3 July 2003 | jgcorrea
does all that is solid melt into air?
In movies or literature, let's face it, hard task is denouncing, say, the death penalty by using an innocent man or woman as a protagonist. Accordingly, it couldn't be easy to indict malehood for the behaviour of one man. This picture's title is quite ironic, and Paul, the defendant in a case of alleged rape, actually calls himself 'Everyman' - explicitly. I reckon that Allison, the plaintiff, Beth, the defendant's wife and Allison's best friend, as well as filmmaker Sarah Harding, do so - implicitly. But is sex indeed so abject an instinct? this film approaches a difficult subject, involving rape, the disinterested friendship between two women, the feminine freedom to flirt around and the masculine obligation to contain any socially-incorrect erotic compulsion. I don't think David and Allison would take ten years to have sex for the first and last time in their lives. I don't think Beth's unconscious mind would take 10 years to an insight that her conscious mind obviously perceive long time ago. And what about the friendship between A and B? I definitely don't think that all that is solid does melt into air so suddenly. the film isn't bad in its court-controversy sub-genre, but definitely lacks dramatic or philosophical substance.