite essentially being virtually blind, its greatness is its ability to inflict upon you the gift of feeling every conceivable emotion you posses and you do, you really do experience so much during this film. But I'll not say too much as my enjoyment of this film increased due to, for a change, not second guessing what would happen but to just let it be, I would say to passively watch but there's nothing passive about this film. It really moves you. It makes you feel alive.
This film should be seen alone, in the quiet when you are all by yourself, but more importantly than that it should be seen: this is more than mere movie this is art this is real this is the greatest film I have ever seen: even better than Casablanca, and Shadowlands, and The Piano.
However from this don't assume that this is a light happy film as there is a dark tragic side also, and this side is full of injustice, agony- and I mean agony-, sorrow- like you'd not believe-, and an intense emotional pull as I've ever felt in a cinema before, and it's this half that propels it from being just a great film to becoming one of the greatest. Its greatness is in telling a simple story of a woman trying to stop her own genetic sight disorder afflicting her son, by working every hour to afford the operation, working heavy machinery despite essentially being virtually blind, its greatness is its ability to inflict upon you the gift of feeling every conceivable emotion you posses and you do, you really do experience so much during this film. But I'll not say too much as my enjoyment of this film increased due to, for a change, not second guessing what would happen but to just let it be, I would say to passively watch but there's nothing passive about this film. It really moves you. It makes you feel alive.
This film should be seen alone, in the quiet when you are all by yourself, but more importantly than that it should be seen: this is more than mere movie this is art this is real this is the greatest film I have ever seen: even better than Casablanca, and Shadowlands, and The Piano.
Why? Because it's a one of a kind movie. The acting is superb (especially Bjork), direction assured and the musical numbers are great. Still, it's the most depressing film I've ever seen. By the end of the film I was crying practically non-stop. It's so bleak I don't think I'll ever see it again, but it should be seen at least once by everybody. It shows misery and suffering full throttle. You'll either love it or loathe it (I'm somewhere in th middle), but you'll never see anything like it again and you won't forget it. Just bring lots of Kleenex.
A superb piece of 2000 cinema, and a worth Cannes winner. Bjork is absolutely perfect as the vulnerable but sympathetic heroine. I won't spoil the plot, but you don't expect to end up where the film takes you. There didn't seem to be a dry eye in the house. The music is slightly spoilt by Lars Von Trier's lyrics, but Bjork puts some life into the tunes. This has had an appalling critical response in the U.K. It put me off going for 2/3 weeks. I do feel that Bjork can arouse resentment in people. Perhaps the establishment (French, Walker, Norman etc) needs to go, and be replaced by some fresh blood.
This film is brutal, it's not violent, but it's so intense, so sad, so depressing, that I could barely watch it. If you want to cry this film is a must watch. The storyline is fantastic, the cinematography is "cheap" and that makes it artistic. The music was fantastic, sad, creepy, meaningful and it wasn't out of random like in most musicals, here it made sense to exist.
It's one of the best musicals I've ever seen, it's one of the best dramas I've ever seen. It is one of the best films I've ever seen.
It's one of the best musicals I've ever seen, it's one of the best dramas I've ever seen. It is one of the best films I've ever seen.
This felt so real. When I watch films these days, I am always watching them with a critical eye for technicality or acting. This film brought me into it's world, the magical world of bjork. Even the musical parts drew me in, because they were so oddly out of place.
I've seen people complaining about Bjork's acting... I honestly haven't felt this emotional over an actors performance in years. And I've seen hundreds of movies this year alone. She made me fall in love, She was innocent, destroyed by the greed of human nature. Honestly, All technical problems aside. I mean the grain was awful, It looks like it was shot with a mini dv camera, and Von trier probably should have hired a camera operator.
This was easily one of my top 10 films I've seen this year.
I've seen people complaining about Bjork's acting... I honestly haven't felt this emotional over an actors performance in years. And I've seen hundreds of movies this year alone. She made me fall in love, She was innocent, destroyed by the greed of human nature. Honestly, All technical problems aside. I mean the grain was awful, It looks like it was shot with a mini dv camera, and Von trier probably should have hired a camera operator.
This was easily one of my top 10 films I've seen this year.
Did you know
- TriviaIt took Lars von Trier a whole year to convince Björk to play the lead role.
- GoofsSelma's son's surname should be Jezek, not Jezková.
- Quotes
Lines on screen: They say it's the last song. They don't know us, you see. It's only the last song if we let it be.
- Alternate versionsThe film originally contained a song entitled "141 Steps"; however, after the Cannes premiere, director Lars von Trier decided to shorten it, and the song was subsequently reworked and retitled "107 Steps."
- SoundtracksOverture
Written by Björk
Arranged, Orchestrated & Conducted by Vincent Mendoza
Produced by Björk
Mixed by Mark Stent (as Mark "Spike" Stent)
Published by Universal Music
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Bailando en la oscuridad
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,800,000 (estimated)
- Gross US & Canada
- $4,184,036
- Opening weekend US & Canada
- $91,612
- Sep 24, 2000
- Gross worldwide
- $40,061,153
- Runtime2 hours 15 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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