Sky's 'Film 24' channel is currently showing programmes from the Southern television archive, and this short-lived sitcom is amongst them. It was written by the late Jan Butlin, an actress whose credits include the B.B.C. series 'My Wife Next Door' and 'The Benny Hill Show'. She turned to writing in the early '60's, scoring a hit with 1978's 'Life Begins At Forty', a Derek Nimmo/Rosemary Leach vehicle about a middle-aged couple becoming parents.
'That Beryl Marston' is set in sunny Brighton. 'Georgie' ( Julia McKenzie ) and 'Gerry Bodley' ( the late Gareth Hunt ) run a curio shop near the seafront. They are successful in business but not in married life. They still live together, but the marriage has been blighted by Gerry's torrid affair with 'Beryl Marston', the local bike. Beryl is never actually seen, just glimpsed from time to time and her silhouette is in the opening credits. The Bodleys have two children: 'Jane' ( Jayne Stevens ) and 'Phil' ( Jonathan Morris, later to play 'Adrian' in Carla Lane's 'Bread' ) who addresses the audience, commenting on events a la Frankie Howerd in 'Up Pompeii!'.
Peter John played the Bodleys' gay friend 'Harvey'. He was in the very funny 'The Pink Medicine Show', a medically-themed sketch show written by and starring Rob Buckman and Chris Beetles.
'Marston' was amiable middle-of-the-road fluff. The opening theme song ( sung by McKenzie ) had caustic lyrics ( "See her everywhere you go, all her merchandise on show, who's a dirty so and so? That Beryl Marston!" ) by Fran Landesman, who also co-wrote the theme for another Southern sitcom - John Inman's 'Take A Letter Mr.Jones'.
Throughout the show, reconciliation looked to be on the cards for the Bodleys, but then the spectre of Beryl would rear its head and they would break apart. This was McKenzie's first sitcom since 'Maggie & Her' ( which I rather liked ) and would be her last until 'Fresh Fields'. Hunt had been in 'The New Avengers' only three years earlier, and must have hoped the show would pave the way for a new career in sitcom. It did not. When he died a few years ago, several papers reported insultingly that he was best remembered for his coffee adverts.
'Marston' was well received and a second series would have been made had not Southern lost its franchise in one of those complex power games that affects television but which the public seem to have no understanding of nor influence over. A pity as it made pleasant viewing. The sort of show best watched with a cup of tea and a packet of biscuits at hand.