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  • Monarch of the Glen is a quiet kind of comedy, with a good helping of drama, a bit of sly, smirky humor and a pinch of sentimentality. It doesn't seem to be widely accepted, probably because there is no sex or violence. Sheesh, I can't even remember hearing a four letter word. The characters are real, they are funny and the show is engaging. One of the nice things about this show is that everyone gets a chance to shine - not just the young attractive leads. Golly, middle-aged and gray, is actually portrayed as cool! (Gasp!) Molly, the mother, is viewed as attractive - she has a life beyond being the mother. Even the "servant types" have their bits. It's not rock solid, Monarch does get a little "soap opera-y" every now and then, what with a missing daughter or brother turning up, but it's a far better thing to watch than most of the rubbish on the tube today.
  • Yes, it may be a bit of fey highland fluff, but it has a quirky charm (a bit reminiscent of a Scottish "Northern Exposure") and would be worth watching for the lush green scenery and glittering loch alone if nothing else.

    But, for connoisseurs of British TV, actors, and cult TV in general, the 6th series, just made available in the U.S. on DVD, is especially interesting because of the presence of at least 4 major cult figures of British television.

    Beginning with the continuing, charming presence of regular "Molly" played by the great Susan Hampshire whose resume reads like a history of the best of British TV. From her appearances in things like "Danger Man" (aka "Secret Agent") to classics such as the original black and white "Forsyte Saga," "The First Churchills," "The Pallisers," etc. etc. We also are entertained with the newly recurring character of Hector's wastrel brother Donald McDonald played by the highly amusing Tom Baker (still my favorite Dr. Who) and the delicious Anthony Head (Giles from "Buffy the Vampire Slayer" and more recently the Prime Minister in those hilarious "Little Britain" sketches.)

    And, best of all, for "Bad Girls" fans (at least those brilliant first 3 seasons which made British TV history thanks, largely, to this actress' landmark performance) we are further graced with the authentically Scottish, luscious Simone Lahbib (who, sadly/happily, was forced to leave the show when she found she was pregnant in real life.) She is a delight in her outdoorsy togs and her scenes with the farm animals. I'd love to see her do more comedy, though she excels as a dramatic actress. She and Tony Head, especially, have a very interesting working relationship/chemistry as well-matched actors here in their unfortunately too few scenes together. Very subtexty, less-is-more, breezy, low-key, naturalistic with a wry little twist and spin on the delivery. Too bad she couldn't have stayed longer, as they were just beginning to develop her character and the rivalry between Paul and Chester for Isobel's affections. I want to live on Isobel's farm, anyone know just where it's located?

    Also...another Monarch Trivia Alert: in an earlier season there was a major degrees-of-separation Indy Jones thing happening with the presence in the same series of Paul Freeman from "Raiders of the Lost Ark," plus that other "Raiders" villain Ronald Lacey's daughter, and the new laird, Lloyd Owen is Indy's dad from TV's "The Young Indiana Jones Chronicles."
  • BBC allowed a gem of a runner onto the paddock when it greenlighted Monarch of the Glen.

    Very well directed and shot, showcasing some beautiful Scots highland homes and exterior locations, and assembling lively journeymen actors into an ensemble that has a jolly go at jock-ing around the lochs and polished stair landings of the shire of "Glenbogle," I describe the series in elevators as 'Newhart meets Braveheart.'

    Of special enjoyment is the patriarchal character Hector played by Richard Briers. Briers has done just about everything in British theater, television, and cinema there is to do, but in America he is probably known only for his role as the pathetic Bardolph in Ken Branagh's Henry V. Now in MotG, the tables turn and Brier gets the fun of playing a lord. And a curmudgeonly, salty, and daft lord he is.

    This is a light family comedic drama with cool domestic characters which doesn't fall into tired tropes. Quiet possibly the perfect show to watch on Sunday evenings.
  • Perhaps the required caveat for this program, for those who need it, is that it is not action, special effects, or, for the most part, reality-based. (Of course "reality" and "accuracy" are not the point of most television and cinema, so this isn't really saying much.)

    That in mind, Monarch of the Glen has an original premise, lightly portraying the transition of a once aristocratic, landed-gentry family into modern times, replete with the struggle to keep a majestic, ancient and beautiful castle afloat and functioning in a modern, capitalist world.

    The series opens with the intersecting of two generations--the current "laird" of the castle, patriarch Hector MacDonald, and his wife, Molly, who both embody the last generation to have enjoyed a life of noble leisure and privilege, and their son and laird-to-be, Archie. While technically also privileged, the young Archie will have to rely on imagination, skill and a lot of sweat equity to sustain what is essentially now a white elephant: the sprawling and extraordinarily picturesque estate of Glenbogle, whose far-reaching land still supports various tenants with lives and minds of their own.

    As the series' seasons pass, the plot thickens, some characters go and some remain, and Glenbogle inches gracefully into the 21st Century, even as as the castle remains a bit frayed around the edges.

    (The sixth season recently ended, with the seventh commencing sometime in Fall 2005.)

    While this British "we must save the farm" angle is the background narrative, Monarch of the Glen's primary investment is in exploring the personal exploits of its charming and idiosyncratic characters: the MacDonald family and their various estate "employees" and caretakers, who are essentially extended family. Romance, intrigue, interpersonal conflict, self-revelation, and the bonds of family and friends are the essence of the show, played out in that inimitably understated, witty and appealing BBC way (which can be particularly alluring for viewers a little shell-shocked by regular, American TV).

    I find the able cast mostly quite believable in their respective parts, not to mention appealing and likable--particularly the roles of Archie, Lexie, Golly, Molly and Paul. An hour in their company is like a wonderful, genteel (but far from stuffy), little reverie, which keeps you wondering what's up for them next.

    For romantics and Brit-o-philes.
  • I recently discovered this series through Netflix, and I have found it completely enjoyable. The writing is very consistently good, the characters appealing (their quirks and foibles make them even more so), and the scenery of the Scottish highlands is just lovely.

    The show takes you inside of a charming world that the characters inhabit. You see them wrestling with and resolving conflicts with others and among themselves in ways that are always sweet in the end, but never sickly sweet or trite. Not all of them are likable. Hector, the father, will drive you crazy, but then he comes through on important points, like loyalty and a devotion to tradition. Archie seems indecisive, but he is also very loving and loyal. And Lexie is a great character who is driven by a sense of justice, and always wanting to do the right thing. Molly and Golly are steadfast, loving - one almost too kind, and the other very stern. And Duncan too is both funny and very true, very devoted to his friends.

    The show also achieves the near impossible, managing to communicate a lot of sexual tension without ever becoming overly explicit - well done. It's a bit like Northern Exposure or Gilmore Girls in its appeal, but in my opinion it is much better than both of those.

    I could pick at it a bit and say where it might have gone wrong. But I don't want to, because I just don't think television gets much better than this. Highly, highly recommended for people who like excellent writing that combines drama with humor, shows people usually finding their way back to do the decent thing, and treats characters and viewers with dignity.
  • I've been glued to the screen literally watching the saga evolve at Glenbogle, with its endearing cast of characters; so much in fact, that you fall in love with almost every one of them and can't wait to see what happens next in their lives. It is sad when they move on, but such is life, isn't it? You miss them dearly and wish you could know more about them, or at least have them come back for a visit like Duncan did in Season 7, though he was literally down the road in Glasgow, whereas the others were off in New Zealand somewhere and couldn't make it back so easily. Uncle Donald is an amazing character, you can tell he was an Elizabethan actor or something, and Ewan, what an accent, what wit and what a great character. All of them are so special. I love the values expressed through the show: honesty, faithfulness, character, faith, friendship,hard work, dependability, and above all forgiveness and reconciliation. I love how the themes are developed and I love the beautiful Scottish scenery. One of my family surnames is Douglas, on my maternal grandmother's side, and something about this show resonates deep within me. I can't explain it, only to say that the producers and directors and script writers have a solid grasp of wholesome moral values, human nature and LOVE, profound love and commitment: that miraculous thing that makes the world go around. The ebb and flow of lives and daily joys and sorrows and challenges we all face touched me deeply as well. We are such a workaholic society and it seems we live part of our lives vicariously through these endearing characters, all couched in a marvelous setting of the Scottish highlands and that amazing estate with its history and tradition. Thank you for giving us Monarch of the Glen, best wishes and success now and always. From Georgia, USA, a fan.
  • Warning: Spoilers
    Thing about streaming videos from Netflix and Amazon is you get hooked. Bad thing is that the characters' incongruities get amplified and so does the recycle of plot devices.

    This happens all the time in long series, but some deal better than others. An example of good handling is Last Tango in Halifax. The human foibles are logical and understandable.

    But 'Monarch..' is beginning to grate about the beginning of season five. The unrequited love gambit has hit every character in the group. Now that is stretching it, but the worst and most grating character has become 'Duncan'... the one character in the series who never seems to grow or learn anything from his bumbling fails.

    Sooner or later you're thinking he's stuck on stupid. A graduate of the Short Bus who MIGHT be able to graduate to driving it. This isn't the fault of the actor of course. It's the fault of the writers taking the easy way out.

    Still worth the watch for as long as you can take a key character who is a cardboard cutout.
  • It is great to have a series in which there is minimal violence, no ridiculous language, and virtually no sex--how refreshing for a change!

    The scenery has already been noted elsewhere as spectacular, and as one of the stars. While I agree whole-heartedly with this, it is the acting which impresses me. Alastair Mckenzie does a superb job of portraying a suave Londoner who is suddenly thrust into a job he neither wants nor knows how to manage. However, (and you can see this most clearly when viewing the whole series, one episode after another) Mckenzie manages to convey that here is a man who grows from being a "fish-out-of-water" to being the LAIRD of Glenbogle. Mr. Mackenzie does it almost imperceptibly by degrees. Great work!

    The rest of the original cast is equally strong. It is indeed too bad that most of the principal characters left over the seasons.
  • For the first couple of seasons the show was quirky and funny, and the entire cast was perfect together. It was then that Lorraine Pilkington.. bit.ly/1cNd8Mq .. was the first of the main characters to depart, and the show after that was never the same. It wasn't till she left that her importance to the production was fully exposed.. she made it that much more worthwhile viewing. And others left and very soon it was not as much fun viewing. Look forward to watching the final series at some point, been several years now, someone should be putting it out. PS- For anyone still looking for season 7, do a search, it is available online. And they do manage to bring all affairs of the heart to their logical conclusions. They never did completely replace Katrina (LP).. but at series end with Iona (Kirsty Mitchell).. binged.it/1wpOyOZ .. they found a captivating, very attractive replacement.
  • smck_82uk31 January 2007
    I was a die-hard Monarch of the Glen fan during the shows initial run from 2000 - 05 and I followed it religiously through story lines such as the Lexie/Archie/Katrina love triangle, Stella Moon taking over at Glenbogle, the wolves storyline, Hectors death, Lexie & Archies eventual union & of course secret brother Pauls introduction. I would say the best of the show is the first 4 series, from series 5 onwards the show takes a new direction with old characters departing and new ones arriving and whilst it still stays perfectly watchable up until the end the quality of earlier series isn't really there.

    Overall I'd give it 10/10 though for the drama/acting & of course Scottish scenery.
  • Warning: Spoilers
    This doesn't contain spoilers... The only thing I will hint at about future episodes is what you can see for yourself: some actors and actresses left the show.

    I was really drawn in by episode one. The character of Archie was very endearing. His older brother was supposed to inherit the glen and the castle, but something happened. After years away from home he has returned. As the new laird he has about 30,000 acres (as I remember) and a huge debt.

    Many other endearing characters complete the cast for the first few seasons. However, the cast members that I most grew to like have left the show over the course of series three, four and five. After that I have not been able to watch. (I have watched a few other British television shows and find the same situation. Is it a budget issue that British actors do not have the incentive to stay?)

    Overall, I loved the show. If I could accept the fact that my favorite characters came and went, I would remember this show very fondly.
  • jwrowe314 April 2004
    Found this little gem on one of our Tampa Bay PBS stations. I generally like most BBC shows that get sent our way via PBS/A&E. I won't waste time talking plot, as I've just had three episodes under my belt. And I think I've come in in the second or third series, missing the first.

    Quite an able cast, and the locations are glorious to behold! I am looking forward to watching this for as long as WUSF-TV, continues to broadcast it, here, in Tampa

    One minor thing to note, you MAY want to have the closed captioning on, if you have any hearing troubles, as Dawn Steele's character "Lexi" has an accent most Americans may not be able to decipher. But that's one very minor thing.

    (2013 Update) This great series is on Netflix. I've just rediscovered this gem, and am starting out from the beginning, as opposed to about the third series when I first spotted it. I now appreciate it better than before. Again I say the visuals on the show are as strong as most of the stories. I find myself watching more for Scotland that the tales from Glenbogle...
  • Warning: Spoilers
    REVIEW FOR SEASON 1, which is all I have watched.

    When I first heard of this series, which I had managed to miss all these years, I thought it sounded like a great idea! I mean: who does not love a Lord (or "Laird" in this case)! :-) Not to speak of old castles and the wonderful nature scenery in the Highlands, and all the special Scottish traditions you can use, such as Scottish country-dances, bag-pipes, kilts with clan tartans etc.. It does not seem possible to fail with those ingredients.

    But in reality... it seems a bit trite. The jokes are too simple, there is too much slapstick, and in every episode it is obvious already in the beginning how it has to end.

    I think the part of the young Laird almost carries the whole production, because he is very likable, with a little help of his elderly but feisty father, who does not want to let go of the past, and his beautiful and well-dressed but a bit air-headed mother. The other characters unfortunately I do not like, I do not think any of the three young women are suitable as new Lady of the Manor for instance, and the other men working on the estate and running around in the village all are generally uninteresting. Although I cannot say if the wrong lies with the characters or with the actors.

    All in all, it is A LITTLE worth seeing if you are interested in the Highlands themselves, and I am now starting with season 2! :-)

    October 24, 2015

    Alright, I have now watched SEASON 2 AND 3 as well, and I have raised my marks to 7! I still find it silly, though. The solutions are always so very simple, and completely out of touch with reality. Of course you do not play games about the rights to an ancient big estate, and you cannot stop the bank from foreclosing your loan by refusing to help the bank employee to cross the stream...

    But if you put your brain aside for awhile and only watch with your heart, it is in fact quite funny and entertaining, with beautiful scenery, and also sometimes deep with human interest and things you can relate to. I, for one, can very much relate to Archie's feelings after his father died with mine after my father died. I remember all the unresolved issues, everything that ought to have been said but was then too late to say... Another thing I can very much relate to is Lexie's worries of not being good enough for Archie. I have felt like that several times when I have become fond of a man - and it does not always have to do with social differences either...

    All in all I would recommend this, if you just remember that it IS entertainment and escapism, and not realism.

    November 6, 2015

    Now I have watched it all to the end! I think it was drawn out too long, too many "heavy" characters disappeared and too many new were introduced - I felt I could not connect to them all anymore. Too much time was taken up by the teenagers - that is not interesting for an adult audience.

    Also, there were too many repetitions of already used plot ideas. Such as women throwing themselves at the Laird, first one set of women with Archie, and then another set with Paul, and the silly contests about the estate and the title of Laird. And when they could not decently introduce another Laird-contest, they threw in a ghillie-contest instead...

    The best thing should have been if the show had ended when Archie left. (No, the VERY best thing should of course have been if he had not left at all.) Although there were some nice stories and moments in the last seasons as well that I would not have missed. I think for instance of the misunderstanding when Paul thought Jess fancied him, and he was going to talk to her about it in a mature way... And the brief love story between Golly and Megan, and the son he finally got late in life... And the ending when Paul was going to give Iona away... but took repossession instead! :-)

    I think the very best thing with watching this show, was that I learnt a lot about rural Highland life. I feel like going there on holiday! :-)
  • Warning: Spoilers
    Few TV series I have seen started off in such a promising fashion, Monarch of the Glen had it all--excellent actors, great scenery, pathos and hilarity.

    About half way through the series Richard Briers left the show and in my opinion the hilarity ended there. Julian Fellowes, Susan Hampshire and Alastair McKenzie were not able to keep the show on it's original course, but the writing seemed to change after the departure of Briers, and in my opinion not for the better.

    With the departure of Alastair McKenzie the writing really fell apart and the show descended into a rather dull 'soap' of silly affairs and even sillier pairings, and even the beautiful scenery could not save it.

    While this short review is critical of the last half of the series, I still think this is an excellent series at least until two or three episodes after the "death" of "Hector". A pity, as Briers and Fellowes were a riot!
  • Warning: Spoilers
    I've always really enjoyed this series. However, for a show that extols the virtues of tradition, stability and family, it has possibly the highest casualty rates among its cast of any television series in history. In just five years, only one member of the original ensemble cast remained with the show. Together with all the supporting characters who were brought in for a few episodes before moving on, the impression was that there was a stampede to get away from the crumbling Highlands estate of Glenbogel. Recently BBC America has been racing through the series on a five-day-a-week schedule, exhausting the entire life of the show in only three or four months. With this accelerated viewing, you can see the series morph before your eyes. It remained entertaining throughout, but the organic balance of the original quickly evaporated.

    The main problem is that although the show started with a well-balanced cast, the only departing cast member who was replaced with a dramatically similar character was Archie (Alastair MacKenzie), whose half-brother Paul (Lloyd Owen) stepped seamlessly into his shoes. Beyond this, the original equilibrium was quickly thrown off-kilter. The show particularly felt the loss of Archie's father (Richard Briers), who provided most of the original whimsical comedy. After that the show became a succession of stories of unrequited love and hurt feelings with little or no leavening for several seasons. Finally in the last year or two the whimsy returned in the person of Donald, the family's black sheep brother (Tom Baker) and Ewan, a lovable young scamp who apparently hailed from the Scottish branch of the Bowery Boys clan (Martin Compston). These two and their wacky schemes together finally brought the levity of the original back to the series.

    Through all its iterations the show remained warm and entertaining. What it could have used was more stability.
  • The series, "Monarch of the Glen" is the best that telly has had to offer in a very long while. The characters are engaging and the dialogue entertaining without having to resort to the cheap trash of vulgarity and nudity.

    Neither does the programme stagnate its characters. Even the numpty and humorous Duncan is seen to grow into a more wise and yes, clever character who seeks to better himself while maintaining loyalty and compassion as his bywords.

    The scenery is just as much the star of the show yet it is not used as an excuse for slack plot standards. Indeed it is part and parcel of the plot.

    This is telly at it's best. Unfortunately most programmes do not aspire to such a standard. We look forward to it on DVD so that we may enjoy it time and again until another producer has the bottle to buck the trashy and cheapened standards of today's telly.
  • Warning: Spoilers
    It is somewhat ironic that I didn't start watching the original screening on BBC1 until the fourth season and have therefore had to catch up via UKTV Drama. Having said that I thoroughly enjoyed this easy paced drama and will still sit and catch episodes regularly. It had all the ingredients of great Sunday night fare, scenery, love interest, comedy and decent acting. It did make me chuckle at the way both Archie and Paul got through so many love interests throughout the series and there was some deja vu with Stella's character who was obviously a re-run of Justine. I might add that it would have been much better if Katrina hadd ended up as Mrs Archie but maybe that's a question of taste (would a toff marry the hired help?) Having said that the series never lost it's inherent charm. Worth catching on Cable when you can.
  • First 4 seasons were enjoyable. Lovely scenery, the whole Scottish highlands culture, quirky characters with personalities and some fun story lines. However, after season 4 the character balance of the show was off with the departure of a certain someone, repetitive love interest problems, and that feeling of "we're running out of new ideas here!" Issues made me quit watching. Seriously, new irritating characters, Duncan always bumbling around like a brainless fool finally made to delete this show from my list.
  • I recently found Monarch of the Glen on Netflix and I am in love with it. Or perhaps more accurately I am in love with the whole package, cast and castle and the Scottish highlands. To me, it is more about a group of extremely likable people living their lives in a unique situation. And I want to join them! There is a feeling of "home" here that I find quite comforting. I agree with the reviewer who classed it as a "Scottish 'Northern Exposure.'" The settings are different but the heart of the show is very similar. Anyhow, I have greatly enjoyed Monarch and am sad that it has ended. I did not always agree with how the stories and characters played out, but was nonetheless charmed.
  • I watched two episodes of this on my Roku Box the other night because I love stories about Scotland. I love the scenery, the accents, the culture, the mythology, you name it. With "Monarch..." the concept intrigued me: A restaurateur heads home to take care of the family estate. And what an estate it is, complete with castle, Land Rovers, pristine mountain lake, snow covered highlands, wildlife, thick forests, dirt roads. The setting itself has kind of a fantasy feel to it, as if it exists outside of modern times.

    And that's why the show doesn't get any more than 7 stars from me. In the first two episodes it can't seem to decide whether it wants to be reality-based or fantasy-based. Nor is it completely sure it wants to be a comedy or a drama. It's somewhere in between on both counts. The situations in which the characters find themselves are a bit far-fetched, and the resolutions that follow occur without a great deal of foundation. They just sort of happen, as if on cue.

    That said, the show has a great feel and look to it, and the characters are fun to be with.
  • I was so captured by the characters I didn't want to stop watching it. It is just wonderful. brings out many different emotions. Nothing phony about it. Very believable story, captivating. I was compelled to watch the series. My friend is watching it now, only on season 3...then she said a sign came on the TV saying it was being removed from NETFLIX tomorrow, March 31st.....Will it come back on Netflix???? I have been having so much fun watching it again with her.....I HATED IT WHEN HECTOR DIED....I had to stop watching it for a few days. It hurt me to lose him.

    Anyways, I could go on and on.....I want to live with the family in Glenbogle.... Those characters stole my heart.

    Regards, June Kennedy
  • tamarahmk24 July 2019
    Warning: Spoilers
    Big fan. But it does down hill from Season 4 and then nosedives when Archie leaves. It almost redeems itself in the second half of the last season, but not quite. Still love it though. Season's 1-3 are marvellous (and worth the 8 out 10 no problem).
  • atrickyone16 February 2020
    We've reached episode 5 in series 4 (of 7). Till now it's been an enjoyable show overall not least because of the presence of Richard Briers and Susan Hampshire. The abrupt departure of one of those upset the equilibrium of the show. From my reading of other reviews it doesn't regain balance so we might give up on it now. Most of the regular characters have been good with the exception of Duncan who comes across as a man with the mind and acuity of an eight year old child. Reads the Beano (I gave that up when I was nine) and is clueless about everything including his purported job. A major blot, almost disabling to the whole enterprise unless you pretend he's not really there.
  • One of the latest in a long line of heartwarming, wholesome family series which the BBC has been making for 50 years. In the 1990's they largely surrendered this Sunday night territory to commercial rivals ITV (Heartbeat, Where the Heart Is.. etc) but have recently made a comeback with this show and 'Born and Bred'. Like many of its predecessors it boasts stunning scenery and well-acted character turns. To my mind its main weakness is its very small regular cast, basically half a dozen principals and a lack of 'occasional' characters who can appear from time to time. The number of dramatic permutations among the regulars is therefore very small and most of the storylines rely on the old 'Bonanza' standby of mysterious strangers turning up unannounced each week to inspect the castle kitchens and the like. This does become very repetitive after a while and is more noticeable than in shows that have more regular and recurring characters. The regular cast has grown even smaller in the third series with the demise of the old laird played by Richard Briers (The BBC stalwart got fed up of the long shooting schedules and was blown up at the end of series 2). As a result the third series has seen an increasing role for lovable old buffer Lord Kilwillie, played by Julian Fellowes. In another guise Fellowes was the screen writer for the movie 'Gosford Park.'
  • Warning: Spoilers
    This review doesn't contain a plot spoiler, just a comment about cast changes.

    I was watching Alastair Mackenzie in a Hallmark movie today and was reminded of how I missed (long for) Monarch of the Glen. As others have noted it was a great package: the beautiful scenery, the quirky characters, the variety of stories, the acting, the refreshing lack of violence and sex, the comedy-drama aspect, and the pleasure of watching these nice people. I plan to see it again soon, though the loss of many of the original characters by the time the show ends is a bit irritating. Also some of the story lines did not turn out the way I expected. Nevertheless, this is one of my goto comfort shows. Just watching the scenery alone is worth the time you spend viewing this.
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