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  • rbverhoef8 June 2003
    While watching 'Catch Me If You Can' I had so much fun I smiled constantly. Well, that smile was interrupted by laughs. The movie tells the story of Frank W. Abignale, Jr. who is just a kid as he pretends to be a schoolteacher. After his father and mother get a divorce he runs away and starts pretending to be a co-pilot, a doctor, a lawyer. The way he does this is funny and brilliant.

    I am not a big fan of Leonardo DiCaprio who plays Frank but in this movie he is perfect. He gives a very fine performance. Tom Hanks is the FBI-agent Carl who is after him, and as always Hanks is good.

    The story is inspired by a real story. I don't know in how many ways it is true but watching this guy all I wanted to see was him pulling more of his nice little tricks. The scene where he pretends to be a schoolteacher is just great. If you want a nice funny movie, not too heavy, this one will definitely please you.
  • At first I thought I was going to see a lightweight film from a great director but instead I watched another impressive achievement by Steven Spielberg. A few things stand out and of course the performances are terrific. Leonardo Dicaprio is believable as a guy that can convince people that he's someone else. Dicaprio is a charmer and is very smooth as we watch his character do some fancy talk to the young ladies. Tom Hanks as the FBI agent reminds me of his cynical character that he played in "A League of Their Own" and his mere presence adds more to this film. The sign of a great film star. And Christopher Walken gives one of his best performances in his already interesting career. The last scene of him as he talks to his son in the restaurant is so moving that it reflects on the great talent of Walken. You can understand why Dicaprio admires and loves his father. Walken conveys these emotions and makes the audience react just accurately. I'll be rooting for him at Oscar time. Another impressive thing about this film is the beautiful cinematography by Janusz Kaminski who's a real artist with a camera and has worked on several Spielberg films. One shot in particular stands out. The ray of sunshine coming in through the kitchen window on Walken. Very thought provoking. And of course since its a Spielberg film its very personal. Spielberg was interested in the Frank Abagnale character because as a youngster he also came from a broken family and wanted to be someone else. Spielberg would sneak onto the studios and tell people that he worked there. Also, the real Frank Abagnale jr. appears as a French police officer. Well made, extremely well acted and sharply written. Viewers seem to forget that this is really a film about the breaking up of a family and the aftermath. This really is a personal film from Spielberg, and a very good one.
  • I Don't know how accurate these events are but as they are based on accounts written by Frank Abagale Jr. himself, then i assume that they are probably only dramatised for the viewing audience.

    It's hard to believe that people were so naive, that they allowed Frank Abagnale to achieve what he did, but i have give the guy credit for pushing the system, and riding the high life for as long as he did.

    Leonardo DiCaprio does a great job of capturing the character of Frank Abignale Jr. (strange i didn't picture him in the role of a jet setting Gigalo) and the rest of the cast although only little more than fringe characters, are all very well cast and give typically fine performances, as you would expect with the calibre of Hanks and Walken.

    All in all this is a fine film, that most people will enjoy watching 8/10
  • jotix10024 January 2003
    From the opening credits design we get in the mood of this very entertaining film. They create the tone for what will follow. Steven Spielberg is in rare form directing this movie that doesn't have a dull moment.

    Mr. Spielberg has found a perfect actor to fill the shoes of the con man with the perfect casting of Leonardo DiCaprio. It's very easy to see why all the women fall prey of this charmer. He was a fast talker and a slick operator. He exudes charisma to fill another couple of movies.

    It's a welcome sight to have Mr. DiCaprio working in a vehicle that shows his talent as Frank Abagnale, a man of many faces. He plays a game of hide-and-seek throughout the movie with Hanratty, the FBI agent that is in his trail. Tom Hanks shows great assurance and gusto with this character. Of course, the DiCaprio magnetism dominates the action with the many ironic twists and the miraculous and narrow escapes he pulls with an aplomb that's bewildering to the Feds, who are on his tail all the time.

    The minor roles are equally important. Christopher Walken as the father starts out as the prototype of the con man, but he's too decent to do wrong; his business fails eventually. His marriage to Natalie Baye, the fine French actress, ends in divorce because obviously she hates being married to a loser.

    The action doesn't stop for one moment. This film is great fun to watch with the winning combination Mr. Spielberg assured hand gives us this time out. Mr. Spielberg can thank the genial Mr. DiCaprio who responds obviously to his direction and makes this con man endearing even when he is committing crimes.
  • What a terrific piece of film-making! From the charming animated title sequence (featuring John Williams's delightfully sneaky score) to the end, this is an enormously entertaining film from the gifted craftsman, Steven Spielberg, who is so damn good people take him for granted or resent his "manipulation," i.e. his seemingly effortless ability to create effective drama.

    Leonardo DiCaprio (in his best performance that I've seen) stars as Frank Abagnale, Jr., a real-life teen-aged con man so spectacularly gifted that he was able to steal millions from various companies with forged checks, while successfully impersonating an airline pilot, a doctor and a lawyer, among other guises. He is chased by a rigidly rule-bound F.B.I. agent, Carl Hanratty (Tom Hanks), who is at first comically out-classed by the young improvising criminal genius; but the agent is steadfast and relentless and has the law on his side. The movie is filled with delightful supporting performances, starting with Hanks and continuing on with Nathalie Baye as the boy's selfish mother, Amy Adams as his immature fiancée and on down to the tiniest role. I'm especially grateful for the sympathetic part given to Christopher Walken, as the mischievous and spirited Abagnale Sr., whose life darkens as his fortunes fall. Walken is one of my favorite actors, but while I enjoy the occasional one-dimensional freak or villain he plays, I wish most of his parts were like this.

    Spielberg's movie is rich with fascinating details and memorable incidents, while the script by Jeff Nathanson moves backward and forward in time to tell the story in the most engrossing way possible. This is top-notch entertainment.
  • This was an entertaining and fun piece of film making from the ever-reliable Steven Spielberg. It is a bit of a depart from his usual full-blown and hugely epic pictures, yet this does not detract at all from the fascinating story of Frank Abagnale Jr. I was interested in this man before I'd seen the movie, and it only served to increase my interest. Although it is important to remember (as with any such film) that this is only 'inspired' by a true story and not told word for word from one, the plot is fascinating and keeps you laughing, crying and wondering until the end.

    Frank Abagnale Jr. is an astounding and interesting character. The real life Abagnale originally said that he did not believe Dicaprio to be 'suave' enough to play the role, but he certainly does pull it off. Dicaprio's acting is superb, and totally believable as a man who could lie to, deceive, and con everyone he met without once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction between these two characters was great, it was interesting to see a budding relationship slowly build between two characters who were actually positioned against one another.

    I loved the look of the film. It was a refreshing blast to see the 60s portrayed in such a vivid and colorful way. The whole setting and atmosphere of the film gave it a wonderful and almost (I hesitate to use the word) 'magical' sense. This tone appealed to me much more than a darker tone might have.

    However, the film is rife with moral ambiguity. As much fun as it is to watch Dicaprio jumping from one place (and identity) to the next, forging checks and spending inordinate amounts of money at a whim, the film never really focuses on the morally bankrupt side of the story. The portion of the film devoted to this at the end still seems to skim over the fact that this man has stolen millions of dollars. It ends on a high note for Frank Abagnale Jr., never fully spelling out the wrongs he committed. Still, this would probably bring the whole film down, and sometimes it's fun just to enjoy a bit of escapism without being told off for desiring such things. I mean, it's hard to be totally strict and upright - you have to love it when Dicaprio's character swindles Jennifer Garner's prostitute for $400!

    Overall, this is a fun film and really enjoyable. Not as much of an epic masterpiece as some of Spielberg's other movies, but still a great film!
  • 'Catch Me if You Can' has such a talented cast, the true story is a fascinating one and while Steven Spielberg is an inconsistent director he was a big childhood influence and he has proved several times that he is capable of masterpieces of iconic status.

    While 'Catch Me if You Can' is not quite one of Spielberg's best films (in a list that sees the likes of 'Schindler's List', 'Jaws', 'Raiders of the Lost Ark' and 'ET'), it is one of his better later films, for me that's since 'Schindler's List'. There are occasional lapses into overly-sentimental schmaltz with the depiction of Abagnale's family life, not the first or last time with Spielberg and a long way from the worst case, but that is the one fault that was had for me.

    Spielberg directs impeccably, both in visual style and dramatic momentum, a directorial job that just screams of pure class. 'Catch Me if You Can' further benefits from as always beautiful cinematography from Janusz Kaminski and 60s period detail that not only looks sumptuously handsome but also evocative to make one think that it is more than just a film with a 60s setting.

    John Williams' score is not one of his best or most memorable, but still fits really well and has the right amount of slick jazziness, whimsy and understated pathos without over-emphasising (over-emphasis was the reason why his score for 'Amistad' was a rare misfire from him). The story takes a fascinating story and makes a ceaselessly engrossing film out of it, from the ingenious opening credits sequence to the heartfelt ending, the film is long but never feels it.

    This is further helped by a script that has a deft mix of genuinely funny comedy, poignant emotional moments and nail-biting suspense. The characters are intriguing. Can't praise the performances enough. Leonardo DiCaprio is movie star charisma personified, and brings wit, larceny and charm to a character that is a true crook in every sense but it is easy to see why one would fall for his actions.

    It is easy to overlook Tom Hanks, due to the role being not as colourful or as showy, but he brings charismatic command, generosity and doggedness in a role that could have been really bland and annoying in lesser hands. Of a sterling supporting cast, Christopher Walken is especially superb, particularly in the latter parts of the film as his life is ruined. Martin Sheen and Amy Adams are memorable, and Nathalie Bye solid.

    Overall, even if 'Catch Me if You Can' is not one of Spielberg's masterpieces it is one of his better later films and one of his most purely enjoyable ones. Well worth catching. 9/10 Bethany Cox
  • tomsview13 May 2014
    One thing is for sure, Steven Spielberg has an amazing range.

    He made this engaging movie in a five-year period that included "A.I. Artificial Intelligence", "Minority Report", "The Terminal", "War of the Worlds" and "Munich".

    Set in the early 60's, the movie tells the story of Frank Abignale (Leo DiCaprio) and how he impersonated an airline pilot, a secret agent, a doctor and finally a county prosecutor before he was 21-years old. Unfortunately, he also made a lot of money passing bad cheques. This brought him to the attention of Carl Hanratty (Tom Hanks), an FBI bank fraud agent who pursues him relentlessly across the United States and finally to France.

    The pursuit becomes a personal contest between them, and although a rapport develops, it is still a high stakes game. However, the film has a surprising outcome; the perfect close to a movie that is enjoyable on many levels.

    It's a long movie but it doesn't outstay its welcome, Spielberg gives the movie a light touch, and demonstrates a genuine sense of comic timing comparable to a John Hughes, a Frank Oz or maybe even a Preston Sturges.

    Although not necessarily a comedy, the film is studded with genuinely funny moments, much of it generated by Frank's sheer audacity. There are a number of scenes where Spielberg holds back the punchline, we can fill it in for ourselves such as Frank's knock knock joke or when Jennifer Garner as the high class call girl gives Frank $400 in change when he signs over his homemade pay cheque to her - we know something she doesn't.

    Between them, DiCaprio, Hanks and Spielberg make every bit of business work without losing sight of the story, which promises inevitable tragedy for Frank.

    There is a serious side to the story. It tells how Frank is at first dislocated by his parent's financial troubles and then shattered by their breakup. He is also affected by the behaviour of his father, Frank Abagnale, Snr, (Christopher Walken) who seems to believe that image is more important than reality. These forces conspire to push Frank into pretending he is something he isn't.

    The film also reflects a more naive time as far as security at airports and banks is concerned, Frank capitalises on people's innate respect for professions and institutions, but his actions hurt people, not least himself.

    Of course today, Frank would probably have to perpetuate his scams online, but the anonymity of the Internet doesn't require the amount of chutzpah that Frank shows as he stands at the counter in his pilot's uniform to cash his rubbery cheques, or "concurs" with his fellow physicians when posing as the head of emergency at a hospital. It's that element of daring that makes Frank's crimes entertaining rather than despicable.

    I have seen this film quite a few times, and like the best movies, the reunion is always rewarding.
  • Shawouni30 December 2014
    This is one of the best movies I have ever seen. It had everything - great actors, great music by John Williams, the amazing director Steven Spielberg. It wasn't boring for a second although being over 2 hours long. I simply didn't want it to end and this is the main reason I gave the movie a 10.

    I loved the main character Frank's attitude and his brilliant way of thinking. The fact that it's based on a true story makes it even better. I had to Google Frank Abagnale Jr. after watching this and the friendly face that smiled on the pictures wasn't really what I expected. Leo plays the roll very well - give the man an Oscar already! I'm also thinking that Leo and Tom Hanks must have had a lot of fun filming this.

    There were many famous actors and actresses in smaller rolls, which I liked. Perhaps some of them weren't so famous back in 2002 (I'm a bit too lazy to do the research at the moment) but seeing for example Ellen Pompeo and Jennifer Garner made me even more interested in the movie. Sometimes, movies with too many movie stars falls flat, for some reason. But this one certainly did not!

    I'll definitely watch Catch Me If You Can more than once, more than twice! Loved it! <3
  • tvegalovebeck1 February 2014
    Warning: Spoilers
    I have just finished this movie and I can honestly say this is such a addictive movie!! once you have watched it you want to watch it over and over again!!! It is so funny how Frank passes himself off as a Pam Am pilot, a lawyer and a doctor all before he is 21. It is also a shame at the end where Carl tells Frank his father is dead and he doesn't believe it. It is funny at the beginning where Frank says he is dying and they take him to the hospital and he escapes and when he pretended to be a substitute teachers and calls himself Mr Abagnale and when he embarrasses the bully in front of the entire class!!!! He looks so cute as a boy!!
  • Great performances from some truly great actors with an almost unbelievable story - and therein lies the one criticism if you wanted to raise one. Because, in order to catch you, which Steven Spielberg does, and finds doing it a good deal easier than the task ascribed before Carl Hanratty, he has to evolve and embellish this story with some not insignificant leaps of faith. Fine if its a conjured tale of fiction but ever so slightly, for me, detrimental to the experience as a whole, as its not.
  • Warning: Spoilers
    "Catch Me If You Can" is based on the true story of Frank Abagnale, the most successful conman in history. By the age of 19, Frank had already posed as a pilot for Pan Am, paraded around as a medical doctor, and fooled everyone by taking an on-the-side-job as a lawyer. (By the way, he faked a Harvard-graduate diploma to become one.) During this time he cashed fraudulent checks at various banks around the country, and eventually around various places in the world. His is an amazing story, and this film is based on it.

    There's no real plot to go into, as I have already given it to you. Other than telling you that the film opens when Frank is sixteen and runs away from home after his parents (Christopher Walken and Nathalie Baye) have a messy divorce, you pretty much have the setup for a light, fluffy, and altogether fun film.

    Frank is played by Leonardo DiCaprio, and the man hot on his trail, agent Carl Hanratty, is played by Tom Hanks. There isn't really a Carl Hanratty in real life, but it adds to the story. Frank, on the run, actually starts to become friends with Hanratty, who realizes Frank is just an adolescent and does not realize the eventual outcomes of what he is doing. Hanratty sort of adopts Frank, even after he is caught and thrown in a French prison. He helps him get transferred to an American prison, and then even gets him a job in the FBI for spotting fraudulent checks.

    I read Frank William Abagnale, Jr.'s true-crime memoir, which was released a few decades ago. It differs from the film at times, and it isn't always as light-hearted as the film is. But in terms of pure, fluffy fun at the movies, "Catch Me If You Can" is a sure-fire hit. At times it seems to stray a bit too far off the path of realism, unlike the book, but that's part of the fun, really.

    The film is entirely watchable, and doesn't try to become an epic. Steven Spielberg creates a real dazzler here; it is effortlessly watchable and even at two and a half hours long, it doesn't become overbearing. I thoroughly enjoyed it, and, unlike most critics, I thought Tom Hanks did a great job in his role.

    I especially like how Spielberg captured the image of the '60s so well here, and John Williams' score fits the part of the film very well. And as for the cast, they are all matched perfectly to their characters. I especially liked Christopher Walken as Frank Abagnale, Sr., who steals every scene he is in. His performance was worthy of its Oscar nom.

    If you just want to sit back and relax, "Catch Me If You Can" is the perfect film for you. There's nothing all that special in the film, but the film kind of becomes special because it is so easy to watch. I recommend "Catch Me If You Can" to anyone who can enjoy a movie for what it is.

    "Catch Me If You Can" is a true popcorn flick, and maybe a little bit more.

    4.5/5 stars -

    John Ulmer
  • Warning: Spoilers
    !!!! MILD SPOILERS !!!

    Much hyped as a true story on its release CATCH ME IF YOU CAN tells the tale of con artist extrodanaire Frank Abagnale Jr and FBI agent Carl Hanratty's attempt to catch him but the cold facts are this is not a true story - It's a Hollywood story inspired by real events and therefore the audience are required to do nothing more than pay their money at the box office , sit back and be entertained . Certainly they won't be expected to ask questions such as why is con man Abagnale being portrayed as some sort of misunderstood little boy lost

    Right from the outset we're shown Abagnale's ability to con people as being a force of good . Check out the scene in the school where he takes the class bully down a peg or two " Ah " thinks the audience " Frank's a good guy , he's a man of morality " but I'm afraid he's not because he's a con artist and the story telling technique doesn't allow much thinking to be done by the audience . What about the scenes where he passes himself off as an airline pilot . Can anyone explain to me how he did this for many months and was never ever suspected of being a fraud ? Didn't anyone ever ask him seriously technical questions about flying a jet that caused alarm bells to be rung ? These questions are never answered

    Abagnale also passed himself as a doctor where he falls in love with a young nurse lacking confidence called Brenda and this sub section of the story caused a few alarm bells to be rung in my head , so after I saw the movie I conducted some internet investigation only to find that while Abagnale was posing as a doctor a baby almost died under his care due to his own lack of medical knowledge . I ask you if the screenplay included this scene how would you feel about Abagnale then ? Exactly . All through the running time we're shown Frank Abagnale as some kind of cheeky chappie , a little bit naughty but hey he's a young good looking kid with no real harm in him . As John Ford said - " Always print the legend "

    I can certainly understand why people enjoyed CATCH ME IF YOU CAN and won't criticise them for it and I can also understand why Spielberg and company decided to make an entertaining movie that doesn't dare get involved in any type of morality . It is unfortunate however that the director and everyone else involved are involved in fundamental dishonesty themselves
  • Welcome to Steven Speilberg's world, a parallel universe where nuance, subtlety and personal interpretation are non-existent. In this world FBI agents are stumbling lead-footed stooges, wearing identical MIB suits and porkpie hats, who enter a suspected check-forger's apartment with handguns drawn, shouting "CLEAR!" as they stumble about from room to room. In this world a love scene must be accompanied by items on a bedside room service cart being knocked off one-by-one. A conversation between two secret agents must be shot in silhouette against an ominous blue background. A police station should be as glossily lit as a top European fashion emporium. The precocious hero must be able to escape an airplane lavatory in mere seconds, without tools, by removing 4 tiny screws. The love interest must be blonde, the in-laws stern, the failed father edgy, brittle and possibly nuts (Christopher Walken will do). And most of all the hero's dubious achievements must be shown to have benefited society in the long term and any of his character flaws attributed to youth, naivety and bad upbringing. After all, this is a movie and we can't have a fundamentally flawed hero or a morally ambiguous ending. Even if the said "hero" bilked countless innocent people out 4 million dollars.

    It would be nice if just once Spielberg could depict a story or a sequence of events as they might realistically occur rather than having to plaster everything with his trademark gloss and worn-out directorial flourishes. It would be nice if you could come out of one of his movies with an opinion rather than an answer.

    5 out of 10.
  • On Leonardo DiCaprio's 31st birthday, I have the pleasure of praising one of the finest actors working today. I didn't realize what I was seeing when that homeless boy showed up on 'Growing Pains'--a show not exactly known for the quality of its actors. And I didn't see much to like about "Titanic" except the excitement of watching the people evacuating and the ship sinking. Also, 'Romeo and Juliet' was just corny, with 400-year-old dialogue in a modern setting.

    But if he could be nominated for his 'Aviator' performance, DiCaprio must be doing something right. And here he shows us what he is capable of. Especially when Frank Jr. is conning people, and most of all when he tries to outwit Hanatty. I am reminded of Harrison Ford and Tommy Lee Jones in "The Fugitive", or perhaps Burt Reynolds and Jackie Gleason in "Smokey and the Bandit". The strange but enjoyable chemistry between these two characters goes a long way toward making this movie work.

    Frank Jr. showed a lot of intelligence, and DiCaprio effectively showed us what this man could do. Imagine what he could have accomplished if he had stayed on the right side of the law. But his life on the run was more fun to watch.

    Tom Hanks, as popular as he is, can be commended for his willingness to play second banana for a change. And he did a fine job. Martin Sheen and Christopher Walken also made an impact here.

    I loved the old cars and the even older songs. The clip from 'To Tell the Truth' was a nice touch. The theme song still gives me a craving for vanilla ice cream after nearly 30 years (I didn't feel I had time to watch the new version).

    This was Oscar-caliber. Too bad the Academy Awards people didn't seem to agree.
  • Frank Abagnale Junior becomes an accomplished fraudster at a very young age, passing himself off as a pilot, and cashing banker's cheques galore. FBI Agent Carl Hanratty makes it his mission to track him down.

    Another Spielberg masterpiece, I know there are lots of them, but there is something wonderfully unique about this movie, maybe it's the acting, maybe it's the extraordinary production values, or maybe it's just the outrageous, almost hard to imagine possible story.

    It's an incredible game of cat and mouse, we learn what motivates Frank, how he ends up where he is, and just how smart he was, even from a young age he was able to dupe anyone and everyone.

    Terrific production values and music, they got the detail of the period spot on, it looks amazing, and that Aston Martin!

    I'm so glad we got to see a snippet of James Bond, as at times it really did feel Bond inspired.

    The acting is phenomenal, DiCaprio and Hanks are awesome from beginning to end. DiCaprio's ability to look young and old is used perfectly.

    Catch me if you can is a movie you'll never tire of seeing.

    9/10.
  • Warning: Spoilers
    Catch Me If You Can is a pretty interesting movie that is supposedly based on the life of Frank Abagnale, who, before his 19th birthday, successfully performed cons worth millions of dollars. He was allow to pull this off, by posing high income jobs, and forging payroll checks. The movie by Steven Spielberg is really trying hard, not to say based off true events, as the movie use 'inspired by a true story" in order to avoid controversy similar to other past biographical films, which deviated from history. In my opinion, the movie doesn't deviated from the autobiography of Frank Abagnale too much. The movie stars Leonardo DiCaprio as the teenager Frank Abagnale who after witnessing his parents awful divorce, run away. When he runs out of money, he begins to rely on confidence scams to get by. Soon, Frank's cons grow bolder and he even impersonates an airline pilot, a Georgia doctor, and a Louisiana parish prosecutor. He drew attention by the FBI Bank fraud agency lead by Det. Carl Hanratty (Tom Hanks). Soon enough, it become a game of cat and mouse, with Frank trying everything to try to escape, and Carl trying everything to try to catch him. Set in the 1960s, the movie has this early James Bond type spy genre escapism theme going with it. Even the opening of the film by Olivier Kuntzel & Florence Deygas, looks something out of a 1960s spy film with its one of a kind title sequence. The slender Lowreyesque stamp style animation figures run through environments that symbolize key plot points from the film to the 1960s jazz-era score by John Williams is amazing and memorable. The movie was shot with bright vibrant colors, bringing out the world that no longer exist, built on trust and a firm handshake. There is a few historical anachronisms, but nothing really standing out for too long. The movie is pretty predictable as it gives you the whole story in the opening shot of the film. Approximately 80 percent of the movie is true based on Frank Abagnale Jr's account, but there were some stuff, they didn't mention on the film, the producers change or Frank just make it up. After all, Frank is indeed a consummate liar. Lots of plot holes or scenes never truly explain well. There is one outlandish scene with him looking for female airplane attendant recruits just in the space of one day and another one escaping a jet through the toilet. You have to hold, suspense of disbelief here. There was a stint, not added to the film, where Frank was professor of sociology at a college in Salt Lake City, Utah that was supposedly cut due to time constraints; but the truth is, the college, Brigham Young University, repudiates this claim that he never did teach there. The film, somewhat change it to him pretending to a French teacher in the beginning a local New York school. Another thing is his relationship with his father. In the film, Frank has a strong relationship with his dad. His father love that his son is stealing from the government and business, because they didn't support him when his business went under. Not in the case of real life, as his first victim was indeed his father stealing $3,400 from him in credit card fraud. Also, Abagnale never saw his father after he ran away from home, unlike the film. Other minor changes is that, the movie omitted his two jail attempts to get away from prison and his time in France. It would be nice to see that, both the movie would had been long. One more thing, FBI officer who was chasing Frank was really Joe Shea. Frank Abagnale Jr. used the pseudonym "Sean O'Reilly" in his book because Joe Shea was still in the F. B. I. He has since passed away, but the movie still used a new name, Carl Hanratty. I love the relationship between Frank and Carl in this movie. The chemistry in their respective roles is what breathes life into this film. There is a great scene at a motel between the two. The whole act was so risky. Leo play Frank with integrity and accuracy. He got the suave playboy down being bold and stylish. Tom Hanks was great as Carl. Season actor by this time, going toe to toe with a then, still-green, Leo. There is another great scene where both of their character call on Christmas. You can really tell the lack of family in Leo's character making him sympathy giving him a Freudian excuse. As less, he wasn't unlikeable. Catch me if You Can deals with themes of broken homes and troubled childhoods so well. The female characters played by Jennifer Garner, Ellen Pompeo and Elizabeth Banks were alright, but in my opinion, I have to say, Amy Adams as Brenda Strong was the best. Amy Adams as Brenda Strong gave one of the best performance in the film, as the emotional Brenda. I felt sad on what happen to her character. Also check out, the real Frank Abagnale as one of the French police officers toward the end. The music is great. I love the way, they use Frank Sinatra 'come fly with me'. Full of fantasy glam. The movie comes with a good moral message. Overall: Highly Informative and Incredibly Life Changing, Yet Subtly Descriptive and Wildly Entertaining. Worth the watch. So catch it!
  • Absurd that this is even remotely true, Catch Me If You Can is funny, engaging and exciting throughout. DiCaprio is perfect for the role, and even looks like a kid to fit in with the proposed age. He and Hanks have perfect chemistry, although it seems so strange for them to be so friendly with one another. Casting throughout was impressive, as were the settings and wardrobe. With such an impressive story though, the added Hollywood embellishments seem a little unnecessary, they add little and don't really seem worth swaying from the truth.
  • Going into this movie I was far from excited but I was utterly impressed by how this movie was executed. I knew the acting was going to be solid, you can never go wrong with Tom Hanks and Leonardo DiCaprio, but they weren't the only superb things about this movie.

    I was most astounded by how entertained I was during this film. It was brilliantly put together and wildly engaging.

    To say I was surprised by the bouncy and vivacious screenplay is an understatement. There are scenes that are truly playful, lively and to my surprise, comedic. DiCaprio executes his perky and charming character flawlessly; he handles the vibrant persona with ease.

    Do I even need to talk about Tom Hanks, I mean, we all know he's a remarkable actor.

    Amy Adams has a small but very spirited role.

    I came into this movie because of the actors and came out immensely delighted.
  • Warning: Spoilers
    More people need to talk about this film because it is worthy of its 8.1/10 stars on IMDB and with your help of watching this movie you can increase it. This is how movies are supposed to be made, one of Spielberg's best of the 2000's and it has great performances by Leonardo DiCaprio, Tom Hanks, Amy Adams, Jennifer Garner and many more brilliant actors. Leonardo DiCaprio's performance as real life con-artist Frank Abagnale Jr. feels like the real thing, it feels like they casted the real Abagnale at the correct age and this is your performance.

    When you're watching a movie, you walk out of the theatre saying to yourself, 'What a great performance', but that is not what actors want, they want you to believe this could be a real person and DiCaprio accomplishes that beyond the shadow of a doubt. This movie is proof that DiCaprio can push out a brilliant performance and isn't just that pretty-boy from Titanic or Romeo & Juliet. It's actually one of the only times I agree with the Rotten Tomatoes common Sense Media, so I wouldn't necessarily consider this film to be underrated, just compared to his other films, this one is put far down on the list which I absolutely disagree with.

    Spielberg crafted my favourite war movie, my favourite action adventure movies, four of my favourite science fiction movies, my favourite motion capture movie, my favourite comedy of the 2000's so I went into this film with the highest expectations possible and I loved this film, it was excellent in every way possible. It tells the story of Frank William Abagnale Jr. and how he became rich and got away with everything he did.

    His dad (who also goes by the same name except Jr. played by Christopher Walken) and mum have a break-up one day and Frank has to choose whether he wants to live with his mother or father. It is a very frustrating and traumatic task so he decides to run away from home. He becomes a co-pilot by faking identity and paying checks instead of cash, he gets involved with a prostitute and finally meets his future wife played by Amy Adams. They meet at a hospital counter where they both flirt and finally she asks him if he wants to meet her parents, he accepts and they go there. Frank tells them he has multiple jobs and they eventually get married. Detective Carl Hanratty (Tom Hanks) and his fellow detectives go around to where Abagnale is having the wedding.

    Abagnale admits to Brenda Strong (Amy Adams) that he is a con-artist and all that money he has gotten by pretending he has a job. He tells her to keep the money and he jumps out of the window and runs away as fast as he can. He eventually gets caught by detectives and is brought to a filthy jail in France. Carl Hanratty comes over there one day to send him to America and says he will meet his father. On the plane, Carl admits to telling him a lie, his father fell down the steps on the way to the train station. Frank goes to the toilet claiming he was going to be sick, only to find a way out of the plane and goes and runs to where his mother lives and sees she has children and a new husband.

    At the end of the film, he ends up working for Hanratty and that's the end.

    100% - One of my all time favourites
  • Warning: Spoilers
    Catch Me if You Can is one of the best movies I have ever seen. It is without a doubt the most underrated movie I have ever seen, especially with the all star cast it has.

    Directed by Steven Spielberg, I know this might not be a popular vote but it is my favourite Spielberg film he has made.

    The acting is perfect. Leonardo DiCaprio is Oscar worthy, the fact that he didn't win Best Actor at the Academy Awards is amazing. Tom Hanks should have also received Best Supporting Actor and Steven Spielberg easily Best Director.

    The script is one of the best scripts I have ever heard with some of the best dialogue ever. This movie is so funny. There is one scene towards the end were Tom Hanks is on the phone at the airport and you just see Leo and the stewardess' walk write by him, that had me on the floor laughing.

    The ending is a perfect wrap-up to a perfect movie. 2 hours and 20 minutes of perfection

    10 out of 10 stars.

    Perfect!
  • Frank Abagnale Jr. (Di Caprio) makes his way across America posing as a lawyer, a pilot, a doctor whilst all the while being chased by Carl Hanratty (Hanks) Based on the true story of conman Frank Abagnale Jr. this ambitious crime caper is a turn for excitement harmless joy that encodes spurts of comedy in a dramatic construction of a man looking for a sense of mayhem and wealth, to live in his father's footsteps.

    Flowing with the energy you would expect from a Spielberg project alongside Oscar nominated scorer John Williams you would expect a ferocious appetite of crime shindigs and sharp tantalising scenarios across America and for the most part we see a relaxing and remarkable story that is hard and equally remarkable to believe really happened.

    Leo Di Caprio, in his first paring with Spielberg, stars as central character Frank, giving the conman an elusive personality whilst aiming to be naïve of the difficulties at home between his parents. Encoding uses of his father's charm and wit may seem corny but the resemblance between Di Caprio and Oscar nominated Christopher Walken is mirror like, giving the film a formidable consistency.

    Tom Hanks, in more of a supporting role, has his moments as the stubborn and driven FBI agent determined to catch Frank. Hanks uses the character's intelligence to his advantage to make his acts seem fruitless whilst all the while maintaining a key objective. Hanks even slides in some delicious deadpan expressions, the knock knock joke in the car for one arguably one of Hanks best ever comedy moments, which is quite something given the American's CV.

    The plot is the main drawback of the film's potential. Whilst the story itself is based on true events, there feels a lack of consistent believability, which is purely down to the messy structure placed upon it. Starting on a game show, it jumps back to Frank's youth, then to prison then forward to school years, then his fleeing, then forward to present and so forth and because of these Kangaroo style jumps there feels a reluctance to let us into the moment of the character and situation. We are just getting used to Frank being a pilot when the film shunts us to present day dealings and it is a real pain as if this film was portrayed in chronological order we would have had a flawless foundation for an endless chase without knowing the outcome.

    Williams' score is brilliant, especially the title sequence and Oscar nominated was a truly deserved. The title sequence matches the feel of the music so poignantly we are instantly engaged and ready for the off.

    The film collaborates usage of career mastery and unanswered questions to the eventual finale, that is worth catching and as mentioned, had this film gone from past to present with no flash back/forwards it would have been perfect. As it is, this is a charming often funny crime drama that is an enjoyable ride of a true story.
  • I think the movie is some kind of comedy. What would you say about that? The most of my friends think that the movie is not funny. They think that it's too serious. I watched it 3 years ago and i truly had fun. Tom and Leo act very comical.The way that Leo's character lies everybody about his life and his job is very, very, very interesting!Tom's character chaising is laughmaker too!When he take all the pink clothes from the washmachine and so on...when Leo cheat Tom with the document in the hotel room...when hot girl throw at Leo the playcards and ask more money...when Tom sing at the table on cristmas and slap his hands...and more and more funny staff about this great movie! I cant understand why they told me that this movie is not funny!?!
  • auuwws19 February 2021
    A very good movie. The acting in the film was average by most of the actors except for leonardo dicaprio, whose performance in the film was impressive and Tom Hanks was not a good character, the story of the film was good and interesting, I enjoyed watching it and I recommend watching it
  • makolina12 September 2022
    Warning: Spoilers
    If it was only portrayed as fiction. The guy hoodwinked everyone into thinking he was someone and most of his claims had been disproven even before Spielberg made this movie. The fact that they still try to pass this off as as "autobiographical" in the credits should be edited to actually tell the truth that Abagnale was just a really bad liar with a petty criminal record who actually didn't do any of those things portrayed in the movie. Everything portrayed was a gross exaggeration of the truth with the the pilot claims to be the most true even though those were an extreme exaggeration and the lawyer claims to just be an outright lie that investigative journalists proved to be a lie. What makes this more sad is this guy was named an AARP champion against fraud when even his fraud is fraudulent. Good lord what a sorry excuse for a human being.
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