Starts out as such a deliciously savage satire of TV kiddie shows that it's a shame it swerves out of control and over the top, sliding into tedium before pulling together for a clever, if protracted, finish.
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New York PostLou Lumenick
New York PostLou Lumenick
So off-the-wall that it may well ultimately acquire the cult status of Resnick's earlier Chris Elliot vehicle, "Cabin Boy."