Magnolia (1999)

R   |    |  Drama


Magnolia (1999) Poster

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.


8/10
274,093

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  • John C. Reilly and Melora Walters in Magnolia (1999)
  • Tom Cruise in Magnolia (1999)
  • Philip Baker Hall and Eileen Ryan in Magnolia (1999)
  • John C. Reilly and Emmanuel Johnson in Magnolia (1999)
  • Tom Cruise and Jason Robards in Magnolia (1999)
  • Julianne Moore and Jason Robards in Magnolia (1999)

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12 January 2000 | McWoop
10
| I have never before spent so much time analyzing, discussing, or viewing a film...
And it is a FILM. It is no ordinary movie. As a fan of Boogie Nights, I couldn't wait for Magnolia. Although its running time has made at least 20 people leave the auditorium, I have stayed for every single second. The mood and stories and characters keep building and building and building, and when it finally comes down, I feel this immense sense of relief and wonder at how PT Anderson was able to come up with something so clever and intertwining and wonderous, and was able to pull it off. This "movie" is not for everyone. It is thinking-hat required. I have also never been so excited to look up Bible verses before. The cast, as you have probably read, is superb. I have never been so impressed. This film has "restored my faith in the filmmaking industry. To see these actors, crew, and the writer/director/genius at work is inspiring." These people obviously love their craft, and one of my friends even said that the cast was "touched by the hands of God..." to which I whole-heartedly agree. He also has said, ""This film not only teaches film makers how to make films, but it teaches movie watchers how to watch movies!" to which I again whole-heartedly agree a thousand times over. Phillip Seymour Hoffman is absolutely outstanding as the only character who is "normal." His performance has made me smile and shake my fist in the air the three times I've seen Magnolia since it opened. Tom Cruise is also spectacular. As with every single last character, every line he utters is important to his character and what it means for the rest of the stories. Another outstanding performance/character is the part of police officer Jim Kurring, played by John C. Reilly. His character is just so perfect and JUST SOOOOO PERFECT that it makes me smile every time he is on screen. Add to all of this one incredible soundtrack, and you have something that will go down in film history as legend and probably one of the most underappreciated, misunderstood, and definitely underseen films of all time.

The soundtrack, oh, the soundtrack. When listening to the songs, I can picture each exact moment as if I was watching the movie all over again, and it brings unexplainable feeling. Aimee Mann's songs, especially, are a perfect fit to a perfect story and mood. This film is not for everyone, but, if you want to see glorious filmmaking, acting, writing, and characters in action, I HIGHLY suggest you see Magnolia.

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Did You Know?

Trivia

Luis Guzmán is credited as himself.


Quotes

Narrator: In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He ...


Goofs

The blood on Kurring's forehead changes at the end of the movie.


Crazy Credits

Pedestrian #2 is incorrectly spelled Pedistrian #2.


Alternate Versions

In the script, there is an alternate storyline for Stanley. In it, instead of running to the school library where he reads the books about the geniuses, he runs away to a coffee shop. Also in the coffee shop are Dixon (the little boy who raps for Jim Curring) and the Worm (who is mentioned in the movie, both in the rap and during Marcie's interrogation). The Worm (who is Dixon's father) notices Stanley and motions for Dixon to leave. At this point, Dixon finds Linda passed out in her car. In the coffee shop, the Worm and Stanley talk about their fathers and Stanley offers to give the Worm the money he won on the game show. The frogs begin to fall from the sky as Dixon runs in, asks the Worm if he got the money from Stanley, then pulls a gun (the one which he stole from Jim Kurring) on Stanley, demanding his money. The Worm convinces Dixon to give the gun up. They leave the diner after the frogs fall, drive by Solomon and Solomon, and throw the gun from their speeding car, which lands by Jim and Donnie. From the DVD documentary, it seems like this scene was partially filmed and then PT Anderson decided to scrap it.


Soundtracks

Save Me
Written by
Aimee Mann
Performed by Aimee Mann
Produced by Aimee Mann

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