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  • "The Whole Nine Yards" is surprisingly effective screwball comedy that reminds me of such classics as "Bringing Up Baby" though with way higher amoral body count.

    At first the actors seem to be each in a parallel movie, with Matthew Perry doing physical slapstick comedy, Bruce Willis deadly serious, Rosanna Arquette just nasty, Amanda Peet being her "Jack and Jill" character (one of my TV guilty pleasures) and Natasha being like a super-model.

    Then something clicks in and it just gets funny and I couldn't help laughing and laughing.

    I hope Michael Clarke Duncan gets to keep those fancy suits, because it must be hard to get ones to fit him; with "Green Mile," this performance impressively shows his range.

    (originally written 3/19/2000)
  • Now here is a rare breed: a mainstream movie that works at just about every level without dumbing anything down or making the average viewer think too hard. "The Whole Nine Yards" is a great movie to simply sit back and enjoy.

    Nicholas "Oz" Ozeransky (Matthew Perry) is a mild-mannered dentist whose stuck with a wife who hates him (Rosanna Arquette in a hilariously over-the-top performance) and a huge debt that his partner (his father-in-law) left him when he kicked the bucket. Then his new neighbor moves in. This neighbor, much to Oz's horror, is none other than Jimmy "The Tulip" Tudeski (Bruce Willis), the infamous hit-man for the Gogolak gang. Oz's wife tells him that they should rat Jimmy out to the Gogolaks to get a "finder's fee." Oz obviously refuses, but agrees to go when his wife agrees that if he does this, she'll give him a divorce. Thus begins a hilarious story of double crosses, new romances, and hamburgers with mayonnaise.

    The cast is first rate. Matthew Perry is in full panic-mode, and his reactions to the situations he finds himself in (and their resulting consequences) are hilarious. Bruce Willis is perfectly cast as Jimmy. It's a typecast role, but Willis plays him with a slight tongue-in-cheek. It works wonderfully. While it allows for plenty of laughs, it also gives him an air of menace, which adds another layer to the humor. We are aware of Jimmy's capacity for violence, but the way Willis plays it results in moments of laughter mixed with suspense. Natasha Henstridge radiates a cool sexuality mixed with vulnerability as Jimmy's ex-wife who falls for Oz. Michael Clarke Duncan is also well-cast as Jimmy's fellow hit-man, Frankie. Kevin Pollack and Rosanna Arquette are so over-the-top that their performances must be seen to be believed.

    But as good as this cast is, and it's great, the film is stolen from all of them by newcomer Amanda Peet. It takes a great performer to steal scenes with actors at the top of their game. But Peet didn't just steal her scenes, she walked away with the whole movie. Peet is positively delightful as Oz's ditzy receptionist, who has more of a part to play in this than anyone realizes. Peet is hysterical; her performance should have at least gotten her an Oscar nod, if not a win.

    "The Whole Nine Yards" is a mix of film-noir and screwball comedy. Director Jonathan Lynn has a lot of fun with the conventions of each genre, including mixing and matching the character traits of the femme-fatale and the "good girl" (you'll see what I mean when you watch the movie). What I really liked is that the humor of the movie is not over-the-top exaggeration humor (like The Farrelly Brothers). This is more about timing and dialogue; it's like a 1930's screwball comedy without the Hays Code. To be sure, the film does not leave out the trademark of the noir genre: the twisty plot. "The Whole Nine Yards" boasts plenty of surprises, and quite a bit of suspense. Just because this is a comedy doesn't mean you can tell where it's going.

    Mixing these two genres would seem impossible because more often than not, one would dilute the other. But Lynn manages to walk the line between the two opposite genres and play them both equally well. The film is well-paced, and the timing on the jokes is perfect. There are no over-the-top visual effects, and that's a good thing.

    "The Whole Nine Yards" may not be classic film material, but it's highly entertaining. And with a movie like this, that's just about all that one could ask for.
  • Is a guy who has killed seventeen people necessarily a `bad' guy? Not a question everybody is going to have to ask themselves, to be sure, but what if that guy moved in next door to you? It's a situation that just may induce an introspective moment or two. Which is exactly what happens in `The Whole Nine Yards,' directed by Jonathan Lynn and starring Bruce Willis and Matthew Perry. Hit-man Jimmy `The Tulip' Tudeski (Willis) ratted out his boss in Chicago, and now he's on the lam. He makes his way to Canada, where he buys a house next door to a hapless dentist, Nicholas `Oz' Oseransky (Perry), who is suffering from inherited debts and a shrew of a wife, Sophie (Rosanna Arquette), not to mention a mother-in-law from Hell (Carmen Ferland). When he realizes who his neighbor is about to be, his first instinct is to run, but Sophie has other ideas. It seems there's a price on Jimmy's head; one Janni Gogolack (Kevin Pollak) would like to take his revenge on the guy who's responsible for his father going away for a long, long time. So Sophie squeezes Oz into a corner until he agrees to go to Chicago and meet with Janni to put the finger on Jimmy. Not a great idea, Oz thinks, but it at least sounds like a nice vacation, so he goes. But, of course, he should have stayed with his instincts, because he soon finds himself looking down the barrel of trouble. And the only way out, it seems, is down...

    What Lynn put together here is actually a fairly light-hearted, black comedy; the nature of the story dictates that there will be violence in it, and there is, but much of it is implied rather than graphic. The pace is good, and Lynn develops the characters enough to let you know exactly who they are and what they are all about. There's not a lot of depth, but it's not necessary; the actors have each made their respective characters unique to a point that puts them beyond stereotype, and it works perfectly for this film and the story. Some of what happens is inevitable, though not necessarily predictable, and certain aspects will keep you guessing right up to the end. Typical of a comedy that leans to the dark side, nothing in this story is cut and dried.

    Willis is perfect as Jimmy The Tulip, giving a rather reserved, subtle performance that puts Jimmy's guarded but confident manner into perspective. Underneath it all, this guy is really rather cold-blooded (he has to be, given his choice of employment), but his relationship with Oz gives it some warmth, at least externally. Like Chow Yun-Fat in `The Killer,' Jimmy is likable, but when you consider at arm's length who he is and what he is capable of, it's a bit disconcerting. And that's one of the aspects of the film that is so interesting-- because you know who and what Jimmy is, you never really know which way things are going to turn.

    Perry is excellent, as well, as `Oz.' Henpecked and in dire straits, he is something of an updated version of the W.C. Fields character in `It's A Gift' or `The Bank Dick,' although a bit darker. Perry is charismatic, has impeccable timing with his delivery and uses physical comedy to great effect. His reactions to Willis and the situations in which he finds himself are brilliant and hilarious, and he seems to instinctively know just how far to take it to make it work. And it's the little, seemingly insignificant things he brings to the character that give the film that extra something and creates some memorable moments.

    The supporting cast includes Michael Clarke Duncan (Frankie Figs), Natasha Henstridge (Cynthia), Amanda Peet (Jill St. Claire), Harland Williams (Special Agent Hanson) and Serge Christianssens (Mr. Boulez). It may not be the most original movie ever made, but `The Whole Nine Yards' is funny, has a great cast of actors who have taken characters you've basically seen before and made them their own, and does exactly what a film like this is supposed to do: Entertain. It's not going to make you ponder the universe or the state of the world today, but it's going to give you a couple of hours of laughs and some residual chuckles. Which, when you think about it, is not such a bad deal. It's the magic of the movies. I rate this one 7/10.
  • Judging from the comments below, I guess being a hitman is not much to laugh at...and the term 'black comedy' doesn't come to anyone's mind? Does that extend to the fact that without George Raft going after Jack Lemmon & Tony Curtis in "Some Like It Hot", they would have no reason to meet Marilyn, get on a train to Miami, etc. etc. ??

    Of course its not funny in real life that people get killed. But this comedy starring Bruce Willis and Matthew Perry is very well done and had me laughing about it even when it was over. It was so over the top and so overpopulated with killers and gangsters and contract killings that at times its hard to remember what's going on and who is out to kill whom, but it does not matter at all since its all in fun.

    I do not like either of the leads, generally speaking. I liked about five out of all Bruce Willis' movies and Perry I've seen on his tv show and enjoyed him but never really thought about him much. In this they are both very well cast and when they strike up a friendship, its believable. Willis does not do a 'goombah, fuggetaboutit' attitude or accent, thankfully, even though his character has an Italian surname, and does not mug for the audience at all.

    Amanda Peet is very funny as a wanna-be hitwoman and a fan of the real killers, and Michael Clarke Duncan is also very funny.

    Only downside is Rosanna Arquette - bad casting choice here! Maybe someone owed her a favor. Ironically, she is not one of the people who has a contract out on her, though God knows she's annoying enough for one.
  • I rented The Whole Nine Yards a few days ago, and just watched it this morning, I'm such a huge Bruce Willis fan, I don't see him that often in comedies, so I was curious how this would work. But after viewing this film, I have to just say that this movie was just so funny! I couldn't believe how much it made me laugh, I know it's such a dark subject, but it was pretty cool how they just turned into a zanny comedy. Bruce Willis and Matthew Perry were just the most perfect choices, they were like ying and yang. Matthew as this guy who just is scared of everything and finally has something at the end to say where he has control and Bruce couldn't have been a more perfect choice as the cocky and yet charismatic hit man who could be threatening but yet the most likable guy in the world. The story was just very clever and worked so well with the cast.

    Nick is just your average guy, he is a dentist and a very likable guy, but he gets walked on quite a bit, especially by his wife who he feels like he owes her family, so he won't divorce her. But one day, a new neighbor moves in, Nick notices him pretty much off the bat, it's Jimmy "the tulip" Tudeski, the famous hit man who has killed 17 people and also ratted out his boss. He's on the run from his boss in Chicago and has a ransom on his head. Nick actually likes Jimmy, but his wife, Sophie, says to turn him in and get the award. He goes to Chicago and falls in love with Jimmy's wife, Cynthia. When Nick comes back home to Canada, he learns from Jimmy that his wife has gone to hire a hit man to kill Nick. But Nick also learns that Jimmy wants to kill Cynthia, Jimmy's boss wants to kill Nick, Nick's receptionist is also a hit woman, pretty much everyone wants to kill everyone.

    That's pretty much the best way to sum up The Whole Nine Yards, but trust me when I say that this is such a fun movie. I really had a good time watching this movie, Bruce Willis was just so great. But I have to admit that Amanda Peet's performance floored me when she was just admiring Bruce's work and getting advice from him on what her first hit should be like. She was just so adorable while being deadly. So please, I would recommend this film, it's a dark comedy, yes, but it's all good, just learn to let go and have fun if you're very sensitive on the subject.

    7/10
  • Perry is an unhappy dentist stuck in a dead marriage and burdened with financial problems; as if that isn't bad enough, he learns that his new neighbor is in fact an infamous contract killer with reprehensible mob ties. Against his better judgment, Perry decides to try and rat out the lowlife for his own personal gain, but soon gets in over his head. The film's humor is occasionally too silly for words, but the cast is good and full of enthusiasm—especially Peet—and the script throws out a lot of unexpected twists and turns at just the right moments. Surprising and very funny, with a perfect part for Willis who finds just the right tone for a gangster with heart. ***
  • I watched this one on the dish the other day, eager to see Montreal in a movie actually playing Montreal, as opposed to masquerading as New York or Chicago or some other city. Other than that, I really didn't know what to expect.

    I was pleasantly surprised in a few ways. Matthew Perry was playing his usual goofy character, as a result of total lack of any acting ability whatsoever. But Bruce Willis is always good, Amanda Peet stole the screen in almost every scene she was in, and the plot line was just quirky enough to be entertaining. Innovative and fresh, I found this film to be more creative than most of what's currently out in the theatres. It didn't have that formula imprint of so many Hollywood films (i.e. take the comedy formula off the shelf and cast it by Friday). I actually laughed out loud at a few moments.

    The movie did go wrong in a couple of places. Being a Montrealer, I noticed a few things that most viewers might have missed. For instance that their obsession with Mayonnaise on hamburgers, which is integral to the plot, isn't based on any reality that I know of as I have yet to find a Montreal restaurant that puts mayonnaise on burgers. Rosanna Arquette's French accent is even worse than mine, even though it's supposedly her character's first language. Matthew Perry's love scenes with Natasha Henstridge are so ridiculously unrealistic, even the non-cynical will yawn. And the director seemed to have an obsession with pointing out Montreal landmarks, even if they had nothing to do with the plot.

    Those are small things in the grand context of the movie, though. If you liked movies such as The Big Hit, this is very similar. It's not meant to be taken very seriously, so the plot turns are more for absurdity's sake than for any kind of buildup of suspense. Still, if you're looking for some lighter entertainment, it's a good choice.
  • Nicholas 'Oz' Oseransky (Matthew Perry) is a meek dentist in Montreal. His wife Sophie (Rosanna Arquette) is a money grubber who may be looking to cash in on his life insurance. His new assistant Jill St. Claire (Amanda Peet) tells him to divorce her. Then notorious mob hit-man Jimmy 'The Tulip' Tudeski (Bruce Willis) moves in next door. He immediately recognizes Jimmy is in danger of a contract kill from Chicago mob boss Janni Pytor Gogolak (Kevin Pollak). Sophie pushes Oz to cash in on the contract and he goes back to Chicago to appease her but not intending to contact Janni. She immediately tells Jimmy to double cross Oz. Oz is confronted by hit-man 'Frankie Figs' Figueroa (Michael Clarke Duncan) who brings him to Janni. Oz falls for femme fatale Cynthia Tudeski (Natasha Henstridge). She tells him that Janni's father Lazlo hid $10M with her before being sent to prison. It can only be accessed with three signatures from her, Janni, and Jimmy. Or else it can be accessed with their death certificates. Janni sends Frankie with Oz back to Montreal to track down and kill Jimmy. Only there are even more double crosses.

    My biggest problem with this is director Jonathan Lynn. He doesn't show enough comedic skills in this. There are some good potential but it looks like a second rate movie. This should be so much funnier. It's simply not well filmed. There is also the $10M jackpot. It's way too convoluted and simply a device to give the characters a reason to do what they do. It's backwards writing. Mostly, it's awkward.

    The good part is all the good actors around. Most of them are doing their best. Natasha Henstridge is a little stiff. Kevin Pollak isn't as funny as he needs to be. Matthew Perry is working hard and has good chemistry with Bruce Willis. The boys are good with Amanda Peet. Perry has less chemistry with Natasha Henstridge. There are a few laughs. I just wish it has a lot more.
  • This is my favorite movie so far of the year 2000, along with SCREAM 3 or just a little better. I have always liked Bruce Willis and Matthew Perry, and I also quite like Michael Duncan and Amanda Peet. And of course, I love a good comedy. So I was pretty excited to see THE WHOLE NINE YARDS. It did not live up to my expectations…it soared past them.

    A resident of Canada, Oz Osercansky (Matthew Perry) is a dentist who is living with a wife (Rosanna Arquette) who he hates and she hates him, but they don't get a divorce for money reasons. When a hit man named Jimmy "the Tulip" Tudeski (Bruce Willis) moves in next door, Oz finds out his wife is trying to find hit men that will kill him. Jimmy, who takes a liking to Oz, doesn't agree to kill Oz, but seeks Oz's help in getting Jimmy's wife, Cynthia (Natasha Henstridge), and his enemy, Yanni (Kevin Pollak), together so he can kill them. Oz, along with another hit man named Frankie Figs (Michael Duncan) finds himself unwittingly helping, but he starts to fall in love with Cynthia and won't let her die.

    My plot description sounds quite bad, but the movie is very good and funny. The collection of actors in this movie are superb. Bruce Willis is good as the loveable murderer. Matthew Perry does a great comedic job as usual. Michael Duncan fit the part of the really big and scary hit man pretty well too. The adorable Amanda Peet was really good too as the hit-woman wannabe.

    I saw ANALYZE THIS a few days before I saw this, and I thought this one blew it away. The actors are better, the characters are cooler, the jokes are funnier (I was laughing out loud on many occasions) and the mixture of crime and comedy is pulled off a lot better in this movie, which is strange because there is more crime in this one than in ANALYZE THIS. Both the comedy and the crime are pulled off terrifically. Go see this movie now, you'll love it.
  • From slaptickey sight gags and pratfalls to more sophisticated humor such as Arquette's negotiation of a hit man's retainer at that moment during sex when he's most likely to be agreeable, this nonstop barrage of humor has something funny for all adults. Whatever this film may be lacking in quality, it makes up for in quantity. It's broad comedic appeal may be it's greatest virtue.
  • samico26 October 2001
    I´ve seen this movie in VCR, and well, i had to say what a waste of talents. Willis, clark duncan and perry really have talent but in this one, they dont show it at all. I dont know how could they accept to do it. Anyway, its not my kind of humor anyway. Watch by your own risk...
  • Time is 2000. Bruce Willis fresh off 'the Fifth Element'. An on-form Matthew Perry fresh off 'Friends'. This is a crime-comedy with all the goods from either world, and it's done *just right*. The plot is good, and the film's got that typical contorted type story at the middle of it linking many different characters, but still absolutely coherent and compelling. Perry really is very funny in this one, and it's about to be one crazy ride for this prude of a dentist when an ex- big time conman is his neighbor and he finds out who he is and somehow finds himself involved. This is a crazy ride, with lots of great fun and action, good laughs, a good atmosphere between tight tension and comedy relief, the supporting cast is great, and the plots within the plots are strong enough to make this a fairly layered piece of genre-hybrid cinema. Just all in all, an excellent comedy.
  • leplatypus1 October 2011
    Well, after "Léon" and "Grosse Point Blank", hit-man movies are hot. Unlike the previous mentioned, this one is a pure comedy that is first successful by its cast: mixing some experts in comedy (Perry, Peet) with others who play against nature: Rosanna is cute as a dangerous desperate housewife and Willis plays a hit-man "à la" Brando in the "Godfather": no action, just a presence with his stare and words. The plot is imaginative with a lot of surprises and funny moments. Another good point is having Montréal as location because it's a refreshing change and as french is spoken there, the cast tries it as well. All this is done with an unknown director (at last for me) so this is finally a very good surprise!
  • After seeing this movie I still was searching very hard for the 'funny' parts of the movie. I haven't laughed one minute during the film. Though I must say I was one of the few who weren't laughing, must people found this movie so incredibly funny. Well, I think this movie STINKS!! What can be funny about knocking your head repeatedly on something??? I think that people who think THIS movie is funny should really have to watch movies like 'Hot Shots' or 'Loaded weapon'. Those are stomach-churning. This movie is CRAP!!!!
  • THE WHOLE NINE YARDS (2000) ** Matthew Perry, Bruce Willis, Natasha Henstridge, Amanda Peet, Michael Clarke Duncan, Rosanna Arquette, Kevin Pollak, Harlan Williams.

    Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.

    Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.

    Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.

    Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).

    Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.

    It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.
  • This Noir comedy concerns a botcher and mild-mannered dentist called Oz , Matthew Perry , who meets his new neighbor John the Tulip : Bruce Willis , resulting to be a contract killer . While his wife Sophie , Rosanna Arquette, is planning to murder him , as she is bored and wants to Oz dead for the insurance money . While Oz's receptionist , Amanda Peet , aspires to be a hit woman herself. Then Sophie nags Oz into a plot to alert jimmy's previous employes of his whereabouts which brings multiple grisly and hilarious happenings . As things go wrong when there shows up the mobster chief Kevin Pollak .

    This amusing film in screwball style displays laughters , intrigue , giggles , suspense, .shootouts , twists and turns . Killing and revenge messes bring in a whole bunch of over-the-top-characters , all of whom want somebody dead . While it is true that most of the script elements are not only embarrassing , but cribbed from other hit man films . Main cast and support cast are frankly well, as the film works finely because the players all do adequate works and seem to be having a good time .However , due to be mostly set in interiors , this one turns out be one of those films that plays much better on television than on the big screen . Main starring Matthew Perry is sympathetic as the bungler, wimpy dentist , Bruce Willis is nice as the agreeable but implacable murderer , Amanda Peet is very amusing as a wanna-be hit woman, along with the gorgeous Natasha Hensridge , Rosanna Arquette as the mean, ambitious wife and the giant , corpulent , early deceased Michael Clarke Duncan .

    It packs a lively and catching musical score by Randy Edelman . Adding appropriate and colorful cinematography by David Franco. The motion picture was amusingly and professionally directed by an expert on crazy comedies : Jonathan Lynn (Nuns on the run, The distinguished Gentleman , Clue , Sergeant Bilko, My cousin Vinny, among others). The film will appeal to Bruce Wills , Matthew Perry fans . It was followed by an acceptable sequel directed by Howard Deutch with similar artistic team .
  • Bruse Willis as the hit man "Jimmy Tulips" and Matthew Perry as the hapless dentist "Oz" are funny in this movie. I was charmed by the dental assistant Jill, played by Amanda Peet and Jimmy's wife Sophie, played by Rosanna Arquette. Michael Clarke Duncan's character, "Frankie Figs" was powerful. This is an entertaining movie with some funny skits, but it isn't really for all audiences, primarily because most of the characters in the movie are "hit men" and trying to kill each other. The fact that a policeman actually was killed during the mêlée of hit men killing each other is something that I wish had not been in the story - but to be fair, I've watched the movie twice and the first time I watched it (probably in 2000), I didn't think anything about the policeman being killed.
  • If you were to come up with a story of an ex-gangster trying to lay low and his nervous, spineless neighbor, you'd cast Bruce Willis and Matthew Perry, at the height of his FRIENDS fame, right? The Whole Nine Yards, a classic comedy at the cusp of the 1990s, perfectly reflects the times. It's quick, intelligent, and rather tame, summing up the '90s; yet it turns the corner and gets slightly darker, weirder, and has a little more sex and nudity, representing the decade about to start.

    As perfect as the leads are in their roles, the supporting cast is even more memorable. Amanda Peet is bold and daring, sprinkling Tabasco sauce on her meal like it's a watering can. Rosanna Arquette and Kevin Pollak both sport hilarious accents, and Michael Clarke Duncan, as the latter's henchman, wears a great stone face so you can't tell who's side he's on. Natasha Henstridge plays Bruce's wife, and in her beautiful clothes, she's polished and classy to balance out the rest of the movie. Check out this funny, off-beat comedy to pretend you're still in the '90s!
  • johnnyboyz15 August 2003
    'The whole nine yards' is a pretty funny film, don't get me wrong but like any other comedy, it still has its flaws. First glance at the cast you think ' oh yes, this'll be a winner!' Bruce Willis is perhaps not an expert in the comedy genre but then you see Mattew Perry there and you might think that it may actually be quite good because there's someone there to back up Willis. Both actors provide good acting in their roles and are well supported by some others such as Perry's characters wife. The thing I found with 'The whole nine yards' was that when it was funny, it was hilarious and when it wasn't any where near what it should be doing (making me laugh) it was terrible.

    I think this should have been a more 'escapism' comedy genre like 'Rat Race' which was a free for all, out and out farce and was great but with an actor like Willis, there has to be some sort of half decent plot involved and that is one involving hit men. If you haven't turned your brain off expecting laughs all along the way, there is actually a half clever plot involving an assassination but chances are, you'll find it very confusing on first viewing at least. I'd say rent this or wait for it to come onto the TV because it isn't the sort of film that I'd expect MANY people to enjoy several times.
  • The Whole Nine Yards is unpredictable, funny, sexy and gets funnier with each viewing. The male actors are funny! This could be Kevin Pollak's funniest role to date. Arquette plays a "Love to hate her" wife and may be one of the best villains in a comedy. The rest of women are sexy and beautiful. The story line is unpredictable and enjoyable. The actors are wonderful. Even the music in this movie is great. Matthew Perry is incredible at physical comedy. There are traces of his Chandler character in this one, but it makes you love him even more. You will fall in love with Natasha Henstridge. She has a classic beauty that fortunately is well displayed in this file. This movie and the people involved in making it have not received enough credit for this comedic gem.
  • Warning: Spoilers
    A lot of early twists and turns in the identities and motivations of the characters makes this a fun outing. Bruce Willis is equally adept at both comedy and drama, and he was a perfect casting choice as a foil for Matthew Perry's cluelessness about mob hits and his own wife's predilection for murder. When Oz's (Perry) dental assistant Jill (Amanda Peet) came out of the closet as a would be assassin in training, it added a whole new dimension to the story. Her chemistry with Willis was a whole lot better though than Perry and Natasha Henstridge as a couple. Even when it worked out at the end of the story it didn't work, if you know what I mean.

    I was a little disappointed with Kevin Pollack in the role of gangster Janni Gogolak, he didn't seem to exhibit any charisma for a mob boss. Pacino or De Niro might have worked better, but it looked like enough payroll was tied up with the other principals. The tip off for me that The Tulip (Willis) was going to whack Frankie Figs (Michael Clarke Duncan) instead of his new pal Oz was when Frankie shook his head and rolled his eyes when Jimmy talked him down from killing Oz on the boat ride. I got a kick out of the sight gag of the Miller Genuine Draft going over the side right after Frankie Figs did. Matthew Perry's deadpan clueless reactions can be quite hysterical.

    Hey, it's not high drama and that's not the reason to tune in to this flick. Willis and Perry have good chemistry, and the picture compares favorably with other assassin-comedies like "Grosse Pointe Blank", "You Kill Me" and the two "Red's". At just a little over an hour and a half, it won't kill you.
  • This is the absolute worst movie ever made by anyone. The entire movie failed to get so much as a grin from me. The few jokes there were in the movie failed miserably and other than that the movie had not a single good point. The only reason i stayed was that i'm from montreal and thought maybe just maybe they'd show a place i frequent, actually you could almost see my house in one scene which was the highpoint of the movie, and that's pretty damn low for a highpoint. All in all i give this waste of celluloid a 1 out of 10, i'd give it a 0 if i could.
  • g-bodyl20 January 2014
    The Whole Nine Yards is a much better comedy than I anticipated and one that produces enough jokes to produce stitches in your stomach. This is also an effective crime film and mixed with the comedy, it makes for a pleasing film for adults to enjoy. What I find funny here is how this film seems to have everyone as a victim of being whacked. Not only does this have pretty funny one-liners, there is an ample amount of physical comedy such as when Matt Perry keeps on running into doors or Michael Clarke Duncan himself.

    Jonathan Lynn's film is about a dentist named Oz who lives unhappily with his wife. When a contracted killer moves in next door, Oz's wife wants to hire Jimmy to kill him, but he refuses. Oz, meanwhile, is in Chicago so he will be able to rat out Jimmy to his former boss setting the stage for some rather hilarious consequences.

    The acting is very good. Bruce Willis doesn't usually do comedies, but when he does it's gold. Willis has enough wit and charm to lead a comedy and like he proved in his Die Hard films, he does know how to be funny when time is called for. On the other side of the spectrum, Matthew Perry known for his role in Friends, does what he did well in that show and that is to be funny. Despite him being funny, he would probably do what anyone would do if a hit man moved in next door. Also, Amanda Peet delivers a career-performance as Jill who just cracks me up in nearly every scene.

    Overall, this is a hilarious film that has a unusual mix of comedy, mafia, and action. For every bullet, there is enough comedy to last a fortnight. I heard good things about this film, but I didn't know this film would be this funny. A pairing of Bruce Willis and Matthew Perry is worth the while. I rate this film 9/10.
  • socrates414 January 2019
    I was surprised at how much I enjoyed this film. Bruce Willis and Matthew Perry (of F-R-I-E-N-D-S fame) make an excellent comedic duo. And there is a very sexy nude scene from the gorgeous Amanda Peet.

    Overall I would say this is very well done. It's a fun and enjoyable crime comedy. Recommend.
  • studioAT2 January 2011
    This is a film that really plays to the strengths of all the performers involved.

    We all know that Bruce Willis can play this sort of role with his eyes closed. Although he's killed 14 people we still like Jimmy and that is because only Willis can bring that little twinkle in the eye that makes us like Jimmy throughout the film.

    Matthew Perry can play a bumbling sarcastic role perfectly so there isn't anything in this film that troubles him. He gets laughs easily just by walking into things and with the raise of an eyebrow.

    Amanda Peet and Natasha Henstridge have both made careers out of playing the seductress or the honey trap and so are really just playing to type in this film.

    Overall apart from a clever twist on an old format all the cast are playing to their strengths and thankfully when they come together it makes for a fairly enjoyable film.
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