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  • 'The Gift' is an understated, underrated thriller which succeeds in captivating one's attentions from beginning to end. The film's main strengths are its screenplay, its beautiful mise-en-scene, a strong ensemble cast and a haunting soundtrack (those of you who enjoyed 'The Shipping News' will recognise the composer from the lilting score of that film)

    But perhaps 'The Gift's' main attribute is the presence of the wonderful Cate Blanchett. Although I loved the film, I was forced to wonder if in the hands of a less capable actress, whether it would have had the same captivating power. Somehow I think not. Cate Blanchett's restrained portrayal of Annie exudes compassion and tenderness, and is integral to the success of the film as a whole. Her sensitivity as an actress is important in relation to the subject matter - ESP and the occult - as these areas generally attract much scepticism. Blanchett, through her unique skill as an actress, manages to make the more fantastical elements of the story not only plausible, but intensely moving. She is luminous to watch, reminding me of the (also magnificent) Meryl Streep in terms of her quiet beauty, her range of expression and her adept skill at accent mimicry. Who could believe that she is Australian?

    In short, 'The Gift' is well worth seeing, primarily for Cate Blanchett, but also for the supporting actors Keanu Reeves (very impressive and effective) Hilary Swank (underused) and the magnificent Giovanni Ribisi - who is both explosive and reticent as Buddy Cole. Also demanding attention is the imaginative screenplay, and the hauting beauty of the mise-en-scene which manages to be both beautiful and eerie at the same time. Overall, 'The Gift' is a resounding success, due mainly to the heart of the film - Cate Blanchett's resonant performance. The actress has a unique gift herself, which richly deserves to be seen by many.
  • bat-512 February 2001
    In The Gift, Cate Blanchett is blessed(or cursed?) with the ability to sense things that no ordinary person can see. She is asked by the police to aid in the search of a missing person and what follows, is a journey into the supernatural. Sam Raimi knows how to set up a scene for the maximum scare potential. Honed on his Evil Dead series, Raimi lets a scene begin slowly and allows the viewer to sense the dread and feel the suspense build. There are visual tricks, interesting camera techniques and the fine performances by a very talented cast that propel this story forward. Among this cast that really stands out is Keanu Reeves. People have always complained that Reeves brings down a movie. At least some of the people I know. I prefer to think that Reeves is an underrated actor. In the role of Donny Barksdale, Reeves brings a certain menace to his character that usually isn't scene in his other roles. Barksdale isn't a creature of the night, or a space alien, but a flesh and blood creature that is capable of true evil. When you watch him, look at his eyes and you'll see a true menace lurking behind those dark brown eyes. Cate Blanchett shows that she can master just about any accent that's out there. She sounds like she's a native of the south and she has a quiet courage about her. Most notable when she's squaring off against Reeves.

    All in all, The Gift is a wonderfully atmospheric thriller. It has brains and doesn't insult the viewers. It will keep you hooked up until the very end, and there are quite a few surprises throughout the film. Highly entertaining, and very spooky at times.
  • Warning: Spoilers
    Sam Raimi is a very gifted director. Whether it's genre driven films such as the Evil Dead series or the recent Spider-Man he has a very good sense of the films he's making. Of his more serious recent films such as A Simple Plan and For the Love of the Game, I think The Gift, his last serious effort before Spider-Man, stands out as the best.

    The film has a few faults however so I just want to get those out of the way. Some of the characters aren't developed enough so we lose interest in them quite quickly. Also the outcome is quite obvious early on in the film, so a few more twist to maybe keep the audiences guessing would've been appreciated. Other than that however we have a pretty well made picture so these minor flaws don't overshadow an otherwise brilliant production.

    First and foremost this is a character driven piece lead by the incredible Cate Blanchet. She is quite the chameleon in her movies. She can go from playing Queen Elizabeth, to a southern fortune teller without skipping a beat. Her talent is something that most performers should strive for. She's very efficent in her part here. She's very likable and she makes you feel for her character.

    Giovanni Ribisi is also very good in the film. He could've played it like the stereotypical crazy person but he brings something new to the role. We feel for him because he brings his struggle across so well when he's on screen.

    Hillary Swank is good also but her character is majorly underdeveloped. She falls into stereotypical battered wife mode but I did like her performance. I just wish she was given more to do.

    Keanu Reeves was such a shock in this film I never took him seriously as an actor until I saw this. He literally scared me at certain moments in the film. He brings such a realistic intensity to the role that he becomes more frightening.

    Greg Kinnear is ok in this film His character suffers from lack of development as well. I'm also tired of him playing the nice guy in films. It's getting a little old. His southern accent also isn't very consistent. Kept coming in and out. It's hard for me to buy he and Katie Holmes as an item but I guess it worked for the filmmakers.

    Speaking of Katie Holmes, props to her for taking on a more adult role. *SPOILER. It's not even the fact that she shows us her breasts but it's the fact that she's playing against type and does it fairly well. She has minimal screentime but she makes an impression. Especially in her final scene of the film. *END SPOILER*

    Over-all I thought The Gift rose above the standard supernatural thriller. To me it's more a Character piece and fairly decent whodunit. I suggest you all see it because it's a really good film.
  • Cate Blanchett's performance alone make this solid thriller worth watching. I saw her in this movie, and I became baffled as to why she wasn't considered for an Oscar nomination. She carries this film on her shoulders, and never once budges. Not only does she totally get rid of her Australian accent and perfectly don a Southern accent, but she gives a deep, powerful performance as the innocent widow, Annie Wilson, who is looked down by many in her community but simply wants to share her psychic gifts with her willing clients. Blanchett communicates great emotion with a simple facial expression.

    Of course, I also have to give it up for the multi-talented supporting cast. Though most of them, with the exception of Hilary Swank, couldn't really nail down the Southern accent, they are absolutely terrific. The only actor I felt was miscast was Katie Holmes. Not only is her accent phony and over-the-top, but she just seems too young and innocent for the role. Giovanni Ribisi, on the other hand, is a revelation. I knew, ever since his breakthrough performance in "Suburbia," that he had great promise as an up-and-coming actor, but in "The Gift" he delivers his most powerful performance up-to-date. I would even argue that he deserved an Oscar nod. He constantly stirs up sympathy in his audience, despite his mental instability and momentary outbursts of anger. I was also extremely impressed with Keanu Reeves, who delivers a genuinely haunting performance. It's times like this where I just can't fathom why many people still insist on picking on Keanu, regarding him as dull and cardboard. Personally, I thought he was great ever since his emotional performance in "Permanent Record." But he better demonstrates his versatility as an actor as the abusive Donny. He made his debut, as a villain, in the throwaway thriller "The Watcher," but I found him much more haunting in this role. Plus, he sports a rugged look, totally shedding his pretty-boy image. Greg Kinnear is good and subtle, and Hilary Swank continues to flaunt her brilliant acting abilities as the vulnerable wife of Donny who constantly takes beatings from him, yet still maintains her love for him.

    The story is very intriguing, revolving around a cast of colorful characters. This isn't a "scary" movie as it somewhat looks in the previews, but it is full of mystery and thrills, without cheaply going for shock value. There is a nifty twist at the end, which is credible and not thrown from left field, but the plot isn't packed with surprises. We're simply going along on an emotional journey, through the mind of our protagonist, Annie, and that's how the tension is created. Sam Raimi creates a haunting mood and Billy Bob Thornton wrote a fine script. The story is easy-to-follow, and not as mind-bending as some of these other supernatural thrillers. Just keep in mind that this is not a horror movie. But it's a good mystery and a good mood piece and a damn good film altogether.

    My score: 7 (out of 10)
  • Having seen this film several times and never remembering the composer of the score, I decided to look it up at IMDb. While here, I decided to check out the various user reviews. And I was kind of surprised at the "love it or hate it" division.

    I'm mainly surprised that anyone thought it was "typical" Hollywood pap or that it was slow moving, labored or simply so-so.

    Maybe you just have to like Sam Raimi to enjoy this. I couldn't help but appreciate the fact the style and many elements were a lot like "Evil Dead 1 & 2", but more subtle and refined. Sam obviously made the most of the camera angles, scenery and lighting for specific reasons...the general "darkness" of the town versus the "light" surrounding Cate(the only one who could see the truth).

    Maybe some didn't see a lot of the dark humor or appreciate the fine acting with non-stereotypical southern accents by all, especially Cate.

    This is a film well worth repeated viewings.
  • Delicious combination murder-mystery and character portrait set in the present-day South. Widowed mother of three, who works from home as a psychic and card reader, is pulled against her will into the logistics of a popular local girl's disappearance. Although the brutality inherent in the script is laid on with a trowel by director Sam Raimi, "The Gift", written by Billy Bob Thornton and Tom Epperson, has some mesmerizing attributes, not the least of which is Cate Blanchett's luminous performance in the lead. The actress is sensational here; whether hesitantly giving out advice to her regulars, sympathizing with troubled mechanic Giovanni Ribisi or standing up to a surprisingly menacing Keanu Reeves, Blanchett is absolutely riveting. The plot is intricately unwound with occasionally outrageous details. It ends up being quite satisfying.
  • Jessica King (Katie Holmes), the fiancée of Wayne Collins (Greg Kinnear), has gone missing. Annabelle Wilson (Cate Blanchett) is the local psychic who has visions of Jessica King. Following her advise, Sheriff Pearl Johnson (J.K. Simmons) dredges the swamp and finds Jessica's body. Donnie Barksdale (Keanu Reeves) is jailed for the murder. However, Annabelle keeps getting visions. There's more to the murder.

    Director Sam Raimi has teamed up with Billy Bob Thornton once again and this time as a writer. Cate Blanchett is terrific. There is an overload of big time actors. I almost wish that some of the lesser roles get played by smaller unknown actors. When it's overloaded like this, the movie can feel very Hollywood. However Blanchett never once feels fake in any way. She becomes the character with ease.
  • Firstly I need to say this isn't a horror. It's a thriller. Also it's not a fantasy movie so both of those tags should be ignored.

    That doesn't mean it isn't a good movie. What's particularly good is how some of the actors play roles that ho against their usual character types.

    Without a doubt Giovanni Ribissi steals the movie and plays his part perfectly.

    Recommended.
  • In a small town deep in the South, a single mother endowed with a special ability becomes involved with the disappearance of a young woman and has a brush with the supernatural, in `The Gift,' directed by Sam Raimi. Cate Blanchett stars as Annie Wilson, a young widow attempting to raise her three kids and provide a decent life for her family, scraping out a living on Social Security since the tragic death of her husband in a work related accident the previous year. She supplements her meager income by doing `readings' for the local townsfolk, accepting their donations for the insights she offers them into their own lives. Annie has a `gift,' the ability to see certain things in the cards that enables her to advise her clients about personal issues. It's something she can't explain; she knows only that it's inherited (which she learned from her grandmother), and that it's real. And though it's helped her maintain her home, she soon finds that it doesn't always make for the most pleasant of situations, as when she must advise a young woman, Valerie Barksdale (Hilary Swank), on how to cope with her abusive husband, Donnie (Keanu Reeves), or attempt to help a troubled young man, Buddy Cole (Giovanni Ribisi) come to terms with some sensitive aspects of his life. Then, when a client comes to her to ask for help when his daughter disappears, not only does it take her to the dark side of the human experience, she discovers that certain individuals, including local sheriff Pearl Johnson (J.K. Simmons) do not believe that her `gift' is real.

    Stylistically crafted and delivered, Raimi's film will keep you engrossed and on the edge of your seat until the very end. He successfully blends reality with just a touch of the supernatural that makes for riveting suspense while keeping it within the realm of believability. The relationship played out between Donnie and Valerie is anything but unique-- you've seen this before, many times in many films-- but within the context of this story it's fresh and it works. The doubtful sheriff and the cynical, jaded defense attorney, Gerald Weems (Michael Jeter), are fairly stereotypical, but that can be easily overlooked in light of the overall story and especially due to the credibility of the Annie character, which is well developed and never presented as anything beyond what can be readily accepted as true to life. As the central character, Annie anchors the film and enables the circumstances in which she is involved to be perceived as real; it's the strength of the film, and it's what makes it all work so well.

    What also makes it work is the strong performance by Cate Blanchett, who makes Annie so real and accessible, displaying her `gift' with restraint and avoiding the possible pitfall of taking it too far over the edge, which could easily have made it suspect. Instead, she brings a depth to the character that draws you into her world and allows you to empathize with her, which would have been impossible had she invested Annie with even a touch of the charlatan. With consummate skill, Blanchett creates a well rounded character which demonstrates that as an actor, she definitely has a very real `gift' of her own.

    Ribisi also does a memorable turn as Buddy, with a striking performance in which he creates some disturbing moments that are almost painful to watch; his is a character study of a soul in distress, seeking solace and resolution, and even as he attempts to sort out his life, you are able to sympathize with his plight as you share Buddy's experiences. And it's through Buddy (as well as Annie, of course), that the audience is able to make that necessary and very real connection with the film. With films like `Saving Private Ryan' and now this one, Ribisi is on his way to establishing himself as one of the premiere character actors in the business today.

    Playing somewhat against type, Reeves proves that he can be a good `bad' guy, giving possibly one of his best performances ever as Donnie. He very credibly conveys that sense of explosiveness lying just beneath the surface that makes his character menacing and dark, which in turn makes Donnie psychologically as well as physically threatening. It's a good job by Reeves, who deserves credit for taking on a role that is so disagreeable and insensitive.

    The supporting cast includes Greg Kinnear (Wayne), Katie Holmes (Jessica), Kim Dickens (Linda), Gary Cole (David) and Rosemary Harris (Annie's Granny). A taut thriller that is emotionally involving, `The Gift' delivers what it promises early on, which is exceptional, as many films of this nature often fail to actually follow through after a tremendous opening act. Rest assured, this one does and has it all; suspense, credibility and some memorable moments, all courtesy of Raimi, a good story and a superb cast. And that's the magic of the movies. I rate this one 9/10.
  • room10210 September 2001
    Warning: Spoilers
    Fantastic performances by Cate Blanchett and Giovanni Ribisi. This is the first time I see either of them, so I can't compare their performance to any of their pervious roles. The other members of the cast give a good performance as well.

    Katie Holmes' much talked-about topless scene is definitely with taste and I don't think it was put there to draw the younger audience to see the movie. However, I do feel it wasn't vital, and the story would have stayed intact without it.

    Danny Elfman gives what seems to be the shortest cameo in cinema ever. As my favorite composer/musician I was looking forward to his cameo and expected it to be a speaking part and a bit longer. Nonetheless, he did a good job. I don't know why he was so hard on himself with the outcome. (BTW, did he remind you of Beetlejuice too?)

    Sam Raimi did a great job. He made the characters highly believable, and brought out a very realistic performance from the cast - notably the violent scene in which Donnie Barksdale (Keanu Reeves) breaks into Annie's home and drags his wife (Hilary Swank) out, while Annie is chasing them and slip on the paint.

    The first half of the movie is fascinating. However, it is the second half - which suppose to be suspenseful and more interesting than the first - that I found quite weak. Perhaps it was because I knew who the killer was; perhaps it was because the overall feeling was that after all there isn't much suspense, that the details given before don't contribute a lot, other than to try to confuse the viewer a bit, and that at the end it's just a very simple story, which can be summed up in one sentence; And finally, perhaps it was because some of the characters were highly detailed, while others (such as the murdered woman herself) were very low on details and almost absent.

    * MINOR SPOILERS AHEAD *

    Several things that disturbed me the most were before and during the trial. First, why would it be so bad for the prosecution that a Psychic had told the police where to find the body - does it matter WHY they came to look for the body at the lake? The facts stayed the same - none of them was based on a "Psychic evidence". Also, while Annie was on the stand, I felt that it was only reasonable for the prosecutor to say "Objection. The witness is not the defendant here!".

    Another thing was Donnie Barksdale on the stand. A wife-beating redneck that suddenly becomes a lamb, confessing (in court!) of beating up his wife and realizing he's a "bad guy" doing unchristian things. The beatings are also taken as granted a few scenes earlier, when Donnie beats up Annie in front of a surprisingly indifferent Sheriff.

    * END OF SPOILERS *

    Overall, I think the story is the weakest point in the film. If it was for the first part alone, I'd give the movie a 7/10, but at the end I felt quite disappointed, which brings it to a 6/10.

    Good score by Chris Young.
  • A young woman gets killed in a small town, and Annie Wilson, a widowed mother of three boys, is the only one who can help to find the killer by using her "gift", an ability to see and foresee things supernaturally.

    The film starts out fine, introducing the characters one by one, and aptly creating the atmosphere of a typical southern urban town. But somewhere in the course of the story, the film seems to lose its pace. Annie has dreams and visions of the murdered woman's corpse and whereabouts, which are supposedly meant to be shocking and frightening, but most of the time they are just silly and annoying. Hilary Swank is utterly bad and unwatchable in a very passive and uninteresting role, you wonder why she agreed to play such a character after her Oscar win that year. And the last third is so unbearably predictable, it's completely unbelievable, that Annie does not realize the situation, especially when she is assumed to have that special gift. Really stupid! And very, very shallow and superficial.

    If it was not for Cate Blanchett's engaging performance, I would give this movie a much lower rating than 5 out of 10.
  • tknicol13 August 2006
    I always said that Keanu Reeves was not that good of an actor but I still always have liked him. That was until I finally saw this movie for the first time 5 minutes ago. Keanu was amazing, best he has ever been. I also always say that Hillary Swank was God awful and that I have never liked her. Until I saw her in this movie, she was awesome, too. They were all awesome. This movie was nothing less than pure 100% genius. I had no idea Billy Bob Thorton was part writer on this which also explains why it is so damn good. Everyone in this movie showed their acting abilities. Even the kids were great, even the dog was great. This is how much I enjoyed this movie. If you like a murder mystery than check this flick out. You won't be sorry!!
  • Warning: Spoilers
    A widow with ESP (Cate Blanchett) lives with her son in a small Southern town, helping people by trying to "read" their futures and living on donations. There are folks who don't like that kind of devlish stuff 'round here. Katie disappears. Blanchett, who is one of those psychics who cannot control their "visions" so that she can only get glimpses of things that have happened or might happen, has a vision of Holmes' body at the bottom of a pond. She reveals her vision to the Sheriff (good performance by Dr. Emil Skoda, I mean J. K. Simmons). Well, he's one of the local empiricists and doesn't believe her but takes her out to a pond resembling the one seen in her vision. Sure enough. They drag Katie's remains out of it. Where was Tom Cruise when she needed him?

    I won't go on with the plot. It gets twisted around a bit and the end won't come as a great big surprise if you've seen a couple of other thrillers with metaphysical overtones.

    It was written by the co-authors of the far superior, "One False Move." But this is a pretty weak effort. We hear New Age lines from a bunch of small-minded townies. A man and a woman are attracted to one another but when he comes on to her, she backs hesitantly away and says, "I don't think this is a good idea right now." (The guy is falling-down drunk so it's hard to see what the idea was in the first place.) "She's gone," the man tells the woman, "but I have to learn to live with that, just as you have to learn to live with the loss of your husband." (Real MEN don't talk like that.) And, later, "I'm so sorry I wasn't there for you when you needed me." The director, Raimi, is efficient without being in the least original. The music cues us about looming threats. When Blanchett is worried, a shadow crosses her curtain -- but it turns out to be a friend! As the climax approaching, to heighten the tension, there is a windy thunderstorm full of rain and strobe lightning. (Ho hum.) At the end, when all is being revealed, the rain is replaced by fog. One blow from a flashlight conks a full-grown man out for the duration just because the script calls for it.

    Blanchett is about to be murderized at the pond but she is saved by a disturbed young man whom she had earlier tried to help. The young man, Giovanni Ribisi, is supposed to be in a psychiatric hospital but, "I escaped," he tells her. He doesn't tell her how he managed to find her and her would-be murderer in the middle of the woods in the middle of the night in the fog. Well, not that it matters, because it turns out that Ribisi has actually been dead for a couple of hours anyway. This takes us beyond the possibility of ESP and into the realm of the frankly supernatural. This raises certain interesting questions but the film doesn't address them. It's satisfied to be another everyday thriller with parallel universe harmonics.

    All of that makes it sound like a movie to avoid but it's not. The reason it's not is that mysteries are kind of interesting. Whodunnit, you know? And the movie is saved by Cate Blanchett's sterling performance. She makes the movie.

    She isn't exactly beautiful. She's lean and narrow shouldered. Her nose is long and pulpy, and her epicanthic fold is overdeveloped by Western tastes. But faces have characteristics or traits. Angelina Jolie's primary trait is sexuality. Gene Tierney's was staggering beauty. Agnes Moorehead's was sliminess of a particularly feminine sort. Blanchett's primary trait is perceptivity. Not intelligence in any academic sense, but an ability to figure things out, to see through them, to discern patterns and form Gestalts. This trait is put to good use, of course, in a role that calls for psychic abilities, but she showed the same ability to use her skills in "Elizabeth" too, where instead of hesitancy and anxiety the role called for a growing self confidence.

    Her accent alone is fascinating. Her Commonwealth speech is quite thoroughly transformed into Southernness here. It's not the hillbilly speech of the upland South, and it's not from the low country either. Its closest analog is probably Texas or Oklahoma. She has even the slightest of marks down right. "I didn't really think anything OF it." And the vowel is prolonged and drawn out in a manner only found in the American South. (The same speech sound is heard in the vowel in "druuuunk.") Sorry. Bit of regional linguistics there.

    Oh -- I ought to mention wardrobe too. A fine job. They've given Blanchett exactly the right unpretentious floppy clothes that an ordinary lower-middle-class Southern widow of no sophistication might wear. Example: In one important scene, she wears this fuzzy white V-necked sweater -- angora or cashmere or something. (I don't know anything about women's clothes but I know what I like.) Underneath this sweater, though, there is a rough white T shirt that leaves a cartoon alligator's face peeping over the sweater's V neck. Exactly the proper degree of sloppiness. Yet in another scene, at a party, her hair is draped around her long face is lustrous curls and when she reaches down to remove a tight shoe we can't help noticing how sleek her ankle and her feet are, and neither can Kinnear, the guy she's with.

    But without Cate Blanchett's superior performance this would be no more than a routine thriller. With her, it rises rather above the routine and is worth catching.
  • Warning: Spoilers
    Spoiler Alert Another case of a superstar cast used to prop up writing that is loose at best. To the actors' credit, the characters as portrayed are three-dimensional and believable, for the most part. Unfortunately, several loose ends and unlikely occurrences hamstring the film. Cate Blanchett's character, whom we are to believe is a strong and independent woman fiercely protective of her children, fails to contact the authorities after twice being assaulted by Keanu Reeves, once with a multitude of witnesses. When she finally does call the police, she fails to bring up the attacks in support of her charges of breaking and entering. In fact, during the entire trial of Barksdale the issue never arises. The plot "twist" is also unfortunately predictable. I suppose this is a case of pandering to the lowest common denominator of filmgoers; how many movies are there based on the premise "you thought he was the good guy--but he's really the bad guy!" Finally, has it occurred to anyone that when Greg Kinnear goes off to the big house, Donnie will probably be released? And that he probably isn't going to be too happy with Blanchett (now without her protector, Ribisi)? This is a loose end that really ought to have been tied up.
  • Sam Raimi has a bit of folklore to him, at least in t horror movie circles. His story with Evil Dead is one that tells us that if you really believe in what you are doing and have an undeniable passion for it, you can succeed with an indie. Evil Dead was that film for Raimi. Now that he has bigger budgets and better casts, one could expect him to fail, but with terrific films like A Simple Plan and now this one, he proves that he does possess a gift as a film maker. The Gift takes him back to his roots as a horror director and he doesn't disappoint. The Gift is a tight, tense film with some questionable weakly written court room scenes, but take that away and you have a very effective thriller.

    The Gift has an all star ensemble cast that takes everything they are given and shines with it. Cate Blanchet is awesome to watch as the small town clairvoyant that some people look upon with utter reverance and others disregard as nothing more than a Satan worshipper. Keanu Reeves is very effective as a wife abusing husband and Hilary Swank, Katie Holmes, Greg Kinnear, Giovanni Ribisi and Gary Cole are all very good in their roles. I especially liked Reeves as the wicked wife beater. I grew to hate his character and not just because he was a wife beater, but because he was such a smug, "I'm above the law" wife beater. I like seeing the smaller and perhaps more challenging roles Reeves is taking in between his billion dollar turn as Neo.

    When a local town aristocratic beauty disappears, all fingers point towards Reeves as the murderer. He was having an affair with the girl, he has a violent temper, and he has scratch marks all over him from her and most importantly she was found dead in his swamp on his property. That is pretty compelling evidence against him. Also, Annie, the clairvoyant had visions about her whereabouts being located on his property. But soon after his impending incarceration, Annie begins to have other thoughts. She thinks the wrong man has been put away and now she fears that the real killer is going to come after her.

    What The Gift benefits from, besides great performances, is tight direction. Raimi shows us here why it is that he got his start as a horror director. There are at least half a dozen scenes that are tense and frightening. When Annie is having her visions of death and sees dead women in trees and in bathtubs and such, there are collective gasps of fear in the audience. And when she is visited by ghosts or visions of people, you feel the heart race a little faster. This is not to say that the film is flawless because it's not. The flaws come from the writing of the court case where there is so much heresay and such that any good lawyer would have jumped all over the defense's case. When a man is being tried for murder and your defense is questioning how you came to know where the body was, they are two different issues. Why does it matter if an elephant told you where the body was or if you happened to fish it out of the pond with a crane. The point is that the body was there and it was on the accused's property and the accused had scratch marks on his arm from the deceased. That in my book is a pretty simple case. I was disappointed with how Thorton wrote the court room scenes but that is about all I was disappointed with.

    The Gift is not one of the best horror films I've ever seen, but it is an enjoyable one and if I had to compare it to another similar one to it, I would have to say that this was better than What Lies Beneath. I think Zemekis is a great director but Raimi just has that certain intangible quality about him. He can make suspense out of something when perhaps there is none there. This is worth seeing and if you are a horror fan or just like a few thrills in your film, this'll keep you entertained.

    8 out of 10- a good creepy horror film with a few genuine scares and a plethora of great performances.
  • Cate Blanchet shines in an early thriller role with psychic story points. Very 90's feel, for whatever that's worth. But a nice psychological suspense/mystery.
  • Maybe i'm wrong but it's the first movie i watch with a lot of big names and that ends up really good : Hillary, Keanu, Katie, Cate, Kinnear and Ribisi really push their original characters and thus the movie never lost quality. In addition, we have Sam's team on the board as well with « aunt May », « JJJ », « sheriff Lucas Buck » and the famous yellow Oldsmobile. It's a pity that we don't have the usual cameos of Sam himself, his brother or Campbell ! It's also a great thing to find a story in a small town, with « ordinary » people having simple life as ours. I expected Sam to be more dynamic and on the contrary, the movie is as quiet as lying water. But as the main hero isn't Darkman or Spiderman but a widower mother of three boys, he was inspired to choose this pace: it really fits the Cate's compassion and maternal instinct, all the more than as told in the movie, she is really the heart of the town ! And for sure this wild nature with swamps and torn trees are as much frightening as any other supernatural monsters !
  • Anyone who loves a good slice of southern Gothic murder mystery should check out Sam Raimi's The Gift, one of several films in the eclectic scoundrel's ouvre which made a departure from his usual brand of chaotic horror. Cate Blanchett stars as Annabelle, a single mother with a very perceptive telepathic ability, which in rural USA is greeted without any skepticism by the locals. She is renowned for her gift, and often approached by people in need. The story sees her trying to locate young Jessica (Katie Holmes), who has gone missing, and discovering some nasty secrets about the people around her in the process, people she thought she knew better. Jessica's fiancé (Greg Kinnear) is desperate but clearly knows something he's not saying. Also involved is battered housewife Valerie (Hilary Swank), her terrifying abusive boyfriend Donnie (Keanu Reeves), a local mechanic (Giovanni Ribisi) who befriends Annabelle, and others. It's an ugly tale contrasted by Blanchett's striking beauty, which the cameras capture in all the right instances. She could be rearranging a bookshelf and still be compelling and elegant, and always is in whichever role she takes on. Reeves is a scary tornado of pent up rage and sickness, cast way against type and loving every rage fuelled second. As if the main cast wasn't packed enough with talent, we also get stellar work from Gary Cole, Michael Jeter, Kim Dickens, Rosemary Harris, a random cameo from Danny Elfman and a sly turn from J.K. Simmons as the county sheriff. What a cast, eh? Raimi puts them to good use, and each one gets their moment to shine. I've never seen a film by the director I haven't loved; the guy just makes super fun, accessible genre treats that are irresistibly likable. Pair that with the evocative southern tone and Blanchett's winning presence and you've got one hell of a little package. Very overlooked stuff.
  • When I first watched this I thought nothing of it, but then I watched it a second time and actual enjoyed the film. The tone is very serious as this thriller takes you into a mystery murder scenario. The acting is what truly brings the film to light, Cate Blachett is at the heart of the movie, her facial expression, especially the emotions in her eyes, bring each scene to life. The other actors such as Giovanni Ribisi, Keanu Reeves, Hilary Swank and Greg Kinnear were also very good performances. The story and filming isn't an Oscer winner and it's not a movie I would call my favorite, but if you're looking for a thriller with some great familiar actors that will not disappoint then this is your film.
  • Warning: Spoilers
    Before his success with 'Sling Blade,' Billy Bob Thornton showcased his talent as one of the co-writers of 'The Gift.' What makes this supernatural thriller so captivating is its setting in the real modern-day Southern town of Brixton, Georgia. The film boasts a stellar cast, with Cate Blanchett delivering a standout performance as Annie Wilson, a woman known in town as a "psychic," although some derisively label her a "fortune teller." Annie, a widow raising three young sons after her husband's tragic death, uses her enhanced intuition to offer guidance and counsel to those who seek her help, supplementing her income from social security survivor benefits.

    The story takes a dramatic turn in the second act when Annie advises Valerie Barksdale (Hillary Swank), a victim of domestic abuse, to leave her abusive husband Donnie (a convincingly menacing Keanu Reeves). Donnie, representing the reactionary element of society, targets anyone different or considered an outsider, vilifying Annie and even resorting to his own brand of supernatural belief by using a voodoo doll to threaten her.

    Annie also assists Buddy Cole (Giovanni Ribisi), a gas station attendant suffering from mental illness due to childhood abuse by his father. However, as Annie becomes preoccupied with other events, she is forced to neglect Buddy, who tragically reaches a breaking point, tying up his father, dousing him in gasoline, and setting him on fire. Buddy's instability, caused by his history of childhood sexual abuse, is poignantly portrayed by the skillful screenplay.

    The plot further intensifies when Annie meets Wayne Collins (Greg Collins), the principal of one of her sons' school, following a fight at school. Although Wayne appears to be an upstanding citizen, his involvement with his promiscuous girlfriend Jessica King (Katie Holmes) raises suspicions. When Jessica goes missing and the police exhaust all leads, they turn to Annie for possible insights into her disappearance.

    J. K. Simmons delivers a perfect performance as Sheriff Peal Johnson, initially skeptical of Annie's psychic abilities but eventually convinced of their authenticity when she has visions of Jessica's murder and directs them to a pond on Donnie's property, where the body is found.

    Initially, Annie's intuition led her to believe that Donnie was an "insecure redneck" but not a murderer. Interestingly, when Donnie is arrested and stands trial for Jessica's murder, he candidly testifies to his infidelity and history of domestic violence. However, as circumstances turn against him and he is found guilty, he reverts to blaming Annie and labeling her as an agent of the devil.

    Given the circumstantial nature of the case against Donnie, it raises questions about whether he would have been convicted in real life. It's worth noting that Annie never claimed he was guilty; she only located the body through her dark visions. One can speculate that her personal antipathy toward Donnie clouded her intuition regarding his innocence.

    Eventually, Annie has visions suggesting Donnie's innocence, prompting her to request the District Attorney to reopen the case. To complicate matters further, Annie discovers that the DA was romantically involved with the murder victim, leveraging this information to demand a reopening of the investigation.

    'The Gift' delivers a wholly satisfying climax with a twist ending! It is revealed that the real murderer is Wayne, who lures Annie to the spot where Jessica's body was found. He wants to test Annie's psychic powers to see if she has identified him as the killer. As Wayne realizes that Annie is aware of his guilt, he is on the verge of murdering her, but is suddenly stopped by Buddy, who appears out of nowhere.

    At this point, the unlikely escape of Buddy from the mental hospital and his presence at the pond raises some doubts. Nevertheless, when Annie returns with an unconscious Wayne to the police, Buddy mysteriously disappears. The twist occurs when Sheriff Johnson reveals that Buddy couldn't have aided Annie because he had hanged himself hours earlier at the state mental hospital. One can only surmise that it was Buddy's spirit that assisted Annie in overpowering Wayne.

    Blanchett's excellent portrayal includes a convincing Southern accent, capturing the quiet dignity of a woman both admired and vilified in her hometown. Ribisi also shines in his role as the mentally ill Buddy. Despite the trial's implausibility, 'The Gift' remains highly entertaining, thanks to the masterful direction of Sam Raimi, who skillfully weaves all the elements together, complemented by an effective homespun musical score.

    In conclusion, 'The Gift' is a riveting supernatural thriller that keeps viewers engaged with its intriguing plot and outstanding performances. The film's atmospheric setting in a real Southern town adds authenticity to the story. While some aspects may stretch plausibility, the overall experience is highly entertaining and showcases the talents of its cast and director.
  • The Gift (2000, Dir. Sam Raimi) When Jessica King goes missing, all eyes turn to Annabelle Wilson. Not as a murder suspect, but as a clairvoyant. Many of the towns folk go to Annabelle for help, and Jessica's fiancée, Wayne Collins turn to Annabelle for possible guidance. Annabelle feels that she can't help, but this doesn't stop her from constantly getting visions of Jessica's fate.

    I don't have a great knowledge of Sam Raimi's films, outside of the 'Spider-Man' series, so i was interested to see what this film could offer. Especially with stars, such as Cate Blanchett, Greg Kinnear and Giovanni Ribisi. What i found to be watching was a good thriller, which i actually enjoyed. The film is your usual 'who dunnit?' film, but this didn't stopped me from enjoying the characters portrayed. Everyone has a different personality, with some being excellent and some being acceptable. It can start to becoming obvious when you get about 40 minutes into the film. I had already worked out who was the likeliest suspect before i had even reached this point of the film. I wouldn't blame this on this film, but more on the fact that a lot of mystery movies have gone through the same approach. Still, i really enjoyed myself and you should too.

    "Looks like there's a storm comin'." - Annie's Granny (Rosemary Harris)
  • Warning: Spoilers
    ***Some spoiler info*** This is a prime example of how a decent cast of popular "known" actors, screenwriter, and directors involved, you can get just about anything shot. Where do I start? First off, there are some who will forever hate "Fargo" because of the way it depicts Midwesterners. I am not one of these people, but if I were from the South, I would be offended. The entire town seems to be filled with incompetent inbreds, violent half-wits, and outright idiots! The law enforcement is filled with caricatures of the deep south; dumb and ornery. The characters stumble around for a good 3rd of the movie before anything resembling a story presents itself. There are so many gaping holes in the script, I don't have the room to begin (the entire courtroom scene is horribly thought out. No defence attorney in his right mind would make wise cracks about the murder victim, much less, what jury would LAUGH at such wisecracks??!!) the acting is average at best, and the direction is plodding and confusing. Greg Kinear can't decide if he's supposed to have a southern accent, Keanu Reeves should just stick with Matrix sequels for the rest of his life, he pulls off one of the least intimidating tough guys I've ever seen. Hilary Swank is a talented actress, what did she see in this role? All the characters were underwritten, stereotypical dolts who deserved the misery they were in. I couldn't root for any of them. What's the deal with the crazy fiddler guy by the swamp?! I had to restrain laughter. Any "eerieness" that was attempted during the main character's "vison" sequences was wasted by the greater stupidity of the whole story. The main character was just too dumb to be concerned about. What's with the "wacko that saves the day"??!! My god, once the true killer's identity was revealed, was anyone surprised by this?! Even the "creepy" violin interlude music between scenes got repetitive and grating on my nerves..Yuck. This was a stinker. Avoid at all costs..
  • This is one if those gems that no one knows about but should, just look at the cast. Good luck trying to put that cast together now and written by billy bob Thornton and directed my an Underrated phenom director mr sam raimi!! Its not a horror in anyway not sure why it states that, it's a mystery, thriller drama. I could go on and on but simply put to yourself a HUGE favor watch it right now!!!
  • While age may have dulled the initial impact of Sam Raimi's "The Gift," the lightly macabre thriller still makes for an impressive piece of near-horror. Led by a stellar Cate Blanchett, the film revolves around a fortune teller who becomes tangled in a murder investigation. Raimi quiets his usual voice in order to focus on performance and Southern atmosphere, though some of the director's standard creepiness scuttles to the screen. Powered by Blanchett and a strong cast, an engaging mystery, and potent chills, the experience proves robust.

    Ps: I Love u Giovanni Ribisi
  • Just watched this for the first time, and maybe it was "great" 30 years ago, but it certainly isn't now! The cast itself actually is good/bordering on great, and the actors do their best with the material, but the material is the issue. The story itself is trite, the murder is easily solvable, and the "surprise" at the end made me actually laugh out loud (I'm assuming that was *not* the response the director hoped to elicit). Bonus points for Blanchett's "tarot cards" coming straight out of Ghostbusters, though (wish I could attach a pic, they're hilarious - not actual tarot cards, they're legit cards with pics of just squiggly lines, stars, circles etc).
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