Y Tu Mamá También (2001)

R   |    |  Drama


Y Tu Mamá También (2001) Poster

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.


7.6/10
113,952


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  • Cristián de la Fuente and Angelica Castro at an event for Y Tu Mamá También (2001)
  • Diego Luna and Maribel Verdú in Y Tu Mamá También (2001)
  • Christina Ricci at an event for Y Tu Mamá También (2001)
  • Gael García Bernal and Diego Luna in Y Tu Mamá También (2001)
  • Maribel Verdú in Y Tu Mamá También (2001)
  • David Schwimmer at an event for Y Tu Mamá También (2001)

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Cast & Crew

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Director:

Alfonso Cuarón

Writers:

Carlos Cuarón, Alfonso Cuarón

Reviews & Commentary

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User Reviews


17 April 2002 | harry-76
Last Tango in Mexico
In many ways Alfonso Cuaron's "Y Tu Mama Tambien" reminds me of the desolation theme of Bernardo Bertolucci's "Ultimo tango a Parigi" (1972) and the deceptive perspective of Michelangelo Antonioni's "L'Avventura." (1960).

Raging post-adolescent hormonal drives seem to propel Julio and Tenoch forward, with little else of substance to account for. Likewise, Luisa's motivation seems more despair- than romance-driven. Thus, the trio's trek in search of the idyllic Boca del Cielo is reminiscent of the forlorn lovers' quest for emotional fulfillment in the Bertolucci film.

Comparison with the Antonioni opus stems from Cuaron's script seemingly being about a carefree, liberated trio on a journey for fun, when in fact, it's really about escape from their own worst "enemies"--themselves.

After a particularly talky beginning (complete with abundant narrations) the film settles in on its main theme, and the dialogue becomes more pointed. While the camera work is generally appropriate, Cuaron tends to rely on long- to medium-shots, with nary a close-up.

The result of this is a somewhat distant enactment, in which the viewer is held a bit at arm's length from the action. One seldom gets close enough to become intimately acquainted with these people. In the end, one is touched by important revelations which are crucial to understanding that which has transpired. Yet, the viewer's emotional involvement is perhaps less than what it might have been, given closer perspectives.

This film obviously impressed many people, and I must agree the work by the principles is uniformly solid. This is a "last tango" which has made its mark as a distinctive film work.

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Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend USA:

$408,091 17 March 2002

Gross USA:

$13,839,658

Cumulative Worldwide Gross:

$33,616,692

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