User Reviews (16)

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  • diegofeduchi29 January 2007
    First I read the book, which is highly recommendable, and I have it as one of my top books ever. Later on I watched the film, and I found it good. I think the characters are casted very well, except perhaps William, but, on the other hand, Keely Hawes plays Yvonne very well.

    I think the film misses out some important information on the book that give sense to the story. The film changes a couple of things here and there and does not fully respect the final, which I find a bad error. I think if the film had been 30 minutes longer it would have been a world success.

    My review seems negative but only because the book is superb. Of course the plot is good, the actors are good and the story flows well. I do wonder, however, if I have been able to follow the whole plot because I know the book inside out or because it is well told. I had the feeling a couple of times that the story was told in chunks.

    Do watch the film, but read the book first
  • Warning: Spoilers
    I am a great Banks' fan, and was awaiting this film eagerly. I am quite disappointed, though the film would presumably, if taken at face value and not compared to the novel, be OK.

    [Further text might constitute mild spoilers to some readers]

    The first thing one notices is that most material from the book is somehow stuffed into the film (with notable exception of Cameron's cancer and Basra Road episode - sorry for referring to the novel). The result is rapid succession of events that get barely touched, not leaving room for atmosphere or, paradoxically, even decent suspense to develop. There isn't a trace of suffocating mood of the novel. Events follow each other at the pace that does not allow them to evolve and to give viewer chance to absorb them. I think that Millar and Elsley would have done much better job if given (the superb BBC TV mini-series, also after Banks) The Crow Road format.

    Otherwise, the film is technically good. Casting and acting is very good, with one crucial exception: IMHO, Cameron is too young, far too cheerful and devoid of air of impeding doom around him.

    And BTW, DVD producers should have included, under excuse of doing that for the benefit of hearing impaired, English subtitles (Scottish accent is quite difficult for non-native speakers). I plan to watch the film one or two times more to see whether my opinion will improve by simply catching more of what was said :)
  • "Complicity" is the second Iain Banks novel turned into a film, but while it is made for the big screen, it does not live up to the standards set by BBC's mini series "The Crow Road". While it is an entertaining and gripping thriller set in Edinburgh and the Highlands, it ultimately fails to convey the spirit of the book. The cast are good, though, and the story is excellent.

    It looks like a TV film, and while it is not exactly a wasted opportunity to bring Iain Banks to the cinema, it is slightly disappointing, although still worth watching.
  • sometimes, a film can suffer greatly from just one drawback, even if everything else is top notch. unfortunately, this is the case here.

    this film, based on iain banks' novel, is an impressive production, with excellent actors, breathtaking scottish settings, believable and very enjoyable character quirks, truly shocking murders, suspense and even some steamy sex.

    however, "complicity" doesn't quite succeed, and i can only trace it back to one thing: it's much too compressed. i haven't read the original novel, but it's obvious a great deal of it made it to the screen; unfortunately, the film's 93 minute running time just doesn't suffice for this epic tale: cameron colley's journalistic investigation into several seemingly unrelated murders, egged on by a mysterious anonymous source, which causes him to clash with his disapproving bosses; his relationships with his old friends, and the many secrets they share; his affair with yvonne; the various grisly murders as seen by the killer; flashbacks to cameron's childhood and teenage years; and the psychologically jarring moments after cameron becomes the police's prime suspect.

    of course, this film offers many funny, thrilling, surprising and shocking moments, but they're all a bit rushed. a longer format would have benefitted this film greatly. banks' exceedingly clever and profound story manages to come over very well, but the film is so densely packed that i'd recommend you take small breaks so as to take everything in; make a cup of coffee or something and come back, as you would to a good novel (of course you could go straight to the source, but me, i'd rather watch the movie.)

    the fabulous bbc production of banks' "the crow road" shows the extent to which a longer format is more suitable to his multifaceted stories.
  • Warning: Spoilers
    Given the reputation of Iain M Banks as a writer of unorthodox sci - fi and contraversial novels, I am surprised that only 2 of his works have ever been adapted for screen - The Crow Road (which I never liked either as a book or series) and Complicity, his only film outing.

    Complicity was a violent, dark thriller, that furiously critiqued the excesses of Thatcherism. When freewheeling, amoral, drug addicted journalist Cameron Colle is drawn into a complex web of murder and deception as he probes the (supposedly) interlinked murders of several ruthless, shadowy Establishment types; the core of the case is too close for his own comfort; or the comfort of his condescending smug yuppy mates (who have the irritating habit of calling St Andrews - 'St Andy's'!?).

    The film is decent enough but I think it lacks the novel's darkness, political comment and savage bite; the cast are interesting, and the acting's fine, and Jonny Lee Miller's OK as a lead, but it felt more a like a TV movie than a feature. It's worth seeing, but probably no more than once.

    As for another Banks novel, Espedair Street, meanwhile,...could someone, somewhere, please consider this for movie or a mini series?

    PS. Complicity the novel concludes on Cowgate Edinburgh, not the namesake in Kirkintilloch!
  • eric.childs31 July 2000
    Brave yet flawed adaption of Iain Banks' dark novel. The characters appear flat as they wade through some bland dialogue. Jonny Lee Miller goes through the remarkable events as if he were buying socks. The shocks and surprises fail to shock or surprise. A more full on darker thrust would have prevented this from resembling a poor episode of Taggart. Well done for having a go and well done for keeping it in Scotland rather than moving it to another locale.
  • Warning: Spoilers
    I'm not really sure what to make of this film. The first 45 or 50 minutes are fairly unsatisfying. With good story telling you become part of the story; here I found myself watching from the outside. I found it difficult to feel empathy for anyone. No character was really particularly interesting or likable. Then there was such too much of everything happening too fast: too many murders, too many sex scenes etc. Keeley Hawes' sex scenes are very, very erotic but I can't help wondering why they are in the film. After about 50 minutes, the suspense starts kicking in and the film becomes quite interesting and well paced. Unfortunately, you also can be pretty sure who the killer really is. Suspenseful as the second half of the film may be, it's also a rather banal storyline. Ex-soldier starts killing bad people taking revenge for everything that has happened in his life or in his world. The killings are gruesome but then again it's nothing we have not seen before. One victim is displayed in a butcher's window: I saw that in an EC comic from the early 50s. The moral question at the end of the day is then how justified these murders are and that the law can never catch the real culprits. That is hardly an original thought or motive in crime films.
  • Warning: Spoilers
    Complicity while a bit of a mystery and overall comprehensive, a chore to sit through.

    No likable characters, that of lead Miller in particular, uninteresting and uncompassionate.
  • We were rather suspicious of this movie when we first sat down to watch it. My husband and I had both read the book and liked it very much, and since we hadn't heard of the adaptation before we suspected that it probably wouldn't be much good.

    Boy, were we ever wrong.

    The movie is slightly too gory at times for my personal taste, but then, so is the book. And it's hard not to be, in a story about the hunt for a mad but incredibly clever serial killer. The setting is just right, and the casting as well, and the story unfolds at a pace that just allows you to understand what's going on before the next twist to the plot.

    Very highly recommended.
  • No idea how I missed this 24 years ago with most of the best acting talent that Scotland has to offer.

    The set up is pretty good, but the longer the movie goes on the worse it gets.

    There are several problems. The movie is not cinematic at all. It feels like a TV movie or part of TV series. Johnny Lee Millar is badly cast. In the first half he is a drinker, a drug taker and lots of kinky sex with Keeley Hawes as well as being a ballsy journalist. In the second half he becomes stupid, a cry baby and preaches about the dangers of drugs?

    The biggest issue is how stupid he is not figure out how that he is being setup.

    Simply unbelievable and badly acted.
  • In Japan, this film is given the title Psycho 2001. The cover of the DVD shows a writhing figure in a bloody bathtub, apparently boiling in a stew of guts and organs after ritual disembowelment.

    No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.

    And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.

    The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.

    Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.
  • Vile, violent, but intelligent thriller about a writer for an expose newspaper shocked to discover that everybody he was going to ruin in the press is turning up dead and all the clues point to him as the killer.

    The premise may not sound like much, but just give this film a chance and watch it. You'll be surprised. It goes in directions that you would never expect, yet they are all credible. It also doesn't go for the easy answers in trying to wrap up it's little mystery. As good as the whole film was I never expected them to create a good ending for it, but yet again the script surprised me there too. A very good film.

    Rated R; Graphic Violence, Profanity, Drug Use, Adult Themes, Sexuality.
  • i'm a big fan of the book - not necessarily Iain Bank's best, but definitely top 5. this film manages to keep all of the important parts of the story, cramming it into 100 minutes without giving the ending away until... well the end. very enjoyable, more so because i'd read the book, but couldn't remember the ending till i saw it. well acted by a stunning cast and the script kept what i'd call the Banks'iness of the book. well worth watching, whether you've read the book or not. the only downside is that the dvd could do with more extras.
  • Its a shame that people get annoyed at low budget films and dont watch them to the end as there is some mighty fine moments in this film that must be seen to be enjoyed. It was a massive task trying to take Ian Banks novel and putting it on the big screen anyway and this film was possibly only about a tenth of as good as the book. Which still makes it very good although you can never truly realise how sick the killer really is, i mean they talk about what the killer has done and in some instances you actually see it but........its a low budget movie....it doesnt want to depend on gore .....it wants to make you think about what is hapening and more importantly WHY it is happening. Ever read a newspaper report about a daft judge giving stupid sentence and the criminal getting away with it...well this film is about that and what would happen if one man lost the rails and decided to go up against people that deserved the attention that they should have shown to others....or lack thereof. Great!!
  • joeaccerelli24 March 2020
    Joe Accerelli is fantastic as Azul....with Johnny Lee Miller...& Keeley Hawes....
  • A film based on the Iain Banks novel with the same name. As a major Iain Banks fan I decided to read the book before I watched the film, I'm sure glad I did. The book is very good (like all Banks's novels), unnerving, exciting and very well written. However, in the film the director have managed to exclude the good things about the book, resulting in a depressing, unthrilling thriller without bite. Only watch this if you're bored, actually don't, read the book instead!