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  • Charlie Croker (Mark Wahlberg) assembles a crack team to pull off one last job; a daring heist of a safe which contains $35 million dollars worth of gold bars. However, shortly after the heist has been completed, one of the team turns against the others and escapes with the gold and leaves the remaining members of the team for dead. Following this betrayal, Charlie and his crack team which includes computer genius Lyle (Seth Green), explosives expert Left Ear (Mos Def), and getaway driver Handsome Rob (Jason Statham) set to work in recovering the gold back from the 'rat' in the group with the assistance of safe cracker Stella Bridger (Charlize Theron).

    I saw the 1969 version of The Italian Job some time ago and remember finding it reasonably enjoyable (although I recall it having a rather bizarre ending). However, I have to admit to possibly enjoying this remake/reboot slightly more....

    I think the biggest strength of this film lies with the characters and their dialogues; as we're introduced to each character we're given a little bit of background information on each character in order to explain away their relevant 'expertise' but it's done in a way that was both funny and clever. I quite liked the way that each character was set-up in this way. I also felt a great sense of camaraderie between the cast; the whole production was done in a very slick and tongue in cheek manner; I thought the scenes between Green and Statham were the funniest and strongest scenes, but the rest of the cast were all great as well.

    Another big strength with this film is that it's just so much fun; some heists films have a tendency to become over-plotted and throw in twist after twist. However, with the Italian Job we're just given a straight-forward plot, but yet it's still entertaining enough to keep you interested.

    The chase sequences are fun, the direction, editing and basically all technical areas are also excellent resulting in a film that's not only fun, but it's also quite a good looking film too.

    Perhaps having low expectations helped here - I thought the original was a good film rather than a great one so I wasn't expecting much here, but the plot moved along almost as fast as the Minis, the script and the camaraderie between the cast were also top notch and above all else it was fun. Definitely worth watching (especially if you were a fan of the original).
  • Warning: Spoilers
    This isn't The Italian Job (1966). That was a great film and stands on its own, no question.

    But this also isn't a remake. Sure, it uses some of the same elements -some characters with the same names, 3 minis, a carefully planned heist, a robbery/chase where they drive through all sorts of unexpected places, traffic chaos arising from overriding the official system etc. But all those elements are used in a completely different story to the original with completely different character dynamics.

    I liked it. Importantly, there was so much that was different in the story that I never felt the need to compare it to the original.

    Mark Wahlberg, low-rent action protagonist, was marginally less inexpressive than usual, and the rest of the cast gave reliable performances. A special mention must go to Seth Green, occupying the Benny Hill slot as official bollixer of traffic lights - a quite different character (no big ladies for a start off!) but still a very funny performance.

    The original is still out there, folks, and it's still great, but this version has a lot going for it - don't discount it.
  • A few years ago I saw this remake of the sixties classic with the Mini Coopers for the first time and I remember liking it a lot. Now, about two years later it was shown on television and I just wanted to know whether I would still like it as much as when I saw it in the cinema. Well, the answer is yes.

    The movie is about a team of robbers that will do one final job in Venice, Italy. The plan is flawless and the execution perfect. They escape and won't have to work for the rest of their lives. But there is one problem they didn't take into account: Someone within their own ranks doesn't like to split the loot, but wants to keep it all for himself, even when that means he will have to kill the rest of the crew. But all but one survive and they are out for revenge. One year later, in Los Angeles this time, the surviving team members create a smart and devious plan to steal back the gold and get their revenge on the traitor...

    The story on itself is of course not very original, since this is a remake of the original 1969 movie, but it has plenty of goodies to offer to make you forget about that. This is a typical heist / action movie but it certainly is one of the better ones in its kind. The action is very nice, the landscapes and Venice are real eye-candy, the story is OK and the special effects are stunning. Even the acting is very good, something which you'll not often see in an action movie. I must admit that I really liked what I saw and I give this movie a well deserved 7.5/10.
  • If you are looking for a film that is quick witted and won't bore you then this is the place. It is fast paced and funny with some decent acting comeing from the characters. It is always hard for me to see Mark Walhberg as anything except Marky Mark. That image is burned in my mind forever. As an actor though he is pretty good. This movie is a must see for action fans who like to see a few little twists and turns. I will have to pick this movie up one day and buy it.
  • My reaction to this remake of "The Italian Job" is probably hopelessly mixed up with the events occurring in my life when I saw it; This is the first movie I saw after I had just landed a job after 8 months of unemployment and going back to school for retraining. Money was still tight, but I no longer had to choose between seeing a movie in the theaters and paying bills (or eating lunch), and the sense of relief and gratitude I was feeling at the time was enormous. In consequence, my enjoyment of "Italian Job" was probably far out of proportion to its actual worth.

    Still, I picked it up used on DVD a few weeks ago and watched it again, and I still enjoyed it immensely. I have never seen the original (though I have heard it is an absolute classic), but its modern day counterpart is eminently watchable if you have a taste for modern day production values applied to older films plots and themes.

    What initially won me over to this movie was the soundtrack - IMO Don Davis writes some of the most supple, textured and aurally pleasing soundtracks around. IJ opens with a sly, witty, pulsing arrangement that combines strings, guitar harmonics, brush work and quiet moments - it won me over completely from the opening seconds. And the whole movie is like this - I haven't heard this kind of ringing, chiming, pulsing soundtrack music since Stewart Copeland left the Police and started doing soundtracks for movies like "Rumble Fish". There are at least a dozen irresistibly scored motifs in here, along with some pop song remakes that range from "all right" to "inspired". For people to whom the soundtrack is important, this movie is a delight.

    On to the movie: I can take or leave Mark Wahlberg, but he's okay here as the leading man, and the movie doesn't ask him to do anything he can't do well. He's the weakest "major" actor in the film, but that's because the rest of supporting cast is so strong, especially Donald Sutherland in a bit part. Mos Def, Jason Steadham, Ed Norton, Seth Green and Charlize Theron all turn in solid, fat-free performances. Norton seems to mostly be phoning it in (rumor has it that he didn't really want to be in the film), but he's still a natural even at 1/2 power. My one quibble with the casting and acting is with the character "Wrench", who seems to be a male model pretending to be an actor. His part seems to be shoehorned into the movie, and he has little chemistry with the rest of the cast (although you can blame some of that on the size of the part and the "late walk on" nature of the character). If I were a cynical sort,I would wonder who the actor slept with to get put into this movie in such a supernumerary role? Nah, never happen...

    Production values, camera work, stunts, plot...everything cooks along quite nicely and Gray and his production crew pull things together pretty seamlessly (with the exception of the "Wrench" character, see above).

    The dialog has a nice, light touch that rewards your indulgence, and there are several satisfying major and minor plot payoffs along the way. (My favorite moment - when Norton's character tells Wahlberg's character that he's just lost the element of surprise. Wahlberg proceeds to cold cock Norton with a right cross, and then asks him, "Were you surprised??" Hmmm, maybe you had to be there...)

    Of course the movie requires a certain level of "suspension of disbelief" to work, but if you just relax and go along with it (and don't think too hard about the mechanics of cracking a safe underwater, or the likelihood of anyone being able to successfully hack and manipulate LA traffic via a laptop, etc), you'll have a fun ride.

    "The Italian Job": it's lightweight summer fluff, but it's very good for what it is, and it doesn't try to be anything else. It isn't good enough for an "8" but I'd give it a "7.5".
  • John Bridger's gang of thieves are double crossed and left for dead after a daring gold raid in Venice. The surviving members regroup and convene in L.A. to enact revenge and recapture their gold ... the job is on!

    This could have been a complete disaster, I'm British and the wave of revulsion that boomed in my homeland upon hearing of this remake was explosive; "how dare they remake a British institution" was the cry. Things were not helped in the run up to the film's release by main star (and draw card) Edward Norton, proclaiming that the film was a contractual obligation and that fans of his work would be better advised to give The Italian Job a miss...

    Had to be a stinker then surely? Actually no it isn't. Director F. Gary Gray hasn't remade the "Italian Job" of 1969, in fact he hasn't even re-imaged it, the minis are in there, the gold is in there, but all the stand out moments so beloved by many in the 69 film of the same name are not to be seen at all. So what we get is a very cool heist-come revenge movie, that's maybe a tad too glossy at times, but it has got a pretty sharp script, tight action sequences and a group of actors working very well as a team. Mark Wahlberg, Mos Def, Jason Statham, Seth Green and the delectably delicious Charlize Theron all come out smelling of roses, whilst Edward Norton really had no cause for concern because his portrayal as Steve is a smarmy delight.

    I have jokingly titled this film "Ocean's 5", but that is in no way detrimental to "The Italian Job", it lacks the jazzy coolness of "Soderbergh's Ocean's 11", but it's a fun and enjoyable picture all in its own right, thus the rating of just under 7 IMDb is actually spot on. 7/10
  • The Italian Job is a real blast to watch. It's a genuinely entertaining film, something you watch just for the sheer enjoyment of it. It's not heavy with drama or emotional hand-wringing, it has no cosmic statements about life, and it's not violent or profane. It's just a fun movie. Between watching the little Mini Coopers fly around the crowded streets of L.A. and the great bits by stereotypical computer geek-turned-crook (played gleefully by Seth Greene), I had a lot of fun watching this film.

    Special kudos to the background music. They truly set a masterful tone for such a movie, so subtle yet keeps you on the edge when needed. Apparently a lot of artists contributed to the music, I found it to be the classiest part of the film.

    8 out of 10. Not awe-inspiring but a great film to watch at the end of a lousy day at the office.

    Barky
  • Greetings again from the darkness. Today's giant movie screens and earth rumbling sound systems make action films an exhilarating experience. Throw in a nice story and some eye candy and it is truly a blast. OK the story is just a reshaping of the original with Michael Caine, but the added humor - mostly supplied by Seth Green ("Austin Powers" and "Knockaround Guys") and the super cool guys - Jason Statham, Marky Mark and veteran Donald Sutherland add a punch to this one. Who am I kidding? The big difference here is the eye candy! The mini-Coopers and Charlize Theron add a touch of Bond. Whether the stunner is driving the fun cars or cracking a safe in her hotel room, she is captivating. The films weak link is the usually dependable Edward Norton who seems to be sleep walking through his role. Maybe he has reached the point where he feels he deserves more screen time. His role is important, but his lackluster performance doesn't ruin the film at all. Would have enjoyed seeing what a meatier performance could have added to the film, though. Anyway, enjoy the ride and the view!
  • I went to see THE ITALIAN JOB with mixed reviews in my head. I was pleasantly surprised with an entertaining close to 2 hours. I thought the cast was just great and so were the special effects, with the safe and truck just dropping out of sight. If you like fast paced action movies, this is the one to see.
  • The original 1969 film offered something different. Set mostly in Turin-Italy the film is about a group of clumsy English villains who set out to grab a stash of gold bullion during transit. They find themselves up against it with both the Mafia and the Italian authorities. Much of the film is very typically British from the cast and their accents to the Austin Mini cars (red, white and blue with GB stickers on the back!).

    This is one of the few films I can think of that doesn't have a happy ending but it does have the feel good factor and an excellent cliff hanger to boot. When viewed today it obviously lacks some of the refinements we have come to expect from the typical Hollywood blockbuster, some of the acting and camera shots are laughable. However 35 years on it still hold it's own and has many merits including...

    Good music Lovely cars 60's Fashion Stunning backdrops Good stunts Original and plausible plot Memorable cliff hanger

    A very British film with plenty of character 8/10

    The new film is very different to the original movie. In fact most of the good features that the original had going for it were lost. In it's place is a blatant marketing exercise for the new BMW mini mixed in with some good but uninspiring action sequences. The new film starts in Italy but then moves to the U.S. which for me misses the point slightly. I found that the plot involving the traffic light control method used in the new film to be rather geeky and unbelievable at best (another feature that worked better in the old film).

    Despite it's faults the film contains some nice action sequences and is watchable (although one viewing is more than enough).

    If I hadn't already seen it all before, by itself this might be a great film. However I have and this isn't. 5/10
  • Floated29 September 2010
    Warning: Spoilers
    Those are just a few to grace this cast. I don't know what it is about heist film always having all-star casts but gotta love it. On to the movie, its about a group of thieves who steal $35 million in gold only to have a member of their crew (Norton) double-cross them to take the gold for himself and leave the crew for dead. Well don't you know it the crew survives (minus one) and want payback. Thus introduce car chases, neat gizmos, cool cars, and lots of humour, while attempting to be serious.

    I didn't have high expectations for this film because by the trailer it looked rather cheesy, but that doesn't mean that I didn't want to see it. I have to say that I like most of Mark Wahlberg's films, but I don't like him as an actor. He was mostly mono-tone throughout the whole film, even when trying to be saddened or mad. He showed virtually no personality, no charisma. The rest of the cast was a joy to watch, fitting their characters perfectly. I have to highlight Seth Green and Jason Statham. All of Seth Green's films are just so great because he comes off so slick and smooth in his character. Edward Norton is a great villain and really worked by the response of the audience at my theatre, I heard one person calling him an asshole after killing someone (won't say who).

    The car chase scene was worth the wait, nothing really special but pulled off well. Its a change of pace from SUV's or Ferraris. The one thing that might happen is throughout the film you will either say "yeah right, like thats possible" or you will be enjoying the film and not care. I enjoyed this film with a few exceptions, I would of liked to see a lead with more personality but it didn't hinder the film. There is actually a pretty good back plot (won't tell what), and great side characters. I will say one thing, "skinny Pete", you will know what I mean when you see it. As a rewatch 06.11.20' and nearly 10 years since the initial watch in September 2010, opinions remain the same. Great fun, entertaining and occasionally light heist film. There isn't strong bloody violence which made this film more in tone. Overall just as good as remembered, if not slightly better.
  • ccc95023 February 2005
    I enjoyed the movie very much. Everything in The Italian Job is simple. An explosive guy, a safe-cracker, a computer genius, a wheel-man and a man with a spectacular plan of stealing 35 million without using a gun. This film is entertaining although it has no central idea. It is a non-stop movie with lots of actions. All the stunt work is gorgeous. From the speedboat chase in Venice at the beginning to the chase on the busy roads in Los Angeles involving three mini coopers and even a helicopter. The best boast chase I have ever seen. I like the mini coopers. The expert thieves used mini coopers for the getaway cars. The chase between the mini coopers and the motor-bikes is amazing. They chased underground. I can say there was not a moment I was bored. Mark Wahlberg (Charlie Croker), Charlize Theron (Stella Bridger), Donald Sutherland (John Bridger), Jason Statham (Handsome Rob), Seth Green (Lyle), Mos Def (Left Ear) and Edwin Norton (Steve) really did a good job. I like the actors in this film. I have seen a lot of heist movie but The Italian Job& is one of my favourites. A great Hollywood action movie without a drop of blood. After all, I do love this kind of movie.
  • Warning: Spoilers
    John Bridger (Donald Sutherland), Charlie Croker (Mark Wahlberg) and team successfully steal $35 million in gold in Venice, Italy. They get double-crossed by team member Steve (Edward Norton) and John is killed. After finding Steve in L. A., Charlie reassembles the team to rob Steve and get revenge. However, he needs the help of John Bridger's daughter, Stella (Charlize Theron), a professional safe cracker who uses her skills for good. This also stars Seth Green, Mos Def, and Jason Statham as members of the team. That's a great group of actors, and they had a fun time driving Mini Coopers thru L. A. traffic and under L. A. And I think we all had fun.
  • Warning: Spoilers
    This is a woeful Hollywood remake of a classic British film. Everything that made the original "Italian Job" entertaining has been bled out of this festering sore of a movie "scripted" by Donna and Wayne Powers and listlessly "directed" by F Gary Gray. I am amazed that Troy Kennedy Martin (the screenwriter of the original film) allowed his name to be used in the credits for this pig's ear. Martin has worked on some of the finest film and TV projects of the last 40-odd years. Even being vaguely associated with this stinker is NOT A GOOD THING.

    The humour is forced, the drama is laboured, all the characters are cookie-cutter likable crims (with the exception of Charlize Theron's implausible, beautiful safe cracker/rally driver)and the plot only matches the original on the following points:

    (1) Three Minis (the modern BMW-made versions, but Minis nonetheless)

    (2) Use of the names Croker and Bridger for 2 of the main characters

    (3) Disrupting a city's traffic control system to provide a safe route through it.

    (4) Er, that's it.

    Otherwise, what you get is a bland and implausible American by-the-numbers heist movie in which a gang of jolly pirate chums eventually get the better of their evil associate. Believe me, it feels like an awful long time before they do. The cast do their best with what they're given but it seems that they all accepted it as a turd-polishing exercise after reading the script. None of the original film's quirky nature and distinctly British flavour has survived being fed into the Hollywood hamburger machine.

    Do yourself a favour and watch the original 1969 movie instead of this sucking chest wound. It's a wonder that Noel Coward hasn't done an Aunt Nelly, jumped out of his grave and kicked the teeth of everyone involved in this tepid remake halfway down their throats.

    Italian Job? More like Italian Jobbie.
  • Overall a good movie

    The bank job it's the typical action film, with some minor improvements. Team work is not something which i didn't see before, this isn't the first film which insists on the robbery business, and won't be the last one. The cast tough famous wasn't so good, actually it was medium to overstate. Still what makes it a good action title?

    this time is in the details, this is the most important plus. Not the acting, not the end, not the far fetched story, but the details.

    It was lively I admit, which made it pleasant to watch, but it's not all about the rhythm. There are other things which should be take in considerings, like: characters. The character typology was standard: the beautiful, dangerous woman, the impulsive leader, the computer genius, not to mention the handsome skilled driver. It wasn't something new, and surely wasn't fortunate.

    The simple alignment of a title, to action genre doesn't or shouldn't undervalue important aspects such as originality and authenticity, which are clearly neglected here.

    Not bad but still lacking originality and authenticity. I rate it *** out of *****
  • The 1969 film I don't revere as a classic but it was very entertaining, and I have to say this film is just as enjoyable. While inferior in some aspects I actually noticed one or two improvements. The plot does meander slightly in the second half, and I found Edward Norton's villain too sleazy and one-dimensional. The film is also a tad too long by about two or three minutes. But it is very fast paced, looks great, has a great soundtrack and has some wonderful set pieces, very like the 1969 film. Where the improvements come are in the direction and the script, here the direction is super-charged, in the 1969 film I found it too flashy, and the script was smarter and more consistent. And the acting wasn't bad either. Mark Wahlberg takes on the Michael Caine role with real enthusiasm and charm and Seth Green is very funny in a very different role. Not to mention Charlize Theron, who is very beguiling as the sassy safe cracker. Overall, entertaining and enjoyable. 7/10 Bethany Cox
  • In crime films, protagonist's side breaks laws, steals money, and do all illegal crimes, so it is important that they win the sympathy of audience. They are usually intelligent and charming. The more important thing is that they do not cause damage to harmless people first. However, threatening pedestrians by taking car race into peaceful sidewalk and messing with public transport system filled with many citizens are all started by Charlie's gang as Steve puts it. Steve becomes the one who follows 'gang' into totally unrelated innocent people. Also Steve is the one who distances from the mass and the mess on the road.

    Story seems disconnected at the half of the movie. Preparation and planning part of the crime become totally different and useless after what's put into action hastily at the end. Finally, Wahlberg and Theron's performance is not charismatic enough to lead the movie, audience, or their team.
  • I wonder how many MINI Cooper automobiles were sold thanks to this movie? It couldn't help but add to the sales of this little car, which is featured in this film, along with an attractive cast.

    This is a very, very entertaining heist-and-chase film. It features a "cool" cast with Mark Wahlberg, Charlize Theron, Edward Norton, Seth Green and Jason Statham.

    The best chase scene is right at the beginning with a boat pursuit in Venice, Italy. The film doesn't overdo the violence, has a pretty intelligent script (with a few short exceptions). features interesting characters and is nicely firmed. The cat-and-mouse game between Norton and Theron's characters is suspenseful and fun to watch.

    Once again, however, we are manipulated into rooting for criminals portrayed as "the good guys." How many times has this happened since the days of "Butch Cassidy and the Sundance Kid" in the 1960s? It's twisted Hollywood, for you. In here, one of the criminals (Norton) stole and killed the leader and father figure (Donald Sutherland) of the gang, so he's the worst of the bunch and the film's villain. Also Theron's character is in the typically overblown-feminist mode of Hollywood in which women can do all things (including driving a car) better than a man. A third minor irritation is Seth Green's smug, smart-ass attitude which we also are supposed to go along with because it's hip and cool.

    Despite these hindrances, it is an extremely entertaining movie and it also doesn't overboard on the profanity or sex....and, yes, those little cars are cool. Everyone I've talked to who has seen this film, enjoyed it.
  • With all the money that movie studios make, it's nice to know that there are still people out there who can take the time out of their busy schedule to thank the people who got them where they are. Paramount for example has been kind enough to shrink down their latest caper movie, "The Italian Job" in to a nice 45 second trailer. If one is fortunate enough to catch this on TV (which shouldn't be a problem), they should take the time to write Paramount and thank them for keeping $7-$10 in their wallet. This movie was THAT 45 SECOND TRAILER STRETCHED OUT OVER 90 MINUTES. I am sorry, but they put everything that would have been enjoyable about this movie in the trailer. From Seth Green's one liners to the (anti)climactic car chase, the movie seemed to drag if only because I was used to seeing it resolved in under a minute instead of two hours. Save your money for something else, just take it as a thank you from Paramount.
  • vweisman27 May 2012
    This movie is on my "Bucket List" of best movies ever. When my kids are old enough to handle it, this movie will be required viewing. Every time it pops up on the movie guide, I can't resist watching it. I should share the fact that I enjoy movies that provide entertainment. Do I notice some goofs and factual errors, absolutely! Do I care? No! Here are the facts about this movie from my perspective.

    Rock solid character development and story line. Story is simplistic, characters have fairly 2 dimensional development and it all requires some suspension of disbelief. If you don't like this, watch a *&%$#@& documentary.

    This plot offers classic characters from Greek tragedies and Shakespeare. The thief with a heart, the thief with a heart who is going straight after this last job, the heart breaker thief, the geek thief, the brilliant thief with a chip, the scum thief who betrays everything and everyone. Then, as added spice you have the straight laced daughter who goes rogue to avenge her father. Lastly, this is the story that illustrates the edict of "Honor among thieves." All these thieves band together to pursue the thief who has violated this sacrosanct honor.

    I LOVE the relationships in this movie. That is what makes me watch the film time and time again. All these characters are so attractive and conflicted. I love how they interact with each other. Naturally, they complement each other, but the beauty of this screenplay is how they enrich each other in the one-on-one interactions. There is good natured teasing between Charlie, Rob, Left Ear, and Lyle. Gradually, Stella is allowed into this "boys club", but with respect for her skills and contribution not because she is just a pretty face.

    Honestly, this is the movie that makes me want to embark on a life of crime. If I could find partners like Charlie, Stella, Rob, Left Ear and Lyle, I would be willing to consider high stakes theft! Please, people, this is movie making at its summit. If you love deliberate suspension of disbelief, watch this movie. Just enjoy the artistry of the story/character development and the craftsmanship of the actors and directors.
  • CinemaSerf3 September 2023
    Aside from carrying through the "Bridger" name (and he had nothing to do with the robbery either, being incarcerated during Her Majesty's pleasure), this has nothing at all to do with the 1969 film of the same name. This is just an excuse to assemble a decent cast, and have some fun. To that end, it works OK. A gang of clever thieves plan end execute a daring heist to steal a great deal of gold from an house in Italy. On their way out of the country, though, they are betrayed and left for dead in an icy reservoir. Spin on a year, and our gang - minus their leader Donald Sutherland ("Bridger") have tracked down the traitor, and are determined to get their loot back. It's quite a charismatic effort this - Jason Statham as "Handsome Rob"; Seth Green as they nerdy "Lyle" and Yasiin Bey "Left Ear" work with well the daughter of their murdered comrade "Stella" (Charlize Theron) to mastermind and execute this audacious theft. Sadly, though - Mark Wahlberg is pretty charm free, as is Edward Norton and the film takes far too long to build up anything like enough pace to get it interesting. The last twenty minutes are quite exciting, but for my money it was all too little too late. Good looking production, though - pity even the minis could not spice it up.
  • Warning: Spoilers
    A gang of cockney villains, led by small-time thief Charlie Croker (Caine), undertake a daring gold bullion robbery in the heart of Turin dressed as England footie supporters and driving a trio of Union Jack colour-coded Minis.With a reputation forged on the back of multiple Bank Holiday afternoon TV screenings, The Italian Job is a "classic" owned by the people rather than the stuffy critical academia. Receiving lukewarm reviews on its 1969 release, Peter Collinson's sensational crime caper has worn well, blessed with enough 60s swagger, swinging music and quotable lines to make it quaint while equal amounts of laughs, story spinning brio and cunning stuntwork keep it fresh.

    Add stunning Continental vistas and the kind of crowdpleasing antics that only really take flight in the cinema, this opportunity to catch it on a big screen is not to be missed.

    Penned by Z Cars writer Kennedy Martin, The Italian Job is a story of charmingly absurdist conceits; a gang of cockney villains, led by small-time thief Charlie Croker (Caine), undertake a daring gold bullion robbery in the heart of Turin dressed as England footie supporters and driving a trio of Union Jack colour-coded Minis (surely the most identifiable getaway cars in the history of crime). Yet this hokey idea is embraced and played up to the hilt - witness Croker's run-ins with the comedy mafiosi - embellished by a clutch of original characterisations: chiefly Benny Hill's potty Professor Peach, with a roving eye for XL ladies, Noel Coward's hilarious imprisoned, criminal mastermind, the regal Mr. Bridger - watch him take applause as news of the gang's "success" breaks through - and Croker's gang of campish crims, eons away from stock in trade hardmen.

    Yet above all these are The Italian Job's two dazzling trump cards: Michael Caine's cocksure embodiment of cool Britannia and the truly breathtaking getaway sequence. Here is a rare heist flick that concentrates on the escape above the crime itself - in which the smallest output of the British motor industry slaughters the fuzz through streets, subways and sewers before meeting a tantalising fate on the edge of that cliff.

    Indeed, after all the Yank flagwaving of Armageddon and within a homegrown cinema dogged by reserved worthiness and humdrum mundanity, revel in a film that exuberantly celebrates the fact that it's ace being British.

    As a film, The Italian Job is hardly a work of unalloyed genius; but as a reminder of the time when Britannia really was cool, it's peerless.
  • This is your basic remake of an old caper film and while it has nothing new to offer as far as the plot is concerned, the action sequences are thrilling to watch. The story is about an older thief named John Bridger (Donald Sutherland) who is in Venice with his gang and they steal 35 million dollars in gold bars but when they are in the Alps they are ambushed by a bunch of armed men headed by Steve (Edward Norton) who is in their gang as well. John is killed and Steve takes off with the bars. A year later Charlie (Mark Wahlberg) gets the gang together again and have tracked Steve down in Los Angeles. The gang consists of Handsome Rob (Jason Statham), Left Ear (Mos Def), Lyle (Seth Green) and they also enlist Johns daughter Stella (Charlize Theron) who is an expert safe cracker. They elaborate a scheme to steal back the gold bars and the action never lets up. Sounds like a very familiar story and it is but director F. Gary Gray does a very wise thing with this material. Its loaded with car and boat chases with helicopters and the way they steal the gold bars is actually pretty creative. The action never really ceases much so the film never becomes boring. Forget about logic, this is one of those summer films that you can just sit back and enjoy. Its nowhere near being a great film like Michael Mann's "Thief", but it is a little better than "Swordfish" minus a beautiful actress getting topless. Edward Norton has stated that he only did this film out of a contractual agreement but he does seem to be having fun playing a real bad guy. His character Steve is your cliche' backstabber but he is enjoyable to watch. Seth Green has the funniest moments in the film as Lyle who insists that he is the original Napster and doesn't generate much respect from his fellow gang members. If you go and see this film you can expect the same story you have seen many times before but the characters are engaging and the theft itself of the gold bars is done in a very exciting manner. Sit back and have fun!
  • Warning: Spoilers
    A ridiculous, badly acted Mini Cooper infomercial. Includes cameos from Pepsi, Dell, etc.

    Absolutely nothing worth rescuing here. Particularly bad are Donald Sutherland, the music score, scene transitions, etc. An embarrassing production.

    Hey, THEY should pay YOU for watching this one.
  • geraintlounging19 September 2003
    This film should never have been made as a remake, maybe a follow up or a homage but not a remake. The film itself is pretty cool, good acting cool lines delivered by a cool cast, but like most people going to see this movie, I was there to see one thing only, the mini chase. The original film really built up to the getaway at the end of the movie and had one of the best climaxes to any film, but if you're going to be holding your breath for an updated version you will be most dissapointed. The mini chase to honest was rubbish, over way too quickly with no where near as much fun and excitment as the original, and the ending of the film.............well it just ends, with no suspense or anything coming close to the originals cliffhanger, it just turns out all nice and Hollywood.

    My advice is, if you haven't seen the original, watch it, if you have, watch it again.
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