User Reviews (2,914)

Add a Review

  • Warning: Spoilers
    News reaches Zion of an army of sentinels amassing on the surface many miles above the city, clearly preparing for an invasion. While the city prepares for a counter attack on the sentinels, Morpheus pins his hopes on Neo and obeys orders to stay with broadcast range to allow Neo to meet with the Oracle. Neo meanwhile is plagued with dreams of Trinty's death in the matrix. When the Oracle does contact Neo, she tells him of The KeyMaker - the man who can get him access to the very source of the matrix. A rescue mission is mounted which is complicated by not only the agents, but rogue programmes and the return of a 'freed' Agent Smith.

    Many reviews (here and in the press) have tended to go one way or the other. Some have lavished praise on this film claiming it as a milestone and even better than the original, others have hated it and laid into it heavily. I'm not wanting to sit on the fence but I do feel that both camps have valid points and that the answer is somewhere in the middle. The main reason I found it hard to get into this film was the heavy tone it has now developed. Seemingly the same bug that the Star Wars movies have caught (taking themselves too seriously) the matrix appears in danger of getting in a bad way. The plot here is quite straightforward and not as twisty as the original - however it is delivered as if every line of dialogue was profound. This really sucks the life out of the film as it is not profound but rather borders on the pretentious at times due to it's delivery.

    I suspect that this was spotted and so the film is unnecessarily cluttered with minor characters that detract from the central tale. And so screen time is given to Link and his wife as well as a seemingly pointless speech from Merovingian. This makes it feel baggy and also slightly unsatisfactory when these strands appear to go nowhere but only fill time. Also the plot is a little too complex (all this rogue programme stuff) and isn't delivered in a user friendly way - it is not always clear what the significance of certain things are until later in the film and even then it is uneven. However both these criticisms will be countered if, in Revolutions, these strands are brought together and minor characters in Reloaded are shown to have a bigger input.

    On the plus side the action is very good. I must admit that it wasn't as exciting as the original mainly because the plot wasn't as involving to me - I need a good story generally to get into the action side. However in honesty the action still looks great and is a real leap forward from the Matrix - a great blend of wire work and visual effects. Occasionally the special effects are slightly wanting (in Neo's fight with Agent Smiths it is clear when it is a visual effect rather than the real thing) but these are minor quibbles compared to some sterling work. The car chase on the freeway may be a very easy way to get an action scene but it still works very well and is exciting. The only downside to it is that I felt that an action scene should have been part of the end of the film - instead the 'big' scene occurs a good 20 minutes before the end of the film. The actual cliff-hanger itself doesn't really work and it could have done better with a general downbeat ending like Empire Strikes back had - did it think I needed a reason to watch part 3? I'm already there!

    The acting suffers from the same problems as the plot - it is all too heavy. The clearest way this is seen is in Fishburne. In part 1 he was very good, especially when he exposed Neo to the matrix with a mix of playful wit and serious touches when they were needed. Here in part 2 he seems to be mistaken that he is playing Othello again. Watch him speaking to the crowds at Zion, he really plays it like he is playing Moses or something. In fact all through the film he is very heavy - even compare his big fight with his previous face-off with Smith in part 1, there he was human and vulnerable here he is more like a rock and less fun for it. Moss is also serious but she was in part 1 too so it's not so noticeable. Reeves is good and at least adds some humour but he plays it very serious again. The additions add colour but are mostly distractions. The support cast in part 1 were merely there, here the film feels it has to develop them to make a rich tapestry but the end result is it feeling too stretched. It's hard not to watch Pinkett-Smith and feel that her character is more to do with the video game than the film itself. Happily Hugo Weaving is fun and is back with his old sneer, while the twins are good value despite having minimal plot impact.

    Overall it was always going to be hard to follow up the first film. There the plot was gripping and it is difficult to make the growth of Neo's powers as interesting as his discovery of them was. I enjoyed the film but just felt that the almost biblical significance that it tries to give itself was it's undoing - luckily the action and style was it's salvation. Hopefully I will watch Revolutions and see how Reloaded works better in hindsight. Without that knowledge, many of the plot strands appear to be left loose. If I watched this as a film by itself then it would be irritating - if the conclusion to the trilogy can get back to the enjoyment and tone and spectacle of the matrix at it's best then this will be a much better film in company of it's brothers. Far from perfect but I don't see how anyone can totally write this film off.
  • Warning: Spoilers
    The Matrix Reloaded (2003) is the greatest action movie of all time and a good sequel to the original The Matrix (1999) that I went to see it with my mom in the movie theater in 1999 when the movie come out. I love this movie even if some people are saying is not that good I still love it and love The Matrix Revolutions as well. It is one of my personal favorite Keanue Reeves movies.

    Granted things get bigger and a little darker. The visual effects, go way overboard and the CGI does not bleed in well with the live action. Nonetheless Reloaded is a fun film to watch. The visual aspects blows out of the water. The soundtracks to this movie are pretty good and they are fine of mix songs to the movie.

    The sequel to successful original movie is an awesome film. Not just a visual wonder but the ambitious storytelling that demands more than your average action film. A wonderful follow up to the outstanding original and a great precursor to the inevitable finale. While it doesn't strictly adhere to normal flow of most films, that is one of its best traits. While it has its flaws, it makes for a fantastically entertaining experience. Not for those who don't want to think too much.

    It is a good sequel who doesn't deserve to be hated for it. Keanu Reeves and all other cast crew did outstanding performance on their works. Nearly 12 years later have passed since no movie has come close to tapping into the myth, world and action that was created in Matrix Reloaded. For fans of action movies, the story can be as straight forward as you wish it to be, following the path of Neo as man kinds savior. For those who wish to dive deeper, you can see how far the rabbit whole really goes because the amount of hidden references, back plots and information in this movie is immense. For a film The Matrix fans this wouldn't be an action movie without some action. There's plenty of it, and it's perfectly done. The CGI effects creating more Smiths were astonish, were cutting-edge for the time, and still look great (whoever said differently below is simply incorrect) -- even if they're completely commonplace today. Insane action ensues as a well done plot follows.

    Neo (Keanu Reeves) saving Trinity on the end of the film and than he collapses in to come was awesome and great ending with a cliffhanger so that viewer keeps guessing what will happened next, in the next movie that was just great. The Neo vs Smith fight is just excellent as is the Freeway chase. More Smiths (Hugo Weaving) I think Hugo Weaving did a perfect job as Agent Smith in this follow up sequel. I love his character and I think he is one of the best villains ever. Neo vs a 1000 Smiths fight scene just blew me away/ the martial arts were outstanding action sequences. Overall it is a good film at least it is for me. I will never understand the hate for the sequels for it. At the same time, the complexity of the storyline, and the unexpected plot twists left many viewers a little (or a lot!) confused. We'll admit that it's taken several viewings for us to figure some things out, and that there are still lots of pieces we haven't put into place. Some answers, we're sure, will not be revealed until Revolutions, and some will never be revealed. There are no words for Hugo Weaving except badass!

    Neo, Morpheus, Trinity, and the rest of their crew continue to battle the machines that have enslaved the human race in the Matrix. Now, more humans are waking up out of the matrix and attempting to live in the real world. As their numbers grow, the battle moves to Zion, the last real-world city and center of human resistance. That is the basic main plot and it is good so I am giving 9/10 for been a good action movie. It is one of my personal favorite Keanu Reeves movies.
  • Warning: Spoilers
    Of all the big-budget sci-fi sequels that are winging their way across our cinema screens in 2003, the two MATRIX sequels are amongst the most highly regarded. So how does THE MATRIX RELOADED stand up to the ground-breaking original movie? I would say very well; as a film it comes in just under the bar raised by the original's formula, only losing out because the originality of the first film's plot and world are now familiar. This is a film immediately cursed by being the middle of a trilogy: it has no real beginning and no real end. The plot is a major hurdle which even fans will find themselves struggling to overcome. For the first hour and a half, nothing much plot-wise happens at all, then most of the plot is crammed into about ten minutes of screen time, then there's a ludicrous cliffhanger ending which isn't worth much. The result is a film which drags somewhat at the beginning (clumsy out-of-place "rave" sequences, a lengthy and non-too-appetising love scene between Reeves and Moss) and gets far too complicated at the conclusion, with this viewer lost by the endless philosophical debates about human choice.

    Still, this matters not: the series has not yet lost the "cool" factor. ALL of the major players from the first film are back; Carrie-Ann Moss is particularly well served in scenes that flesh out her character nicely. Keanu Reeves has rather less to do than previously, but he does indeed look "cool" and he gets to fly like Superman, which is pretty good in my book. Laurence Fishburne is also back, beefier than ever, but is pretty much wasted this time around. Agent Smith (Hugo Weaving) also returns after being destroyed the first time, although he has less screen time here; well, more in a way, but let me come to that. Newcomers include the imposing "ghost twins" and alluring French beauty Monica Bellucci.

    Most fans of the series will be looking for hard-hitting action scenes and in this respect the film does not disappoint. In fact some of the best action in the past ten years plays out in this movie. Whether it be incredible kung fu fighting or the seventeen-minute car chase, this movie kicks backside. Two lengthy moments stand out in my mind as highlights: the playground fight between Neo and the Smith clones, which is simply incredible and just gets better and better, leaving me breathless; plus the aforementioned car chase which is incredibly and possibly the best of its kind ever seen in a movie. The special effects are top notch and offer plenty of never-before-seen techniques, progressing wildly from the original movie. So, in a nutshell, THE MATRIX RELOADED is worth watching for the fantastic action alone. Just don't expect a mind-bending plot like the first one offered.
  • While not as coherent as the first film, The Matrix Reloaded is still great fun and attempts (but doesn't always succeed) to add some smarter ideas into the mix along with action that has to be seen to be believed.
  • The Matrix Reloaded has everything you could possibly want from a summer blockbuster but it like its predecessor has a heck of a lot more and while Reloaded is not as good as the first Matrix film it sure is close to the standard of the original. I don't understand the seeming reluctance to accept this film a suitable continuation of the original film. I'll be the first one to admit that Reloaded has a few slow points and that the story line has a tendency towards the pretentious but the film is also highly intelligent and entertaining but most importantly the film gets the story from A to B with adequate and in some cases remarkable character development.

    Acting wise the film is in the same kind of league as the first film of the series with a few mediocre performances, a few decent performances and one or two excellent performances. Keanu Reeves plays Neo pretty much like he did in the first movie and that is not bad. His monotone voice is canceled out by his clear and well defined body language. His overall performance is very fitting for the character which, lets face it, is somewhat square and Keanu's acting fits that kind of character very well. Carrie-Anne Moss has taken a small step down. I don't blame her as much as I blame the writing. Her character, while still ass-kicking, is too dependent on Neo. I know they love each other but come on. Laurence Fishbourne shines as Morpheus. His performance is slightly more stylized than in the first film but he steals almost every scene he is in. Other semi-known actors make glorified cameos. Actors like Jada Pinkett Smith, Monica Bellucci and Lambert Wilson are great examples. Gloria Foster returns as the Oracle in her (sadly) last performance as she died during the filming. Her one brief scene is both highly interesting and well acted. As it was with the first film Hugo Weaving provides the best acting by far. Although his screen time is somewhat limited he manages to leave a lasting impression and becomes one of my favorite screen baddies of all time. His performance is for lack of a better word fantastic.

    Effect wise Reloaded is a feast. There is literally something to look at in every scene. The "real" world has been given a face lift to make it more interesting. The real effects, however, take place inside the matrix and just like in the first film the effects are absolutely ground breaking. Rivaling the likes of Star Wars and LotR and that is saying something. The people who think the story is pretentious and the dialog stubby will undoubtedly get their adrenaline fix in the action scenes. Some scenes had me holding my breath and gasping at how beautiful and overwhelming it all was and as much as I love the philosophical aspects of the film I can watch it for the effects themselves as well. Without spoiling anything I can say that lovers of cool fight scenes and fx are in for a hell of a treat with this one.

    In terms of costumes the film has really grown into its own. Especially Neo's costume in The Matrix is very cool and is a great improvement over the previous film. Morpheus' and Trinity's costumes are the same with minor changes and they still look cool. Agent Smith's costume has changed slightly in the color scheme. His suit has become a bit darker as if to signify that he is no longer an Agent of the system but a rogue agent now. Also his sunglasses have changed so that they look more rounded so they look more like Neo's sunglasses which of course implicates their connection. Many of the secondary characters have their own costumes as well mirroring their own personalities.

    Were the film separated itself from other action packed films is of course in the underlying philosophical and religious aspects. Once the film has been watched a few times for the effects you can begin to see some of the elements. I don't think its possible to fully translate and analyze every element of the film. Mainly because every element can be analyzed in a bunch of different ways. Without spoiling too much I can say that if you look hard enough you will be able to find Plato, Baudrillard, Gnosticism, Buddhism, Hinduism, Christian elements and some more. The people who tell matrix lovers to get a life for searching the Matrix for a deeper meaning ought to open their eyes and watch the film one more time. With that I'm not saying that you can't be intelligent if you don't like the Matrix I am simply asking you to give it another chance. You really won't regret it.

    The Matrix Reloaded is an excellent film and it deserves a lot more respect than it is getting and it is definitely underrated. I don't expect people to agree but I do expect people to respect those who love the Matrix sequels like me. I for one think that its hard to go wrong with Reloaded as it is funny, moving, awe-inspiring and very intelligent. I highly recommend this film to anyone.

  • "What's going on?" "Man, that was cool." "Jesus, I need a dictionary." These three things went through my mind while I watched The Matrix Reloaded. Keanu Reeves returns as Neo, who goes to the city of Zion along with Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss.) As approaching sentinels get closer and closer to the city, an old enemy (Hugo Weaving) pops up again, determined to destroy Neo. As if that weren't enough, Neo has a dream about Trinity dying and he wonders if it will come true.

    The premier problem with The Matrix Reloaded is that it's incredibly confusing. For the majority of the film I couldn't understand what was going on or who new characters were. For example, Lambert Wilson plays a French character called Merovingian and after four viewings of the film, I still don't know what purpose his character serves.

    There is a scene near the end of the film in which you will definitely need a dictionary beside you. People who have seen the film will know that I am talking about the scene with The Architect, (Helmut Bakaitis) who has the widest vocabulary in the universe. I understand that it works for his all-knowing character, but what I don't understand is....well, what the bloody hell he's going on about. An example of a sentence he says is "you are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision." What?

    The saviour of The Matrix Reloaded are it's jaw-droppingly brilliant action sequences. Amazingly choreographed and with top-notch special effects, they are what The Matrix trilogy is famous for. I have to say that The Matrix Reloaded definitely has the best action sequences out of the three films and two of my favourite movie scenes are actually from this. My personal favourite scene is when Neo battles an army of Agent Smiths for about eight minutes. Rob Dougan's music during these action sequences also add to the suspense.

    Like any sequel, The Matrix Reloaded will always be compared to its predecessor, which is not good for TMR. The first film was more intelligent and intriguing, but the action sequences in the sequel were slightly better.

    With a confusing plot, The Matrix Reloaded disappoints, but the action sequences are top-notch. I give it 6/10.
  • The creators of The Matrix Trilogy had repeatedly state that this was conceived as a "Trilogy" from the start. Although I haven't a reason to doubt that, the 2nd (and 3rd) Matrix fall in the tradition that many sequels of good movies suffer from.

    Despite the fact that practically the same cast and crew who created the magnificent first part is here for the 2 & 3 (they shot it back-to-back) the movie quickly loses its spirit.

    First mistake is the introduction of many many new secondary characters who might not necessarily needed. And these characters are trying really hard to pose as important without that being the case at all.

    Second mistake is the forced philosophy that didn't actually had anything to add to that of the original. The attempt for a recreation of the perfectly scripted dialog between Neo and the Oracle in the original is a failed one. For some, including me, it even destroys the feeling of the original dialog by diminishing its great themes.

    Third mistake the (experimental) visual effects this time look completely fake. There is a big fight, shot with something that is described as virtual cinematography, and it's more than obvious needs lots of work to be believable.

    In conclusion when you are trying for bigger and better there is no guaranty that you will succeed. A common thing in movie sequels. A curse, that struck the second (and the third) sequels of the Matrix.
  • Warning: Spoilers
    During one University Class on Film Violence our tutor went around class asking the students to nominate a film where we felt the violence was unrealistic . My nomination was the Randall Wallace debacle WE WERE SOLDIERS down to the fact every time an American was killed there was always enough time for the dying soldier to make a short speech as to how much he loved his wife/mom /pet dog . One of the other students , a young lad called Ivan , nominated the battle between Neo and the multiple Mr Smiths' from THE MATRIX RELOADED . I remember thinking it was a rather good nomination since it seemed to go on far longer than needed and that Neo could have escaped the fight anytime he wanted . Having recently seen the film again I have to say it's a brilliantly obvious nomination since the sequence is ridiculous and unconvincing as is the whole movie

    It's obvious that when THE MATRIX was released it was produced to be a stand alone one off movie . Hollywood being Hollywood however it doesn't stop people coming up with bad ideas if the motive is money . RELOADED is a bad idea but its problem is that it's not only a bad idea but it's a bad idea badly done

    A common complaint amongst the more analytical comments on this page criticise the way when characters speak it sounds like they're giving the most profound speeches in he history of cinema in a film that is just an action franchise movie . Thisis entirely correct we get set piece followed by long pretentious sententious dialogue followed by set piece , followed by long talky scenes followed by set piece

    What really drags the film down is that the set pieces are both overlong and very badly done . Watch the scene that Ivan criticised and you'll notice that much of it is done via computer animation . Especially the bit where Neo holds on to the pole and and kicks the myriad of Smiths out of the frame . You'll be expecting Bugs Bunny to appear chewing a carrot asking " What's up doc ? " It becomes literally cartoonish . There's also a set piece on a freeway where a couple of of ghostly twins try and eliminate the good guys often in hand to hand combat . What lets this down is that both the choreography and editing are very loose . You can see in your head the actors thinking " one two three one two three left right left " as they try and assault one another

    The original film was one of those rare movies that mixed a high concept plot with genuinely exciting action sequences . This sequel has none of that . It is nothing more than a cynical exercise in making money . The only half decent thing about it is that it's only slightly better than the following film THE MATRIX REVOLUTIONS
  • Last night I was fortunate enough to stumble across some tix to the "Reloaded" premiere. Since the original "Matrix" came out a few years ago everyone has imitated its' kenetic action style, which led me to think there's no way they can recapture that fresh and exciting edge again. But they did. The Wachowskis have way out done the new "Star Wars" films and without a doubt have far surpassed the "X-Men films." At times the dialogue is clunky and the Zion scenes are a little too Star Trek and Buck Rogers, but the action is always astonishing, and the humor is always in the right place...if not too much in the right place...For example Neo uses one of the many Agent Smiths to take down other Agent Smiths sending them all crashing with the sound of falling bowling pins. A little goofy but fun. The action though, I can't say enough about. The center chase scene is awesome and the opening cycle scene is.... Okay, no more words, "The Matrix: Reloaded" will not disappoint and by the time you reach the cliffhanger ending you're more than ready for a break from this double talking, mind bending adventure.
  • The plot is a mess. Don't even try to understand it. But there are some great action scenes that start after the introduction of the gorgeous Monica Belluci. Keanu's fight scene at the Merovingians place is the highlight with great music and choreography. It makes his subsequent casting in John Wick an obvious choice.
  • We gorge on the binaries prophesied once again, through an ever increasing bandwidth, as we exponentially widen our dietary desire to become what everyone wants us to be without thought for who or what we really are or could be. Getting a bit too close to the man from Nazareth for my liking - bring on the Crucifixion.
  • Warning: Spoilers
    When I watched The Matrix I really liked it. It was not the best film in my life but it was interesting and twisted. I think the best in The Matrix was the SURPRISE factor. So when Matrix Reloaded was released I went to the theater with high expectations.

    In Matrix Reloaded the surprise factor is completely lost. Now Neo is Superman and has nothing else to learn because he is indestructible. His only worry is his recurrent nightmare where he sees Trinity dying or something.

    The movie is full of endless, annoying and ridiculous scenes that makes you check your watch all the time. For example, the rave/orgy in Zion and the pseudo French parrot talk. Both scenes are only made to add some sex spice to the story, which is absolutely unnecessary.

    The fight scenes are also endless and you already know that no-one can beats Neo so these scenes have no suspense... And what can I say about the fight scene with 200 Smith clones? Everybody was laughing in the theater.

    The Oracle was replaced by another actress because the original actress died, but Gosh... This new Oracle is very annoying and hollow! She is not an adviser like before! And I really liked Tank character because he was very pleasant. Now they just made him disappear.

    I do not recommend Matrix Reloaded or Matrix Revolutions. Both of them are just parts 2 and 3 that ruined the original one. I really feel embarrassed cause I liked The Matrix but these two sequels are like the undesirable children.
  • It is six months later. Neo and the rebel leaders have 72 hours until 250,000 machine probes discover Zion and attempt to destroy it. The Matrix Reloaded, the long-awaited sequel to the 1999 blockbuster hit The Matrix, follows the lives and destinies of the freedom fighters from Zion and continues its inquiry into our reason for being. The original had us look at the nature of the reality we live in and the sequel invites us to look at how we respond once we understand that reality. Most of the same characters are back: Neo (Keanu Reeves) as the prophesied One, Morpheus (Laurence Fishburne) as the enlightened rebel leader, Trinity (Carrie-Anne Moss) as Neo's lover, and the late Gloria Foster as the Oracle, a very wise lady who tells it like it is.

    As the film opens, the Zionists (sic) prepare to fend off the attack of the sentinels. Morpheus is convinced Neo can save Zion, but to do so he must fend off all enemies to find the source of the Matrix. While Neo is having nightmares about Trinity's ultimate fate, Morpheus defends his decision to remove the Nebuchadnezzar from the first line of defense and shows renewed interest in his ex-lover, Captain Niobe (Jada Pinkett Smith). In the meantime, we get our first glimpse of Zion where the main floor with its rusted iron walkways and power generators looks like the remodeled boiler room of the Titanic. After listening to an inspiring speech by Morpheus, the entire floor erupts into a sensuous dance sequence to techno music, interspersed with scenes of Neo and Trinity making love. Neo learns that he must find the Keymaker (Randall Duk Kim) who alone can provide him with entry to the mysterious source that controls the Matrix. Neo tracks him down but first has to get past a seductive Monica Belluci and a witty Frenchman named Merovingian (Lambert Wilson) who seduces his women with chocolate cake.

    As would be expected for a film with a budget that rivals the US Treasury, the special effects are outstanding and several action sequences stand out. The first uses digital effects and the choreography of Hong Kong director Yuen Wo Ping to recreate 100 clones of Agent Smith in a fight sequence with Neo. The longest and most bizarre sequence is a 15-minute freeway chase involving hundreds of cars, a Ducati motorcycle, trailer trucks, and agents all over the place. The scene, that included a specially built stretch of highway costing $1 million, took three months to film and is estimated to have cost $38 million. Don Davis choreographs the car chases with a techno score that becomes irritating after about the second explosion.

    The Wachowski's have been accused of "heavy handed moralizing", "a for Dummies primer on philosophy", and "empty-headed techno-babble" but I think very few critics are listening to what they are actually saying. The film is about intimacy, choice, purpose, and our place in the universe. It suggests that "everything starts with choice" and "the only truth is causality". Put another way, we are the "chooser", the author and the cause of our own experiences. When we choose, we are really choosing what has already been chosen. `You are not here to make a choice,' the Oracle tells Neo `You have already made it. You're here to find out why'. What this means to me is that we are all here for a purpose of our own choosing and our job is to discover the appropriate means to realize that purpose. Believe me, you do not learn this in Philosophy 101.

    Like the original, many elements of The Matrix Reloaded are fun and appeal to a younger audience but I found the sequel to be somewhat disappointing. The original left major aspects of the puzzle to our imagination and did not overload us with special effects. The sequel is more complex but lacks the sense of wonder of the first film. We know enough not to take the car chases and fight sequences too seriously, but without the element of danger, the highly choreographed set pieces become pointless and irritating. At the end of the first film, Neo told his adversaries on the phone, "I'm going to hang up this phone, and then show these people what you don't want them to see. I'm going to show them a world without you. A world without rules or controls, borders or boundaries. A world where anything is possible.' I'm still waiting for that world that no longer requires guns, weapons, punches, or kicks and where everyone gets that they are "The One". Now that is a rogue program that would be worth downloading.
  • While there are better films out there than 'The Matrix', in its genre and as an overall film, it is still a great, impeccably made and awe-inspiring film and ground-breaking in its visuals and sound. It was followed by two sequels, neither of them being absolute travesties but at the same time neither are close to the same level.

    Under review is its first sequel 'The Matrix Reloaded'. A film with some great merits that come close to matching how 'The Matrix' executed the same merits. It also suffers from some major flaws, that make it both disappointing and frustrating. Granted the Wachowskis had a mammoth task to follow and it was such a high standard to compete with, so it was always going to be touch and go as to how it was going to come off.

    Starting with its good things, once again while not revolutionary 'The Matrix Reloaded' looks wonderful. The production design is still audacious, the special effects dazzling and uber-cool, very slick editing and cinematography that's both clever and imaginative. Once again the music score is hypnotic and haunting, the use of sound having a real sense of eeriness.

    'The Matrix Reloaded' benefits from some astonishing set pieces, that benefit from looking great, breathless stunts, a great sense of paranoia, energy and tension and, while rather underused, the villains are interesting.

    Acting varies with Keanu Reeves still oozing super-coolness, Carrie Anne Moss bringing strength and vulnerability and Hugo Weaving a commanding presence. As charismatic as Laurence Fishburne is he does take it too seriously here with too much of a heavy approach.

    Which is a general problem with 'The Matrix Reloaded' in feeling too heavy and the tone being too serious. It also feels bloated, trying to do too much and also incorporating too many themes and characters, some being not that interesting.

    Its writing is messy as well, with so much of the dialogue being cheesy and stilted. The pace surprisingly plods, especially at the beginning that feels endless with scenes that serve little to no point or drag badly, and the finale is convoluted.

    In summary, not an awful film but for a reload/sequel it's vastly inferior, even for expectations being so mixed. 5/10 Bethany Cox
  • I did not like this very much the first watch. But after watching Revolutions, which I thought was much better, I gave this another chance. The first time you are of course wondering where the story is taking you and it ends up being basically no where. Then Revolutions does go there.

    Because Reloaded is a second movie, it's the first half of the second movie. With that knowledge this first act becomes much better. Sure the action scenes go on a little too long, while they are very cool, but the second time when you aren't wondering about the plot you can enjoy them a little more.

    Maybe it would have be easier if they called this movie part one.

    My only problem with this movie is that it's uneven. There is over an hour of laying down plot line after plot line. Then action scenes that are very long and lose their significance to the story about half way through.

    Now all of the dialogue and action scenes are very good but there should have been a little bit of break up to make it easier on us and even it out. The last third corrects this problem though.

    Very good after a second viewing. The two movies are structured like one movie. It's really like watching The Empire Strikes Back, pausing it after Darth Vader shows up at cloud City and waiting 6 months to finish the movie.

    Please give it another chance and you will enjoy.
  • Warning: Spoilers
    It sure is. The visuals, the story, and all of the references are all over my mind. It's a good action flick with a decent dystopia plot, but watching the Matrix film series and its 2nd movie Matrix Reloaded get really, really confusing. I know the first Matrix (1999) movie was just as baffling, but in here in this sequel, it's over complex. To simple down the over complex plot for you, this is how it goes: Neo (Keanu Reeves) must decide on saving Zion and risk killing Trinity (Carrie-Anne Moss) or allowing Zion to meet its doom by saving Trinity. That's it, everything else in the film, you don't need to understand, unless you want your mind blow by stress trying to figure it out. For the normal mindless popcorn flicker, there are plenty of action in the film. I like the brawl with a hundred Agent Smiths (Hugo Weaving), Château fight, and the Highway Battle. In the burly brawl, did they really use a sound of a bowling ball knocking over pins? Yes. Now, that's just silly. The CGI in the film was amazing. There are plenty of slow bullet time for you to sink your teeth into to the point, it's become somewhat a parody of its normal self. There are moments in the film, I kept asking myself, do we really need that 'there'? Talking about things not needing to be there. I always skip the cave-rave scene every time I watch the film. It's so pointless and out of place. It looks like an orgy full of cavemen beach bums rather than a Matrix movie. I adore all the philosophical discussions of free will v foreknowledge, Taoism, the references to Plato's Allegory of the Cave, the levels of realities, and so on, so on, but a lot of this film has so much exposition that never get explain or go anywhere. There always beating around the bush in this film that it leave you mind-boggling. Deliberately ambiguous or unclear in order to mislead or withhold information might be a great plot device, but overwhelming the story dialogue with too much intelligent with little to no result can leave the audience asking themselves, what did they say? Not everybody is as mindful as those of the writers. They even put a theory about werewolves and vampires in the middle, that is confusing and never brought up again in the film. Even some of what they are talking about, isn't totally truth in a certain P.O.V. such as the topics of Control, and understanding choice. There is no bigger epic failure of exposition dialogue than that of the Architect, that supposed to explain everything in the Matrix World. It all sounds reasonable when he explains it to Neo, but it isn't very logical. It's the stupidest world building ever. It leaves a lot more questions, then it does provide answers. While, the 3rd movie in the film series Matrix Revolution (2003) did explain more, it's still a huge headache worth of information yet to be explain. There are whole chapters of books and videos trying to understand the whole Matrix mythos and how it is mediated across both film and games, with all different opinions and so call answers to questions to what the film is trying to say. In my opinion, the writers Lana Wachowski and Andy Wachowski felt like they were trying too hard to developed a complex plot and it hurt the film a bit as some people found the dialogue to be boring, confusing, or sometimes hard to follow. It isn't an easy subject to wrap your mind around. So to some people, it might be not entertaining. I do like the new characters that they add to the story. I do enjoy Link (Harold Perrineau). He probably the best new character, I like. The role of Zee, Link's wife was originally given to singer/actress Aaliyah, who was killed in a plane crash on August 25, 2001, before she could complete shooting her part for The Matrix Revolutions. Nona Gaye replace her. It sad that happen during film. Overall: Seeing that this is the second movie in the trilogy. I did like it, but the ending was kind of a downer. I wouldn't say, it's better than the 1st movie, but it wasn't a total failure like some critics pan it. In my opinion, it's worth the ticket price when I saw it in 2003 and worth having it as a DVD in my DVD collection.
  • This exciting sequel is full of thrills , cutting-edge visuals, stylist innovations , fights , tension , suspense and groundbreaking races , but also several commercial elements , including computer-simulated violence . This is a dynamic, fast-paced and amusing movie , though overlong . It's an enjoyable , if somewhat light-headed piece of escapism with state-of-art special effects and straightforward screenplay . Big-budgeted film by the great producer Joel Silver led to break into the booming Sci-Fi/adventure/fantasy market plenty of inventiveness and imagination . Full of action, it's complemented by rousing scenes , breathtaking flights and struggles are spotlights . It deals with Neo (Keanu Reeves) ¨who is thought to be the chosen one¨ and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo has to decide how he can save Trinity (Carrie-Anne Moss) from a dark fate in his dreams and he must find Merovingian (Lambert Wilson who is accompanied by a gorgeous Monica Bellucci). It is a dark time for the world in this second adventure. The epic war between man and machine reaches a thundering crescendo : the Zion military, aided by courageous civilian volunteers and led by councillor Hamann (Anthony Zerbe) desperately battle to hold back the marauding Sentinel invasion from overtaking the last human fortress . Neo, Morpheus (Laurence Fishburne) and Trinity race against time and are advised by the Oracle (Gloria Foster) to encounter the Keymaker (Randall Kim) who would help them reach the Source. While the human city of Zion is preparing for the oncoming war with the machines with very little chances of survival. The city , the last outpost of humanity , is defended by valiant warriors (Harry Lennix, Gina Torres , Nora Gaye) against the massive invasion of the machines to save the humanity as Neo fights to end the war at another front while also opposing the rogue Agent Smith (Hugo Weaving).

    This is an action-packed, booming following with some of the best vehicles scenes ever filmed , including awesome visual effects by John Gaeta. This thrilling movie contains impressive fights , chills , breathtaking designs , dense philosophy and many other things . From the beginning to the end the comic-book action-packed and extreme violence is continued and it's fast movement ; for that reason the picture is pretty amusing ; furthermore contains lots of car crashes on a California freeway and spectacular combats in mart arts style staged by Yue Woo Ping who also made ¨Kill Bill¨ and ¨Crouching tiger, hidden dragon¨ . Contrived beyond belief with spectacular races that play like video games , but slickly calculated to please 2000s audiences . Moving and pulsing musical score by Don Davis . Magnificent , glamorous production design by Owen Paterson . Colorful and imaginative cinematography by Bill Pope . The motion picture is stunningly written , produced and directed by Larry and Andy Wachowski-The Wachowski Brothers- .

    The following to this futuristic saga results to be ¨Matrix Revolutions¨ in which takes place the final battle between machines and humans ; it holds similar artistic and technician team . And being preceded by the classic ¨Matrix¨ in which Neo aware the world he is living in is an illusion maintained by machines that have taken over earth .
  • Anonymous_Maxine2 August 2003
    The thing that really strikes me about The Matrix Reloaded is that the increase in quality, if it can be said that there actually is one, from the first movie is more the result of an increased budget than anything else. I loved the new movie, but the talent was there in the first one, you can just tell that in the sequel the Wachowski brothers had a virtually endless budget, which allowed them to do pretty much anything they wanted. They have a very distinct style that is clearly evident in all of their movies, even if they are not laden with special effects. The fluidity of the camera movement and the strangely dark tones of their films are only a couple of the techniques that make them recognizable. These things really come to the surface if you watch the Matrix films, some of the most recognizable films ever made, and then watch an earlier one of their movies, like the trashy 1996 thriller, Bound.

    That being said, I think it's safe to say that, despite the massive and seemingly unsurpassable genius of the first Matrix film, the Wachowski brothers have made another step up from their last film. It should be noted that the film is the second part in a trilogy, especially before groaning out loud at the sudden ending of the film, which built up and built up and built up and then just stopped, just like the fist Lord of the Rings film did. I won't take time here to go into what the story is about and how it continues the story from the first film, if only because plot summary in film reviews is a total waste of time for the writer as well as the reader, and also because I've only seen the movie twice, which really isn't enough to get a total grasp on the depth of the plots, so I'll just suffice it here to say that the startling complexity of the original Matrix (a complexity which is almost unheard of in a science fiction film) is added onto and expanded in this film, although despite being hard to follow, is never confusing.

    I've heard all kinds of talk about the Italian Job having an even better car chase than The Matrix Reloaded and how the chase in this film wasn't even that good at all, blah blah blah. There is a freeway chase scene in this film which recklessly promotes reckless driving (and, even worse, reckless riding), but it is one of the most impressively made and fascinating car chase scenes that I've ever seen. It also contains the characteristic style of the Wachowski brothers, and is famously filmed on a freeway that was constructed strictly for the filming of this scene. I can't remember where, Australia, I think. Anyway, Morpheus and one of the agents are having a kung-fu fight on top of a semi trailer (which the driver never seems to notice), the poor keymaker in struggling to stay out of the way, Trinity is flying between cars against traffic on one of the most badass motorcycles on the road (enter the Ducati commercial), and Morpheus is off doing, as they say, `his superman thing.'

    The superman thing is one of the elements of the movie that bordered on being campy, as the multitude of Agent Smiths comment to themselves, `He's still only human.' And then in the next scene he's flying. This is one of the points where you really need to keep in mind that Neo's body is plugged into a machine, in the strikingly less appealing real world, and is basically playing a video game where he'll die in real life if killed in the game because his body will think that it has been killed for real and will shut down.

    During the freeway scene, there's a camera shot where the camera literally goes right through the chassis' of a couple of semi trucks as it follows Trinity, which I think got the biggest reaction from an audience in a single scene that I've seen since that Velociraptor jumped up at the ceiling in Jurassic Park. One of the other most memorable scenes is the lengthy fight scene between Neo and the hordes of Agent Smiths, one of the most entertaining fight scenes I've ever seen. It's obvious that the vast majority of this scene is special effects (and not only because there are hundreds of the same guy in it), but it is so well made and convincing and even amusing that the entertainment value of it is massive.

    The new villains, by the way, are some of the best new villains since the Reapers in Blade II. I've heard something about an albino interest group that's trying to sue for the way albino's are portrayed in this movie because of these guys, although I can't exactly agree that they're even albinos. These guys are so weird looking they're barely human. If the albino interest groups are trying to sue, why didn't they sue when Me, Myself, and Irene was released? Anyway, these guys have the interesting skill of becoming transparent and therefore untouchable, with the small condition that they are also unable to attack when in this defensive mode, which makes for some great fight scenes as well as some cool tricks, like that of hopping into rapidly approaching Escalades (oh, there are lots of Cadillac commercials here, too). I heard recently that Cadillac is trying to aim for a younger audience than the much older people who tend to drive their cars, and if there were ever any doubts that the rumors are true, they are completely dispelled by their heavy placement in this movie.

    There are certainly some scenes in this movie where it drags and seems to even border on being unnecessarily philosophical and confusing, such as in the extensive meeting with the Oracle, who tells Neo all about choices that he has made but doesn't know he's made yet, or needs to make even though fate has already determined what decision he would make, or something of that nature, where after a while we find ourselves (or at least I did) paying more attention to the pigeons walking around in this startlingly different atmosphere than to the deep conversation that they're having. Maybe this is why it takes me more than two viewings to get the complete story of movies like this. Blasted pigeons.

    There is a lot of controversy over the quality of The Matrix Reloaded, which is to be expected, since it is a movie that has garnered such a vast amount of attention, even if only because it is the follow-up to such a massively successful film. But like Terminator 3, I personally was hugely impressed with this sequel, and am more than able to accept it as a bridge between the original and the final film in the series. It is the better part of three hours long, but goes by much faster than anticipated because it is so well made and entertaining. Never mind that totally campy scenes, like the bullet removal scene and the dance club scene, because like so many other sequels these days (and unlike so many others), The Matrix Reloaded will leave you eager to see the next one.
  • I've seen the first Matrix for the first time back in 2017, and I loved it, I loved the world they've built, the characters, I understood the dilemmas, what was at risk, and at the end... I wanted to see more, I felt like they had just scratched the surface. But here I am, three years later, seing Matrix Reloaded for the first time. I can't lie, all the talk of people saying "the last two suck" and stuff, sort of made me not wanted to rush to see the other two. Idk, if that was good or not, but it was definitely a factor, and for sure made me watch this one with other eyes. Take that as you want.

    I have no idea why all that introduction, but well, I don't think the movie sucks necessarily, but is definitely not the "more" I ended the first movie wanting to see. Some few points here, it's definitely hard to evaluate something that did so much to the revolution of technology in film, and almost created a genre of its own, but oddly enough, this one for sure didn't aged as well as the first one. Mainly the full CGI scenes, where they change it up the actors for the full digital models of themselves, well... you can notice clearly, and at times can take you out of the movie a bit. It's that same old problem of, a first movie that had a smaller budget, and in the sequel with more movie they just went for it, and well... screwed the in-camera fight scenes (still there are a lot of them tho) But then again, that doesn't make the movie that much worst or better, imo, is just dated, and it prevents the film from having fully amazing sequences from start to finish.

    But idk, I like some of the new stuff they added, like the human city, I don't know if I quit understood the whole paradox of the chosen one thing fully... nevertheless, I liked it lol. But well, the movie is just weird at times, there are entire sequences I feel don't add to much at all, like the whole party in the city, in slow motion with people naked... idk, it just felt like adding to not much at all. Some of the fight sequences are great (like the one with the French guy crew), but others... are probably "too great" if that makes sense. Don't get me wrong, I don't dislike them, but some of the fight scenes, like the first one with the bunch of Smiths, seemed like they go for sooo long, that at one point it doesn't feel like there is something in play here, it's just a dance of sorts, between Neo's CGI doll, and the dozen of Smiths (they even use bowling sound effects at some point).

    And well, I can't truly judge the movie that much cause... it doesn't have an ending! (At least back then they released it in the same year, which is still an insane thing to think about nowadays).

    To sum up, Matrix Reloaded, isn't as good at the first one for sure, and, sadly I didn't think it built the world as much as I wanted. I still love the concept, I love almost everything about Neo's power in the Matrix (the ones that aren't fully CGI dolls), but some scenes seemed to led to nothing at all, and they probably overdid with some fight sequences. Also, I have to give them credit, the car chase scene is awesome.
  • Warning: Spoilers
    The thing which made The Matrix such a good movie was its story. Packed on top of that were some ace visuals and action sequences, but it was the story which carried the film.

    Not that the story was the greatest thing since sliced bread, because it wasn't. It was a rattling good yarn, but it didn't contain the secrets of the universe.

    However, watch The Matrix reloaded and you will come to realise that, perhaps, those who wrote the script to this movie do think that the script to the first one had something pretty profound going on, because they have picked up on all the most pretentious elements and amplified them.

    Oh dear.

    And it's a shame, because there are once more some splendid action sequences - the freeway sequence, the fight with the multiple Agents Smith, and the opening sequence - but there is also some appalling overindulgence - the Zion rave (which overstays its welcome by a substantial margin) and the dreadful, dreadful scene with the dictionary-chewing Architect.

    Visuals without story are not good enough to sustain audience commitment.
  • When the original "Matrix" came out, it was so new; when the sequel came out, it was truly a rehash. There's nothing here that we didn't see in the original. It's just an excuse to have a bunch of special effects. Of course, summer, 2003, saw a number of unmemorable sequels (most of which I fortunately didn't see) - not to mention several worthless remakes. I didn't see part 3, but I heard that it was even worse. The Wachowski brothers have hopefully decided to put this franchise to rest, and Keanu Reeves is really going to have to find something new. All in all, "The Matrix Reloaded" is ridiculous. I don't know why they had to go and make a sequel.
  • tmansreviews5 January 2022
    The 2nd movie in the Matrix franchise follows Neo, Trinity, and Morpheus as they continue to lead the revolt against the Machine Army. The Wachowski's are once again able to craft incredibly memorable moments on top of an intriguing story. The CGI struggles to keep up during the infamous "Rubber Neo" fight scene, but overall this sequel is a blast to watch!
  • The Matrix Reloaded: a desperate cash grab that is 90% filler and 10% plot.

    So much of this movie is absolutely pointless and quite painful to watch:

    Firstly, that speech by Morpheus, then the painful dancing and sex scene between trinity and Neo. That was way too drawn out and just unnecessary. We get it, they are dancing, and Neo and Trinity are making love, get on with it.

    Second, the whole scene with Neo and the Counselor. They have a lengthy conversation seemingly about nothing. What relevance did that have to anything? We were introduced to so many characters in Zion only to have them mean absolutely nothing in the end.

    Oh, and while we are on the topic of Zion... how did they manage to make such an advanced city underground? Did they have time to drag billions and billions of dollars worth of equipment down with them while the machines were on their tails, eager to kill them?

    Third: all of the action. It didn't add anything to the plot. Neo spends 15 minutes fighting all of the Smiths when he could have just flown away immediately after he realized it was a swarm.

    The fight between that random programmer in order to get to the oracle...

    Neo's Jackie Chan-esque fight scene on those stairs.

    The 20 minute chase scene with trinity, Morpheus, and the keymaker... don't even get me started on that.

    And how about those ghostly dreadlock twins...

    All of those scenes seemed to just fill the time as the real storyline: the looming destruction of humanity was sprinkled in.

  • 'Matrix Reloaded' wants too much and wants to go one better on everything. What was the non plus ultra in the first part is now playschool. Agent Smith becomes an entire army, one guard becomes a quarter of a million.

    The same goes for the special effects. I don't need to see something in slow motion every 5 minutes just to make it look cool. Quantity instead of quality seems to be the motto here. Used purposefully, this is definitely a suitable stylistic device. Unfortunately, it is used randomly.

    Basically, the movie digresses into inanities, especially in the early stages. I'm thinking of this several-minute rave in Zion, for example. The movie wants to give insights into the everyday life of people living in reality. This is basically the logical next step, but unfortunately 'Matrix Reloaded' doesn't manage to relate to the people at any time. Everything seems sterile and unapproachable.

    In the first part, fight sequences were used quite purposefully. Every fight had its meaning. Here, I have the feeling that the fights are pure show interludes.

    'Matrix' didn't just stand out because of the action, but also brought a philosophical approach into play. Unfortunately, this approach is almost completely thrown overboard in the sequel. That's a shame, because it's a feature that can set it apart from the normal action genre.

    The point that really bothers me the most is the transformation of Neo into a kind of Superman. He can do anything and seems almost invincible. I generally find these types of characters difficult, because it's hard to identify with them.

    Finally, one plus point of the movie. The scenes on the freeway were really good. I would have liked to see this kind of staging for the rest of the movie as well.

    In summary, 'Matrix Reloaded' falls far short of following in the big footsteps of its predecessor. More should have been made of the strengths and special features of the first part.
  • `The Matrix' was an exciting summer blockbuster that was visually fantastic but also curiously thought provoking in its `Twilight Zone'-ish manner. The general rule applies here- and this sequel doesn't match up to its predecessor. Worse than that, it doesn't even compare with it.

    `Reloaded' explodes onto the screen in the most un-professional fashion. In the opening few seconds the first impression is a generally good one as Trinity is shot in a dream. Immediately after that, the film nose-dives. After a disastrous first 45 minutes, it gradually gains momentum when they enter the Matrix and the Agent Smith battle takes place. But it loses itself all speed when it reaches the 14-minute car chase sequence and gets even worse at the big groan-worthy twist at the end. Worst of all is the overlong `Zion Rave' scene. Not only does it have absolutely nothing to do with the plot, but it's also a pathetic excuse for porn and depressive dance music.

    The bullet-time aspect of `The Matrix' was a good addition, but in `'Reloaded' they overuse to make it seem boring. In the first one there were interesting plot turns, but here it is too linear to be remotely interesting. The movie is basically, just a series of stylish diversions that prevent us from realising just how empty it really is. It works on the incorrect principle that bigger is better. It appears that `The Matrix' franchise has quickly descended into the special effects drenched misfire that other franchises such as the `Star Wars' saga have.

    The acting standard is poor for the most part. The best character of course goes to Hugo Weaving's `Agent Smith'- the only one to be slightly interesting. Keanu Reeves is the definitive Neo, but in all the special effects, there is little room to make much of an impact. Academy Award Nominee Laurence Fishburne is reduced to a monotonous mentor with poor dialogue. Carrie Ann Moss' part as the action chick could have been done much better by any other actress.

    A poor, thrown-together movie, `The Matrix Reloaded' is a disappointment. Those who didn't like the first one are unlikely to flock to it. This one's for die-hard fans only. Even in the movie's own sub-genre of special effect bonanzas (Minority Report, The Matrix etc.) this is still rather poor. My IMDb rating: 4.5/10.
An error has occured. Please try again.