When retired engineer Frank Corvin is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space.When retired engineer Frank Corvin is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space.When retired engineer Frank Corvin is called upon to rescue a failing satellite, he insists that his equally old teammates accompany him into space.
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- Nominated for 1 Oscar
- 4 wins & 9 nominations total
Rade Serbedzija
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- (as Rade Sherbedgia)
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There is so much about "Space Cowboys" that is unrealistic and, if you think about it, silly. But, it manages to tell this story in an entertaining fashion. So, my advice is just turn off your brain and enjoy.
The story begins in 1958. Despite all their training towards orbital travel, NASA is created and the Air Force folks who were working towards space were told to stand down. This part of the story is true and some of the pilots from all different branches of the military went on to become NASA astronauts. But some didn't...and the story now jumps to the present (2000). Frank (Clint Eastwood) is still rather bitter he never got a chance to go to space when his project for the Air Force was canceled...but now, in his senior years, an opportunity arises. A Soviet satellite is falling out of orbit and somehow the only person on a planet of 7,000,000,000 people who can fix it is Frank!! He insists that he doesn't want to tell a young astronaut how to fix it but will go to space himself...provided NASA also allows his three friends who were ALSO with project Daedalus to join him on the flight.
What follows are lots of old geezer jokes and montages. Eventually, the four guys are shot into space with two young hot shots. Unfortunately there are two huge problems. The satellite is NOT a communications satellite AND one of the crew members might just endanger millions because he's a horse's butt.
So is any of this believable? Not really. But it is engaging and the special effects quite amazing for 2000. My only real quibbles are that James Garner's character is poorly written, as he acts nothing like a Baptist minister (how many Baptist ministers say the Rosary as well as quote Alan Shepard instead of making a simple prayer??) and a lot of what surprises everyone in the film seems telegraphed. But the good far outweighs the bad and the picture is never dull.
The story begins in 1958. Despite all their training towards orbital travel, NASA is created and the Air Force folks who were working towards space were told to stand down. This part of the story is true and some of the pilots from all different branches of the military went on to become NASA astronauts. But some didn't...and the story now jumps to the present (2000). Frank (Clint Eastwood) is still rather bitter he never got a chance to go to space when his project for the Air Force was canceled...but now, in his senior years, an opportunity arises. A Soviet satellite is falling out of orbit and somehow the only person on a planet of 7,000,000,000 people who can fix it is Frank!! He insists that he doesn't want to tell a young astronaut how to fix it but will go to space himself...provided NASA also allows his three friends who were ALSO with project Daedalus to join him on the flight.
What follows are lots of old geezer jokes and montages. Eventually, the four guys are shot into space with two young hot shots. Unfortunately there are two huge problems. The satellite is NOT a communications satellite AND one of the crew members might just endanger millions because he's a horse's butt.
So is any of this believable? Not really. But it is engaging and the special effects quite amazing for 2000. My only real quibbles are that James Garner's character is poorly written, as he acts nothing like a Baptist minister (how many Baptist ministers say the Rosary as well as quote Alan Shepard instead of making a simple prayer??) and a lot of what surprises everyone in the film seems telegraphed. But the good far outweighs the bad and the picture is never dull.
As always. The people putting in the post here are looking for too much in this movie. This was a fun old geezer movie. So what if it reeked of Armageddon. Client Eastwood going around collecting men to help him save the world. Just like Bruce Willis did. So what if a lot of the "Scientific Facts" did not mess out correctly. Who cares. This was a funny and entertaining movie. I laughed in all of the right places. Just pure entertainment. Nothing to take all serious. Get over it!!!!! If you wanted something serious - read a book.
This was a pretty enjoyable tale of "The Ripe Stuff," four old geezers going up into space to help save a project they had a hand in years ago. It's pretty long at 130 minutes but the four diverse characters help keep your interest. Clint Eastwood, Tommy Lee Jones, Donald Sutherland and James Garner are quite a foursome. Add Marcia Gay Harden to the mix, along with Loren Dean, Courtney Vance and James Cromwell and you have a fabulous cast.
This is a drama but one in which there is a fair amount of comedy and some romance. There are some Hollywood clichés (a suspect boss, arguing pals going back-and-forth all the time, a weak minister, etc.) but they aren't as blatant as usual.
The storytelling is pretty good but the real show here is not the story but that group of veteran actors. One joke was overplayed: Sutherland and the size of genitals. Not real classy stuff but, overall, the movie is fine. Definitely a rental, at the least.
This is a drama but one in which there is a fair amount of comedy and some romance. There are some Hollywood clichés (a suspect boss, arguing pals going back-and-forth all the time, a weak minister, etc.) but they aren't as blatant as usual.
The storytelling is pretty good but the real show here is not the story but that group of veteran actors. One joke was overplayed: Sutherland and the size of genitals. Not real classy stuff but, overall, the movie is fine. Definitely a rental, at the least.
Space Cowboys builds its humor around a quartet of aged characters who seize their first and last opportunity to fulfill their lifelong goal of going into space. Space Cowboys satirizes the traditionally romanticized conception of the young hero by portraying its characters as sagacious --yet imperfect-- old men.
Space Cowboys revisits its embittered protagonist, the retired Air Force test pilot Frank Corvin (Clint Eastwood), forty years after a humiliating episode where he is replaced by a monkey for a 1958 NASA mission to space. Unexpectedly, Frank is summoned by ex-boss and NASA official Bob Gerson (James Cromwell) to fix a Russian communications satellite that is soon to crash, and that contains the obsolete guidance system that he and his colleagues designed for the earlier satellite, Skylab. Realizing he is the only one who can fix the system, Frank coerces the desperate Bob into rehiring his old team: pilot Hawk Hawkins (Tommy Lee Jones), structural engineer Jerry O'Neil (Donald Sutherland), and navigator Tank Sullivan (James Garner) --all seemingly unlikely candidates for the task at hand. Gaining the trust of NASA Engineer Sara Holland (Marcia Gay Harden) and the mistrust of flight director Eugene Davis (William Devane), the reunited "Team Daedalus" face the biggest mission of their lives.
Space Cowboys, which benefits from the performances of four seasoned actors, successfully establishes its four main characters as the source for all its comedy. Space Cowboys' initial introduction of its protagonist (in the brief black and white sequence which includes the humiliating incident with the monkey), offers a convenient setup which allows the ellipsis of forty years to hyperbolize the four characters' emotional states and to justify their subsequent actions. Furthermore, this initial sequence, which also depicts the four characters as audacious US Air Force pilots, establishes itself as a point of reference against which the present inconsequential lives of Frank, Hawk, Jerry and Tank will be contrasted.
Space Cowboys subtly and effectively creates an analogy between the characters and the troublesome "guidance system": while the men's present occupations are portrayed as rather useless, the guidance system's design is described as old and obsolete, yet neither the men nor the system are entirely expendable. (This suggested duality of man/system is emphasized by Frank's ironic statement: "...it wasn't designed for this duration.") While Space Cowboys draws its humor from the characters' efforts to revert to their prior occupation and regain importance, the second part of the film --the mission-- serves a dramatic purpose, where the characters' true mission is to disprove the others' belief that they are outdated and replaceable. Narratively, Space Cowboys' space sequence does little more than simply prolong the characters' task of proving themselves, yet visually, it offers eye-catching special effects and set design.
Nevertheless, Space Cowboys succeeds more as a comedy that deconstructs its heroes than as a drama that exalts their heroism.
Space Cowboys revisits its embittered protagonist, the retired Air Force test pilot Frank Corvin (Clint Eastwood), forty years after a humiliating episode where he is replaced by a monkey for a 1958 NASA mission to space. Unexpectedly, Frank is summoned by ex-boss and NASA official Bob Gerson (James Cromwell) to fix a Russian communications satellite that is soon to crash, and that contains the obsolete guidance system that he and his colleagues designed for the earlier satellite, Skylab. Realizing he is the only one who can fix the system, Frank coerces the desperate Bob into rehiring his old team: pilot Hawk Hawkins (Tommy Lee Jones), structural engineer Jerry O'Neil (Donald Sutherland), and navigator Tank Sullivan (James Garner) --all seemingly unlikely candidates for the task at hand. Gaining the trust of NASA Engineer Sara Holland (Marcia Gay Harden) and the mistrust of flight director Eugene Davis (William Devane), the reunited "Team Daedalus" face the biggest mission of their lives.
Space Cowboys, which benefits from the performances of four seasoned actors, successfully establishes its four main characters as the source for all its comedy. Space Cowboys' initial introduction of its protagonist (in the brief black and white sequence which includes the humiliating incident with the monkey), offers a convenient setup which allows the ellipsis of forty years to hyperbolize the four characters' emotional states and to justify their subsequent actions. Furthermore, this initial sequence, which also depicts the four characters as audacious US Air Force pilots, establishes itself as a point of reference against which the present inconsequential lives of Frank, Hawk, Jerry and Tank will be contrasted.
Space Cowboys subtly and effectively creates an analogy between the characters and the troublesome "guidance system": while the men's present occupations are portrayed as rather useless, the guidance system's design is described as old and obsolete, yet neither the men nor the system are entirely expendable. (This suggested duality of man/system is emphasized by Frank's ironic statement: "...it wasn't designed for this duration.") While Space Cowboys draws its humor from the characters' efforts to revert to their prior occupation and regain importance, the second part of the film --the mission-- serves a dramatic purpose, where the characters' true mission is to disprove the others' belief that they are outdated and replaceable. Narratively, Space Cowboys' space sequence does little more than simply prolong the characters' task of proving themselves, yet visually, it offers eye-catching special effects and set design.
Nevertheless, Space Cowboys succeeds more as a comedy that deconstructs its heroes than as a drama that exalts their heroism.
We own this movie in our home collection and we haven't watched it in a while. Saw it again tonight on TV, and realized that it is still a good movie.
Clint Eastwood produces and directs this movie, and draws some "experienced" actors to help him fill the lead roles. They manage to extol the trials and tribulations of the senior years, while still capturing the exuberance of youth from the past.
the story leads a mildly predictable pattern, but in this case it is not the end of the story that is primarily important, but instead how they get there. Also, all 4 lead actors all come off as really having a good time in the movie, it feels like they really enjoyed making this one and it comes out on the screen in the performances.
The pace is even and smooth, again demonstrating Clint Eastwood's legacy of directing and acting in watchable, enjoyable movies, no matter what the gender.
I should also mention that the special effects and the space sequences are stunning and much better done than most other movies in near-earth space. That would be the industrial Light and Magic team doing it again.
Overall, enjoyable.
Clint Eastwood produces and directs this movie, and draws some "experienced" actors to help him fill the lead roles. They manage to extol the trials and tribulations of the senior years, while still capturing the exuberance of youth from the past.
the story leads a mildly predictable pattern, but in this case it is not the end of the story that is primarily important, but instead how they get there. Also, all 4 lead actors all come off as really having a good time in the movie, it feels like they really enjoyed making this one and it comes out on the screen in the performances.
The pace is even and smooth, again demonstrating Clint Eastwood's legacy of directing and acting in watchable, enjoyable movies, no matter what the gender.
I should also mention that the special effects and the space sequences are stunning and much better done than most other movies in near-earth space. That would be the industrial Light and Magic team doing it again.
Overall, enjoyable.
Did you know
- TriviaFilming was hard on the actors: James Garner dislocated his shoulder, and Donald Sutherland cracked a knee.
- GoofsSarah is present before and during the shuttle launch, moments later she appears at mission control. The shuttle launch site for NASA is in Florida and only controls through initial launch. Mission control is in Houston, which is over 800 miles away.
- Crazy creditsThere are no opening credits after the title is shown.
- Alternate versionsIn some television versions, Tank's recitation of Alan Shepard's prayer "Dear Lord, please don't let me fuck up" is replaced by "Dear Lord, please don't let me screw up".
- ConnectionsEdited into 'Back at the Ranch': A Look Behind the Scenes (2000)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Jinetes del espacio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $90,464,773
- Opening weekend US & Canada
- $18,093,776
- Aug 6, 2000
- Gross worldwide
- $128,884,132
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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