Ladder 49

Ladder 49 introduces us to the life of Jack Morrison (Joaquin Phoenix), a firefighter for the Baltimore City fire department. Jack is assigned to Fire Station 33 as a pipe-man for Ladder 49. (Note: The pipe-man holds the water hose nozzle and sprays water onto the fire.) As a new probationary firefighter, Jack is assigned all the little jobs at the firehouse. Station 33 Captain Mike Kennedy (John Travolta), and the other veteran firefighters love to play jokes on the new rookies, including Jack. Captain Kennedy takes Jack under his wing to make him the best firefighter in the city. Time passes, and Jack is now a seasoned veteran on the rescue team. Ladder 49 has been called on a four-alarm fire to a burning 20-story building. Chief Mike Kennedy, his former Captain, is in command of the fire. Jack and the rescue team brave the fire to rescue anyone trapped inside. They save several people, and Jack continues to search for others. Jack finds a man and lowers him to safety, just before the floor collapses around him. Jack falls through the building into the middle of the inferno, and is rendered unconscious. When he awakens, Jack is able to radio to his men that he is alive. Now Jack is the one who needs to be rescued. Chief Kennedy coordinates the effort to save Jack. Awaiting rescue, Jack begins to relive his life with his wife and kids, and his career through flashbacks. If you like firefighter movies, you will like this one, because some of the rescue scenes are spectacular. The fire scenes capture the real dangers and unpredictability of a fire. One line in the movie states it all, 'Everyone is running out of a burning building and only the firefighters are running into the fire.' The movie shows how brave our firefighters are and why we should honor them. (Touchstone Pictures, Run time 1:55, Rated PG-13)(8/10)

This is a film that definitely looks at the day to day lives of firemen as it is primarily through the eyes of Jack Morrison. The film pretty much looks at how he starts off as a rookie, how he meets his wife and how his career progresses until that fateful night. The more I watched this film, the more it reminded me of a classic "Adam-12" episode entitled "Elegy for a Pig". The only differences between that episode and the film were the fact that it was only a half an hour as opposed to two hours for this film and the fact that the only person in that episode to have a speaking role was Martin Milner as his character Pete Malloy described his and his best friend's career from the day he joined the force to the night his buddy was killed in the line of duty. The only negative that I found with this film is that it tended to slow down in certain areas, especially in the scenes involving Jack's home life with his worried wife Linda and their kids. This is a solid if not spectacular film where the action sequences take a backseat to the human drama of day to day life.

It was thirteen years ago that Ron Howard's ode to firefighters hit theaters with 1991's Backdraft. This was before Howard went on to direct such popular fare as Apollo 13 and A Beautiful Mind. This was before Kurt Russell figured that Captain Ron might a good idea, and most importantly, this was before September 11, 2001.

To say that our impression of firefighters changed that day sounds, well, awkward. Firefighters have always been held in high regard. They run into burning buildings while everyone else is running out. They put their lives on the line to save others. It is a courage that most of us would like to think we have, but few of us are ever put into a position to test.

On September 11, we watched in awe as the buildings collapsed and 340 firefighters were taken from us prematurely. Although the loss of lives that day included thousands of innocents, we warmed to our heroes and it brought their efforts and incredible bravado back to our attention. Immediately after the tragic events, it was not uncommon to see people wave or salute firefighters in the most remote regions of our country. On CNN we began to hear stories of the personal lives of these men. Their support. Their sacrifices.

It is not surprising therefore that our newly energized interest was translated into big screen emotional powerhouses. In 2002, Anthony LaPaglia and Sigourney Weaver played a firefighter and a writer to prepare eulogies for those fallen in the attacks in The Guys. Now, in 2004, red-hot Joaquin Pheonix and John Travolta have teamed up to bring us the highly effective Ladder 49.

Ladder 49 starts with a fire in a large Baltimore factory where multiple firemen have charged to look for survivors and extinguish the posing threat.

Lead by seasoned veteran Jack Morrison (Pheonix), the firemen are able to rescue a helpless employee before the floor gives way trapping Morrison within the building inferno. As Jack lays there helpless awaiting the rescue from his peers, we are sent back in time via the Hollywood standard flashback to understand what brought Jack to his present peril. We see Jack as he enters the fire hall for the first time and meets Captain Mike Kennedy (John Travolta) who takes the new probie under his wing and over the years develops a bond that includes being there when Jack gets married, has kids and steps into the shoes of a search and rescue firefighter who perishes when a roof gives way during a routine house fire. We learn how the firemen bond, how they drink together rather heavily and regularly and how when they lose one of their own, the emotional impact on them and their families

Don't get me wrong, all the above drama plays out while buildings burn, people are rescued from skyscrapers and people are saved from what would be sheer death if not for the charging brave souls of the local Fire Department. There is enough action to keep the younger audiences looking for the quick rush occupied while enough firemen running around in tight t-shirts to keep the women equally transfixed.

But it is the story that sets this film apart from any other firefighting film in memory. We get a good glimpse into the lives of the men and portrait of a young man learning the ropes and growing within the culture and environment that can be sometimes loose and playful only to become serious and deadly at the sound of a bell. Director Jay Russell (My Dog Skip) packs an emotional punch that doesn't try and suck it out of the audience with an unexpected end. Instead, we see Jack being trapped in the opening sequence and we can pretty much see the writing on the wall before the tragic events play out before our eyes.

For all the focus played to the rising star Pheonix, it is the supporting cast that really stands out within the confines of the 105 minute running time. Travolta seems comfortable in playing a supporting role and is effective and powerful in his portrayal as the Captain of an efficiently run firehouse. Also standing above the average fare is Jacinda Barrett who plays Jacks wife. Yet another beautiful Australian actress, Barrett has the largest load in the film as the anchor that questions why her husband and father of her children would risk his lives for others ignoring his own well being. She both shows anxiety and support in her understanding of his passion and it is her strength that gives the film its heart.

To compare Ladder 49 to Backdraft would be unfair. Backdraft did little to bolster our impression of the firefighting community while Ladder 49 shows them for what they deserve to be recognized as – heroes who at the sound of an alarm will put themselves in harms way to help others.

Don't believe the negative hype being thrown around at this movie at all. It is quite simply one of the most extraordinary tributes out there without all the Hollywood-ization that you find in a lot of movies like this. This is as close to real life as you can pretty much get. While I wouldn't say this was a perfect movie nor did it revolutionize anything, I definitely liked it a lot! I thought the flashback sequence was pretty cool and that it panned out well in the end. There were some sad parts and just like in actuality they usually have to go right back to work the very next day. While John Travolta can put on some terrible performances as of late, he carried on tremendously throughout, especially during his speeches. Joaquin Phoenix is always somewhat good even if he's in a lackluster role which fortunately wasn't the case here. It was also great to see Robert Patrick in another civil service role (as it seems to be that he usually gets stuck with) as he is a vastly underrated actor. Overall a great film, I hope it gets a couple Oscar nods next year!

Final Count:

Movies: Worth the ticket price in every way!

DVD Purchase: Possibly, but it'll mean different things to different people.

Rental: Abso-positvely-lutely!

Joaquin Phoenix gives a moving performance in "Ladder 49," playing a Baltimore firefighter who goes from rookie to 10-year veteran in the course of the story.

Although its chief selling point is its spectacular - but never hyperbolic - fire sequences, "Ladder 49" is actually at its most compelling when it focuses on the struggle firemen go through trying to balance their high risk occupation with their role as husband and father.

In addition to Phoenix, who brings a self-effacing strength and heroism to his character, there are fine performances by John Travolta as the captain of the station, and Jacinda Barrett as Phoenix's understanding but understandably concerned wife.

In the first half of the film, the screenplay threatens to erupt into a raging inferno of stereotypes and clichés, as the characters take an occasional time out from firefighting for puppy love romance at the supermarket, frat boy antics at the fire station and domestic squabbles involving neglected wives and children at the old homestead. But about halfway through the film, the deeper themes rise to the surface and "Ladder 49" begins to explore complex issues in a mature way. The quiet scenes between Phoenix and Travolta, and Phoenix and Barrett are surprisingly subtle, thoughtful and intelligently written.

It takes a while to get there, but "Ladder 49" turns out to be a tribute worthy of its subject.