Gothika

I love a good mystery. Gothika is both a psychological thriller and a supernatural horror. I loved playing detective and piecing together the clues to solve this mystery. It wasn't a very difficult mystery or plot to figure out, but it's still a suspenseful and entertaining movie. Making up for the story's predictability, is the casting of Halle Berry and Robert Downey Jr. Both are fantastic and likable performers. The jump scares are not always effective but they keep you on your toes.

Halle Berry plays brilliant criminal psychologist, Dr. Miranda Grey; an expert in what is rational, logical and sane. After she encounters a mysterious young girl, she finds herself confined to the institute in which she once worked; along side the patients she once treated. She has to rationalise what is real in her own mind, before she loses it forever.

The setting and atmosphere that is created in Gothika is excellent, and the movie is definitely creepy enough to jangle your nerves. Halle Berry, Penelope Cruz and Robert Downey Jnr all fit into their roles nicely; the problem is plain and simple. The storyline and script are too weak to achieve what this movie sets out to do, and because of some lame dialogue and a flawed plot the movie only manages to be decent; when it really should have been great.

6/10 It's still worth watching.

I have read many reviews that seemed to think Gothika was a waste of time. Let me just say, it is not a waste of time. in fact, the film was very enjoyable. it was shot well and the special effects were sophisticated and well handled. The cast was full of surprises such as Bernard Hill(great actor but a strange role). The story was interesting and there was genuine tension throughout.

Berry's character is a doctor in a mental institute. she wakes up to find herself an inmate in the very place she works. Her colleague and friend played by robert downy jnr tells her that she has committed a horrific crime and nobody knows why. so the plot begins to wind its way towards a shadowy truth. However, without giving anything away, the key scenes where important truths are revealed to the audience are simply too clumsy. information is just handed over visually on a plate and leaves little to the imagination. some of the tension built up in

the first half of the film is lost. and the truth isn't quite as gripping and terrifying as we would have hoped(although thats not to

say it is pleasant).

Robert Zemeckis was one of the producers and i think it shows..there is some great camera work and some really interesting ideas but gothika doesn't have some of the subtle touches that What Lies Beneath had, but its easy to see some of the parallels between the two films.

Even though halle berry wears the same look of shocked disbelief throughout the film, she plays it with conviction. and a supporting role from penelope cruz certainly doesn't take anything away from berry.

all in all, gothika provides a good story, an average screen play and enough innovative ideas to keep its audience. but i would have been disappointed if i had paid to watch it at the cinema.

Back then when i first watched it, i thought this was ok. I decided to watch it again yesterday for some reason and i found it much better than i thought. Maybe it's because there is a huge drop in movies quality the last 5 years, and mediocre movies of the past look more than fine now. In any case, this is definitely a good horror/mystery movie, much better than the majority of horror movies nowadays. Acting is above average, Hale Berry is attractive and charismatic, script was good and i was almost at the edge of my seat because i had forgotten what happened in this movie. I said "almost" because this is not a great horror movie but still, every fan of this genre is gonna enjoy it, i believe. Of course, this is not pure horror and don't expect to get really scared, this is more mystery and thriller than horror.

Stars operating at the level of Halle Berry and Penelope Cruz are bound to disappoint critics along the way, especially when the critics are just waiting for some sign of weakness upon which to feed. While there is nothing wrong with any of the acting in this film - these are not the kinds of roles Oscar winners and nominees are expected to indulge in.

What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.

Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.

So what?

If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.

Personally, I don't think it's a ghost story at all- but that is a question best left open.

I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.

Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.

Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.

Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.

To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.

The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.