Freedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army, unleashing their arsenal of extraordinary skills and weaponry against the systematic forces o... Read allFreedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army, unleashing their arsenal of extraordinary skills and weaponry against the systematic forces of repression and exploitation.Freedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army, unleashing their arsenal of extraordinary skills and weaponry against the systematic forces of repression and exploitation.
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The premier problem with The Matrix Reloaded is that it's incredibly confusing. For the majority of the film I couldn't understand what was going on or who new characters were. For example, Lambert Wilson plays a French character called Merovingian and after four viewings of the film, I still don't know what purpose his character serves.
There is a scene near the end of the film in which you will definitely need a dictionary beside you. People who have seen the film will know that I am talking about the scene with The Architect, (Helmut Bakaitis) who has the widest vocabulary in the universe. I understand that it works for his all-knowing character, but what I don't understand is....well, what the bloody hell he's going on about. An example of a sentence he says is "you are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision." What?
The saviour of The Matrix Reloaded are it's jaw-droppingly brilliant action sequences. Amazingly choreographed and with top-notch special effects, they are what The Matrix trilogy is famous for. I have to say that The Matrix Reloaded definitely has the best action sequences out of the three films and two of my favourite movie scenes are actually from this. My personal favourite scene is when Neo battles an army of Agent Smiths for about eight minutes. Rob Dougan's music during these action sequences also add to the suspense.
Like any sequel, The Matrix Reloaded will always be compared to its predecessor, which is not good for TMR. The first film was more intelligent and intriguing, but the action sequences in the sequel were slightly better.
With a confusing plot, The Matrix Reloaded disappoints, but the action sequences are top-notch. I give it 6/10.
Despite the fact that practically the same cast and crew who created the magnificent first part is here for the 2 & 3 (they shot it back-to-back) the movie quickly loses its spirit.
First mistake is the introduction of many many new secondary characters who might not necessarily needed. And these characters are trying really hard to pose as important without that being the case at all.
Second mistake is the forced philosophy that didn't actually had anything to add to that of the original. The attempt for a recreation of the perfectly scripted dialog between Neo and the Oracle in the original is a failed one. For some, including me, it even destroys the feeling of the original dialog by diminishing its great themes.
Third mistake the (experimental) visual effects this time look completely fake. There is a big fight, shot with something that is described as virtual cinematography, and it's more than obvious that...well..it needs lots of work to be believable.
In conclusion when you are trying for bigger and better there is no guaranty that you will succeed. A common thing in movie sequels. A curse, that struck the second (and the third) sequels of the Matrix.
As the film opens, the Zionists (sic) prepare to fend off the attack of the sentinels. Morpheus is convinced Neo can save Zion, but to do so he must fend off all enemies to find the source of the Matrix. While Neo is having nightmares about Trinity's ultimate fate, Morpheus defends his decision to remove the Nebuchadnezzar from the first line of defense and shows renewed interest in his ex-lover, Captain Niobe (Jada Pinkett Smith). In the meantime, we get our first glimpse of Zion where the main floor with its rusted iron walkways and power generators looks like the remodeled boiler room of the Titanic. After listening to an inspiring speech by Morpheus, the entire floor erupts into a sensuous dance sequence to techno music, interspersed with scenes of Neo and Trinity making love. Neo learns that he must find the Keymaker (Randall Duk Kim) who alone can provide him with entry to the mysterious source that controls the Matrix. Neo tracks him down but first has to get past a seductive Monica Belluci and a witty Frenchman named Merovingian (Lambert Wilson) who seduces his women with chocolate cake.
As would be expected for a film with a budget that rivals the US Treasury, the special effects are outstanding and several action sequences stand out. The first uses digital effects and the choreography of Hong Kong director Yuen Wo Ping to recreate 100 clones of Agent Smith in a fight sequence with Neo. The longest and most bizarre sequence is a 15-minute freeway chase involving hundreds of cars, a Ducati motorcycle, trailer trucks, and agents all over the place. The scene, that included a specially built stretch of highway costing $1 million, took three months to film and is estimated to have cost $38 million. Don Davis choreographs the car chases with a techno score that becomes irritating after about the second explosion.
The Wachowski's have been accused of "heavy handed moralizing", "a for Dummies primer on philosophy", and "empty-headed techno-babble" but I think very few critics are listening to what they are actually saying. The film is about intimacy, choice, purpose, and our place in the universe. It suggests that "everything starts with choice" and "the only truth is causality". Put another way, we are the "chooser", the author and the cause of our own experiences. When we choose, we are really choosing what has already been chosen. `You are not here to make a choice,' the Oracle tells Neo `You have already made it. You're here to find out why'. What this means to me is that we are all here for a purpose of our own choosing and our job is to discover the appropriate means to realize that purpose. Believe me, you do not learn this in Philosophy 101.
Like the original, many elements of The Matrix Reloaded are fun and appeal to a younger audience but I found the sequel to be somewhat disappointing. The original left major aspects of the puzzle to our imagination and did not overload us with special effects. The sequel is more complex but lacks the sense of wonder of the first film. We know enough not to take the car chases and fight sequences too seriously, but without the element of danger, the highly choreographed set pieces become pointless and irritating. At the end of the first film, Neo told his adversaries on the phone, "I'm going to hang up this phone, and then show these people what you don't want them to see. I'm going to show them a world without you. A world without rules or controls, borders or boundaries. A world where anything is possible.' I'm still waiting for that world that no longer requires guns, weapons, punches, or kicks and where everyone gets that they are "The One". Now that is a rogue program that would be worth downloading.
Storyline
Did you know
- TriviaThe fight sequence of Neo versus Smith and his clones (a.k.a. The Burly Brawl) took 27 days to shoot.
- GoofsDuring the highway chase/fight scene, the traffic is moving toward the camera but there is a "Speed Limit 65" sign also facing toward the camera, revealing that ALL the traffic is moving the wrong way on the highway.
- Quotes
The Architect: You are here because Zion is about to be destroyed. Its every living inhabitant terminated, its entire existence eradicated.
Neo: Bullshit.
[the monitors respond the same]
The Architect: Denial is the most predictable of all human responses. But, rest assured, this will be the sixth time we have destroyed it, and we have become exceedingly efficient at it.
- Crazy creditsThe trailer for Matrix Revolutions is shown at the end of the credits.
- Alternate versionsThe version shown on TBS dubs the excessive use of the word "Shit" to "Shoot" or "Shucks." It also omits the nudity during the scene in Zion about 25 minutes in and the lines "You're fucking dead!" and "I'm gonna fucking kill you!" have the expletives cut out of the scene. Plus some of the car chase was omitted.
- ConnectionsEdited into MTV: Reloaded (2003)
- SoundtracksFurious Angels
Written and Produced by Rob Dougan
Mix and additional production by Peter Craige
Orchestrated and Conducted by Nick Ingman
Performed by Rob Dougan
Courtesy of Cheeky Records/BMG Records (UK) Ltd/Warner Bros. Records Inc.
Under license from BMG Special Products
By arrangement with Warner Strategic Marketing
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Matrix recargado
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $281,576,461
- Opening weekend US & Canada
- $91,774,413
- May 18, 2003
- Gross worldwide
- $741,847,937
- Runtime2 hours 18 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78:1 (IMAX 70MM: Entire Film)
- 2.39 : 1