Love Thy Neighbour is the film based on the British TV sitcom of the same name. The film came out in 1973 and is about two couples, one black, one white who are neighbours on the same street in London and is about both the mens attempts at one-upmanship based on their mutual dislike of each others races. Its a piece of cinematic history from a decade before pc and its not a racist film per see as the biggest bigot is the white man and usually comes off worst in both this film and the TV series it is based on. I doubt very much that today's younger audiences will fund it acceptable, let alone funny due to its subject matter and script but for those of a certain age it can be very funny in a very British early 70s way and well worth a watch as both a comedy and as a study of how Britain used to be 50 years ago.
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keobeo-taylor16 February 2022
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Rabical-9118 May 2015'Love Thy Neighbour' had only been on television a year when Hammer Films bought the rights to make it into a movie. As the film adaptions of 'On The Buses' and 'Steptoe & Son' went down well, it made sense to adapt 'Love Thy Neighbour' to the big screen. It was successful but did not do the big business that the previous film adaptions did, mainly due to the fact that the 'Love Thy Neighbour' film largely consisted of gags that were already used in the series, so in effect the public were paying to watch something they'd already seen on television.
After a curious scene at the beginning in which we see a spate of black and white neighbours fighting with each other ( brought on by a fight Eddie and Bill were having ), we are on to the main part of the movie. Joan and Barbie enter a competition held by 'The Gazette' to find the best neighbours, the prize being a luxury Medditeranian cruise. Will Eddie and Bill be able to keep up the pretence of being good friends or will they be rumbled?
A plot from a series one episode in which Eddie and Bill pretend to be on union business whereas really they are going to meet two girls is given a makeover here - instead they go off to see a stripper only later to be caught by Joan and Barbie. Another part ( taken from episode one, series one ) saw Bill posing as an African native ( along with other black workers ) who threatens to cook Eddie alive in a boiler. Eddie then has to make his way home on foot in the buff!
Another integral part of the film sees Eddie's nosey mother ( Patricia Hayes ) establishing a friendly relationship with Bill's father ( Charles Hyatt ). As one can imagine, this gets right up the noses of Eddie and Bill.
There are some fair gags on display here but overall it gives the impression of an outstretched episode rather than a film. The cast are all present and correct, including Tommy Godfrey and Keith Marsh as Arthur and Jacko. Eddie's boss Mr. Grainger appears here although is played by Bill Fraser. On television he was portrayed by Norman Bird. There is a hilarious scene at the end of the film in which Eddie, Joan, Barbie and Bill enjoy a luxury meal aboard their cruise, having won the competition. Joan gets a shock when she discovers that the steward is none other than her brother Cyril ( played by 'Dad's Army' and 'Romany Jones' actor James Beck ), who has just recently gotten married. Eddie gets an ever bigger shock when he finds out that Cyril's bride is none other than Barbie's sister!
Cropping up in supporting roles are Pamela Cundell, Andria Lawrence, Arthur English, Anna Dawson, Michael Sharvell Martin, Damaris Hayman and Melvyn Hayes. Director John Robins later went on to work on a film adaption of another hit Thames show - Johnnie Mortimer and Brian Cooke's 'Man About The House'. Whilst not a horrible film on the whole, the format I feel did not have enough energy in it and as a result I feel I cannot really recommend it to anybody. I would recommend you buy a DVD of the series instead.
Funniest bit - a young woman letting out a scream upon finding a naked Eddie ( save for a tea towel ) hiding in a telephone box. While Eddie makes a run for it, the woman reports this incident to a passing policeman. The policeman then starts to take some details: ''Did you notice anything unusual about him?'' he asks. ''A red stripe!'' replies the woman, ( referring of course to the tea towel Eddie was wearing ), prompting a baffled look from the policeman. -
RLARKT1997 June 2004Good comedy of a popular television series that ran in England in the 1970's. a Somewhat controversial in its day,kept the British viewers glued to their television sets. This popular series is now available on DVD in the United Kingdom. Individuals who have region-free DVD players can order these DVD episodes from the video on-line shops in the U.K. People whishing to watch clean violent free entertainment will probably enjoy these DVD episodes. Video tapes of Love thy neighbour are also available. Jack Smethurst,Rudolph Walker,Nina Baden-Semper,and Kate Williams are the main actors in this series. Rudolph Walker appeared in the popular series,The blue thin line about 25 years later. He has also appeared in several episodes of the popular British police series,The Bill. After this series began in England,the U.S.A.and Australia produced their own versions. After a few episodes in the U.S.A. the series was cancelled. The Australia version was quite popular in Australia.
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I admit to a secret admiration of the original Love Thy Neighbour TV shows - mostly because they exhibit the kind of exuberant brashness and bad taste synonymous with so many programmes of their era - but I'd be lying through my teeth (very uncomfortable position) if I pretended that this big-screen spin-off is anything other than an abomination. The opening scenes of wanton vandalism are not only pointless but baffling as well - it's never explained why the film opens with a tracking shot of people trashing each other's houses - and nothing improves from there. By the time the film unearths the oldest joke in the book - the horrible dragon of a mother-in-law turns up unexpectedly to stay - is followed by the crashingly obvious revelation that she's developing a soft spot for the black neighbour's father, moving her bigoted son to ever greater depths of self-righteous, ignorant rage, most discerning viewers will have switched off. Take that as a warning, unless you're keen on cheapskate spin-offs with terrible acting, static direction and the overall comic flair of a burning orphanage.
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mokumhammer19 October 2018Terrible dated film Grreat supporting roles by Tommy Godfrey, Keith Marsh & Patricia Hayes. Very politically incorrect now - & I suspect then. Not worth a watch
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filmbuff19703 June 2004This is a great comedy, highlighting what it was like to live next door to racist bigot. But also shows that both main characters are actually as bad as each other. Based on the hit ITV comedy, this is very politically incorrect. And its all the better for it, comedy after all is to entertain. The movies only real drawback is there isnt much of a plot. However the cast are as great as usual. Jack Smethurst and Rudolph Walker make one hell of a team, playing off each other in a oneupmanship kind of way.It's been many years since i saw this movie and last week was finally able to buy it on dvd. The fact that the movie still contains genuine laugh out loud moments, means that i can recommend this movie, just like i would of back in the 1970's.
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jay-hickman17 October 2019The TV show was absolutely appalling, I cannot believe someone thought it a good idea to commission a film. Unbelievable
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Stevieboy66625 July 2019The name Hammer will always be synonymous with horror, however the studio also very successfully produced comedies and Love Thy Neighbour is one of the best known. Based on the TV series about a black and a white couple living next door to each other in early 1970's London, constantly bickering but when they enter a "Love Thy Neighbour" competition they need to get along. The language here is incredibly racist, thankfully now seen as unacceptable in modern TV/movie making. HOWEVER , when watching LTN it must be realised that back in the 1970's society was far less politically correct. This is a comedy, dated yes but also well made and very, very funny.
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malcolmgsw19 September 2022It shows the state of race relations in 1973 that a tv series could have been produced followed by this film. It is a total embarassment about which the film industry should be totally ashamed.
It is no good saying that Jack smethurst's character always comes out second best,his character has to speak such offensive insults that it isdifficult to watch this and bear in mind that the film is supposed to be a ccomedy.
I never watched the tv series,but all i can ask myself is whether people actually watched this film and laughed.
It is unfortunate that racism was still endemic in the entertainment industry. You have the likes of Alec Guiness using dark make up to portray an Indian in A Passage To India. -
gypolanc2 May 2003Love Thy Neighbour is a strained expansion of a popular 1970s TV Sitcom. It's dealing with race relations between West Indians and White British makes it popular with the humour found in Working Men's Clubs, but the cracks do show.
At times the humour is funny, but very rarely. It's forgettable. -
Leofwine_draca15 September 2022Another Hammer film adaptation of a popular TV show, this time around the controversial race comedy LOVE THY NEIGHBOUR. I've never watched the TV series so I can't comment on that, but this is about what you'd expect from the early 1970s. I was pleased to see that the racist protagonist is the butt of the joke but even so the endless playground insults and racist taunts become quickly wearying. A shame, as the union storyline is promising and some of the acting pretty decent, particularly Rudolph Walker in what must have been a difficult role. The opening sequence, a sort of running street riot between white and black neighbours, is quite startling.
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dcarroll7415 September 2019What a wonderful gem to find, in 2019. I grew up with the TV series but, never knew there was a follow up movie.
When the series came out I was a tot at 10 years of age however, I could already understand the satire this series depicted, along with "Till Death Do Us Part". Both perfectly depicted life as it was at the time in England.
I could see exactly what the writers were putting up to society, and the cast were the perfect idiom to do so, they were so well matched. They were trying to break down long held barriers between races. To an extent, it worked, it's not there yet.
Jack Smethurst and Kate Williams were already established actors. Rudolph Walker and Nina Baden-Semper were relative newcomers. However, the blend of both, even in the 70's, worked.
The male actors played off each other brilliantly, the female actors played off ecah other because women meet together better tham men do. And that was part of why the series and movie worked, not just because of "colour".
To see faces I hadn't seen in over 40 years, was a joy to behold. To be reminded of the comedy I grew up with, is indescribable, especially in this age of political correctness. This movie was completely incorrect, as it was meant to be (in an age before "correctness".
The multiple storylines that evolved from a simple premise, worked; especially the unexpected love match arriving from an early flight from Trinadad. I won't elaborate, I'll leave that up to the viewer. THAT pulled the movie together, and made it the prefect ending to the TV series, exactly what it all meant in the first place.
Only those of "my" age would know that, Jack Smethurst and Rudolph Walker were actually best of friends. I was one of the lucky ones, who saw Jack being "ambushed" for "This Is Your Life", on his way to dinner, with his wife; and sitting beside him in the car was, Rudolf and HIS wife. For the younger generation, Rudolf Walker, OBE, plays Patrick Trueman in "Eastenders" on BBC TV. -
ShadeGrenade8 February 2010One year after 'Love Thy Neighbour' made its I.T.V. debut, it followed the route taken by 'On The Buses' and 'Steptoe & Son' by graduating onto the big screen, in a picture made by Hammer Films. It opens with a stirring patriotic speech lauding the virtues of England's green and pleasant land, then cuts to a shot of Eddie and Bill walking up a street, arguing furiously. This escalates into a strange sequence of white and black neighbours vandalising their each other's homes. At least the original theme tune is retained ( even if it is sung by someone other than Stuart Gillies ).
The local paper - 'The Gazette' - is holding a contest to find the best neighbours, the winners landing a Mediterranean cruise. Barbie suggests to Joan that they should enter. The thing is, can Bill and Eddie stay friends long enough to win it? That's the main part of the plot. The film is by and large episodic. One chunk is lifted directly from Season 1, namely Bill and Eddie going to the Club pretending to be on 'union business'. In reality they're going to see a stripper ( not meeting two girls ). Another portion of the movie has Bill, along with other black factory workers ( in the series he was the only one ), breaking a strike Eddie has helped bring about by various ploys ( including being smuggled in through the gates in beer barrels ). While another ( seemingly inspired by Powell and Driver's 'For The Love Of Ada' ) sees Eddie's talkative mother ( the magnificent Patricia Hayes ) getting friendly with Bill's father ( Charles Hyatt ).
The climax to Episode 1 Season 1 reappears in an expanded form. Bill once more puts on paint and a towel to terrify Eddie, but his friends join him, and they dance round a drum containing a naked Booth, so that they can pretend to cook and eat him. Eddie then has to make his way home in the nude ( surprisingly, there is less nudity here than there was in Episode 2 Season 2 ).
The film ends with the Reynolds and the Booths winning the 'Love Thy Neighbour' contest, and taking the cruise together, but there's an unexpected twist involving Joan's sex-mad brother Cyril ( James Beck - 'Private Walker' of 'Dad's Army' ), who is working as a steward.
This is your typical '70's sitcom-into-movie, with all the faults usually prevalent in such films. The laughs are scattered about, and interest wanes after about half an hour. The cast is augmented by familiar faces such as Melvyn Hayes ( cast as 'Terry', a character from Episode 2 Season 1, played on that occasion by Leslie Meadows ), Bill Fraser ( as the factory manager ), Anna Dawson, Andria Lawrence ( who seems to have been in every '70's British comedy film, mostly cast as nymphomaniacs ), and Arthur English. The director, John Robins, was also responsible for the 'Man About The House' movie.
Funniest moment - while Eddie sleeps in a quiet part of the factory, Bill paints his face black. The first he knows of it is when the manager's secretary screams in terror. The tables have been turned!