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  • In turn-of-the-century Romania, the Marcelloni family and their performing polar bear, Fram, are the stars of the Siboli Circus. The scheming circus owner and his elephant-riding mistress look to gain the limelight for themselves, but the low wages, squalid living conditions and an unhappy bear lead the family to strike out on their own. The traveling show - the titular arctic-themed Circus of the North Pole - is a hit in the great cities of Europe. Triumphantly returning home, the Marcelloni's refuse offers from Siboli and others to re-join the company, and plan an even greater spectacle in the Romanian city of Iasi. On the eve of the premiere, Siboli's agents steal Fram, but the bear outwits his captors and cages them before showing up at the last minute to save the show. The excitement is too much for the family patriarch, however, and in one of the film's many touching moments the ringmaster/clown dies as the audience laughs and applauds. Young Joe and sister Fanny are devastated, but choose to continue the show together. Over time Joe grows to become a bitter, disillusioned young man. (A series of lap dissolves as Joe removes his clown make-up and ages 10 years is done very effectively.) The brother and sister decide it's time to give up circus life, and Fanny entrusts Fram to an arctic exploration team to return him to the wild. In a particularly lavish sequence, the bear is released at the Pole, though his years as an entertainer apparently prompt him to return to his circus wagon cage each night to sleep. The years pass and, reading a newspaper article about the appearance of aurora borealis at the North Pole, Joe and Fanny decide to visit with the hope of catching a glimpse of their old circus friend. Joe and his guide become lost in a blizzard, but are found and rescued by Fram. The native inhabitants of the arctic circle find the trained polar bear amazing, and Joe and Fanny seem to have found a whole new appreciative audience for A Circus of the North Pole.

    Cezar Petrescu's novel, `Fram the Polar Bear,' had previously been adapted as a stage play, but award-winning Romanian family filmmaker Elisabeta Bostan took the tale one step further and expanded upon the original work into two films, Saltimbancii (1981) and Un saltimbanc la podul nord (1982). While most of Bostan's previous films had been firmly set in the world of fantasy, her first foray into a realistic setting was successful enough to generate this sequel. The director's talent for getting marvelous performances from children is evident here, as is her affection for animals and toe-tapping musical numbers, here in the context of a circus show. The widescreen cinematography (two directors of photography are credited) is well-composed and colorful, and the art direction is superb.

    Un saltimbanc la polul nord and its predecessor were re-edited into a television series entitled `Fram' (1983); six thirty-minute episodes for broadcast around Europe. The delighted audience of young children at this March 2004 screening should hopefully inspire someone give this film and others in this genre a release on home video.
  • the memories about this film preserve the image from newspaper about the death of Octavian Cotescu, the interpreter of Marceloni in Un saltimbanc la Polul Nord. and this transforms the film in one of the bitter lessons about meaning of life and about the thin limit between fiction and reality. the film remains beautiful after 30 years. not surprise. it has all the virtues to be memorable. the tragedies, the new beginning, the tension and the new beginning, the air of Iași at the new century birth and the music are good points for be impressed. and to discover colors and fascinating nuances across the events from the existence of ordinary family who transforms each day in a magnificent gift for the public.