10 January 2003 | Herr Nosferatu
Digvijay Singh's tragic observation of life in secluded India is both invigorating, in the sense that life, and its people seem to care only for the simple things that make them happy, and it is above all savagely tragic, in ways that certain rites and traditions are not or should not exist in the first place.
The tragedy is amplified quite masterfully by the approach of the little girl's life. The film centers around her innocent childly activities and her simple (yet perhaps quite harsh) life in a poor under developped area of India. Unfortunately, fate would have it that the child must grow and become aware of certain aspects of life which simply can't be understood nor accepted.
This film is a prime example of how I see tragedy. To fully implement a strong sense of tragic, one needs to build it around simple minded genuine calmness. I found the film perfect in this aspect.