Six Feet Under

What a series. What a last season. What a finale!

I started watching it without knowing too much about it, I just knew from hearing about it a few years ago that it was one of those "Amazing HBO series" and that it was about a family owning a funeral home.

The actual "plot" is indeed about a family-owned funeral home in which the father of the family dies (this is at the very beginning of the first chapter, so I'm not spoiling anything), and the series follows the life of the rest of the family: The 3 sons (2 male of 30ish and the girl who is in the last year of school), the widow wife, and some supporting characters

If you ask me, the acting and the writing are everything in this show. Characters are complex, they evolve they don't always move forward - sometimes lessons need to be learned multiple times, as real people do. And each actor does an amazing job in portraying their character.

Each one has 2/3 major arcs throughout the show, so it is very interesting to see them navigate them.

Different topics are touched across the episodes, many of them very controversial, but the show portrays them in a very serious way. There's some dark humour though; after all it's about a funeral home where death comes with customers in every episode.

Definitely a must watch. And even though it is more than 20 years old, it has aged very well.

As a viewer and human, Six Feet Under is an incredibly moving experience that goes beyond traditional television drama. It's a show that doesn't just entertain but also challenges and provokes deep reflection about our own lives and mortality. Watching the Fisher family navigate the complexities of death, grief, and personal growth is both heart-wrenching and enlightening. The series skillfully captures the bittersweet nature of human existence, blending dark humor with poignant moments that resonate on a profoundly personal level. It's a testament to the power of storytelling to explore the most fundamental aspects of our humanity and remind us of the beauty and fragility of life.

Screenwriter Alan Ball is most well-known for his 1999 film debut American Beauty (directed by another first-timer, England's Sam Mendes). His first work was a stunning success, captivating audiences all over the world and winning five Academy Awards. In 2001, the pilot for Ball's first television series Six Feet Under aired. While being considerably darker than audiences might have expected, the series soon found its fan base and secured a place in the list of all time greats.

The show revolves around the Fishers, a rather isolated and dysfunctional family who run their own independent funeral home, and whose eldest son Nate (Peter Krause) is reunited with them in the wake of his father's untimely death. Once he is home, Nate learns that he has inherited the family business with his gay brother David (Michael C. Hall) and he has to learn how to again become a part of this bizarre family. Meanwhile, David, we learn, is struggling to reconcile his homosexuality with his home-taught Christian values, while his younger sister Claire (Lauren Ambrose) is forced to battle the hell of adolescence and the children's mother Ruth (Frances Conroy), a deeply devoted mother and wife, has to learn to face life without her husband. The complete first season sees the growth of the Fisher family as they slowly begin to disband their isolation and seek comfort, support and love from one another in the face of hardships and tragedy.

Six Feet Under is what every show should strive to be – it is intelligent, witty, sincere, realistic and completely unashamed to show the dark, painful side of life, without being depressing or nihilistic. It deals with an unfathomable amount of very significant issues, but on such a personal and relatable level that it doesn't even begin to feel preachy or self-important. It explores society's position on gays, women, young people, the elderly, the mentally ill and looks very openly at religion and death. A series of this standard is a surprise even from the production company that brought us Angels in America and The Sopranos.

One of the most fundamental principles for engaging an audience is to present engaging characters. Six Feet Under is a prime example: each character we're introduced to does take some getting used to, but all are wonderfully rich and complex and three-dimensional, balanced nicely by each other. Not only the Fishers but all their friends, acquaintances and lovers are well-developed, highly-involved and important to the show in its many layers. Nate's girlfriend Brenda (Rachael Griffiths) and her manic-depressive brother Billy (Jeremy Sisto), David's boyfriend Keith (Mathew St. Patrick) and the Fishers' Puerto Rican employee Rico (Freddy Rodriguez) are all fantastic characters that do far more than just complement the show's funeral home family.

Alan Ball is a truly gifted writer and an even more amazing artist; his ability to create such a delightfully unique environment and then to build on that environment to such incredible heights is nothing short of genius. His signature style of dark humor is one of the best things about Six Feet Under; even in a show about such somber and sometimes even morbid material, laughter is not uncommon, as he is able to recognize that there is more to life than pain. Ball has, within 2 short years, proved that he is one of Hollywood's most talented minds, and we can all look forward to further work from him.

More than any other television series in history, Six Feet Under is able to connect with its audience on a raw and emotional level that makes the sentimental soap operas of prime time television look like badly acted school plays. Joining the ranks of the most intelligent and heartfelt shows of today, it can rest assured that it will be remembered in the world of tomorrow as one of the most innovative and poignant shows of all time.

I watched Six Feet Under when it originally aired on HBO. Hard to believe that was almost 20 years ago. At the time I remember thinking this was the best thing I'd ever seen on television. It was too good for television. It just transcended anything I had ever seen. Over the years I've recommended the show to countless others. After recommending it to another friend recently I decided to rewatch the show. I finished the series in less than two weeks and it is still one of the best things I've ever seen on TV. The effect this show has on me is even more profound today than it was the first time I watched it. This show punches you in the gut. It makes you think. It makes you reflect. It makes you question your choices. It makes you evaluate life. A lot of incredibly great television series have come along since Six Feet Under originally aired but none of them will hit you as deep as this show.

And I rarely even watch television. I'm a book person.

Not since the "X-Files" has a TV show been so intriguing. Every time I watch an episode, I am struck back be depth of storyline, the intricate characters and the left-of-the-middle storytelling. I literally cannot control myself from discussing each new episode with (bored) family members.

SFU is a very introverted show - it resembles more a book or play than television. While the latter is extroverted and relies on events happening to characters (eg: the overboard emergencies of ER or the romances in soaps) to carry the story, Six Feet Under wants to communicate the deepest feelings and ideals of the people on screen. As a result, it not only stimulates the mind but also helps us analyse ourselves.

In the hands of any other creators, this would make for a very dull hour of suburban spirituality, but Allan Ball's menagerie of ghosts, (past characters influencing the present) trippy daydream sequences, surreal atmosphere and some wicked black humour make for a very entertaining show and sell what would otherwise be a marketing disaster to the masses. On top of that, every component from acting to directing to screenplay is flawless. (the dead boy's ghost in "a private life" still chills me to the bone).

Most, of all I admire the characters: some of the most complex and enchanting creatures ever to grace the idiot box. After a few episodes, they feel like a second family.

While I do have my complaints about the amount of obscenity, (I can swear that sometimes the writers want to offend us just for fun) I have to give my show the highest commendations. There are, of course, moments when I feel like throwing my chair at the television, but that is simply the consequence of watching a show that challenges me, rather than offer cheap amusement.

SFU may take a while to get into, but the rewards are bountiful.