After the Muppet Theater faces closure on account of financial hardships, angel Daniel requests Boss to help its owner Kermit the Frog and his team of muppetsAfter the Muppet Theater faces closure on account of financial hardships, angel Daniel requests Boss to help its owner Kermit the Frog and his team of muppetsAfter the Muppet Theater faces closure on account of financial hardships, angel Daniel requests Boss to help its owner Kermit the Frog and his team of muppets
- Nominated for 1 Primetime Emmy
- 2 nominations total
Steve Whitmire
- Kermit
- (voice)
- …
Dave Goelz
- The Great Gonzo
- (voice)
- …
Bill Barretta
- Pepe the Prawn
- (voice)
- …
Eric Jacobson
- Miss Piggy
- (voice)
- …
Robert Smigel
- Triumph the Insult Comic Dog
- (voice)
- (as Triumph the Insult Dog)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is, without a doubt, the best Muppet movie in a *long* time. And the Muppets are back to zany form with parodies, such as "Moulin Scrooge", taking place in their classic Muppet Theater. Most of the newer Muppets are nowhere to be found, while older favorites have returned, and Fozzie has been brought back to the foreground. Welcome back!
The plot, basically a Muppet version of "It's a Wonderful Life" (I guess we can get used to Muppet versions of classics now, since the more original "Muppets from Space" failed), pits Kermit and the gang against a corporate shark who intends to turn their theater into a nightclub. All is fine until everybody's favorite bear fails to get their money to the bank on time. Now, the theater is gone, everyone is out of work, and Kermit is despondent. Time for a little Divine intervention.
The strange thing about this movie is that it maintains a "G" rating, but just barely. The Muppets have always had bizarre and sometimes risque humor (Gonzo's chicken fetish has always been, well, odd), but the ante is upped in this outing, with Scooter cage dancing and Pepe being promised a special bonus as a woman focuses his eyes on her chest. (No cleavage, though. Either you know what she's talking about, or you don't.) It goes a little too far, but just a little, and not enough to destroy the film.
The other problem, really, is that the director seemed more intent on making a feature film than one for television. Many of the segues into commercials feel forced, like they suddenly hit the time limit and had to end the scene prematurely with artificial suspense, or perhaps they wanted to cut to another scene directly but time wouldn't allow. Whatever the reason, the commercial breaks feel very out-of-place. (There's also one too many NBC plugs, but it never really got annoying. Network TV; what're ya gonna do?)
Still, this film is far too enjoyable to nitpick. The Muppets truly are back to form. Let's hope they stay there.
The plot, basically a Muppet version of "It's a Wonderful Life" (I guess we can get used to Muppet versions of classics now, since the more original "Muppets from Space" failed), pits Kermit and the gang against a corporate shark who intends to turn their theater into a nightclub. All is fine until everybody's favorite bear fails to get their money to the bank on time. Now, the theater is gone, everyone is out of work, and Kermit is despondent. Time for a little Divine intervention.
The strange thing about this movie is that it maintains a "G" rating, but just barely. The Muppets have always had bizarre and sometimes risque humor (Gonzo's chicken fetish has always been, well, odd), but the ante is upped in this outing, with Scooter cage dancing and Pepe being promised a special bonus as a woman focuses his eyes on her chest. (No cleavage, though. Either you know what she's talking about, or you don't.) It goes a little too far, but just a little, and not enough to destroy the film.
The other problem, really, is that the director seemed more intent on making a feature film than one for television. Many of the segues into commercials feel forced, like they suddenly hit the time limit and had to end the scene prematurely with artificial suspense, or perhaps they wanted to cut to another scene directly but time wouldn't allow. Whatever the reason, the commercial breaks feel very out-of-place. (There's also one too many NBC plugs, but it never really got annoying. Network TV; what're ya gonna do?)
Still, this film is far too enjoyable to nitpick. The Muppets truly are back to form. Let's hope they stay there.
I think that the people who made this film had the people who grew up with the Muppets (people in their 20's and 30's) in mind. But that's the problem. We watch the Muppet movies to "escape" from the crap that other movies dish out, not wanting to see a movie that celebrates it. Basically, instead of using a plot, the movie tries too hard to use "pop cultural references" (such as referring to Britney Spears, or Triumph the Insult Comic Dog) and also uses inappropriate characters and situations (such as using seemingly gay characters; a rave scene where they have Scooter dancing as a cage dancer in a club, the Shrimp, Pepe, even using the word "sexy", etc.) It's not that we viewers can't "handle" more mature and modern Muppets, it's just that we don't want to. And I don't think parents want their kids to watch this. I just think this kind of stuff would confuse them. Plus the violence, although mild and cartoonish, is unnecessary. They have characters who say "let's go beat up" Fozzie, and fight scenes between humans and Muppets, and Muppets and Muppets, that are uncalled for, and not humorous at all. Bizarrely enough, the humans in this movie (except for one) all have these bizarrely happy smiles on their faces, and don't talk. It's just weird. It's almost like the Muppets are acting worse off than the innocent-looking humans. This movie just failed with me. I was upset how the people who wrote this tried to "sell out" and break something that don't need to be fixed. I will never watch this again, and I would not want to let kids see it. The Muppets have little personality in this, and any plot is substituted with references to other movies, as if the Muppets don't have any worth of their own. Which they should.
Sorry, but the script for this was a good first draft, but a poor final draft. Certainly there are moments of brilliance (the snowman, bringing back Doc Hopper), but they are mixed in with a lame effort to make God into a comedic character, sexual innuendo, and over the top homosexual characters that will discourage both conservative and liberal parents from showing this to their kids.
On Christmas Eve Kermit sits alone on a park bench - a broken frog. His lost cries reach the angels but they can do nothing, until one of them, Daniel, takes the case to God herself and shows Her what brought Kermit to this state in the hope that She will send an angel to help him.
While the TVM status of this film might suggest that it is a lesser product that the Muppet movies that used to be cinema draws, let me assure you that this is not the case and that this film actually benefits from being on TV and keeping the humour of the show rather than having the pressure of becoming a big screen outing. The overall plot is `It's A Wonderful Life' however the back story watched by the angels and us holds spoofs of Moulin Rouge and Scrubs as well as references to A Beautiful Mind, The Grinch, Entrapment and lots more. The downside of this is that the plot is very episodic, but the plus side is that the film is funny and will easily engage adults as well as children.
Opening with the stage manager removing a snowman narrator by calling him a `Burl Ives wannabe' the film keeps this sense of humour that you've come to expect from the TV show. My favourite line from the whole film is Bunsen replying to Beaker with `thank you Beaker - I think you have a beautiful mind too'!
The cast of muppets are very good - with all the new characters from the television show having a bit of time, including Pepe, Risso the Rat, Johnny Fiama and his monkey etc. The voices are not done by the original cast for a variety of reasons but they are still very good - I had to look at the credits to spot that it wasn't Frank Oz doing Fozzie (and Yoda!). The human cast is amusing even if it doesn't all work. The cast of Scrubs are wasted and not funny apart from showing up but cameos from Arquette, Macy, Goldberg and Lillard are all amusing and Cusack seems to enjoy herself.
Overall this was a fun festive film, it has the usual message to it and it has moments that just don't work and the plot really is just a salvage job from other films, but it still works and is surprisingly funny with lots of film references. The downside of this I suppose is that the film won't stand the test of time as the topical references get forgotten over time, but that's why it was a TVM I guess, cause that won't matter.
While the TVM status of this film might suggest that it is a lesser product that the Muppet movies that used to be cinema draws, let me assure you that this is not the case and that this film actually benefits from being on TV and keeping the humour of the show rather than having the pressure of becoming a big screen outing. The overall plot is `It's A Wonderful Life' however the back story watched by the angels and us holds spoofs of Moulin Rouge and Scrubs as well as references to A Beautiful Mind, The Grinch, Entrapment and lots more. The downside of this is that the plot is very episodic, but the plus side is that the film is funny and will easily engage adults as well as children.
Opening with the stage manager removing a snowman narrator by calling him a `Burl Ives wannabe' the film keeps this sense of humour that you've come to expect from the TV show. My favourite line from the whole film is Bunsen replying to Beaker with `thank you Beaker - I think you have a beautiful mind too'!
The cast of muppets are very good - with all the new characters from the television show having a bit of time, including Pepe, Risso the Rat, Johnny Fiama and his monkey etc. The voices are not done by the original cast for a variety of reasons but they are still very good - I had to look at the credits to spot that it wasn't Frank Oz doing Fozzie (and Yoda!). The human cast is amusing even if it doesn't all work. The cast of Scrubs are wasted and not funny apart from showing up but cameos from Arquette, Macy, Goldberg and Lillard are all amusing and Cusack seems to enjoy herself.
Overall this was a fun festive film, it has the usual message to it and it has moments that just don't work and the plot really is just a salvage job from other films, but it still works and is surprisingly funny with lots of film references. The downside of this I suppose is that the film won't stand the test of time as the topical references get forgotten over time, but that's why it was a TVM I guess, cause that won't matter.
I first saw this movie last year on NBC and was very pleasantly surprised. I'm not really a big Muppet fan. It's not that I don't like them, it's just that I've never watched them that much. So why was I interested in this movie in the first place? I'm not really sure. Maybe because Triumph the Insult Comic Dog was in it! Nevertheless, I had some good laughs watching this last year.
Fast forward to the present time and I saw this on sale, so I had to get it. Watching it a second time, I'm a little more conscious about concerns that some scenes were too "adult" for this movie. For example, the whole rave scene might get people upset where lovable Scooter is grinding in a cage!! Another example is the character Pepe who swoons over Joan Cusack's character and uses the terms, "sexy" and "topless."
So I could kind of see how people can get upset with this movie, but I definitely don't think it tarnishes what the Muppets are all about, unlike what's being done in 'The Cat in the Hat' movie. The Muppets still provide family-friendly laughter and moments to people of all ages. Fozzie's Grinch scene was pretty funny, Pepe steals the show, the spoof on 'It's a Wonderful Life' is great, and I like the jabs at NBC's corporate synergy (I'm a business major and a former Disney employee, so I know this stuff well!) I also found the song between Gonzo and Kermit, "Everyone Matters," to be very nice and sweet.
Overall, this is a very nice and funny Christmas movie. I wouldn't necessarily label this as a classic or really all that memorable though, because honestly, are we going to remember some of their references (Scrubs, Ricky Martin, and Moulin Rouge) ten years from now? By the way, I've never seen Moulin Rouge, so that spoof went way over my head!
This movie is good for the current time period, but I'm afraid it won't live on much longer unlike other Christmas classics (Rudolph, A Christmas Story, Mickey's Christmas Carol). Now is a good time to see it though.
My IMDb Rating: 7/10. My Yahoo! Grade: B (Good)
Fast forward to the present time and I saw this on sale, so I had to get it. Watching it a second time, I'm a little more conscious about concerns that some scenes were too "adult" for this movie. For example, the whole rave scene might get people upset where lovable Scooter is grinding in a cage!! Another example is the character Pepe who swoons over Joan Cusack's character and uses the terms, "sexy" and "topless."
So I could kind of see how people can get upset with this movie, but I definitely don't think it tarnishes what the Muppets are all about, unlike what's being done in 'The Cat in the Hat' movie. The Muppets still provide family-friendly laughter and moments to people of all ages. Fozzie's Grinch scene was pretty funny, Pepe steals the show, the spoof on 'It's a Wonderful Life' is great, and I like the jabs at NBC's corporate synergy (I'm a business major and a former Disney employee, so I know this stuff well!) I also found the song between Gonzo and Kermit, "Everyone Matters," to be very nice and sweet.
Overall, this is a very nice and funny Christmas movie. I wouldn't necessarily label this as a classic or really all that memorable though, because honestly, are we going to remember some of their references (Scrubs, Ricky Martin, and Moulin Rouge) ten years from now? By the way, I've never seen Moulin Rouge, so that spoof went way over my head!
This movie is good for the current time period, but I'm afraid it won't live on much longer unlike other Christmas classics (Rudolph, A Christmas Story, Mickey's Christmas Carol). Now is a good time to see it though.
My IMDb Rating: 7/10. My Yahoo! Grade: B (Good)
Did you know
- TriviaSnoop Dogg filmed a cameo appearance, but his scene was deleted. In an interview with Kermit the Frog on The Late Late Show with Craig Kilborn (1999), Kermit stated that because of Snoop's involvement in Doggystyle (2001), it was considered inappropriate to have him appear in a Muppet movie.
- GoofsKermit's hand shifts on and off the back of the bench between shots during Gonzo's song in the alternate universe
- Quotes
Daniel's 'Boss': Why do you care about Kermit's credit problems?
Daniel: Just keep watching. I promise you you'll want to help Kermit.
Daniel's 'Boss': Okay, I'll keep watching. You're just lucky Spongebob isn't on right now.
Daniel: I love Spongebob.
Daniel's 'Boss': Do I care?
- Crazy creditsMuppets (tm)\,mu-pets\ 1: a trademark of The Jim Henson Company for a fanciful troupe of famous puppet characters created and performed exclusively by, and/ or for goods and services coming exclusively from, the characters at The Jim Henson Company [var Muppet; The Muppets]; 2: none
- ConnectionsFeatured in Inside Pepe's Studio: Hosted by Pepe the King Prawn (2003)
- SoundtracksEveryone Matters
Composed by Desmond Child and Davitt Sigerson
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- Превеселе Різдво з Маппетами
- Filming locations
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- See more company credits at IMDbPro
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Top Gap
By what name was It's a Very Merry Muppet Christmas Movie (2002) officially released in Canada in English?
Answer