17 March 2012 | vorce
Having watched other films by Paolo Sorrentino, I was expecting the same refined film-making plus the usual original subject and convincing acting. While the last is certainly present in L'uomo in più (thank mostly to Toni Servillo), I found the whole plot quite disappointing and a rather standard cinematography. Additionally, a few characters are roughly sketched: they are presented during the plot but disappear a few scenes later. Add a general lack of rhythm and a banal intertwining between football and music, full of clichés (the bad manager surrounded by naked girls, the old football manager training youngster near the motorway, just to name a few) and you have a movie that is both too short and too slow at the same time. Watch the other titles by Sorrentino, they're by far better than this.