The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation... Read allThe Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth.
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6 out of 10
If the rumors are to be believed, then approximately fifty minutes of footage for Star Trek: Nemesis are lying somewhere in Paramount's vault. While the movie itself is technically well-edited with a slick Hollywood gloss, this might explain why everyone but Picard and Data are left short-handed with minimal screen time and dialogue. Hopefully, the missing footage will find its way to the DVD release, where we can get the final tribute the crew of The Next Generation deserves.
As a story for a final adventure, Nemesis isn't quite the epic one may hope for. The plot mostly focuses on the parallels between Picard and the new Romulan leader, a human named Shinzon (Tom Hardy), who claims to desire peace between the Romulans and the Federation. He also has a special bond to Picard, which I won't give away, suffice to say Data also gets to experience something similar throughout the film. Essentially, the plot isn't particularly interesting and it works primarily as a set-up for the climactic space battle, definitely the movie's highlight.
Before then, the only setpieces worthy of interest are a gratuitous but enjoyable car chase (!) on a desert planet that resolves in a grin-inducing fashion, and a fast-paced shootout on board Shinzon's warship, the Scimitar, which also resolves in a pretty cool manner. That's all the action we get in the first 80 or so minutes, meaning there's a lot of talky scenes that go nowhere and clumsily insert the good ol' "Nature vs. Nurture" debate to no avail. Outside of the action, what makes the first 3/4's of the movie watchable are the excellent special effects and the crew's camaraderie. Acting wise, we get excellent performances from Patrick Stewart and Brent Spiner (by the way, is it just me or does Stewart look even more physically fit than ever? Old age is doing little to bring him down)
Clearly, the final space battle is what we've been waiting for, and after 10 movies and 23 years, we get what is easily the most elaborate action sequence of the entire Trek franchise. The segment runs just short of a half-hour and features the Enterprise going toe-to-toe with the Scimitar, and to keep the concept of one starship battling another from getting boring (because let's face it, that gets old in a matter of minutes), director Stuart Baird throws in a few more ships, some more phaser fights from boarding enemy parties (which prove to be the most exciting parts of the movie), fisticuffs, and even a self-destruct sequence that could prove fatal for everyone. It's a doozy of an action scene, even if it is slightly marred by Troi's psychic link and tiresome reports of collapsing shields. This is the sequence that makes the movie worth watching to sci-fi action fans.
Personally, I would have preferred had Baird just spaced the action out more evenly (a la First Contact), rather than stuffing it all in the conclusion, since the plot itself is hard to hold interest on its own. Still, from the space battle alone, this is more action-packed than any of the original crew's films and comes out just ahead of First Contact in terms of quantity, if not in quality. The finale also features the death of a beloved character, which isn't executed quite as properly as it should have, but is touching on its own. Once again, I'm hoping the director's cut will fix that up. Until then, this is just satisfying enough to those who thirst for outerspace action.
If the rumors are to be believed, then approximately fifty minutes of footage for Star Trek: Nemesis are lying somewhere in Paramount's vault. While the movie itself is technically well-edited with a slick Hollywood gloss, this might explain why everyone but Picard and Data are left short-handed with minimal screen time and dialogue. Hopefully, the missing footage will find its way to the DVD release, where we can get the final tribute the crew of The Next Generation deserves.
As a story for a final adventure, Nemesis isn't quite the epic one may hope for. The plot mostly focuses on the parallels between Picard and the new Romulan leader, a human named Shinzon (Tom Hardy), who claims to desire peace between the Romulans and the Federation. He also has a special bond to Picard, which I won't give away, suffice to say Data also gets to experience something similar throughout the film. Essentially, the plot isn't particularly interesting and it works primarily as a set-up for the climactic space battle, definitely the movie's highlight.
Before then, the only setpieces worthy of interest are a gratuitous but enjoyable car chase (!) on a desert planet that resolves in a grin-inducing fashion, and a fast-paced shootout on board Shinzon's warship, the Scimitar, which also resolves in a pretty cool manner. That's all the action we get in the first 80 or so minutes, meaning there's a lot of talky scenes that go nowhere and clumsily insert the good ol' "Nature vs. Nurture" debate to no avail. Outside of the action, what makes the first 3/4's of the movie watchable are the excellent special effects and the crew's camaraderie. Acting wise, we get excellent performances from Patrick Stewart and Brent Spiner (by the way, is it just me or does Stewart look even more physically fit than ever? Old age is doing little to bring him down)
Clearly, the final space battle is what we've been waiting for, and after 10 movies and 23 years, we get what is easily the most elaborate action sequence of the entire Trek franchise. The segment runs just short of a half-hour and features the Enterprise going toe-to-toe with the Scimitar, and to keep the concept of one starship battling another from getting boring (because let's face it, that gets old in a matter of minutes), director Stuart Baird throws in a few more ships, some more phaser fights from boarding enemy parties (which prove to be the most exciting parts of the movie), fisticuffs, and even a self-destruct sequence that could prove fatal for everyone. It's a doozy of an action scene, even if it is slightly marred by Troi's psychic link and tiresome reports of collapsing shields. This is the sequence that makes the movie worth watching to sci-fi action fans.
Personally, I would have preferred had Baird just spaced the action out more evenly (a la First Contact), rather than stuffing it all in the conclusion, since the plot itself is hard to hold interest on its own. Still, from the space battle alone, this is more action-packed than any of the original crew's films and comes out just ahead of First Contact in terms of quantity, if not in quality. The finale also features the death of a beloved character, which isn't executed quite as properly as it should have, but is touching on its own. Once again, I'm hoping the director's cut will fix that up. Until then, this is just satisfying enough to those who thirst for outerspace action.
Well, it's quite sad to see so many people who have misunderstood so many of the movie's plot lines.
A few friends of mine (well respected SciFi gurus) had claimed that this film was one of the top Star Trek movies. I have to say I agreed. So what? The scriptwriters borrowed some scenes. God forbid any other "original" movie has done the same in the last decade.
Some fans need to rid themselves of the notion that a full length motion picture is made for their sole consumption, and respect that many people viewing may not have even heard of the series. However, the script writers also need to understand the strong following of fans, and include "in" sequences/jokes etc. Which I felt they did nicely enough.
The detail spent on the Romulan Star Empire could have been slightly more expansive, the political games being played in the Romulan Senate never were quite "fleshed out" which is a shame, because the Romulans are one of the races throughout the Star Trek saga who have been rarely visible.
The film took current events to add a current affairs style plot, which I admire. The smaller (as in, less spelled out) plotlines were excellent, and made the film something to follow rather than a Die Hard clone (yes, First Contact was a.k.a "Die Hard on the USS Enterprise").
I hope this really isn't the end for Picard and crew, it didn't feel like a goodbye picture. If it was, then the fine actors from the TNG series should take a well deserved bow, it's been a great series to follow, and as a retired trekkie (I retired when the TNG series wrapped up) I think the TNG series (and original series) will prove to stand the test of time over more recent efforts, kudos to the actors and other people involved.
A few friends of mine (well respected SciFi gurus) had claimed that this film was one of the top Star Trek movies. I have to say I agreed. So what? The scriptwriters borrowed some scenes. God forbid any other "original" movie has done the same in the last decade.
Some fans need to rid themselves of the notion that a full length motion picture is made for their sole consumption, and respect that many people viewing may not have even heard of the series. However, the script writers also need to understand the strong following of fans, and include "in" sequences/jokes etc. Which I felt they did nicely enough.
The detail spent on the Romulan Star Empire could have been slightly more expansive, the political games being played in the Romulan Senate never were quite "fleshed out" which is a shame, because the Romulans are one of the races throughout the Star Trek saga who have been rarely visible.
The film took current events to add a current affairs style plot, which I admire. The smaller (as in, less spelled out) plotlines were excellent, and made the film something to follow rather than a Die Hard clone (yes, First Contact was a.k.a "Die Hard on the USS Enterprise").
I hope this really isn't the end for Picard and crew, it didn't feel like a goodbye picture. If it was, then the fine actors from the TNG series should take a well deserved bow, it's been a great series to follow, and as a retired trekkie (I retired when the TNG series wrapped up) I think the TNG series (and original series) will prove to stand the test of time over more recent efforts, kudos to the actors and other people involved.
This is a more dark times star trek movie, but it's a good movie that aged well. The only thing that is regrettable is that the movie was supposed to be almost an hour longer. So they cut huge scenes out of the original feature. I know it would have been a very long movie but it would make a lot more sense to most people. You should all watch the deleted scenes.
I loved it.
I used to be a real Trekky several years ago, but kind of grew out of it. This was the kind of Star Trek film I had been waiting to see. Much more involving than Insurrection and an intriguing story that I thought just got better as the film went on.
Brent Spiner did a masterful job with his two roles.
The special effects were like nothing I had ever seen from Star Trek before. They were brilliantly created and went beyond the typical Star Trek style effects which added extra depth to the film.
I have been told that many pure Star Trek fans did not like this film. And I agree that it seemed rather 'un-Star Trek' in many ways. But I think it was these un-Star Trek elements that really boosted this film.
It comes in at number 2 of my favorite Star Trek films. Second only to Wrath of Khan. Or perhaps a draw.
I used to be a real Trekky several years ago, but kind of grew out of it. This was the kind of Star Trek film I had been waiting to see. Much more involving than Insurrection and an intriguing story that I thought just got better as the film went on.
Brent Spiner did a masterful job with his two roles.
The special effects were like nothing I had ever seen from Star Trek before. They were brilliantly created and went beyond the typical Star Trek style effects which added extra depth to the film.
I have been told that many pure Star Trek fans did not like this film. And I agree that it seemed rather 'un-Star Trek' in many ways. But I think it was these un-Star Trek elements that really boosted this film.
It comes in at number 2 of my favorite Star Trek films. Second only to Wrath of Khan. Or perhaps a draw.
The film talks about the Enterprise crew that after celebration of betrothal between Riker (Jonathan Frakes) and Troy (Marina Sirtis) getting homeland , but the discovery a dismantled prototype of android Data (Brent Spiner) originates news dangers and risks . Captain Picard (Patrick Stewart) then acts as an ambassador in the conflict between the Romulans and the Federation , but he receives the Romulans's intention of dealing with an important peace treatise . The ruler of Romulans (Tom Hardy) has an absolutely likeness to a young Picard and seems his dark wishes aren't clears but treacherous and taking off comes out.
¨Star Trek¨ series remains a landmark in the story of science fiction cinema and television . In this ¨next generation's ¨ incarnation find the usual saga actors , the previously named , plus Worf (Michael Dorn) , Levar Burton (La Forge), Beverly Crusher (Gates McFadden )and her son (Will Wheaton) . Besides , there appears a masked Ron Perlman with a good make-up and other original characters making a brief appearance as Woopi Goldberg and Kate Mulgrew who is starring in her proper ¨spin off¨, Star Trek's Voyager . The movie has more comedy and romance than customarily made in the ordinary development of the franchise . As always , for comic relief is in charge of android Data , well performed by Brent Spiner . Humor, idealism , species' protection , humanity, trademark effects are several features that abound these films and will please the enthusiasts as well as the initiated viewers . Excellent effects specials are magnificently realized , courtesy of Industrial Light and Magic , I.L.M. by George Lucas production . This thrilling picture has a climatic and exceptional ending . Jerry Goldsmith's soundtrack ( episodes' habitual musician ) is spectacular and atmospheric . The motion picture was correctly directed by Stuart Baird . The yarn will appeal to hard core trekkers.
¨Star Trek¨ series remains a landmark in the story of science fiction cinema and television . In this ¨next generation's ¨ incarnation find the usual saga actors , the previously named , plus Worf (Michael Dorn) , Levar Burton (La Forge), Beverly Crusher (Gates McFadden )and her son (Will Wheaton) . Besides , there appears a masked Ron Perlman with a good make-up and other original characters making a brief appearance as Woopi Goldberg and Kate Mulgrew who is starring in her proper ¨spin off¨, Star Trek's Voyager . The movie has more comedy and romance than customarily made in the ordinary development of the franchise . As always , for comic relief is in charge of android Data , well performed by Brent Spiner . Humor, idealism , species' protection , humanity, trademark effects are several features that abound these films and will please the enthusiasts as well as the initiated viewers . Excellent effects specials are magnificently realized , courtesy of Industrial Light and Magic , I.L.M. by George Lucas production . This thrilling picture has a climatic and exceptional ending . Jerry Goldsmith's soundtrack ( episodes' habitual musician ) is spectacular and atmospheric . The motion picture was correctly directed by Stuart Baird . The yarn will appeal to hard core trekkers.
Did you know
- TriviaIt was generally believed that Jeri Ryan (Seven of Nine from Star Trek: Voyager (1995)) was offered a cameo in the earliest draft of the movie script, but was unable to commit when she got a role on Boston Public (2000). The cameo was supposedly given to Kate Mulgrew (Admiral Kathryn Janeway) instead. However, during a 2014 Star Trek convention, Ryan admitted that the studio had offered her a much larger role, which would have replaced an unspecified character in this film (supposedly Marina Sirtis as Deanna Troi). Ryan passed on the opportunity, not wanting to take a break from Boston Public already, and also out of fear of being typecast. She also felt that her presence in the film was merely fan service, since her character from Voyager never served on the Enterprise, and therefore wouldn't know anyone from the Next Generation crew. The studio then offered her a cameo as a guest at Riker and Troi's wedding in the beginning, which she also passed on because that would make even less sense. A cameo for Admiral Janeway was created instead, and Ryan would finally return to the Star Trek universe in Star Trek: Picard (2020).
- GoofsDuring his confrontation with the hologram of Shinzon, Captain Picard states "Your heart, your hands, your eyes are the same as mine." While Shinzon is a clone of Picard and most of this is true because they share the same DNA, Picard actually has an artificial heart. It was established on Star Trek The Next Generation that he lost his biological heart as a cadet when he was stabbed through the heart by a Nausicaan. However, Picard's statement was meant to be more poetic than literal.
- Crazy creditsBoth the letter 'R' in 'Trek' and the second 'E' in 'Nemesis' are presented backward within the words in order to introduce the idea of a mirror image.
- Alternate versions50 minutes of fully produced but unreleased footage allegedly exists, including:
- Extended Wedding Sequence - Originally, Riker and Troi's wedding was much longer and featured Wesley Crusher (played by Wil Wheaton) in attendance. (He is still sitting next to Dr. Crusher in the theatrical version) Also during the wedding, Picard opens up to Lt. Commander Data and reveals his dismay over being a private loner all his life.
- The Seduction of Counselor Troi - In the original three-hour version, Shinzon's obsession with Troi runs much deeper and there are several scenes that show him seducing and tormenting her in her mind. A scene featured in the theatrical trailers show Troi struggling with the mind meld inflicted by Shinzon and his Viceroy. You still see the effects of the torturous mind meld in the theatrical version as Troi appears fatigued and psychologically drained.
- A scene of Data teaching his brother B-4 how to eat with a fork.
- Ambassador Worf and Dr. Crusher were also featured more prominently in the three-hour version and it was revealed that Worf was on his way back to Kronos after leaving Deep Space Nine and he was featured in more action sequences that were deleted from the theatrical release. Dr. Crusher is revealed to be considering leaving the Enterprise after receiving an offer from Starfleet Medical.
- Footage of Geordi and Data planning and executing the mission to rescue Picard on board the Scimitar was also deleted and featured the swapping places of Data and B-4.
- Extended ending - Riker and Troi board the USS Titan as he takes command as Captain and she resumes her job as ship's counselor. The instatement of a new First Officer on the Enterprise is shown. Picard bids farewell to Dr. Crusher as she accepts the offer from Starfleet Medical and leaves for San Francisco.
- SoundtracksTheme from Star Trek: The Motion Picture
Written by Jerry Goldsmith
- How long is Star Trek: Nemesis?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Némesis
- Filming locations
- El Mirage Dry Lake, California, USA(private property portion of Dry Lake)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $43,254,409
- Opening weekend US & Canada
- $18,513,305
- Dec 15, 2002
- Gross worldwide
- $67,336,470
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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