John Connor must face a female Terminatrix with power over all the machines. But a new Terminator unit a T-850 sent back through time will guide him through the coming battle.John Connor must face a female Terminatrix with power over all the machines. But a new Terminator unit a T-850 sent back through time will guide him through the coming battle.John Connor must face a female Terminatrix with power over all the machines. But a new Terminator unit a T-850 sent back through time will guide him through the coming battle.
- Awards
- 3 wins & 24 nominations total
Moira Sinise
- Betsy
- (as Moira Harris)
Christopher Lawford
- Brewster's Aide
- (as Chris Lawford)
Billy D. Lucas
- Angry Man
- (as Billy Lucas)
Featured reviews
I truly don't get the hate for this movie, unless you're one of those types that goes to comicon and asks questions about insanely obscure trivia to flaunt your vast knowledge of the T universe or writes erotic terminator fan-fiction from your mom's basement.
It's the least of the three terminators, yes. But the least in a series of such high quality and entertainment value that to suggest this is one of the worst sequels ever is just plain hyperbolic stupidity. One of the things I keep seeing mentioned is the less serious parts. What is wrong with some humor? It was hardly even close to enough to call it a comedy and none of it was bad enough to induce groans. T2, and even T1, had humorous bits but I don't hear complaints about them. I don't know what people were expecting. They act like this is the Phantom Menace of the Terminator franchise. Please.
It's got solid action (including one of the best destructive car chase sequences ever imho), it's exciting, it's got decent acting and effects. Get over your butthurt fanboy gripes and just enjoy it.
It's the least of the three terminators, yes. But the least in a series of such high quality and entertainment value that to suggest this is one of the worst sequels ever is just plain hyperbolic stupidity. One of the things I keep seeing mentioned is the less serious parts. What is wrong with some humor? It was hardly even close to enough to call it a comedy and none of it was bad enough to induce groans. T2, and even T1, had humorous bits but I don't hear complaints about them. I don't know what people were expecting. They act like this is the Phantom Menace of the Terminator franchise. Please.
It's got solid action (including one of the best destructive car chase sequences ever imho), it's exciting, it's got decent acting and effects. Get over your butthurt fanboy gripes and just enjoy it.
Terminator 3: Rise of the Machines is often criticized by fans as being not in the same tone as its predecessors. While I agree with that statement in many ways, I think Jonathan Mostow made an honest effort to bookend the series.
Storyline: The story is probably one of the things I take issue with most. It brings up new questions on the nature of time travel within the Terminator universe, as well as bringing new plot holes (something the previous films also had). Some of these flubs could've been corrected with a little research, but I digress.
The story tends to be a retread of Terminator 2, which hurts it a lot. But Mostow tries to draw attention away from this with some awesome action sequences. The storyline, in this respect, takes it up a notch with scenes such as the restroom fight and crane scene.
Acting: I think the acting is one of the best things in this film. Mostow did an excellent job in casting. Rather than going for actors known for their work in action films, the director instead used performers known for their talent in dramatic roles. Nick Stahl and Claire Danes both portray their characters with depth and humanity. Stahl does an especially good role in showing the paranoia and uncertainty of the future.
And, as always, Arnold Schwarzenegger does a great job as the Terminator. His lack of social interaction provides many humorous moments throughout the film, while also giving him a drill instructor approach when dealing with the John Connor character.
Lastly, there is Kristanna Loken as the T-X. While not as intimidating as the T-1000, I didn't expect this to be the case. Robert Patrick played a character with no face and every face, which can only work once if at all. That being said, Loken does a decent job in the role, providing a very cold performance for an equally cold character.
Visual/Special Effects: The visuals of Terminator 3 are pretty good. The liquid metal effects are still as great as they were in 1991 along with some of the CG animated endoskeletons in the Future War sequence.
My only qualms with the visuals is that there is a lack of blue tint that was prevalent in James Cameron's previous films, but this is more a matter of taste than anything.
Musical Score: Brad Fiedel's dark and mechanical theme is absent from the film until the credits arrive, which is something that bothered me. Not only that, but T3's rendition of the theme isn't as powerful as it is in its predecessors.
However, Marco Beltrami does manage to increase the tension of scenes with his score, though little else. This aspect, like the storyline, could of been improved.
Conclusion: Terminator 3: Rise of the Machines wasn't a necessary sequel, but a decent one. I don't believe this installment ruined the series as much as, say, Alien^3. This film will no doubt continue to be one that either fans love or hate.
I happen to love it.
Storyline: The story is probably one of the things I take issue with most. It brings up new questions on the nature of time travel within the Terminator universe, as well as bringing new plot holes (something the previous films also had). Some of these flubs could've been corrected with a little research, but I digress.
The story tends to be a retread of Terminator 2, which hurts it a lot. But Mostow tries to draw attention away from this with some awesome action sequences. The storyline, in this respect, takes it up a notch with scenes such as the restroom fight and crane scene.
Acting: I think the acting is one of the best things in this film. Mostow did an excellent job in casting. Rather than going for actors known for their work in action films, the director instead used performers known for their talent in dramatic roles. Nick Stahl and Claire Danes both portray their characters with depth and humanity. Stahl does an especially good role in showing the paranoia and uncertainty of the future.
And, as always, Arnold Schwarzenegger does a great job as the Terminator. His lack of social interaction provides many humorous moments throughout the film, while also giving him a drill instructor approach when dealing with the John Connor character.
Lastly, there is Kristanna Loken as the T-X. While not as intimidating as the T-1000, I didn't expect this to be the case. Robert Patrick played a character with no face and every face, which can only work once if at all. That being said, Loken does a decent job in the role, providing a very cold performance for an equally cold character.
Visual/Special Effects: The visuals of Terminator 3 are pretty good. The liquid metal effects are still as great as they were in 1991 along with some of the CG animated endoskeletons in the Future War sequence.
My only qualms with the visuals is that there is a lack of blue tint that was prevalent in James Cameron's previous films, but this is more a matter of taste than anything.
Musical Score: Brad Fiedel's dark and mechanical theme is absent from the film until the credits arrive, which is something that bothered me. Not only that, but T3's rendition of the theme isn't as powerful as it is in its predecessors.
However, Marco Beltrami does manage to increase the tension of scenes with his score, though little else. This aspect, like the storyline, could of been improved.
Conclusion: Terminator 3: Rise of the Machines wasn't a necessary sequel, but a decent one. I don't believe this installment ruined the series as much as, say, Alien^3. This film will no doubt continue to be one that either fans love or hate.
I happen to love it.
I didn't go to see this movie with very high expectations, because it has gotten such varied and sometimes disparaging reviews this forum. However, since I am an aspiring screenwriter and true cinema fan rather than simply a moviegoer, I decided to give this movie the benefit of the doubt. At the very least, I could end up writing a scathing attack on it.
Instead, I have found that I enjoyed the movie as I watched it, saw some flaws, but have discovered that the more I think about it, the more I want to give it a higher rating than I initially did (7). The film's two major dramatic flaws, in my opinion, are: (1) An over-the-top chase scene that comes way too early in the script without sufficient build-up in suspense leading up to it; (2) A little too much campy humor recycled from the first two Terminator movies.
The good outweighs the bad by a large margin. (1) The screenplay has some intriguing plot subtleties that grow on me after awhile, the most notable of which is the actual nature of the safe place. It could be the way it is for several possible reasons, some strategically favoring SkyNet, some the humans. Any of them could be spun into a major plot element for a sequel. The rest you'll just have to find yourself. (2) The character development of both John Connor and Kate Brewster is elegant, believable and moving, and also opens possibilities for future character development. (3) The plot is an interesting variation of the "Reluctant Hero" theme, which is a classic in literature and drama and always will be. John Connor is a hero who is almost an anti-hero. True, they could have sharpened his ambivalence a little (sacrificing some chase footage for it would have been an excellent trade, in my opinion). (4) The Terminatrix is a very good villain: She's young, she's sexy, and she's chillingly soulless. She is actually too smoothly sexy and physically perfect, but that makes sense when you consider that she has been created and programmed by other machines who, lacking the real-world experience of humans, can only base her appearance and humanoid behavior on their knowledge of human stereotypes.
That last leads me to some thoughts about Arnie's character. He is clearly getting a little too old for a reprise of his customary youthful, physically perfect role in any sequel. If he is brought back in a sequel - and I hope he is - a good, imaginative screenwriter could really work with his advancing age and loss of physical perfection. Since he is programmed by humans with real human experience, he could be brought back as a deceptively older and less physically powerful character, but more psychologically sophisticated (more like a true human with a soul), and his deceptive physical appearance combined with his greater psychological sophistication could be his aces in the hole when his strength and nonhuman cyborg qualities are insufficient. In other words, he could be shaped into an amazing supporting hero in any sequel. Maybe I could write his role!
Instead, I have found that I enjoyed the movie as I watched it, saw some flaws, but have discovered that the more I think about it, the more I want to give it a higher rating than I initially did (7). The film's two major dramatic flaws, in my opinion, are: (1) An over-the-top chase scene that comes way too early in the script without sufficient build-up in suspense leading up to it; (2) A little too much campy humor recycled from the first two Terminator movies.
The good outweighs the bad by a large margin. (1) The screenplay has some intriguing plot subtleties that grow on me after awhile, the most notable of which is the actual nature of the safe place. It could be the way it is for several possible reasons, some strategically favoring SkyNet, some the humans. Any of them could be spun into a major plot element for a sequel. The rest you'll just have to find yourself. (2) The character development of both John Connor and Kate Brewster is elegant, believable and moving, and also opens possibilities for future character development. (3) The plot is an interesting variation of the "Reluctant Hero" theme, which is a classic in literature and drama and always will be. John Connor is a hero who is almost an anti-hero. True, they could have sharpened his ambivalence a little (sacrificing some chase footage for it would have been an excellent trade, in my opinion). (4) The Terminatrix is a very good villain: She's young, she's sexy, and she's chillingly soulless. She is actually too smoothly sexy and physically perfect, but that makes sense when you consider that she has been created and programmed by other machines who, lacking the real-world experience of humans, can only base her appearance and humanoid behavior on their knowledge of human stereotypes.
That last leads me to some thoughts about Arnie's character. He is clearly getting a little too old for a reprise of his customary youthful, physically perfect role in any sequel. If he is brought back in a sequel - and I hope he is - a good, imaginative screenwriter could really work with his advancing age and loss of physical perfection. Since he is programmed by humans with real human experience, he could be brought back as a deceptively older and less physically powerful character, but more psychologically sophisticated (more like a true human with a soul), and his deceptive physical appearance combined with his greater psychological sophistication could be his aces in the hole when his strength and nonhuman cyborg qualities are insufficient. In other words, he could be shaped into an amazing supporting hero in any sequel. Maybe I could write his role!
In 2003 John Connor is living a life without record, with no fixed address, no bank account and no permanent job. He does this to avoid the terminators of the future being able to find him and kill him. In absence of him, Skynet sends back a T-X to kill secondary targets Connor's future lieutenants, among them Kate Brewster, daughter of military scientist Robert Brewster. Luckily, in the future, Kate has sent back a captured Terminator to protect them. As the group escape Connor learns more of judgement day and sets out to try and stop it again.
T3 is different from T2 in that it isn't really in the same league (IMO) as T2 was when it came out. In my view T2 was the must see movie of it's time whereas now it has faded a little and is secondary to the matrix and other cutting edge blockbusters. In fact so second was it that I wasn't that bothered about seeing it or not. However I'm glad it did as T3 is nicely paced, doesn't expect too much of itself and does just what a blockbuster is meant to be be entertaining.
The plot is mostly secondary to the action but, basically, the T-X has been sent back to take out a group of people before it then (accidentally) finds it's primary target of John Connor. Some of the plot is a little tenuous but it doesn't matter as it moves along at such a pace that you don't have time to really think too long about any one scene. However the climax is a hark back to the original Terminator with a down deep and depressing ending where fate manages to happen regardless of Connor's best intentions.
The action is great although it does look basic beside the effects of Matrix etc. I did feel that they worked better by not trying to be overly flashy or fancy. The morphing effects are actually more enjoyable because here they make up part of the action whereas in T2 they were key moments of cutting edge technology. The film's action takes the form of a simple chase and is very effective, the multiple car chase is my favourite scene partly because it shows how very out classed the Terminator is by the new model!
The direction is good and Cameron isn't missed at all. Mostow does a great job with the action scenes and keeps everything just perfect. Because the film realises that the franchise is build on catch phrases and images that have entered into popular culture so much that they are overused, it wisely chooses to mock itself and has a real nice sense of humour to it. For example the original Terminator had the terminator entering a motor cycle bar and exiting dressed in biker leathers, here he enters a bar and finds a ladies night in full swing and has to get his clothes from a gay stripper. The deadpan way in which he rejects the sunglasses is really good. In a way this could have undermined the effect of the film but it is managed well and doesn't.
The cast is roundly good. The exit of Sarah Connor is handled well and her replacement (Danes) is good despite a few duff lines which don't convince. Stahl's performance could be seen as mocking Furlong's drug problems (I can't see any other reason for his junkie-like tics etc.) but he is still good and carries the film well. Schwarzenegger wisely agrees to mock his own character the film takes the idea that time has passed the Terminator franchise by, by having the terminator itself being totally superseded. Loken is good as the T-X and is sexy enough but isn't given as much to do as anyone else. Whereas Patrick was pretty much the main focus of T2 (because of the effects) Loken has less of an impact.
Overall I had my doubts about this film but it did manage to do just what I needed it to do. The action is overblown and enjoyable without being the cutting edge in special effects at any time. The plot-driving scenes are good and the main story (behind the action) is involving and interesting, right up till the downbeat ending. I must say that, although it is hardly the most imaginative or inspiring film made this year, it certainly does what you need a blockbuster to do no deep, pretentious plots, no joy-less acting, but rather a big noisy movie that doesn't take itself too serious (despite the serious plot) and is actually very enjoyable to watch. Nor a great film but I really wish that more blockbusters were like this.
T3 is different from T2 in that it isn't really in the same league (IMO) as T2 was when it came out. In my view T2 was the must see movie of it's time whereas now it has faded a little and is secondary to the matrix and other cutting edge blockbusters. In fact so second was it that I wasn't that bothered about seeing it or not. However I'm glad it did as T3 is nicely paced, doesn't expect too much of itself and does just what a blockbuster is meant to be be entertaining.
The plot is mostly secondary to the action but, basically, the T-X has been sent back to take out a group of people before it then (accidentally) finds it's primary target of John Connor. Some of the plot is a little tenuous but it doesn't matter as it moves along at such a pace that you don't have time to really think too long about any one scene. However the climax is a hark back to the original Terminator with a down deep and depressing ending where fate manages to happen regardless of Connor's best intentions.
The action is great although it does look basic beside the effects of Matrix etc. I did feel that they worked better by not trying to be overly flashy or fancy. The morphing effects are actually more enjoyable because here they make up part of the action whereas in T2 they were key moments of cutting edge technology. The film's action takes the form of a simple chase and is very effective, the multiple car chase is my favourite scene partly because it shows how very out classed the Terminator is by the new model!
The direction is good and Cameron isn't missed at all. Mostow does a great job with the action scenes and keeps everything just perfect. Because the film realises that the franchise is build on catch phrases and images that have entered into popular culture so much that they are overused, it wisely chooses to mock itself and has a real nice sense of humour to it. For example the original Terminator had the terminator entering a motor cycle bar and exiting dressed in biker leathers, here he enters a bar and finds a ladies night in full swing and has to get his clothes from a gay stripper. The deadpan way in which he rejects the sunglasses is really good. In a way this could have undermined the effect of the film but it is managed well and doesn't.
The cast is roundly good. The exit of Sarah Connor is handled well and her replacement (Danes) is good despite a few duff lines which don't convince. Stahl's performance could be seen as mocking Furlong's drug problems (I can't see any other reason for his junkie-like tics etc.) but he is still good and carries the film well. Schwarzenegger wisely agrees to mock his own character the film takes the idea that time has passed the Terminator franchise by, by having the terminator itself being totally superseded. Loken is good as the T-X and is sexy enough but isn't given as much to do as anyone else. Whereas Patrick was pretty much the main focus of T2 (because of the effects) Loken has less of an impact.
Overall I had my doubts about this film but it did manage to do just what I needed it to do. The action is overblown and enjoyable without being the cutting edge in special effects at any time. The plot-driving scenes are good and the main story (behind the action) is involving and interesting, right up till the downbeat ending. I must say that, although it is hardly the most imaginative or inspiring film made this year, it certainly does what you need a blockbuster to do no deep, pretentious plots, no joy-less acting, but rather a big noisy movie that doesn't take itself too serious (despite the serious plot) and is actually very enjoyable to watch. Nor a great film but I really wish that more blockbusters were like this.
No matter what people say Terminator 3 was a turkey.The tone was wrong and bad decisions were made in the casting and character phase of the film.Sarah Conner is feebly written out of this story and the film suffers badly for missing her presence.There is also too much self referential parody,there are times when Arnie is made to look silly through the use of badly timed and misjudged comedy moments.I partly blame Jonathan Mostow,he held the reigns on this one and would have had a big say in how it all played out.I couldn't believe they went as far to copy the scene in T2 when Arnie gets his leathers in the bar only this time he gets them from a gay bar and ends up wearing 70's style plastic Elton John style glitz glasses instead of his iconic shades.This was embarrassing.Ed Furlong is replaced by the inferior Nick Stahl and Clare Danes is just filler. The Terminatrix doesn't really come off although Kristianna Loken tries her best.In all this is a hugely disappointing experience for people that have followed Terminator films so far.It has some great standalone action sequences but as a whole is a lazy retread that indulges parody and comedy far too much divorcing itself from the serious tone set by the previous two films.
Did you know
- TriviaThe studios had long wanted to make a sequel to the previous Terminator films, but for a long time Arnold Schwarzenegger refused to do it unless James Cameron was directing. Cameron eventually told his friend to "just do it and ask for a shit-load of money," reasoning that the character was as much Schwarzenegger's as it was his. Schwarzenegger confirmed this in a talk-show interview, saying that when he asked, Cameron told him to "take the money and run".
- Goofs(at around 30 mins) Having control of a vehicle's computer would not allow the car to be driven remotely, as the steering is completely mechanical (even power steering), and although some modern cars have a computer controlled throttle (not the cars in the movie though), the pedal would not depress (same goes for the brakes, clutch and gears).
- Quotes
Terminator: [39:02] Katherine Brewster? Have you sustained injury?
Kate Brewster: Drop dead, you asshole!
Terminator: I am unable to comply.
- Crazy creditsDuring the initial opening credits, a wind can be heard blowing in the background.
- Alternate versionsThe German TV version was edited for violence to gain a 'Not Under 12' rating. The cinema, and video versions are rated 'Not Under 16'.
- ConnectionsEdited into Smallville: Scare (2004)
- SoundtracksMacho Man
Written by Henri Belolo, Jacques Morali, Peter Whitehead and Victor Willis (as Victor Edward Willis)
Performed by The Village People
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises and Courtesy of Scorpio Music, S.A.
The Amazing Arnold
The Amazing Arnold
Whether he's bodybuilding in the gym or obliterating baddies on screen, Arnold Schwarzenegger has been delighting audiences for decades. Take a look at some of the amazing moments in his career so far.
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Terminator 3: La rebelión de las máquinas
- Filming locations
- 33488 Crown Valley Roadd, Acton, California, USA([43:03]Terminator takes snacks and they refuel the truck)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000,000 (estimated)
- Gross US & Canada
- $150,371,112
- Opening weekend US & Canada
- $44,041,440
- Jul 6, 2003
- Gross worldwide
- $433,371,112
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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