R | | Comedy, Crime, Horror
A Hitchcockian black comedy in the spirit of 'Rope' and Agatha Christie's 'Ten Little Indians' that begs the question can murder, if done well, be considered art? An art whose medium is one of flesh and bone.
Nearly all of the names and references in the film are to historical occurrences and figures.
You know, security's tight these days, Republican White House and all.
At the end of the movie when Jordan shoves Nick off the roof, you can clearly distinguish the stunt man that lands on the car, and not the original actor.
At the end of the credits there is a quick shot of Hal opening his eyes after he was believed to be dead.