Jess Bhamra dreams of playing professional football, but her Sikh parents have plans for her: a law degree and a marriage. Jules, a white female striker, spots Jess playing football and invi... Read allJess Bhamra dreams of playing professional football, but her Sikh parents have plans for her: a law degree and a marriage. Jules, a white female striker, spots Jess playing football and invites her to join the local women's team.Jess Bhamra dreams of playing professional football, but her Sikh parents have plans for her: a law degree and a marriage. Jules, a white female striker, spots Jess playing football and invites her to join the local women's team.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 17 wins & 20 nominations total
Pooja Shah
- Meena
- (as Poojah Shah)
Saraj Chaudhry
- Sonny
- (as Saraj Chaudry)
- Director
- Writers
- All cast & crew
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Featured reviews
Thoroughly enjoyable film about a Sikh girl wanting to be a footballer. Highly unlikely in real life but you want her to be victorious and the film is put together very well to hold your attention. Whilst the football element isn't worth very much, the film is well worth watching
This movie might best be characterized as a collection of formulas - underdog sports flick, culture clash flick, generational conflict flick, young-love-overcomes-obstacles flick. The setting of transplanted Indian-ness makes it feel like one of Mira Nair's films - `Monsoon Wedding' or `Mississippi Masala.' There's also quite a bit of youthful, flippant, foul-mouthed, blue-collar London impertinence going on - an episode of `Eastenders,' perhaps.
And yet to dismiss the movie with this quick sketch and a few references would do it a terrible injustice. OK, no, it is perhaps not `great.' It's a feelgood movie, and while it dips a bit into serious subject waters, it doesn't stay down too long. And, it really IS a collection of all these movie formulas - and, I submit, they do exactly what they're intended to do. It's ALMOST too much, but it's not. The formulas lead to their inevitable pay offs, of course, but they pay off in ways that are not quite expected. The final outcome is rarely in doubt, but throughout the twists and turns, the audience (at least the audience where I was watching), find themselves shamelessly twisting their hankies on the sidelines, crying just a little where they're supposed to cry, and cheering when they can't but cheer. There is a point at which you want to stand up and clap wildly - it's not at the end, so you can't, but the audience where I saw it sure wanted to. I think they felt a little cheated that they couldn't. The mood of the end is not one conducive to raising the rafters, but many clapped softly anyway. Granted the movie isn't timed quite right, but it really IS that good - it makes you want to show your gratefulness for the efforts of writer, director, and actors.
Any flaws of timing or plausibility I find I can easily forgive due to the overwhelming charm of the movie's star, Parminder K. Nagra. Her expressions, her boundless energy and defiance, her ability to convey the conflict her character feels between duty to family and wishing for something more - I was completely taken in, from start to finish. This actress is going places. She has the kind of playful wit and irreverence you see in the best early John Cusack, coupled with a depth to play convincing disappointment and struggle. If you love `Say Anything,' with the passion that most true devotees, including me, do - you will love this film. In fact, if `Say Anything' is your favorite film, drop whatever you're doing and RUN out to see this film, before it leaves theatres. Drive 100 miles if you have to. It has that same magic.
It doesn't hurt that Ms. Nagra possesses a true, deep, classic beauty and grace akin to that of, say, a Kelly or a Bergman. I mean, my fellow red-blooded males, this woman is flat-out, drop-dead stunning. She's equally fetching as a feisty tomboy jock (my personal preference) or as an elegant, traditionally clad Sikh woman. Go see it to watch her, even if the subject matter isn't your thing.
It is perhaps not a great movie, but it's one that will, due to its sheer quirkiness and great heart, likely find its way onto the `favorites' shelves of many, and not just young girls aspiring to make it big and become soccer stars. Evidently the movie is a huge hit in England and Germany, and Parminder is well on her way to becoming a superstar. Go out and see what all the fuss is about.
P.S. I must beg to differ with the reviewer who claims that women's soccer is not big in the U.S. Women's soccer is HUGE in the U.S. - there are perhaps ten times as many young women playing soccer in America as in the whole of Europe. The U.S. national team is THE powerhouse international women's team, and has been for almost a decade. Brandi Chastain's shirt-removing gesture in the 1999 Women's World Cup, which graced the cover of Time, Newsweek and Sports Illustrated, has become iconic. Young women from around the world most certainly DO aspire to be on American college teams - North Carolina and Santa Clara, I believe, particularly. American Mia Hamm, far and away the greatest women's player of all time, dominates the sport like a Michael Jordan. I'm fairly sure the U.S. is the only country to have a professional women's soccer league (maybe Japan as well?). This film is fully aware of this. If girls' soccer coaches from age five on up don't make this film required viewing for their team, they should consider leaving coaching.
And yet to dismiss the movie with this quick sketch and a few references would do it a terrible injustice. OK, no, it is perhaps not `great.' It's a feelgood movie, and while it dips a bit into serious subject waters, it doesn't stay down too long. And, it really IS a collection of all these movie formulas - and, I submit, they do exactly what they're intended to do. It's ALMOST too much, but it's not. The formulas lead to their inevitable pay offs, of course, but they pay off in ways that are not quite expected. The final outcome is rarely in doubt, but throughout the twists and turns, the audience (at least the audience where I was watching), find themselves shamelessly twisting their hankies on the sidelines, crying just a little where they're supposed to cry, and cheering when they can't but cheer. There is a point at which you want to stand up and clap wildly - it's not at the end, so you can't, but the audience where I saw it sure wanted to. I think they felt a little cheated that they couldn't. The mood of the end is not one conducive to raising the rafters, but many clapped softly anyway. Granted the movie isn't timed quite right, but it really IS that good - it makes you want to show your gratefulness for the efforts of writer, director, and actors.
Any flaws of timing or plausibility I find I can easily forgive due to the overwhelming charm of the movie's star, Parminder K. Nagra. Her expressions, her boundless energy and defiance, her ability to convey the conflict her character feels between duty to family and wishing for something more - I was completely taken in, from start to finish. This actress is going places. She has the kind of playful wit and irreverence you see in the best early John Cusack, coupled with a depth to play convincing disappointment and struggle. If you love `Say Anything,' with the passion that most true devotees, including me, do - you will love this film. In fact, if `Say Anything' is your favorite film, drop whatever you're doing and RUN out to see this film, before it leaves theatres. Drive 100 miles if you have to. It has that same magic.
It doesn't hurt that Ms. Nagra possesses a true, deep, classic beauty and grace akin to that of, say, a Kelly or a Bergman. I mean, my fellow red-blooded males, this woman is flat-out, drop-dead stunning. She's equally fetching as a feisty tomboy jock (my personal preference) or as an elegant, traditionally clad Sikh woman. Go see it to watch her, even if the subject matter isn't your thing.
It is perhaps not a great movie, but it's one that will, due to its sheer quirkiness and great heart, likely find its way onto the `favorites' shelves of many, and not just young girls aspiring to make it big and become soccer stars. Evidently the movie is a huge hit in England and Germany, and Parminder is well on her way to becoming a superstar. Go out and see what all the fuss is about.
P.S. I must beg to differ with the reviewer who claims that women's soccer is not big in the U.S. Women's soccer is HUGE in the U.S. - there are perhaps ten times as many young women playing soccer in America as in the whole of Europe. The U.S. national team is THE powerhouse international women's team, and has been for almost a decade. Brandi Chastain's shirt-removing gesture in the 1999 Women's World Cup, which graced the cover of Time, Newsweek and Sports Illustrated, has become iconic. Young women from around the world most certainly DO aspire to be on American college teams - North Carolina and Santa Clara, I believe, particularly. American Mia Hamm, far and away the greatest women's player of all time, dominates the sport like a Michael Jordan. I'm fairly sure the U.S. is the only country to have a professional women's soccer league (maybe Japan as well?). This film is fully aware of this. If girls' soccer coaches from age five on up don't make this film required viewing for their team, they should consider leaving coaching.
Wow, I can't believe I waited so long to see this film. I just never got around to watching it. The plot has nothing that interests me. I know nothing about soccer (football.) I am one of those American fools that has no clue. I had never even seen David Beckham before this film. I chose to ignore the buzz surrounding this film at the time it was released in America. Enough about me.
Truth be told, it was a mistake to ignore this little piece of movie-making heaven. What a fun film. It's full of color and exuberance. I had a goofy grin on my face through the whole movie. Parminder Nagra is so sweet and lovable, you can't help but root for her. No wonder why the American television show E.R. has snatched her up. I have a new appreciation for Indian culture. Those people know how to have a good time. The wedding scenes are dazzlingly beautiful.
The only problem I had was deciphering some of the British slang and dialogue through the accents. I turned on the English subtitles to make sure I didn't miss anything. (This is not a criticism of the film!) I'm sure audiences worldwide have trouble understanding the constantly changing slang in American films as well.
This is a perfect date film. It has a great sports plot like Rocky, and a strong sense of feminism that is empowering for women. I watched it with my wife, and sixteen year old niece, and we all loved it. I highly recommend it.
Truth be told, it was a mistake to ignore this little piece of movie-making heaven. What a fun film. It's full of color and exuberance. I had a goofy grin on my face through the whole movie. Parminder Nagra is so sweet and lovable, you can't help but root for her. No wonder why the American television show E.R. has snatched her up. I have a new appreciation for Indian culture. Those people know how to have a good time. The wedding scenes are dazzlingly beautiful.
The only problem I had was deciphering some of the British slang and dialogue through the accents. I turned on the English subtitles to make sure I didn't miss anything. (This is not a criticism of the film!) I'm sure audiences worldwide have trouble understanding the constantly changing slang in American films as well.
This is a perfect date film. It has a great sports plot like Rocky, and a strong sense of feminism that is empowering for women. I watched it with my wife, and sixteen year old niece, and we all loved it. I highly recommend it.
Jess is 18, very smart and wants nothing more than to play football, when she joins a local team she has to lie to her parents again and again, as they would never approve of her chasing her dream, they want her to settle down with a nice Indian boy and learn how to cook.
Bend it Like Beckham is a very funny feel good movie that doesn't need to be deep and complex, it's just fine as it is. The cast are all very good and they play their roles very well, the story is simple and predictable, but it works perfectly and the script is very realistic and very funny.
A great Family movie 8/10
Bend it Like Beckham is a very funny feel good movie that doesn't need to be deep and complex, it's just fine as it is. The cast are all very good and they play their roles very well, the story is simple and predictable, but it works perfectly and the script is very realistic and very funny.
A great Family movie 8/10
`Bend It Like Beckam' is a heartwarming charmer about a young girl's search for identity in 21st Century England. Like `Fiddler on the Roof,' `Beckam' deals with the painful struggles tradition-bound cultures must go through as they enter a looser, more freedom-loving modern world. The culture in this case is that of immigrant and first-generation Indians living in Great Britain. As with all such tales, it is the young folk who feel the need to pull away from the stuffy values of the past, and who end up dragging the reluctant older folk kicking and screaming into the future right along with them.
Jess Bharma is a fairly typical teen with dreams of becoming a world-class soccer player. However, Jess also comes from a very traditional Indian family that believes a girl should not play around with boys, show her legs in public, or aspire to much beyond marrying a good Indian boy and raising a family. We've seen this kind of set-up countless times before and `Bend It Like Beckam' will certainly not win any prizes for creativity or originality. It does, however, have a youthful exuberance and a generous spirit that can't help but captivate even the most diehard, coldhearted cynic. Parminder K. Nagra is utterly winning as young Jess, capturing all the innate optimism and unquenchable enthusiasm of this irrepressible character. She receives superb support from a cast of outstanding actors, both young and old, including Keira Knightley as Jules, her inspirational buddy who provides Jess with the opportunity to bring her dreams to fruition; Jonathan Rhys-Meyers as Joe, the handsome young coach who provides lessons in love along with lessons in soccer; Anupam Kher as Jess' father, who turns out to have some of his own personal demons to deal with; Shaheen Khan as Jess' mother, who doesn't understand why her daughter can't be content with the pre-ordained life her parents have laid out for her; and Juliet Stevenson as Jules' mother, who proves that Indians don't hold a patent on tradition-obsessed parents. In its quiet, gentle way, the film also confronts the issue of racism, particularly in terms of how the Indians are often still treated as second-class citizens in British society.
As directed by Gurinder Chadha, `Bend It Like Beckham' is a light-on-its-feet `feel-good' film that never takes itself too seriously. The movie suffers a bit from a sitcom mentality, as when, for instance, Jules' parents labor under the illusion that their daughter and Jess are actually lesbian lovers. The plotting, in addition to being predictable at times, often seems contrived and excessively melodramatic (the rivalry between Jess and Jules over Joe being the primary offender). But this isn't enough to do any serious damage to the film as a whole.
Thus, if you're looking for a film that is easygoing, uplifting and comfortably old-fashioned in its demeanor and theme, `Bend It Like Beckham' is for you.
Jess Bharma is a fairly typical teen with dreams of becoming a world-class soccer player. However, Jess also comes from a very traditional Indian family that believes a girl should not play around with boys, show her legs in public, or aspire to much beyond marrying a good Indian boy and raising a family. We've seen this kind of set-up countless times before and `Bend It Like Beckam' will certainly not win any prizes for creativity or originality. It does, however, have a youthful exuberance and a generous spirit that can't help but captivate even the most diehard, coldhearted cynic. Parminder K. Nagra is utterly winning as young Jess, capturing all the innate optimism and unquenchable enthusiasm of this irrepressible character. She receives superb support from a cast of outstanding actors, both young and old, including Keira Knightley as Jules, her inspirational buddy who provides Jess with the opportunity to bring her dreams to fruition; Jonathan Rhys-Meyers as Joe, the handsome young coach who provides lessons in love along with lessons in soccer; Anupam Kher as Jess' father, who turns out to have some of his own personal demons to deal with; Shaheen Khan as Jess' mother, who doesn't understand why her daughter can't be content with the pre-ordained life her parents have laid out for her; and Juliet Stevenson as Jules' mother, who proves that Indians don't hold a patent on tradition-obsessed parents. In its quiet, gentle way, the film also confronts the issue of racism, particularly in terms of how the Indians are often still treated as second-class citizens in British society.
As directed by Gurinder Chadha, `Bend It Like Beckham' is a light-on-its-feet `feel-good' film that never takes itself too seriously. The movie suffers a bit from a sitcom mentality, as when, for instance, Jules' parents labor under the illusion that their daughter and Jess are actually lesbian lovers. The plotting, in addition to being predictable at times, often seems contrived and excessively melodramatic (the rivalry between Jess and Jules over Joe being the primary offender). But this isn't enough to do any serious damage to the film as a whole.
Thus, if you're looking for a film that is easygoing, uplifting and comfortably old-fashioned in its demeanor and theme, `Bend It Like Beckham' is for you.
Did you know
- TriviaParminder Nagra was worried that the scar on her leg would prevent her from getting the role of Jess. Instead, the scar, and the story behind it, were worked into the script.
- GoofsJess's team, Hounslow Harriers, is playing Queens Park Rangers (QPR) in the final. A woman wearing a QPR scarf is sitting behind the Harriers' bench and is seen cheering after Jules and Jess score goals against QPR.
- Quotes
Wedding Guest: Lesbian? Her birthday's in March. I thought she was a Pisces.
- Crazy creditsThe closing credits feature cast and crew singing "Hot Hot Hot", with many of the lyrics in Punjabi. One group can be seen holding a "cheat sheet" index card, presumably with the lyrics on.
- Alternate versionsThe version that aired in North Korea was cut down by eight minutes. This was done to omit all references to the sub-plots about religion and homosexuality.
- ConnectionsFeatured in Goodness Ungracious Me! (2002)
- SoundtracksElevation
(2002)
Written and Produced by Bally Sagoo
Published by ISHQ Music
Performed by Gunjan
Courtesy of ISHQ Records
- How long is Bend It Like Beckham?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Jugando con el destino
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £3,500,159 (estimated)
- Gross US & Canada
- $32,543,449
- Opening weekend US & Canada
- $161,528
- Mar 16, 2003
- Gross worldwide
- $76,585,951
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Bend It Like Beckham (2002)?
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